Imagination Inspiration Innovation

Total Page:16

File Type:pdf, Size:1020Kb

Imagination Inspiration Innovation FOR IMMEDIATE RELEASE Contact: Motl Didner [email protected] Phone: (212) 213 – 2120 x211 December 8, 2014 National Yiddish Theatre Folksbiene presents From Rosenfeld to Robeson Starring Elmore James and Zalmen Mlotek Thursday March 19, 2015 at 7:30 PM Temple Beth El, 350 Roxbury Rd, Stamford, CT This concert is presented free of charge to the community by the Holocaust Memorial Committee and the UJF Levy Romanowitz fund, as a tribute to Hesh Romanowitz z''l. ADL, Chavurat Aytz Chayim, Congregation Agudath Sholom, Jewish Historical Society, Selah, Temple Beth El, Temple Sinai, UJA/ JCC Greenwich,UJF, Union Baptist Church and Young Israel are co-sponsors. (New York, NY)— Now in its 100th Season, National Yiddish Theatre Folksbiene [NYTF] brings a dynamic new concert to Temple Beth El of Stamford, CT. From Rosenfeld to Robeson debuted this summer at the Singer festival in Warsaw, Poland. Broadway and international opera star, Elmore James and Zalmen Mlotek, Artistic Director of the National Yiddish Theatre Folksbiene take you on a musical journey through the repertoire of both Morris Rosenfeld, the famous Yiddish poet of the Lower East Side sweatshops, and Paul Robeson, the great African American singer, actor and civil rights activist. Together, they explore the pathos inherent in love ballads, songs of the sweatshop and slavery, melodies of spirituality, protest and hope. This new concert breathes fresh life into its interpretations of classics Yiddish songs, songs of revolutionary poets, Holocaust era partisans and Broadway favorites. IMAGINATION ● INSPIRATION ● INNOVATION 90 John Street ● Suite 410 ● New York, NY 10038 Phone 212-213-2120 ● Fax 212-213-2186 ● www.nationalyiddishtheatre.org ELMORE JAMES - is a veteran of five Broadway Shows. He sings in nine languages and first sang in Yiddish at Town Hall’s, Yiddish in America, a Gala Concert Celebrating the Centennial of the Workman’s Circle in New York City Elmore James co-starred in the last show to perform at the Harold Clurman theatre on Theatre Row, Hip, Heymish and Hot, the whimsical Yiddish/Jazz concert with Eleanor Reissa. As one of Broadway’s most versatile artists, Mr. James’ operatic performances include appearances at the Metropolitan Opera House, Carnegie Hall, Avery Fisher Hall and the opera houses in Paris, Vienna, Munich, Berlin, Rome, Verona, Sicily, Sweden and Norway. ZALMEN MLOTEK is the Artistic Director of The National Yiddish Theatre- and is an internationally recognized authority on Yiddish folk and theatre music . Mr. Mlotek brought Yiddish-Klezmer music to Broadway and off-Broadway stages. His shows , Those Were the Days, The Golden Land, and On SEond Avenue have received Tony nominations, Drama desk awards and nominations. He has helped Michael Tilson Thomas, Mandy Patinkin in their research and work and has produced numerous CDs , including Ghetto Tango with Adrienne Cooper z’l. He has served as music director for theatrical productions at the Williamstown Theater Festival, the Great Lakes Theater Festival, the Westchester Light Opera, the American Repertory Theater in Cambridge, the American Musical Theater Festival in Philadelphia and the American Conservatory Theater in San Francisco. Zalmen, Bryna and the staff of the NYT-F are busy at work planning the historical Festival of Jewish Performing Arts in New York which will take place in June 2015 to celebrate the Folksbiene’s centennial year. PAUL ROBESON (1898 – 1976) was an American singer and actor who became involved with the Civil Rights Movement. At Rutgers University, he was an outstanding football player, then had an international career in singing, as well as acting in theater and movies. He became politically involved in response to the Spanish Civil War, fascism, and social injustices. His advocacy of anti- imperialism, affiliation with communism, and criticism of the United States government caused him to be blacklisted during the McCarthy era. In the 1940’s his anti-fascist activism led to friendships with the Soviet Yiddish poet Itzik Feffer and theater director Solomon Mikhoels. Robeson added many Yiddish songs to his repetoire as the result of this relationship. MORRIS ROSENFELD (1862 – 1923) was a Yiddish poet born in Stare Boksze, Poland. His work sheds light on the living circumstances of emigrants from Eastern Europe in New York's sweatshops. He worked as a tailor in New York and London and as a diamond cutter in Amsterdam, and settled in New York in 1886, after which he was connected with the editorial staffs of several leading Jewish newspapers. In 1904 he published a weekly entitled Der Ashmedai. In 1905 he was editor of the New Yorker Morgenblatt. He was also the publisher and editor of a quarterly journal of literature (printed in Yiddish) entitled Jewish Annals. He was a delegate to the Fourth Zionist Congress at London, and gave readings at Harvard University, the University of Chicago, Wellesley and Radcliffe colleges. American novelist Upton Sinclair referred to Morris Rosenfeld as “The true voice of the sweatshop worker.” For more information about The National Yiddish Theatre Folksbiene visit www.nytf.org. ### IMAGINATION ● INSPIRATION ● INNOVATION 90 John Street ● Suite 410 ● New York, NY 10038 Phone 212-213-2120 ● Fax 212-213-2186 ● www.nationalyiddishtheatre.org .
Recommended publications
  • Rose Schneiderman and the Labor Movement American Jewish History Through Objects
    Why Do People Unite? Discovering Rose Schneiderman and the Labor Movement American Jewish History Through Objects 01 MISHNAH PIRKEI AVOT STREET MEETINGS 09 If there is no flour, there is no Torah; What do the people do when the courts are reluctant to intervene and the other branches of government if there is no Torah, there is no flour. have failed them for so long? A political or social movement can oftentimes accomplish more than Mishnah, Pirkei Avot 3:21 any lawsuit, and it can certainly do so more quickly. Joshua Weishart, “The Ripple Effect of the West Virginia Teachers’ Victory,” 2018 02 BREAD AND ROSES ADMISSION FREE 08 What the woman who of “bread” and of “roses”? of “bread” is the significance What labors wants is the right The teachers’ unions also to live, not simply exist…. assume that a union con- tract is a benefit for every- The worker must have one, and that certainly is bread, but she must not the case. Unions collect have roses, too. dues from these folks even Rose Schneiderman, 1912 though the contract may be a detriment to their person- 03 INDUSTRIAL POINT al interests. OF VIEW Mike Antonucci, “Five Common Teachers Union Arguments That Rely The machines are so wildly noisy on Half-Truths,” 2017 in the shop / That I often forget who I am. / I get lost in the fright- ful tumult — / My self is de- AUDITORIUM 07 stroyed, I become a machine. / I work and work and work end- If you worry about lessly — / I create and create and create / Why? For whom? I crime, you can either don’t know and I don’t ask.
    [Show full text]
  • Echoes 3 Program.Qxd
    Mint Theater Company Jonathan Bank Artistic Director Ted Altschuler Associate Director Kj Swanson Assistant to the Artistic Director Rochele Tillman Box Office Manager Jim Creighton Box Office Assistant Sherri Kotimsky Bookkeeper Aaron Lenehan Website Design Board of Trustees Board of Advisors Geoffrey Chinn, President John A. Booth Elsa A. Solender, Secretary J. Ellen Gainor Linda Calandra Charles Keating Carol Chinn Austin Pendleton Jon Clark George Morfogen Toehl Harding David Rothenberg Eleanor Reissa Gary Schonwald M. Elisabeth Swerz Kate Weingarten Jonathan Bank “When it comes to the library,” our 2001 Obie cita- tion states, “there’s no theater more adventurous.” In 2002 the Mint was awarded a special Drama Desk Award for “unearthing, presenting and preserving forgotten plays of merit.” MINT THEATER COMPANY commits to bringing new vitality to worthy but neglected plays. We excavate buried theatrical treasures; reclaiming them for our time through research, dramaturgy, production, publication and a variety of enrich- ment programs; and we advocate for their ongoing life in theaters across the world. Mint has a keen interest in timeless but timely plays that make us feel and think about the moral quality of our lives and the world in which we live. Our aim is to use the engaging power of the theater to excite, provoke, influence and inspire audi- ences and artists alike. 311 West 43rd St. 5th floor New York, NY 10036 www.minttheater.org Box Office: (212) 315-0231 James & Jacqueline Johnson Camille & Richard Sheely Mary Rusnak Gus Kaikkonen & Kraig Swartz Rebecca & Philip Siekevitz Alison Ryley Joseph Kaming Leonard & Marion Simon Nannette Sachs SHOW THIS AD FOR A 10% DISCOUNT Audrey S.
    [Show full text]
  • Anarchist Modernism and Yiddish Literature
    i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term.
    [Show full text]
  • MINYAN Directed by Eric Steel
    MINYAN Directed by Eric Steel World Premiere Panorama 2020 Berlin Film Festival Festival Screenings Saturday, 2/22 at 3:30PM - Cubix 7- Premiere ​ Sunday, 2/23 at 10:00PM - Cubix 5 Thursday, 2/27 at 9:30PM - Cinemaxx 7 Friday, 2/28 at 4:15PM - Zoo Palast 2 Saturday, 2/29 at 10:00PM - Cubix 7 Sunday, 3/1 at 1:00PM - Cubix 9 2020 / USA / 118 mins US Press Contact - Cinetic Marketing Int’l Press Contact - ClaudiaTomassini & Associates Charlie Olsky, +1 917-545-7260 Claudia Tomassini, +49 173 205 5794 [email protected] [email protected] US Sales Contact - ICM Partners Int’l Sales Contact - Visit Films Jessica Lacy, +1 310-550-4316 +1 718-312-8210 [email protected] [email protected] SHORT SYNOPSIS A young Russian Jewish immigrant in Brighton Beach, caught up in the tight constraints of his community, develops a close friendship with his grandfather’s new neighbors, two elderly closeted gay men who open his imagination to the possibilities of love and the realities of loss — and explores the East Village where he finds a world teeming with the energy of youth, desire and risk. Set in the late 1980s, as AIDS hammered New York City, MINYAN is a powerful story of rebellion and self-discovery, sexual and spiritual awakening — and survival. LONG SYNOPSIS David (Samuel H. Levine) is a teenager at a strict yeshiva in Brighton Beach at the height of the 1980s. While helping his grandfather (Ron Rifkin) settle into a retirement facility in the tight-knit Russian Jewish enclave he calls home, he meets Itzik and Herschel, two elderly closeted gay men who open him up to the possibility of connection, community — and love.
    [Show full text]
  • American Jewish History and Culture
    Fall 2017 American Jewish History Exile or Promised Land? Difference or Synthesis? (DRAFT, subject to change) History 512:231:01/Jewish Studies 563:231:01 Professor Nancy Sinkoff Miller Hall, Room 115 Office Hours, Tuesdays, 4:30-5:30 T/TR, 5th period (2:50-4:10 p.m.) 14 College Avenue, room 103 [email protected] This course will examine the history of American Jews through the lenses of the questions: is America the land of exile or the land of promise? How have American Jews synthesized their Jewishness (inclusive of religion) with American values and how have they distinguished their Jewishness from American values? Where have the points of conflict between these two sets of values resided? How have American Jews created Jewish communal forms in the United States and how has American individualism militated against those forms’ cohesion and longevity? What American Jewish thinkers have addressed these issues? How have Jews interpreted their Jewish and American identities culturally? Topics to be covered include: migration, communal and religious innovation, acculturation, ethnicity, and politics. The course will also explore the ways in which Jews have been represented by popular American cultural forms, including fiction and films. Students are required to read the materials in advance of our sessions. We will pay careful attention to the primary sources—all of which are available on Sakai—in class. Hasia Diner, The History of the Jews in the United States, 1954-2004, is the “textbook” for the course. Additional readings, in the form of articles and book chapters, have been uploaded on Sakai.
    [Show full text]
  • Organizing the Unorganizable: Three Jewish Women and Their Union
    This article was downloaded by: [University of Minnesota Libraries, Twin Cities] On: 29 July 2011, At: 20:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Labor History Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/clah20 Organizing the Unorganizable: Three Jewish women and their union a Alice Kessler‐Harris a Director of the Women's Studies Program, Sarah Lawrence College Available online: 03 Jul 2008 To cite this article: Alice Kessler‐Harris (1976): Organizing the Unorganizable: Three Jewish women and their union, Labor History, 17:1, 5-23 To link to this article: http://dx.doi.org/10.1080/00236567608584366 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/ terms-and-conditions This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan, sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Downloaded by [University of Minnesota Libraries, Twin Cities] at 20:47 29 July 2011 ORGANIZING THE UNORGANIZABLE: THREE JEWISH WOMEN AND THEIR UNION * by ALICE KESSLER-HARRIS Women who were actively engaged in the labor struggles of the first part of this century faced a continual dilemma.
    [Show full text]
  • Walt Whitman Quarterly Review
    Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr Walt Whitman in Yiddish Leonard Prager Volume 1, Number 3 ( 1983) pps. 22-35 Stable URL: http://ir.uiowa.edu/wwqr/vol1/iss3/3 ISSN 0737-0679 Copyright c 1983 by The University of Iowa. Walt Whitman in Yiddish Leonard Prager Abstract Acknowledges that although Jews most frequently appear in Whitman’s writing as merely “biblical, mythical, symbolic or at least idealized figures,” Jews themselves have responded to Whitman quite vigorously in their poetry; discusses and examines the ”scores of Yiddish poets who have been inspired by Whitman,” including Joseph Bovshover, Morris Rosenfeld, A. Eysen, Uri-Tsvi Grinberg, B. Alkvit-Blum, and others. WALT WHITMAN IN YIDDISH LEONARD PRAGER "WALT WHITMAN'S voracious curiosity about the inhabitants of the city of New York," we read in the Encyclopaedia Judaica, "led him to consider the Jews. Long before the appearance of Leaves of Grass, he had published two sizable articles in a newspaper he was editing at the time, recording his im­ pressions of the customs of the Sabbath service that he had witnessed at the Crosby Street Synagogue."l Judging, however, by his published works, es­ pecially Leaves of Grass, Whitman's curiosity about Jews was easily satisfied. 2 In "With Antecedents," he could write, "I respect Assyria, China, Teu­ tonia, and the Hebrews," and with equal impartiality he caRed on the ancient muses to migrate: "Placard 'Removed' and 'To Let' on the rocks of your snowy Parnassus, I Repeat at Jerusalem, place the notice high on Jaffa's gate and on Mount Moriah" ("Song of the Exposition").
    [Show full text]
  • FOR IMMEDIATE RELEASE Contact: Bonnie Stein, GOH Productions, [email protected]
    FOR IMMEDIATE RELEASE contact: Bonnie Stein, GOH Productions, [email protected] The fourth annual Adrienne Cooper Dreaming in Yiddish Legacy Concert and Award December 26 th , 2015 at 8pm at the Museum of Jewish Heritage, 36 Battery Place, NYC tickets: $18, Students; $36 General Admission, $180, Patron http://dreaminginyiddish2015.bpt.me/ Beloved stars of the klezmer and Yiddish world will present an evening of music from In Love and In Struggle: The Musical Legacy of the Jewish Labor Bund (YIVO, 1999), an album that features Adrienne and was reflective of her passion for social justice and Yiddish. The recipient of this year's Adrienne Cooper Dreaming in Yiddish Award goes to the wild, wonderful, mind blowing Canadian artist , Josh Dolgin aka Socalled , for his work as a klezmer/hip-hop artist, composer, record producer, puppeteer and multi-facetted, kind, inclusive, creative genius always pushing the edges of possibility. All proceeds from the concert go to the Adrienne Cooper Fund for Dreaming in Yiddish, which supports artists as they embark on the timeless, boundless, utterly unexpected adventure of working in Yiddish. This year the event is hosted by the Folksbiene National Yiddish Theater in partnership with YIVO, keepers of the Adrienne Cooper Archives, GOH Productions, and presented in association with Yiddish New York's inaugural year. THE BIG BEAUTIFUL AC DIY BAND Music Directors: Frank London, Michael Winograd, Michael Winograd, clarinet; Frank London, trumpet; Dan Blacksberg, trombone; Marilyn Lerner, keyboards Anthony Coleman, keyboards; Yoshie Fruchter, electric guitar; Marty Confurius, upright & electric bass David Licht, drums SINGERS (list in formation) Sarah Gordon, Eleanor Reissa, Psoy Korelenko,Zhenya Lopatnik, Dan Kahn, Joanne Borts, Josh Waletzky, Joshua Dolgin, Miryem-Khaye Siegel, and more..
    [Show full text]
  • Newsletter FALL 2016
    15 West 16th Street New York, NY 10011-6301 yivo.org · 212.246.6080 Newsletter FALL 2016 Follow us @YIVOInstitute Letter from the Director » Contact This fall, YIVO continues its vital work to preserve tel 212.246.6080 and celebrate our rich cultural past, while creating fax 212.292.1892 yivo.org a space for the past to shape the present and the future. Join us for a full-day conference on General Inquiries [email protected] Blood Libel, a concert celebrating the work of Archival Inquiries Young Jewish American Composers, a Yiddish [email protected] Photo/Film Archives | PHOTOFILM YIVO CJH ORG Open Mic, a lecture on the publishing of the @ . Sound Archives | [email protected] secret Warsaw Ghetto Oyneg-Shabes Archive, Library Inquiries and a wealth of other concerts, book talks, and [email protected] lectures here at the YIVO Institute. We welcome » Travel Directions you to join us in this vibrant community, as we The YIVO Institute for Jewish Research is located in the Center engage deeply with Jewish life and culture. for Jewish History at 15 West 16th Street between Fifth and Sixth Avenues, New York, NY 10011. by subway Jonathan Brent 14 St / Union Sq. L N Q R 4 5 6 Executive Director 14 St + 6 Ave F L M PATH 18 St + 7 Ave 1 14 St + 7 Ave 1 2 3 14 St + 8 Ave A C E L by bus The YIVO Institute for Jewish Research is the leading academic center for East » Hours [ CLOSED ON MAJOR FEDERAL AND JEWISH HOLIDAYS ] European and Russian Jewish Studies in the world, specializing in Yiddish language, Gallery Hours Administrative Hours literature, and folklore; the Holocaust; and the American Jewish experience.
    [Show full text]
  • The Jews: Their Origins, in America, in Connecticut. a Curriculum Guide
    DOCUMENT RESUME ED 217 108 UD 022 286 AUTHOR Klitz, Sally Innis TITLE The Jews: Their Origins, in America, in Connecticut. A Curriculum Guide. The Peoples of Connecticut Multicultural Ethnic Heritage Series No. 3. Second Edition. INSTITUTION Connecticut Univ., Storrs. Thut (I.N.) World Education Center. SPONS AGENCY Aetna Life and Casualty, Hartford, Conn.; Office of Education (DREW), Washington, D.C. REPORT NO ISBN-0-918158-08 PUB DATE 80 NOTE 153p.; Original publication costs supported in part by the Hartford Jewish Federation and the Connecticut State Department of Education. Not available in paper copy due to institution's restrictions. For a related document, see ED 160 487._ AVAILABLE FRO), 'lliversity of Connecticut, The I.N. Thut World Education Center, Box U-32, Storrs, CT 06268 ($4.00 plus $0.80 postage). EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Acculturation; *Cultural Background; European History; Immigrants; Instructional Materials; *Jews; *Judaism; *Political Influences; *Religious Cultural Groups; Secondary Education; *Sociocultural Patterns; United States History IDENTIFIERS Connecticut ABSTRACT This curriculum guide explores the Jewish ethnic and religious community in the United States generally, and specifically in Connecticut. Intended as a resource tool for studying the Jewish cultural heritage and traditions, the material may be used among Jews and non-Jews. The guide is divided into three parts. Part one is a detailed account of Jewish religious and political history. Part two contains information on the history of Jewish immigration to the United States; the assimilation of Jews into American society; the impact of Jewish culture and religion in American history; and the development of the Jewish cultural community within a pluralistic society.
    [Show full text]
  • Influx of Funding to Boost Security at Area Synagogues by G
    FEBRUARY 13, 2020 – 18 SHEVAT 5780 JEWISHVOL 44, NO 14 JOURNALJEWISHJOURNAL.ORG Influx of funding to boost security at area synagogues By G. Jeffrey MacDonald • 46 percent have added a special JOURNAL CORRESPONDENT assessment to pay for increased security expenses North Shore synagogues have scram- • 58 percent of synagogues with bled to beef up security ever since the security fees charge $75 to $200 October 2018 Tree of Life shooting left per membership unit 11 dead and six injured in Pittsburgh. • 52 percent of synagogues now They’ve been on their own to cover the spend upwards of $20,000 per year hefty costs, running well into the six fig- on security ures in some cases. • 69 percent say it is either likely or But some help is on the way. very likely they will increase secu- Combined Jewish Philanthropies rity spending in 2020 of Greater Boston plans to allocate Though anti-Semitism and threats $350,000 in Communal Security grants against Jews are nothing new, Brandeis in the spring, according to spokeswom- University historian Jonathan D. Sarna an Karen Kuwayti. Funding will be dis- said what we’re seeing now is different. tributed to Jewish institutions, including “I cannot recall a time when there was synagogues and other non-profits. the same focus on security and securing “We have looked at these institu- religious institutions as is true today,” tions and needing to spend $100,000 to said Sarna. “There have been many more $200,000 at an institution for security attacks on churches, synagogues, and is not surprising,” said Jeremy Yamin, religious institutions than in the past.
    [Show full text]
  • East European Jews in the German-Jewish Imagination from the Ludwig Rosenberger Library of Judaica
    East European Jews in the German-Jewish Imagination From the Ludwig Rosenberger Library of Judaica The symbol of East European Jewry was an important tool of German-Jewish self- definition. Were these so-called Ostjuden foreign or family? Did they represent a tradition from which German Jews would have to dissociate in order to secure their civic equality as Germans, or were they fellow members of a single Jewish nation? The stereotypes that German Jews attached to East European Jews reflect their own evolving self-perception and conflicting national aspirations. The long and difficult path toward emancipation during the nineteenth century led German Jews to reject traditional notions of Jewish nationhood and to refashion themselves as “German citizens of the Mosaic faith.” In their efforts to assimilate, they deliberately adopted German middle-class gentility, politeness, and aesthetic refinement, and contrasted these traits with a crude stereotype of East European Jewish life. They created a caricature of the ghetto, which signified not only a confined space but also a self-segregating worldview. German Kultur was viewed as the path out of the ghetto of traditional society into the modern nation-state. Around the turn of the century, many German Jews shifted their focus from assimilation to self-determination, and from German fatherland to Jewish homeland. The image of the Ostjuden was likewise transformed. Distant strangers became long-lost brothers. Archaic tradition became a source of cultural authenticity. The nobility of life in the shtetl (Jewish town), the beauty of traditional religious observance and the perceived cohesion of Jewish national identity in the East were held up as ideals against the tendencies toward intermarriage, apostasy and even self-hatred associated with post- assimilation German-Jewish life.
    [Show full text]