Moby Grape Moby Grape '69 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Moby Grape Moby Grape '69 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Moby Grape '69 Country: US Released: 2018 MP3 version RAR size: 1149 mb FLAC version RAR size: 1628 mb WMA version RAR size: 1250 mb Rating: 4.9 Votes: 885 Other Formats: AU AA DMF ASF MP3 MIDI XM Tracklist Hide Credits Ooh Mama Ooh A1 2:24 Written-By – D. Stevenson*, J. Miller* Ain't That A Shame A2 2:27 Written-By – D. Stevenson*, J. Miller*, P. Lewis* I Am Not Willing A3 2:56 Written-By – P. Lewis* It's A Beautiful Day Today A4 3:04 Written-By – B. Mosley* Hoochie A5 4:20 Written-By – B. Mosley* Trucking Man B1 2:00 Written-By – B. Mosley* If You Can't Learn From My Mistakes B2 2:32 Written-By – P. Lewis* Captain Nemo B3 1:43 Written-By – D. Stevenson*, J. Miller* What's To Choose B4 1:57 Written-By – P. Lewis* Going Nowhere B5 2:01 Written-By – D. Stevenson*, J. Miller* Seeing B6 3:34 Written-By – S. Spence* Companies, etc. Manufactured By – Sony BMG Music Entertainment Credits Engineer – David Diller, Glen Kolotkin, Roy Halee Mastered By – RMLoVerde* Musician [Moby Grape] – Bob Mosley, Don Stevenson, Jerry Miller, Peter Lewis Photography By [Cover] – Bobby Klein Producer, Sleeve Notes – David Rubinson Notes Some track durations not mentioned on record or sleeve. Track durations taken by timing. Purple vinyl pressing. Barcode and Other Identifiers Barcode: 0 90771-5228-1 8 Other versions Category Artist Title (Format) Label Category Country Year Moby Grape '69 (LP, CS 9696 Moby Grape Columbia CS 9696 US 1969 Album) Moby Grape '69 (8-Trk, 18 10 0490 Moby Grape Columbia 18 10 0490 US 1969 Album) KH 30392 Moby Grape Omaha (LP, Album, RE) Harmony KH 30392 Canada 1973 Moby Grape '69 (LP, CS 9696 Moby Grape Columbia CS 9696 Canada 1969 Album) S 52948, CS Moby Grape '69 (LP, S 52948, CS Moby Grape CBS, CBS Netherlands 1971 9696 Album, RE) 9696 Related Music albums to Moby Grape '69 by Moby Grape Bomb The Music Industry! / Laura Stevenson And The Cans - Bomb The Music Industry! / Laura Stevenson And The Cans Moby Grape - Omaha / Hey Grandma Moby Grape - Omaha / Someday Moby Grape - Vintage: The Very Best Of Moby Grape Jacob Miller / Ray I - Natty Christmas Moby Grape - Omaha / 8:05 Moby Grape - Moby Grape Jacob Miller "Killer" - Wanted Moby Grape - Fall On You / Changes Moby Grape - 20 Granite Creek.

Copy Link

Recommended publications

A Conversation with Brother Michael About Janis Joplin's Personality, His
Friday, March 4th Briquettes Smokehouse 2SHQ0LF By Helen Marketti Sunday, March 6th Old Mill Winery A conversation with Brother Michael about Janis 2SHQ0LF¬ Joplin’s personality, his memories, and the upcoming 7KXUVGD\0DUFKWK 12-YEAR ANNIVERSARY! Dublin Downs show - A Night with Janis Joplin 6W3DW·V¬² Friday, March 11th Come celebrate St. Patrick’s Day with On March 2, A Cebars in Madison us in a real Irish Pub!!! Night with Janis Joplin will be taking 8:30 - 11:00 place at The Connor Table reservations require that the Palace at Playhouse party orders dinner but there will be Square. Cleveland’s bar seats and standing room. own Mary Bridget (440) 428-9926 Davies will be playing the role of Janis. A rock icon of Saturday, April 23rd the late 60s and early 70s, Janis Joplin’s Hooley House in Mentor name is synonymous with a counter Check out the Abbey Rodeo video at: culture generation www.youtube.com/watch?v=siwWk_2hELk Cat seeking change and establishing one’s own identity. Her heart pounding lyrics to Piece of My Heart, Me and Bobby www.Abbeyrodeo.com Lilly McGee, Mercedes Benz, Ball and Chain, Cry Baby and many more still hold the attention of music fans who remember her and new ones who are discovering the blues and rock singer. Janis Joplin’s brother, Michael took a few moments recently to talk about the show, his famous sister and her musical inﬂ uence. Michael gives us a glimpse into his life while growing up. “My father was classical music oriented. My mom was too but she liked Broadway musicals such as Threepenny Opera and West Side Story,” he remembers.
[Show full text]
The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track
The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track CD/Source Label Andrew Bird Natural Disaster Noble Beast Fat Possum - c 2009 Lamb Chop I Can Hardly Spell My Name Is A Woman Merge Records - c 2002 David Darling Solitude Cello Blue Hearts of Space - c 2001 Caroline Fenn Monsters Fragile Chances ECR Music Group - c 2012 Erin Mckeown Easy Baby Monday Morning Cold TVP Records - c 1997 Buddy Flett I Got Evil (Don't You Lie To Me) Mississippi Sea Out Of The Past - c 2007 Moby Grape Never Grape Jam Sundazed Music - c 2007 Janis Joplin Ball and Chain Monterey Pop Festival 1967 Rhino - c 1997 Steppenwolf Monster Live Steppenwolf MCA - c 1971 Mammas and Pappas California Dreamin' Monterey Pop Festival 1967 Rhino - c 1997 Janis Joplin Try Woodstock Anniversary Collection Atlantic - c 1994 Hour 2 Artist Track Concert Source Choir Of Young Believers NYE no TRE Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers These Rituals of Mine Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Action/Reaction Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers NYE no ET Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Why Must it Always Be This Way Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Hollow Talk Guitar Showroom at SXSW NPR Music - c 2010 Yeah Yeah Yeahs Under The Earth NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Gold Lion NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Subway NPR Music's SXSW at Stubbs NPR Music
[Show full text]
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political,
[Show full text]
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please
[Show full text]
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
[Show full text]
FREDDIE STEADY KRC BIOGRAPHY Texas Music Awards Hall-Of-Famer Freddie Steady Krc Comes by His Name Honestly
FREDDIE STEADY KRC BIOGRAPHY Texas Music Awards Hall-of-Famer Freddie Steady Krc comes by his name honestly. This singer / songwriter / guitarist / drummer / renaissance Texan has plied his musical wares around the world the past few decades. A charismatic live performer, Krc wins over any audience with his captivating original songs and engaging stage presence. He also enjoys capturing the spirit of his favorite cover songs. Krc (rhymes with search) landed in Austin at the moment that a musical revolution was getting started at a styles-don’t-matter joint called the Armadillo. The kid and the town were a perfect match. His first love was rock and roll, which had first found its way into his native Southeast Texas by way of the Beatles. By the time he hit Austin, he was also passionate about the Tex-Mex mix of the Sir Douglas Quintet (his first concert), the psychedelic sounds of rock innovators like the 13th Floor Elevators, and the soulful folk of singer/songwriters like B. W. Stevenson and Jerry Jeff Walker. Freddie Steady would eventually work as a band member with each of these artists, all while fueling his own musical ideas. Krc appeared on dozens of national and international television shows and films. He had a role as a session drummer in the movie Outlaw Blues, starring Peter Fonda and Susan Saint James. He also did a voice-over in the UK animated From psychedelic rock to punk to film, When the Wind Blows. Krc has appeared on Austin City Limits three times, country, this jack-of-all-genres plays it the first of which was in its first season as B.W.
[Show full text]
The Transatlantic Sixties
Grzegorz Kosc, Clara Juncker, Sharon Monteith, Britta Waldschmidt-Nelson (eds.) The Transatlantic Sixties Volume 4 The series America: Culture – History – Politics is edited by Christof Mauch, Michael Hochgeschwender, Anke Ortlepp, Ursula Prutsch, and Britta Waldschmidt-Nelson. Grzegorz Kosc, Clara Juncker, Sharon Monteith, Britta Waldschmidt-Nelson (eds.) The Transatlantic Sixties Europe and the United States in the Counterculture Decade This book is published with the generous support of the German Historical Insti- tute Washington, DC, the Lasky Center for Transatlantic Studies at the University of Munich, and the University of Southern Denmark. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative ini- tiative designed to make high quality books Open Access for the public good. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 (BY-NC-ND). which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher.
[Show full text]
Peter Lewis - the Rebel Hangs Ten in Hollywood
PETER LEWIS - THE REBEL HANGS TEN IN HOLLYWOOD You know Peter Lewis. He's the dapper guy in the upper left-hand corner of that first Moby Grape sleeve, set apart from the rest of the band by those Warren Beatty/Jan Berry/Mark Lindsay good looks Hollywood is always scrambling after. And he's the man who penned the stunning "Fall On You" from the Grape's classic first album. Lewis stuck it out through all the peaks and the valleys, the backbiting and the personnel changes of a band that, over the years, has become synonymous with the label unrealised potential. As Marlon Brando says, in On The Waterfront, they "coulda been a contender." Hell, they could have been champ. Lewis resides now in the tiny Danish town of Solvang, halfway down the California coast between San Francisco and Los Angeles. Comfortably settled into an upmarket tract home on the outskirts of this little gingerbread encrusted village — whose main appeal seems to lie in its windmills and tourist-clogged gift shops — Lewis seems at peace with his legend, and with that of his former band. He'll theorise for hours with the zeal of a graduate student on just about any topic, but his eyes shine brightest when he gets going on the Grape, past, present and (possibly) future. And how it all fits into the big picture. Raised in Beverly Hills by his mother, legendary film goddess and Academy Award winner, Loretta Young (Best Actress for 1947's The Farmer's Daughter with Joseph Cotten) and his dad, screenwriter Tom Lewis, Peter admits at one time he "had it all." His birthright, however, never stopped him from seeking his own path.
[Show full text]
Music 262: Rock Music, History and Social Analysis, San Francisco Scene
Music 262: Rock Music, History and Social Analysis, San Francisco Scene [Music Playing on Piano] [Brian Ward]: So there’s another movement in rock n’ roll that happens that’s really related to folk rock and psychedelic rock and it happens in a specific region. This is in San Francisco in the early to later 1960s. This is around a neighborhood built at an intersection in San Francisco, the intersection of Haight and Ashbury. This is a growing sub-culture of young people in the United States commonly known today as hippies. They lived in these communes and a lot of them were starving artists or drop-outs, anti-establishment people. They all congregated in this one city at this one particular time. Along with this we have a large community of folk musicians. We have writers like Ken Kesey that are there. He’s leading these experiments with LSD known as the Acid Tests, also known as Happenings that were happening in San Francisco and all along the west coast. It’s estimated that there were 500 to 1500 bands in San Francisco alone during this period. A big thing about this hippie movement is the philosophy of existentialism. Existentialism is a philosophy that states if a person is totally responsible for their own life and through their experience and their own decision making process are able to come up with their own moral code and way of living. So what this creates is a lot of freedom and a way for them to speak to the older generation in a semi-intelligent way and say, “Look.
[Show full text]
M Es/Lad/OR (Frsth'i &P&Io#Ti a BILLBOARD SPOTLIGHT in THIS ISSUE
m es/lad/OR (frsth'i &p&io#tI A BILLBOARD SPOTLIGHT IN THIS ISSUE 08120 1:-17. a.n tiva z1 D a at SEPTEMBER 18, 1971 $1.25 Zwa nwater 25 ot:koa, - Nederla A BILLBOARD PUBLICATION Tl., 1 727 -47/5 SEVENTY-SEVEN 1H YEAR The International Music -Record Tape Newsweekly CARTRIDGE TV PAGE 14 HOT 100 PAGE 66 O ® TOP LP'S PAGES 70, 72 South Fs Midwest Talks on Rock Store -Opening Retail Sales Spurt Fests Planned By EARL PAIGE By BILL WILLIAMS MINNEAPOLIS - Midwest Spree Underway promoter Harry Beacom, fol- By BRUCE WEBER CHICAGO-Record/tape re- NASHVILLE - Tape sales lowing the cancellation of his tailers and wholesalers here re- have zoomed in Tennessee in third Open Air Celebration rock LOS ANGELES - Proof of tape -electronic retail stores. port increased sales of 10 or the past three months, actually festival in St. Paul by civic renewed vigor at retail can be Pickwick International is 20 percent over a comparable skyrocketing in some areas, due authorities, is planning to hold a seen in this: At least four com- planning to open about 15 re- period a year ago and an up- not only to the economic thrust conference in New York in late panies, including two rack mer- tail stores during 1972, accord- surge over normally draggy sum- but to the strongest tape -thiev- (Continued on page 8) chandisers, are opening music- ing to a company prospectus. mer months just passed. How- ery law in the land. Each store will require an in- ever, reports on singles, albums Distributors, rack jobbers and vestment of about $100,000, and tapes are not uniform.
[Show full text]
Moby Grape
<B>MOBY GRAPE — Diskografija</B> Sr|an MILOJEVI] Svakako najzna~ajniji album u diskografiji grupe Moby Gra- albumu. Sledi još jedna gitarska himna, “Fall On You”, jedan pe jeste prvenac, nazvan po imenu grupe. Pankerske duì- od najenergi~nijih bugija u rokenrolu ikada napisanih, koju ne (32:05) i donekle sli~nog naboja, album donosi su{tu esen- najbolje opisuje komentar producenta Davida Rubinsona ciju energije koja je lebdela u vazduhu tog mitskog leta 1967. (koji se moè ~uti na kompilaciji Vintage — The Best Of...): “It godine. Zahvaljuju}i tome {to su tekstovi pesama na albumu gets into a groove and it drives like a motherfucker!”. Akusti~- bili politički i ideološki “neosvešćeni” u odnosu na tekstove pe- na balada “8:05” pokazuje i drugačiju stranu benda — roman- sama drugih grupa tog vremena, kao i tome {to je svirka u po- tičnu. “Come In the Morning” predstavlja pravi vokalni uragan, re|enju sa na~inom sviranja ostalih grupa iz San Franciska, vo|en predivnim soul-obojenim glasom Boba Mozlija. Me- mnogo koncentrisanija, osve{}enija i stroè organizovana, ovaj |utim, sr` ovog albuma, kao i kvintesenciju same grupe, pred- album predstavlja svojevrsnu anomaliju na muzi~koj sceni stavlja kompozicija Skipa Spensa “Omaha”: psihodeličan uvod, San Franciska s kraja {ezdesetih godina; samim tim, ova plo- vi{eglasno pevanje, trodelne gitarske harmonije i gotovo de- ~a poseduje izvestan kvalitet vanvremenosti u odnosu na osta- monska energija proìmaju ovu pesmu. Nakon ovoga, atmos- le albume tog doba. Ono {to su Moby Grape postigli na ovom fera na albumu se smiruje pesmom “Someday”, u kojoj se vi- albumu pre svih savremenika jeste amalgam razli~itihih àn- {e nego u ostalim kompozicijama ose}a uticaj grupe Byrds u rova popularne ameri~ke muzike: soula, bluza, folka, kantri- aranìranju i harmonizovanju vokala.
[Show full text]
Records the Doobie Brothers: Surf 'N' Turf Music
DECEMBER 1980 99 0000000000000000000000000Records0000000000000000000000000 14) 1 The Doobies: Bumpus, Simmons, Porter, McDonald,McFee,Knudsen. McCracken The Doobie Brothers: Surf 'n' Turf Music The Doobie Brothers: used mainly for textural embellishment, Still, in opting for security he has One Step Closer and the studied arrangements permit very opted for mediocrity on "One Step Warner Bros. HS 3452 little rifling. All nide cuts on "One Step Closer." He sings lead vocals on only four Ted Ternpleman. producer Closer" are studio set pieces character- cuts, and only one of his songs-a collabo- ized by florid electric keyboards, contra- ration with outside keyboardist Patrick The Doobie Brothers' tenth album puntal vocals, pointillist syncopation, and Henderson called Real Love-is first-rate. finds them settling firmly into the showy percussion. The LP periously A passionate swinger's lament in the same Latin -inflected pop/jazz/soul groove that treads the thin line between taut, Latinized vein as You Belong to Me and What a singer and keyboardist Michael McDonald pop/rock in the mode of Steely Dan's Do Fool Believes. Real Love is a stunning introduced on the group's album of four It Again and dance studio practice music. exercise in tonal contrasts. McDonald's years back. "Takin' It to the Streets." Its nadir is a six -minute mambo, Thank slurred, pop; blues legato glides sensually Gone are any allusions to the Doobies' You Love. whose sole raison d'etre seems over the song's edgy chromaticism and earlier incarnation as a full -tilt boogie to have been to give Bumpus a lucrative nervous rhythms.
[Show full text]