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Hawaii Marine Night Landing Volume 28, Number 4 January 28, 1999 Island Hopping A-5 B-1
Hawaii Marine Night Landing Volume 28, Number 4 January 28, 1999 Island Hopping A-5 B-1 . 1/3 gets ambush aining Pfc. Otto C. Pleil-Muele Combat Correspondent Hidden behind brush. Marines frOm A Company, 1st Battalion, 3rd Marine Regiment, surprised their enemy with a flurry of lead, then jumped from their hid- ing places and stormed the enemy with a fiery attack. Though the Marines were only filling target dummies full of holes, the ambush training they were getting Jan. 21 at the rifle range here was important, according to many A Co. Marines. "This training is advanced and it will help me get better in my (military occupa- tional specialty)," said Pfc. Carmine Costanzo, a rifleman with 1st Platoon, A 4 Co. '"It's going to help me know what I have to do in combat." Unlike -similar ambush exercises in the 11 past, this one featured a moving sled with target dummies that Marines aimed at res,""'''14,,''' from nearly 200 yards down range. "The whole intent was to give Marines '49411*4..'4% something to shoot- at besides pop-up tar- ill Photo by Pk. Otto C. Ploil-Muete See 1/3, A-4 Marines of A Co., 1/3, await their opponents in a practice ambush exercise at MCB Hawaii Kaneohe Bay Jan. 21. Anthrax K-Bay Marines fire vaccine heavy weapons in Japan is safe Lance Cpl. Erickson J. Barnes "Coming here allows us the opportunity to fire these Camp Fuji Correspondent Commandant of the Marine Corps weapons at greater distances and affords us to be more-effec- CAMP FUJI, Japan - Nearly freezing temperatures tive with indirect fire," said Golden. -
Gets Taste of Fame Casualties
Inside ROLLER HOCKEY MILITARY Doer's Profile A-8 PLAYOFFS APPRECIATION WEEK Military Appreciation Week B-1 EVENTS Sports Standings B-3 B-1 B-1 Vol. 27, No. 18 Serving the base of choice for the 21st century 14, 1998 4th Force Recon gets taste of fame Cpl. Barry Melton wanted these Marines to put their Combat Correspondent best faces forward." A Marine sniper slips into position The recon Marines developed a like a cheetah preparing to dash out scenario for Hagi and gave the best to attack his prey. With sweat trick- spin on how they would do it as a ling from his cheeks, he hears foot- unit, said GySgt. Michael Gallager, steps getting closer. the operations chief at 4th Force. As he sights in on his objective, he Hagi was treated to Marines partic- attempts to see if the enemy is with- ipating in scuba exercises, scout in his effective range of fire. snipers, a four-man jump from a However, to the Marine's surprise, CH-53D and recon Marines on he sees the intruders mean no harm patrol. at all. They just want to make him Recon Marines took Hagi through famous. a jump brief, slapped a parachute Marines from 4th Force pack on his back and let him get a Reconnaissance Company here feel for what it's like to prepare for were thrown into the limelight a jump. Thursday when Guy Hagi, a news "Any good exposure for the mili- broadcaster with KHNL Channel 8 tary is good by me," Gallager said. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans. -
New Year's Weekend Continues with Breaking
For Immediate Release NEW YEAR’S WEEKEND CONTINUES WITH BREAKING BENJAMIN AT HARD ROCK HOTEL & CASINO ATLANTIC CITY DECEMBER 30 AT 8 PM Atlantic City, NJ (October 29, 2018) – New Year’s weekend at Hard Rock Hotel & Casino Atlantic City just got even bigger with the addition of hard rockers, Breaking Benjamin at Hard Rock Live at Etess Arena on Sunday, December 30 at 8 p.m. Tickets are on-sale this Friday, November 2 at 10 a.m. Multi-platinum band Breaking Benjamin has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their latest release, Dark Before Dawn certified GOLD and debuted #1 on Billboard’s Top 200 chart and spun off two #1 rock tracks, “Failure” and “Angels Fall.” “Failure” was also named the most played song at Active Rock for 2015. 2009’s Dear Agony, certified PLATINUM and debuted #4 on the Billboard Top 200 and #1 on the iTunes Rock Album Chart. Dear Agony also spun off the platinum selling and #1 Active Rock single “I Will Not Bow” where it stayed #1 for five weeks straight. Their discography also includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia. We Are Not Alone spawned a pair of #1 radio hits, “So Cold” and “Sooner or Later.” Phobia debuted at # 2 on Billboard’s Top 200, hit #1 on the Rock Album Chart and was one of the top 50 selling rock albums of 2006. It featured one #1 and two Top 5 rock radio hits “Breath,” “Diary of Jane” and “Until The End.” Tickets to see Breaking Benjamin, ranging from $39.00 to $59.00, go on sale this Friday, November 2 at 10 AM. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Plant Project's Price Tag Spikes
Find out who is performing in Largo Performing Arts Center announces lineup. … Page 2B. Smithereens ready to take the stage The rock band, which has been performing for nearly 40 years, visits the Central Park Performing Arts Center on Friday. … Page 4B. Volume 40, No. 36 www.TBNweekly.com August 8, 2019 LARGO CONNECT WITH US ONLINE Plant project’s price tag spikes Increasing construction costs mean new facility could cost as much as $8.35 million Visit us at www.TBNweekly.com By CHRIS GEORGE and reinforce the approximately 40-year- to move forward with construction after $5.25 million.The remainder of the spike, Follow us on Facebook Tampa Bay Newspapers old operations building and laboratory so approving the Belleair-based Biltmore he said, is a result of escalating construc- www.facebook.com/ that the structure, which city staff said is Construction fi rm’s guaranteed maximum tion costs. TBNweekly LARGO — A project at the wastewater essential to treatment plant operations, price of $8.35 million. “One of the things we’ve heard through- Follow us on Twitter treatment plant that once was estimated could survive a Category 5 hurricane. Facilities Manager Mark Meyers said out this process is that, since the reces- @TBNwebmaster to cost $4 million could now cost more The facility will consist of a three-story, $1.25 million of the price increase was a sion, construction prices in the country than double that, city commissioners 13,187-square-foot hardened building that result of hardening the building to survive have just skyrocketed,” he said. -
ECH One Sheet
E. Christina Herr & Wild Frontier Contact: 505.890.8924 [email protected] EChristinaHerr.com Facebook.com/EChristinaHerrAndWildFrontier myspace.com/EChristinaHerr It’s easy to think Joni Mitchell’s long-lost but equally talented sister has suddenly found herself backed by a haunting Western band. —Santa Fe Reporter A sonic rodeo of original Americana, Alt Country Twang, old school Rock ‘n Roll and Spaghetti Western, E. Christina Herr & Wild Frontier evoke a compelling musical weather report from the West and Southwest of yesterday and today. Christina’s crystal clear alto voice and tremolo vibrato contrasts brilliantly with the ring of vintage acoustic and electric guitar twang, atmospheric pedal steel, driving upright bass and drums. She’s been compared to Emmylou Harris, Lucinda Williams, Joni Mitchell, Wanda Jackson and Chrissie Hynde. Wild Frontier reflects influences from the psychedelic Neil Young and Crazy Horse, the cosmic alt country of Gram Parsons and the Flying Burrito Brothers, Don Rich’s Bakersfield sound, John Ford’s atmospheric landscapes and Ennio Morricone’s Spaghetti Western soundtracks. The songs on Wild Frontier’s latest CD, Americana Motel, range from country two steps, and cowboy waltzes to old school rock n’ roll… With songs telling stories about desert cowboys, longed for road signs, burning embers and a tragic songwriter poet. All flavored with an original sound the band calls Western Gothic. Some of Wild Frontier’s recent appearances: Santa Fe Bandstand, Nashville Songwriter Showcase, WDVX Blue Plate Special, Knoxville TN, KBAC Free Fall, Santa Fe Performance Exchange, Albuquerque Old Town, New Mexico State Fair, The Cowgirl BBQ, RT 66 Casino, Buffalo Thunder Casino, The Alley Cantina, The Adobe Bar - Taos, Santa Fe Brewing Co, 2nd Street Brewery, Scalo Il Bar, Low Spirits and The Mineshaft Tavern… A song from Americana Motel is featured #1 on the No Depression Magazine Music Player. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
A Madison Wisconsin Story
EAST MEETS WEST IN MADISON: CHINESE SOPRANO POP STAR RUHAN JIA AND NEW YORK BASED ROCK BAND, EDISUN WILL PERFORM TO PROMOTE CROSS-CULTURAL COLLABORATION, MUSICAL ARTISTRY, AND INNOVATIVE TECHNOLOGY. A Madison Wisconsin Story Edisun front man, Ethan Isaac grew up in Madison, attending James Madison Memorial High School. While in high school, his first recording was with Butch Vig (producer of nirvana sonic youth smashing pumpkins, and foo fighters) at the legendary Smart Studios. Playing in various bands on the Madison music scene he often played at the once popular clubs O’caz Corral and Club de Wash. He later moved his band, Wooden, that formed in Madison Wisconsin, to NYC. They were to get involved in a much larger music market, playing clubs like CBGB’s, Irving Plaza, The Continental, and the like. After years of success in the New York music scene, with his band, Wooden, Ethan found himself in the west village, NYC, on September 11th watching the attack on the Trade Towers. Heeding the word to evacuate the NYC area, Ethan managed to escape in his truck, while moving barricades, and maneuvering through chaotic, NYC law enforced streets…. eventually he made his way to the parkway, where he reached his cabin in the Catskills. Moved by the incredible effects, and magnitude of the tragedy, Ethan wrote a song called “Into the Sunlight” which lyrically reflects his experiences on 9/11. This would change his music career dramatically. His story, and song gets national press. And is discovered by the U.S. Armed Forces Entertainment Division (AFE). -
Peter Lewis - the Rebel Hangs Ten in Hollywood
PETER LEWIS - THE REBEL HANGS TEN IN HOLLYWOOD You know Peter Lewis. He's the dapper guy in the upper left-hand corner of that first Moby Grape sleeve, set apart from the rest of the band by those Warren Beatty/Jan Berry/Mark Lindsay good looks Hollywood is always scrambling after. And he's the man who penned the stunning "Fall On You" from the Grape's classic first album. Lewis stuck it out through all the peaks and the valleys, the backbiting and the personnel changes of a band that, over the years, has become synonymous with the label unrealised potential. As Marlon Brando says, in On The Waterfront, they "coulda been a contender." Hell, they could have been champ. Lewis resides now in the tiny Danish town of Solvang, halfway down the California coast between San Francisco and Los Angeles. Comfortably settled into an upmarket tract home on the outskirts of this little gingerbread encrusted village — whose main appeal seems to lie in its windmills and tourist-clogged gift shops — Lewis seems at peace with his legend, and with that of his former band. He'll theorise for hours with the zeal of a graduate student on just about any topic, but his eyes shine brightest when he gets going on the Grape, past, present and (possibly) future. And how it all fits into the big picture. Raised in Beverly Hills by his mother, legendary film goddess and Academy Award winner, Loretta Young (Best Actress for 1947's The Farmer's Daughter with Joseph Cotten) and his dad, screenwriter Tom Lewis, Peter admits at one time he "had it all." His birthright, however, never stopped him from seeking his own path.