DOCSLIB.ORG

Records the Doobie Brothers: Surf 'N' Turf Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Records the Doobie Brothers: Surf 'N' Turf Music DECEMBER 1980 99 0000000000000000000000000Records0000000000000000000000000 14) 1 The Doobies: Bumpus, Simmons, Porter, McDonald,McFee,Knudsen. McCracken The Doobie Brothers: Surf 'n' Turf Music The Doobie Brothers: used mainly for textural embellishment, Still, in opting for security he has One Step Closer and the studied arrangements permit very opted for mediocrity on "One Step Warner Bros. HS 3452 little rifling. All nide cuts on "One Step Closer." He sings lead vocals on only four Ted Ternpleman. producer Closer" are studio set pieces character- cuts, and only one of his songs-a collabo- ized by florid electric keyboards, contra- ration with outside keyboardist Patrick The Doobie Brothers' tenth album puntal vocals, pointillist syncopation, and Henderson called Real Love-is first-rate. finds them settling firmly into the showy percussion. The LP periously A passionate swinger's lament in the same Latin -inflected pop/jazz/soul groove that treads the thin line between taut, Latinized vein as You Belong to Me and What a singer and keyboardist Michael McDonald pop/rock in the mode of Steely Dan's Do Fool Believes. Real Love is a stunning introduced on the group's album of four It Again and dance studio practice music. exercise in tonal contrasts. McDonald's years back. "Takin' It to the Streets." Its nadir is a six -minute mambo, Thank slurred, pop; blues legato glides sensually Gone are any allusions to the Doobies' You Love. whose sole raison d'etre seems over the song's edgy chromaticism and earlier incarnation as a full -tilt boogie to have been to give Bumpus a lucrative nervous rhythms. If the melodic idiom band with a Hell's Angels following. Gone writing credit. suggests cool jazz, he sings it like a gospel too are founder -drummer John Hartman The division of labor and writer's song. and the contrast is emotionally ex- and ace guitarist Jeff Baxter. Replacing royalties among musicians with unequal plosive. Keep This Train a -Rollin' is an up- them are saxist /keyboardist Cornelius talents is a problem many rock bands beat pop/ funk anthem with a dumb mes- Bumpus, who played in a late -'70s edition face, but with the Doobies it's an unusu- sage ("All you need's a song to survive") of Moby Grape: jazz drummer Chet ally touchy issue. Patrick Simmons, the that is saved only by McDonald's powerful McCracken; and John McFee, multi -in- one founding member to remain through singing. His collaboration with Paul Anka, strumentalist and ex -member of Clover. ten years of personnel changes, is a com- Dedicate This Heart, is an even slighter All apparently were chosen not for their petent guitarist and boogie -rock tenor. tune. Yet again his velvet timbre encases it strong musical personalities but for their But McDonald is the only significant tal- like a diamond. The only unredeemable general competence and ability to fit into ent. and there are six other musicians to song. written with Bobby LaKind. is One producer Ted Templeman's concept of pay. I suspect what deters him from leav- by One. a numbing cha-cha filled with up- the Doobie Brothers. ing the band for an adventurous solo ca- beat truisms. One Step Closer and the in- Templeman's vision of the group as reer is the box-office security of the strumental South Bay Strut offer bland, a grade -school pop version of Steely Dan Doobie Brothers brand name. It's doubt- horn -inflected blue-eyed soul. The Sim- places them almost totally outside the ful that he could command as wide an au- mons -McDonald -Christopher Thompson context of a rock band. Indeed, they dience on his own since he lacks the kine- collaboration, No Stoppin' Us Now, fea- sound more like a high -schlock lounge tic showmanship of superstars like Billy tures a choppy duet between Simmons combo. With Baxter gone, the guitar is Joel and Bruce Springsteen. and McDonald and boasts the album's.
Load more

Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Montana Kaimin, May 4, 1979 Associated Students of the University of Montana
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-4-1979 Montana Kaimin, May 4, 1979 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, May 4, 1979" (1979). Montana Kaimin, 1898-present. 6834. https://scholarworks.umt.edu/studentnewspaper/6834 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Aber Day Kegger picket proposed by labor council By MARK ELLSWORTH Max Weiss, a legal counselor at Lawry said there would be no Montana Kalmfn Reporter the University of Montana, said the "line to cross" that could cause problem with a secondary boycott trouble. He said the picket is a A meeting Wednesday night is that those involved can be held potentially "explosive issue," but between the Aber Day Kegger liable for any loss of business by the group is “trying to keep it as promoters and the Missoula the third party. cool as it can." Trades and Labor Council took But in some instances, Weiss Amid all the rising sentiment place to discuss a possible picket said, if the boycott is “in­ against Coors, there is still no at the kegger site to protest formational in nature, and peace­ word that MLAC is planning to serving Coors beer.
    [Show full text]
  • Completecoversonglist (Updated May 2020)
    Classic/Vintage Rock Songs - 68 songs 1. Black Water - The Doobie Brothers 2. Jesus Is Just Alright - The Doobie Brothers 3. Listen To The Music - The Doobie Brothers 4. Long Train Runnin’ - The Doobie Brothers 5. No Time - The Guess Who 6. Share The Land - The Guess Who 7. Albert Flasher - The Guess Who 8. Undone - The Guess Who 9. Guns Guns Guns - The Guess Who 10. No Sugar Tonight / Good Times Bad Times Medley - The Guess Who / Led Zeppelin 11. Old Man - Neil Young 12. Ohio - CSN&Y 13. Suite Judy Blue Eyes - CSN&Y 14. Teach Your Children - CSN&Y 15. Find The Cost of Freedom - CSN&Y 16. Guinevere - CSN&Y 17. Helplessly Hoping - CSN&Y 18. Goodbye Stranger - Supertramp 19. Tiny Dancer - Elton John 20. Easy - The Commodores 21. Into The Mystic - Van Morrison 22. Ventura Highway - America 23. Sister Golden Hair - America 24. Two Tickets To Paradise - Eddie Money 25. Reelin’ In The Years - Steely Dan 26. Magic Carpet Ride - Steppenwolf 27. Whipping Post - The Allman Brothers 28. Can’t Buy Me Love - The Beatles 29. Revolution - The Beatles 30. Help - The Beatles 31. Serenade - Steve Miller Band 32. Fly Like An Eagle - Steve Miller Band 33. Jet Airliner - Steve Miller Band 34. Rock’n Me Baby - Steve Miller Band 35. Swingtown - Steve Miller Band 36. Dance, Dance, Dance - Steve Miller Band 37. Joker - Steve Miller Band 38. The Stake - Steve Miller Band 39. Black Magic Women - Santana 40. Night Moves - Bob Seger 41. Turn The Page - Bob Seger 42. Superstition - Stevie Wonder 43. Take It Easy - Eagles 44.
    [Show full text]
  • UW System Requests $30 Surcharge
    Inside Block that sun P.3 Yoko is surprise P.4 Women's buckets win opener * .. P.5 Unique gift guide special insert Vol. 25, NO. 30, December 2,1980 UW System requests $30 surcharge by James E. Piekarski not seek a general tax increase when the The letter also cited the "uncertain­ ofThePoststaff legislature reconvenes in January. ties" caused by litigation challenging the 4.4 percent budget cutback to muni­ The UW Board of Regents is expected Committee referral cipalities and school districts. The State to approve a $30 surcharge for the second If the Regents approve the $30 sur­ Supreme Court has ordered the return semester at its meeting this week, ac­ charge, it must then be approved by Of almost $18 million to municipali­ cording to UW System Vice President the legislature's Joint Committee on ties, and the school district case, which Reuben Lorenz. Finance. At a November meeting, the seeks the return of $29 million, is still The surcharge, which would raise tui­ Regents approved a resolution, with only pending. - tion for a semester to $516 for a full- one objection, that authorized UW Sys­ Chancellor Frank Horton, who will time resident undergraduate student, is tem President Robert O'Neil to file a attend the Board of Regents meeting in based on the anticipation of no further request with the Joint Committee on Madison on Thursday and Friday, said budget cutbacks, despite the state's wor­ Finance for the surcharge by its Nov. that based on the experience of the first sened financial forecast for the biennium 10 deadline.
    [Show full text]
  • BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
    BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality.
    [Show full text]
  • Renoff, Greg. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal
    Book Reviews Renoff, Greg. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal. Toronto: ECW Press, 2015. 272 Pp. Greg Renoff makes significant contributions to several historical subfields with his second book, Van Halen Rising. This well-written and well-researched book focuses on the band’s rarely discussed journey during the 1970s from the keg party and dive bar circuits of suburban Los Angeles to the top of the popular music charts. Renoff constructs a narrative that is exciting and accessible, yet also scholarly. He builds it on a foundation of oral history interviews he conducted with dozens of people familiar with the band’s early years: friends, fans, members of rival bands, concert promoters, and music industry insiders. The result is a unique work of scholarship that converges with not only the popular memoirs of David Lee Roth and Gene Simmons, but also the historiographies of suburbanization, working class culture, and the Sunbelt. For scholars of business history, Renoff provides invaluable insight into the microeconomics of the late 20th century music industry through the prism of Van Halen. When Warner Brothers released Van Halen’s self-titled debut album in February 1978, Renoff asserts, heavy metal’s appeal had been fading for several years. Its best-known acts from earlier in the decade, such as Deep Purple, Black Sabbath, and Kiss, were either breaking up or facing declining record sales, and music industry insiders in Los Angeles had deemed the genre passé. The major Hollywood clubs, which served as gateways to record deals, shut out groups such as Van Halen in favor of others with the popular country rock or soft rock sounds, or those who played punk rock, which industry insiders believed would soon be as popular in the United States as it was in Great Britain.
    [Show full text]
  • Inside the World of Taylor Guitars / Volume 85 Summer 2016
    The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in.
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • A Conversation with Brother Michael About Janis Joplin's Personality, His
    Friday, March 4th Briquettes Smokehouse 2SHQ0LF By Helen Marketti Sunday, March 6th Old Mill Winery A conversation with Brother Michael about Janis 2SHQ0LF¬ Joplin’s personality, his memories, and the upcoming 7KXUVGD\0DUFKWK 12-YEAR ANNIVERSARY! Dublin Downs show - A Night with Janis Joplin 6W3DW·V¬² Friday, March 11th Come celebrate St. Patrick’s Day with On March 2, A Cebars in Madison us in a real Irish Pub!!! Night with Janis Joplin will be taking 8:30 - 11:00 place at The Connor Table reservations require that the Palace at Playhouse party orders dinner but there will be Square. Cleveland’s bar seats and standing room. own Mary Bridget (440) 428-9926 Davies will be playing the role of Janis. A rock icon of Saturday, April 23rd the late 60s and early 70s, Janis Joplin’s Hooley House in Mentor name is synonymous with a counter Check out the Abbey Rodeo video at: culture generation www.youtube.com/watch?v=siwWk_2hELk Cat seeking change and establishing one’s own identity. Her heart pounding lyrics to Piece of My Heart, Me and Bobby www.Abbeyrodeo.com Lilly McGee, Mercedes Benz, Ball and Chain, Cry Baby and many more still hold the attention of music fans who remember her and new ones who are discovering the blues and rock singer. Janis Joplin’s brother, Michael took a few moments recently to talk about the show, his famous sister and her musical infl uence. Michael gives us a glimpse into his life while growing up. “My father was classical music oriented. My mom was too but she liked Broadway musicals such as Threepenny Opera and West Side Story,” he remembers.
    [Show full text]
  • October 2019
    OCTOBER 2019 OFFICERS President George Walsh Vice President Jeff Mumford Treasurer Neil Leary Secretary Paula Anderson Ex Officio Frank Vallese DIRECTORS AT LARGE Bill Clarke Dave Coll COMMITTEES GOLF Kent Sanderson-Chairman [email protected] Paula Anderson Sue Bennett 5:00 pm | $24 per person Adele Fronczek CCWGA Pres.(Cynthia Hunsberger) Paul Schaffran Chuck Widder FINANCE Neil Leary-Chairman [email protected] Bill Clarke Dave Coll Tom Creager Tom Hunsberger Jay Middleton William Mumford MEMBERSHIP Phil Barton-Chairman [email protected] Bill Clarke Music by Rick Artz Sign up by emailing David Dabney Eddie Ghabour [email protected] Steve Morgan From Tappy Phillips Dan Simmons Love Seed Mama Jump or call 302.539.1446 ext. 2 GREENS Frank Vallese-Chairman [email protected] Jeff Baxter Richard Corrigan Mark Decker Cynthia Hunsberger Carolyn Pesce Tom Pomilla Harry Steele Dave Wheeler Adopt-a-hole (Sue Bennett) HOUSE Donna Villani-Chairman [email protected] Pam Browne Gloria Farrar BJ Hildebrand Jan Parsons Donna Tanguay Brenda Thompson Cripple Creek Golf & Country Club | 29494 Cripple Creek Drive | Dagsboro, Delaware 19939 302.539.1446 | www.cripplecreekgolf.com Page 2 GREENS COMMITTEE REPORT by Frank Vallese General Manager Head PGA Professional I would like to take this opportunity to thank Pete Fronczek for his Brian Trout above and beyond service to Cripple Creek. Pete, was Chairman of [email protected] the Greens Committee for the last ten years! Over that time he worked hand in hand with Glen MacDonald to make so many of Assistant Golf Professional the magnificent changes to our golf course that we are enjoying Ryan Diehl today.
    [Show full text]
  • The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track
    The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track CD/Source Label Andrew Bird Natural Disaster Noble Beast Fat Possum - c 2009 Lamb Chop I Can Hardly Spell My Name Is A Woman Merge Records - c 2002 David Darling Solitude Cello Blue Hearts of Space - c 2001 Caroline Fenn Monsters Fragile Chances ECR Music Group - c 2012 Erin Mckeown Easy Baby Monday Morning Cold TVP Records - c 1997 Buddy Flett I Got Evil (Don't You Lie To Me) Mississippi Sea Out Of The Past - c 2007 Moby Grape Never Grape Jam Sundazed Music - c 2007 Janis Joplin Ball and Chain Monterey Pop Festival 1967 Rhino - c 1997 Steppenwolf Monster Live Steppenwolf MCA - c 1971 Mammas and Pappas California Dreamin' Monterey Pop Festival 1967 Rhino - c 1997 Janis Joplin Try Woodstock Anniversary Collection Atlantic - c 1994 Hour 2 Artist Track Concert Source Choir Of Young Believers NYE no TRE Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers These Rituals of Mine Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Action/Reaction Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers NYE no ET Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Why Must it Always Be This Way Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Hollow Talk Guitar Showroom at SXSW NPR Music - c 2010 Yeah Yeah Yeahs Under The Earth NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Gold Lion NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Subway NPR Music's SXSW at Stubbs NPR Music
    [Show full text]