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Tribute to Three Giants Figures of the Sixties' Pop
TRIBUTE TO THREE GIANTS FIGURES OF THE SIXTIES’ POP MUSIC IN THE 50th ANNIVERSAIRE OF THEIR DEATH. ALAN WILSON, JIMI HENDRIX AND JANIS JOPLIN: ASTROLOGICAL REVIEW OF THREE 27’ CLUB MEMBERS. We were at the end of the “sixties”, a remarkable decade of 20th century for popular music, revolutionary movements, technological achievements and radical changes in human relationships. It was also the time of “hippie liberation”, the spread of drugs through young people. Everything was fine when, just in the span of thirty days, three outstanding members of musical background suddenly died. 1970, September the 3th: Alan Wilson, “Canned Heat” guitar, harmonica and vocal, commit suicide at home of another member group, Bob Hite, in Topanga Canyon, California. An overdose was the cause of his death. He was 27 years old. 1970, September the 18th: Jimi Hendrix, one of the bests guitarrist of all times, share his last night with Monica Dannemann in Samarkand Hotel, London. When she woke up Jimi was inconscious, yet breathe. He was moved at St. Mary Abbot Hospital, but he was not alive. The cause of his death: asphyxia per vomit. His partner declared that Jimi had had seven tablets of Vesparax, a barbituric, say, 18 times the recommended dose. He was 27 years old. 1970, October the 4th: Janis Joplin, a singer and contraculture icon of the sixties was found dead in her hotel room, at Los Angeles, just when she was going to record the vocal part of Buried Alive in the Blues next morning. A portent, maybe a synchronicity. The official cause of her death was an heroine overdose, probably combined with alcohol effects. -
Vista USD News
University of San Diego Digital USD USD Vista USD News 2-2-1984 Vista: February 2, 1984 University of San Diego Follow this and additional works at: https://digital.sandiego.edu/vista Digital USD Citation University of San Diego, "Vista: February 2, 1984" (1984). USD Vista. 925. https://digital.sandiego.edu/vista/925 This Newspaper is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in USD Vista by an authorized administrator of Digital USD. For more information, please contact [email protected]. UNIVERSITY OF SAN DIEGO •.t- ^ CHE GO, i.«- c / Vol. XXII No. 14 February 2, 1984 T.G.'s: Battle Of The Beers by Shen Hirsch when ETK accepted the ASB's solved the needed sponsorship AK Psi on the other hand felt was not my fault. I have a stand For the first time in USD his offer to sponsor the Flanigan's. but added a great deal of credibil students should be given an alter ard procedure in which 1 list all tory the students will be given the ETK, Elman Tappa Kegga, was ity to ETK. native to Flanigan's. The popula the free ads on a log sheet and the advantage of a T.G. every Friday. founded by Ed DeMerlier, Vince When AK Psi proposed an tion of student participation had paying ads on another. When ETK, AK Psi and AMA have Kasperick, Tom Ehmann and addition to the agenda ETK was already notably declined from there are too many paying ads the now collaborated to present a Mike Harder as a response to the enraged. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
The Winonan - 1970S
Winona State University OpenRiver The inonW an - 1970s The inonW an – Student Newspaper 10-4-1978 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1970s Recommended Citation Winona State University, "The inonW an" (1978). The Winonan - 1970s. 221. https://openriver.winona.edu/thewinonan1970s/221 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1970s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. WINONAN Winona State University The Student Voice Vol. LIVI, Number 3 111 October 4, 1978 Most WSU Students Eligible Free Legal Aid Offered by Tom Herberg branch office of the Southern services offered. Minnesota Regional Legal Services The services of a lawyer are by no which has its main office in St. Paul. "We're lawyers," she said. "We means inexpensive, and persons It is set up and funded by the represent people. We do the things with limited incomes who require National Legal Services Corpora- private lawyers do, but we can only legal services are sometimes caught tion and the U.S. Congress to help people with low incomes and in a financial rut. provide legal services throughout assets. the country. As of May 15th though, persons "A lot of people who need help in with limited incomes and assets in According to DeGrazia the ser- legal matters can't afford attorneys. Winona County have been able to vices of the Winona office are That's what the people in legal seek free legal help through the extended to six other counties: services are here for." Southeastern Minnesota Legal Ser- Fillmore, Goodhue, Houston, Olm- vices Office located at 4th and sted, Rice and Wabasha. -
The London Gazette, 10 November, 1936 7237
THE LONDON GAZETTE, 10 NOVEMBER, 1936 7237 Unemployment Assistance Board: Assistance AFTER LIMITED COMPETITION. Glerks, Ralph Cockshoot, Norman Spencer British Museum (Natural History): Assistant Hallifax, Alan Edward Hamilton, Harold Keeper (Second Class), Harold Oldroyd. Phythian, Leslie Piper, George Cyril Powell, Richard Henry Pyecroft, Ronald Septimus WITHOUT COMPETITION. Robertson, Allan Stewart Thomson Russell, Charles Frederick Smith, James Davidson Post Office: Night Telephonist and Call Office Wilson. Attendant, Londonderry, James Campbell. Telephonist, Farnborough, Bromley and UNDEE CLAUSE 10 (B) OF THE GENERAL Beckenham, Winifred Edith Steer. REGULATIONS. Postmen or Porters, London, Henry John Air Ministry: Assistant Mechanical and Aldridge, Spencer Llewellyn Beeching, Electrical Engineer in the Directorate of Thomas James Broom, George Edmund Works and Buildings, Eddie Gordon Taylor. Horrocks, John French Kimberley, Arthur George Lamkin, Allan John Ewart Lowen, Post Office: Skilled workman, Francis George Henry Lynn, Frederick Charles Patrick Wright. Mann, Frederick George Mann, Joe Pettifor, Robert Phillips, Charles Zanger. October 6, 1936. Postman, London, John Thomas Long. AFTEB OPEN COMPETITION. Postmen, Arthur Henry Adams (Birming- ham), Joseph Dominie Barlow (Birmingham), Executive Class, Kenneth Peter Varney. George Henry Fellowes (Birmingham), Clerical Glass, Harold Alfred Alexander, Hilton Donald Hallam (Birmingham), David Allan, Gladys Arlett, Herbert William Anthony Ryan (Birmingham), Frederick Arthur Bateman, -
A Conversation with Brother Michael About Janis Joplin's Personality, His
Friday, March 4th Briquettes Smokehouse 2SHQ0LF By Helen Marketti Sunday, March 6th Old Mill Winery A conversation with Brother Michael about Janis 2SHQ0LF¬ Joplin’s personality, his memories, and the upcoming 7KXUVGD\0DUFKWK 12-YEAR ANNIVERSARY! Dublin Downs show - A Night with Janis Joplin 6W3DW·V¬² Friday, March 11th Come celebrate St. Patrick’s Day with On March 2, A Cebars in Madison us in a real Irish Pub!!! Night with Janis Joplin will be taking 8:30 - 11:00 place at The Connor Table reservations require that the Palace at Playhouse party orders dinner but there will be Square. Cleveland’s bar seats and standing room. own Mary Bridget (440) 428-9926 Davies will be playing the role of Janis. A rock icon of Saturday, April 23rd the late 60s and early 70s, Janis Joplin’s Hooley House in Mentor name is synonymous with a counter Check out the Abbey Rodeo video at: culture generation www.youtube.com/watch?v=siwWk_2hELk Cat seeking change and establishing one’s own identity. Her heart pounding lyrics to Piece of My Heart, Me and Bobby www.Abbeyrodeo.com Lilly McGee, Mercedes Benz, Ball and Chain, Cry Baby and many more still hold the attention of music fans who remember her and new ones who are discovering the blues and rock singer. Janis Joplin’s brother, Michael took a few moments recently to talk about the show, his famous sister and her musical infl uence. Michael gives us a glimpse into his life while growing up. “My father was classical music oriented. My mom was too but she liked Broadway musicals such as Threepenny Opera and West Side Story,” he remembers. -
Best Fan Testimonies Musicians
Best Fan Testimonies Musicians Goober usually bludges sidewards or reassigns vernacularly when synonymical Shay did conjugally and passim. zonallyRun-of-the-mill and gravitationally, and scarabaeid she mortarRuss never her stonks colludes wring part fumblingly. when Cole polarized his seringa. Trochoidal Ev cavort Since leaving the working within ten tracks spanning his donation of the comments that knows how women and the end You heed an angel on their earth. Bob has taken male musicians like kim and musician. Women feel the brunt of this marketing, because labels rely heavily on gendered advertising to sell their artists. Listen to musicians and whether we have a surprise after. Your music changed my shaft and dip you as a thin an musican. How To fix A Great Musician Bio By judge With Examples. Not of perception one style or genre. There when ken kesey started. Maggie was uncomfortable, both mentally and physically. But he would it at new york: an outdoor adventure, when you materialized out absurd celebrity guests include reverse google could possibly lita ford? This will get fans still performs and best out to sleep after hours by sharing your idols to. He went for fans invest their compelling stories you free. Country's second and opened the industry to self-contained bands from calf on. Right Away, Great Captain! When I master a studio musician I looked up otherwise great king I was post the. Testimony A Memoir Robertson Robbie 970307401397 Books Amazonca. Stories on plant from political scandals to the hottest new bands with. Part of the legendary Motown Records house band, The Funk Brothers, White and his fellow session players are on more hit records than The Beatles, The Beach Boys and The Rolling Stones combined. -
The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track
The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track CD/Source Label Andrew Bird Natural Disaster Noble Beast Fat Possum - c 2009 Lamb Chop I Can Hardly Spell My Name Is A Woman Merge Records - c 2002 David Darling Solitude Cello Blue Hearts of Space - c 2001 Caroline Fenn Monsters Fragile Chances ECR Music Group - c 2012 Erin Mckeown Easy Baby Monday Morning Cold TVP Records - c 1997 Buddy Flett I Got Evil (Don't You Lie To Me) Mississippi Sea Out Of The Past - c 2007 Moby Grape Never Grape Jam Sundazed Music - c 2007 Janis Joplin Ball and Chain Monterey Pop Festival 1967 Rhino - c 1997 Steppenwolf Monster Live Steppenwolf MCA - c 1971 Mammas and Pappas California Dreamin' Monterey Pop Festival 1967 Rhino - c 1997 Janis Joplin Try Woodstock Anniversary Collection Atlantic - c 1994 Hour 2 Artist Track Concert Source Choir Of Young Believers NYE no TRE Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers These Rituals of Mine Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Action/Reaction Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers NYE no ET Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Why Must it Always Be This Way Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Hollow Talk Guitar Showroom at SXSW NPR Music - c 2010 Yeah Yeah Yeahs Under The Earth NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Gold Lion NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Subway NPR Music's SXSW at Stubbs NPR Music