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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
Read Ebook {PDF EPUB} Mayan Legends by Svetlana Larrocha Home Page
Read Ebook {PDF EPUB} Mayan Legends by Svetlana Larrocha Home Page. ST. LOUIS – St. Louis Blues President of Hockey Operations and General Manager Doug Armstrong announced today that the Blues will participate in the 2016 NHL Prospects Tournament from Sept. 16-20 in Traverse City, Michigan. The Blues will be one of eight NHL organizations represented at the tournament, along with Carolina, Chicago, Columbus, Dallas, Detroit, Minnesota and the New York Rangers. The Blues will play in the Gordie Howe division, and clubs will participate in a three-game round robin tournament with the winners of each division earning a spot in the championship game on Tuesday, Sept. 20. The Blues roster will be made up of several of the organization’s top prospects, including forwards Ivan Barbashev and Jordan Kyrou, defensemen Vince Dunn and Jordan Schmaltz, and goaltenders Evan Fitzpatrick and Ville Husso. Before leaving for the tournament, the prospects will hold a public practice on Thursday, Sept. 15 at noon at the Ice Zone at St. Louis Outlet Mall. Sept. 16 - Blues vs. Blackhawks - 6 p.m. CT Sept. 17 - Blues vs. Blue Jackets - 6:30 p.m. CT Sept. 19 - Blues vs. Red Wings - 6 p.m. CT Sept. 20 - TBD. Battlefords North Stars Coach Kevin Hasselberg on Igor Leonenko (Click on image for video) Follow Igor, born in Belarus and from. First overall excites Battlefords North Stars. Igor Leonenko, front right, of North Battleford North Stars, celebrates a goal in action during SJHL showcase event at the Legends Arena in Warman, Monday, October. (Greg Pender/The StarPhoenix) Greg Pender / The StarPhoenix. -
Introducing Michele Esposito… Winner of the Prix De Lausanne 2017
Introducing Michele Esposito… winner of the Prix de Lausanne 2017 www.gramilano.com /2017/02/introducing-michele-esposito-winner-of-the-prix-de-lausanne-2017/ gramilano Michele Esposito has won the Prix de Lausanne 2017. The first prize, sponsored by the Swiss investment firm Adveq , was not his only award as he also won the Best Swiss Candidate Prize as well as the Contemporary Dance Prize for his interpretation of an extract from John Neumeier’s ballet Nijinsky. 1/10 The 17-year-old comes from Aversa, a town 5 kilometres north of Naples, famous for its buffalo mozzarella and white wines. Although the town is not large – about 50,000 inhabitants – he is by no means the first with an artistic bent to be born there. The prolific 18th Century composer Domenico Cimarosa (Il matrimonio segreto) came from Aversa, as did the lesser known, but influential, Niccolò Jommelli. It is also the birthplace of Caterina Balivo, the presenter of the campest programme on Italian daytime TV! What made the young Michele want to start dancing? I started dancing when I was three years old. It was just for fun, with my sister. We were encouraged by our parents who loved the fact that we wanted to learn, because they too took lessons at an amateur level. One of his early role models was Giuseppe Picone who was born in nearby Naples, and is now director of the city’s ballet company at Teatro San Carlo. He’s Neapolitan, like me, and very well known in the area where I live in Italy. -
Prix De Lausanne Gala • Pages 6, 7, 8
Contents Press release • pages 1, 2 Prix de Lausanne celebrates its 40th anniversary • pages 3, 4, 5 Prix de Lausanne Gala • pages 6, 7, 8 Amanda Bennett, new Artistic Director of the Prix de Lausanne • page 9 Selected candidates • pages 10, 11, 12, 13 Nationalities represented • page 14 Schedule of the competition week • page 15 Classical variations • pages 16, 17 Contemporary variations and choreographers • pages 18, 19 Jury • page 20 Evaluation of career potential • page 21 Prizes, networking forum • pages 22, 23 Partner schools and companies • pages 24, 25, 26 Coaches, teachers, musicians • page 27 Interlude performance • page 28 Master classes 2012 • page 29 Prix de Lausanne in its home region, "Tremplin Danse", Class & Lecture • page 30 Other Events • pages 31, 32 Budget • page 33 Prix de Lausanne organisation • pages 34, 35 Sponsors, patrons and partners • pages 36, 37, 38, 39, 40, 41, 42, 43 TV and internet broadcasts, videoblogs and micro-blogs • page 44 Press contact: Catherine Kopitopoulos Jean-Paul Dinh Tél. +41 (0)21 643 24 08 Fax +41 (0)21 643 24 09 [email protected] PRIX DE LAUSANNE 2012 – 40th COMPETITION Press release Prix de Lausanne 2012 40th international competition for young dancers from January 29 to February 4, 2012, at the Beaulieu Theater in Lausanne Lausanne, January 24, 2012: The Prix de Lausanne is celebrating its 40th anniversary. 40 years of excellence and passion in fostering the stars of tomorrow. Since 1973, the challenge launched by Philippe and Elvire Braunschweig, founders of the Prix de Lausanne, is met each winter with the same creative energy and artistic rigor. -
Mr Worldly Wise and the Wow Factor 96
Daily Telegraph July 30 1996 Mr Worldly Wise and the Wow factor Photo Steffan Hill How does he do it? Breathtaking Royal Ballet virtuoso Tetsuya Kumakawa talks to Ismene Brown THE sound that sighs through the auditorium is the giveaway. Like a tiny escape of air from an atmosphere as tight as a drum, you hear 2,000 people, in spite of themselves, go “Aaah”, when Tetsuya Kumakawa jumps. Kumakawa is arguably the greatest ballet virtuoso in the world, a slight Japanese man of 24, who seems to make the earth look far away when he leaps, and can spin 17 times on one foot in a single move. His unique combination of athletic gifts and balletic exquisiteness breaks down any preconceptions about ballet being elite, and makes even newcomers to ballet drop their jaws in amazement. “The wow factor” is what the top American choreographer Twyla Tharp thought when she first saw him last year, and as the public will see at the revival this week of her ballet for Covent Garden, 'Mr Worldly Wise', wow is what Kumakawa provides. Ironically, he himself is the one person who doesn’t know what he does. “When I die, my one regret will be that I never could see myself on stage,” he says in all seriousness. He feels when he’s jumping well, but however much he scours videotape of himself, he can never see what we can see, that illusion of flight, the hanging in the air, the supernatural ability to slow down almost to a stop in the middle of a move and suddenly speed up to a blur again. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 1S40316 The role of Nicolas Legat in twentieth century ballet Miller, Alison, M.A. -
Annual Review 2005/06 the Year at a Glance
Royal Opera House P ROMISE Covent Garden P ROMISE F ULFILLED London WC2E 9DD Telephone +44 20 7240 1200 www.roh.org.uk F Registered Charity no.211775 ULFILLED R OYAL O PERA H OUSE A NNUAL R EVIEW R OYAL O PERA H OUSE 2005/06 A NNUAL R EVIEW 2005/06 Managing Editor Dan Foulkes for Milknosugar Design Navyblue Design Group Print Graphicom Srl P ROMISE F ULFILLED R OYAL O PERA H OUSE A NNUAL R EVIEW 2005/06 Board of Trustees Dame Judith Mayhew Jonas – Chairman The Countess of Chichester Sir David Clementi (appointed July 2006) Marco Compagnoni Peggy Dannenbaum (appointed July 2006) Sir David Lees Sir Frank Lowe Thomas Lynch Professor Margaret Maden Nicholas Prettejohn Simon Robertson Simon Robey (appointed July 2006) Dame Gail Ronson The Lady Sainsbury Kenneth Tharp Judith Weir Bonnie Greer (resigned May 2006) Lord Eatwell (retired January 2006) Sir Stuart Lipton (retired February 2006) Executive ManagementTeam Tony Hall – Chief Executive Monica Mason – Director, The Royal Ballet Antonio Pappano – Music Director, The Royal Opera Deborah Bull – Creative Director, ROH2 Caroline Bailey – Director of Marketing Elizabeth Bridges – Director of Personnel Ruth Jarratt – Director of Policy Development Darryl Jaffray – Director of Education and Access (retired May 2006) Peter Katona – Director of Opera Casting Sarah Kemp – Director of Finance and Business Affairs Christopher Millard – Director of Press and Communications John Mortlock – Deputy Director of Finance Elaine Padmore – Director of Opera Hazel Province – Orchestra Director Paul Reeve – Director of Education (appointed May 2006) Anthony Russell-Roberts – Administrative Director, The Royal Ballet Amanda Saunders – Director of Development John Seekings – Director of Operations and Company Secretary Governance and Management The direction and control of the Royal Opera House is determined by the Board of Trustees,which meets at least seven times per year. -
Universidade De São Paulo Escola De Artes, Ciências E Humanidades Programa De Pós-Graduação Em Têxtil E Moda
UNIVERSIDADE DE SÃO PAULO ESCOLA DE ARTES, CIÊNCIAS E HUMANIDADES PROGRAMA DE PÓS-GRADUAÇÃO EM TÊXTIL E MODA GEORGE RICARDO CARVALHO MONTEIRO O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos aspectos formais do design e das técnicas de construção São Paulo 2019 GEORGE RICARDO CARVALHO MONTEIRO O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos aspectos formais do design e das técnicas de construção Dissertação apresentada à Escola de Artes, Ciências e Humanidades da Universidade de São Paulo para obtenção do título de Mestre em Ciências pelo Programa de Pós-graduação em Têxtil e Moda. Versão corrigida contendo as alterações solicitadas pela comissão julgadora em 19 de setembro de 2019. A versão original encontra-se em acervo reservado na Biblioteca da EACH/USP e na Biblioteca Digital de Teses e Dissertações da USP (BDTD), de acordo com a Resolução CoPGr 6018, de 13 de outubro de 2011. Área de concentração: Têxtil e Moda Orientadora: Profa. Dra. Francisca Dantas Mendes São Paulo 2019 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. CATALOGAÇÃO-NA-PUBLICAÇÃO (Universidade de São Paulo. Escola de Artes, Ciências e Humanidades. Biblioteca) CRB 8- 4936 Monteiro, George Ricardo Carvalho O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos elementos formais do design e das técnicas de construção / George Ricardo Carvalho Monteiro ; orientadora, Francisca Dantas Mendes. -
Sadler's Oya Ballet
________..sAm I BROOKLYN ACADEMY OF MUSIC Sadler's oya Ballet A Royal Opera House Company Ne111JJort ~ Lonllard, Inc , US A , 1986 Lights ~ Alive with pleasure! liilf ~ ~: ~ ;:: j' Kings: 8 mg. "tar·: 0.7 mg. mcotine av. per cigarene, FTC Report February 1985. lirt?ui~ SUR GE 0 N GENE RA L' S WARN IN G: Smoking By Pregnant Women May Result in Fetal Injury, Premature Birth, And Low Birth Weight. DESIGN AMERICA SEMI-ANNUAL HOME SHOW AND SALE Design America: country to formal, classic to contem porary, ease and elegance combined. Make Macy's your source, and your personal style a reality. let our professionals help you plan living places as stunning as they are functional. Whether your plans involve one room or your entire home, we'll guide you every step of the way. Call our Interior Design Studio for more details: 212-560-4154. INTERIOR DESIGN ~---------------------------------------*mocys MEADOW&MTC Lynne Meadow, Manhattan Theatre Club's artistic director Pictured here: Lynne Meadow (top left), The Manhattan Theatre Club's artistic director, and scenes from some distinguished MTC productions: Digby (top center); Crimes of the Heart (fop right); Artichoke (bottom left); Sally and Marsha (bottom right) Carolyn Meadow began making a name Milan Stitt; Ashes by David Rudkin; Ain't for herself at the age of eight. In a fit of Misbehavin', which won three Tony artistic frenzy, the stage-struck little girl Awards after moving to Broadway; Bill lopped off the C-a-r-o and after careful Davis's Mass Appeal, which alSo was suc consideration added an "n," then an "e" cessfully transplanted to Broadway; and to the remaining letters. -
Annual Review 2009/10 Royal Opera House Annual Review 2009/10 Contents
UTION /10 ANNUAL REVIEW ANNUAL 2009 RESOL ROYAL OPERA HOUSE ANNUAL REVIEW 2009/ 10 ovent Garden ovent ondon WC2E 9DD ondon WC2E Managing Editor, Dan Foulkes for Milknosugar for Dan Foulkes Managing Editor, 211775 Charity no. Registered Royal Opera House Opera Royal C L 1200 +44 (0)20 7240 Telephone www.roh.org.uk ANNUAL REVIEW 2009/10 ROYAL OPERA HOUSE ANNUAL REVIEW 2009/10 CONTENTS S S BOARD OF TRUSTEES DEVELOPMENT COMMITTEE CONTENTS Simon Robey (Chairman) Simon Robey (Chairman) Baroness Blackstone The Countess of Chichester The Countess of Chichester Peggy Dannenbaum Sir David Clementi Thomas Lynch Peggy Dannenbaum Sir Simon Robertson Sir Nicholas Hytner Dame Gail Ronson DBE Sir Frank Lowe Danny Wyler Thomas Lynch Lady Young of Graffham Professor Margaret Maden ENGAGEMENT, EDUCATION AND CHAPTER TITLE PAGE Nicholas Prettejohn ACCESS COMMITTEE Heather Rabbatts Professor Margaret Maden (Chairman) Sir Simon Robertson Peggy Dannenbaum Dame Gail Ronson DBE Charlie Leadbeater The year at a glance 6 Anthony Salz Abigail Pogson Dame Sue Street DCB Simon Robey 1 Chief Executive 9 Kenneth Tharp OBE Kenneth Tharp OBE Robert Wallace Rob Thomas 2 Chairman 17 Judith Weir CBE Judith Weir CBE 3 Talent 21 EXECUTIVE MANAGEMENT TEAM FINANCE AND AUDIT COMMITTEE Nicholas Prettejohn (Chairman) 4 Performance 41 Tony Hall CBE – Chief Executive Sir David Clementi 61 Monica Mason DBE – Director, The Royal Ballet Sir Nicholas Hytner 5 Nurture Antonio Pappano – Music Director, Thomas Lynch 6 Reach 77 The Royal Opera Sir Simon Robertson Simon Robey Caroline Bailey -
Representations of the Dancer in the Works of Théophile Gautier
The Eroticised Body and the Transcendent Word: Representations of the Dancer in the Works of Theophile Gautier, Arthur Symons and W.B. Yeats A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Maureen Elizabeth Coulter University of Canterbury 2004 ,c ii Contents Aclrnowledgements iii List of Illustrations v List of Abbreviations vii Abstract xii Preface xiv Introduction 1 Chapter 1 Theophile Gautier: The Art of the Dancer, the Dancer as Art 14 Chapter 2 Theophile Gautier: The Flight to Transcendence 62 Chapter 3 Arthur Symons and the Eroticised Dancer 115 Chapter 4 The Dancer as Image in the Works ofW.B. Yeats 175 Chapter 5 The Dancer and the Dance: The Whirling of the Gyre 233 Conclusion 285 Bibliography 293 7 iii Acknowledgements I should like to thank my supervisors, Dr Rob lackaman and Professor David Gunby. In the years I have been working on this thesis, they have both been wholly supportive and encouraging, always willing to act as sounding-boards for my ideas and to help clarify confusion when it arose. Both have spurred me on at the times when my energy and confidence flagged. I especially thank Professor Gunby for his sound practical advic~, and Dr lackaman for the enthusiasm he has always shown for my topic, and for his whimsical sense of humour. I should also like to thank Pierre Daprini for acting as an advisory supervisor, and for responding to my topic with such verve. I also thank Dr Gordon Spence for his contribution as a supervisor when Dr lackaman was on leave.