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Universidade De São Paulo Escola De Artes, Ciências E Humanidades Programa De Pós-Graduação Em Têxtil E Moda

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Universidade De São Paulo Escola De Artes, Ciências E Humanidades Programa De Pós-Graduação Em Têxtil E Moda UNIVERSIDADE DE SÃO PAULO ESCOLA DE ARTES, CIÊNCIAS E HUMANIDADES PROGRAMA DE PÓS-GRADUAÇÃO EM TÊXTIL E MODA GEORGE RICARDO CARVALHO MONTEIRO O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos aspectos formais do design e das técnicas de construção São Paulo 2019 GEORGE RICARDO CARVALHO MONTEIRO O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos aspectos formais do design e das técnicas de construção Dissertação apresentada à Escola de Artes, Ciências e Humanidades da Universidade de São Paulo para obtenção do título de Mestre em Ciências pelo Programa de Pós-graduação em Têxtil e Moda. Versão corrigida contendo as alterações solicitadas pela comissão julgadora em 19 de setembro de 2019. A versão original encontra-se em acervo reservado na Biblioteca da EACH/USP e na Biblioteca Digital de Teses e Dissertações da USP (BDTD), de acordo com a Resolução CoPGr 6018, de 13 de outubro de 2011. Área de concentração: Têxtil e Moda Orientadora: Profa. Dra. Francisca Dantas Mendes São Paulo 2019 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. CATALOGAÇÃO-NA-PUBLICAÇÃO (Universidade de São Paulo. Escola de Artes, Ciências e Humanidades. Biblioteca) CRB 8- 4936 Monteiro, George Ricardo Carvalho O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos elementos formais do design e das técnicas de construção / George Ricardo Carvalho Monteiro ; orientadora, Francisca Dantas Mendes. – 2019 281 f. : il Dissertação (Mestrado em Ciências) - Programa de Pós- Graduação em Têxtil e Moda, Escola de Artes, Ciências e Humanidades, Universidade de São Paulo Versão corrigida 1. Figurino - Construção. 2. Traje de cena. 3. La Sylphide (Balé). 4. Sílfide (Personagem). 5. Moda feminina - França. 6. Lacotte, Pierre. I. Mendes, Francisca Dantas, orient. II. Título. CDD 22.ed. –. 792.026 Nome: MONTEIRO, George Ricardo Carvalho Título: O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos aspectos formais do design e das técnicas de construção Dissertação apresentada à Escola de Artes, Ciências e Humanidades da Universidade de São Paulo para obtenção do título de Mestre em Ciências pelo Programa de Pós-graduação em Têxtil e Moda. Área de concentração: Têxtil e Moda Banca Examinadora Prof. Dr. Fausto Roberto Poço Viana (Escola de Comunicação e Artes da USP) Prof. Dr. Ítalo Rodrigues Faria (Faculdade Paulista de Artes) Prof. Dr. Luís Claudio Portugal do Nascimento (Faculdade de Arquitetura e Urbanismo da USP) Dissertação defendida em 19 de setembro de 2019 À Amaury Pereira Monteiro e Antônia Auricina Carvalho Monteiro. À Maria das Graças Monteiro da Fonseca. À Ricardo Alberto Peres Martins e Carlos Eduardo Monteiro Prates. Aos meus professores. Agradecimentos Fábio Lang da Silveira Irani Alvarenga Rodrigues Tatiana Leskova Rojan Cavina Prof. Dr. Ítalo Rodrigues Faria da Faculdade Paulista de Artes Profa. Dra. Francisca Dantas Mendes, Prof. Dr. Luís Claudio Portugal do Nascimento e Prof. Dr. Fausto Roberto Poço Viana da Universidade de São Paulo. André Lazaroni, Bárbara de Lima, Manuel Puoci, Fátima Cristina Gonçalves e Deborah Lins da Fundação Theatro Municipal do Rio de Janeiro. Hulda Bittencourt, Dany Bittencourt e Giselle Bittencourt do Estúdio de Ballet Cisne Negro e Cisne Negro Cia. de Dança. Agradecimento muito especial à Ana Botafogo pelo acolhimento da pesquisa, viabilizando a coleta de dados na Fundação Theatro Municipal do Rio de Janeiro, peça central dessa dissertação. RESUMO MONTEIRO, George Ricardo Carvalho. O traje de cena da Sílfide do balé La Sylphide de Philippe Taglioni e Pierre Lacotte: um estudo dos aspectos formais do design e das técnicas de construção. 2019. 281 f. Dissertação (Mestrado em Ciências) – Escola de Artes, Ciências e Humanidades, Universidade de São Paulo, São Paulo, 2019. Versão corrigida. Esta pesquisa tem como objetivo realizar um estudo bibliográfico e documental do traje da personagem Sílfide do balé La Sylphide de Philippe Taglioni, a partir da reconstrução deste bailado por Pierre Lacotte para o Ballet de l’Opéra National de Paris e Corpo de Baile do Theatro Municipal do Rio de Janeiro (CBTMRJ). A pesquisa investiga eventuais associações dos aspectos formais do design e técnico-construtivos desse figurino com os padrões estéticos da indumentária feminina do período romântico. As principais fontes da pesquisa desse estudo são a bibliografia especializada em história da dança e da indumentária, do design de figurinos para balé, bem como documentos do acervo da Fundação Teatro Municipal do Rio de Janeiro, onde os dados foram coletados por meio de entrevistas, análise e medições das peças do acervo de figurinos. O guarda-roupa da produção da La Sylphide do CBTMRJ guarda um rico corpo de dados sobre o fazer secular de trajes de cena da dança clássica, que esta pesquisa pretende disseminar e preservar, contribuindo para o acesso à bibliografia sobre figurino de balé clássico e a qualificação e o aprimoramento de mão de obra especializada. Palavras-chave: Tutu romântico. Traje de cena. Sílfide. Pierre Lacotte. Theatro Municipal do Rio de Janeiro. ABSTRACT MONTEIRO, George Ricardo Monteiro. The costume of Sylph of the ballet La Sylphide by Philippe Taglioni and Pierre Lacote: a study of the formal design and construction techniques aspects. 2019. 281 p. Dissertation (Master of Science) – School of Arts, Sciences and Humanities, University of São Paulo, São Paulo, 2019. Corrected Version. The debut of the ballet La Sylphide by Philippe Taglioni in 1832 at the Théâtre de l'Académie Royale de Musique in Paris has profoundly and definitively transformed the way of staging and designing new ballets. This ballet, one of the masterpieces of classical dance, ushered in the age of romantic ballet and innovated in many aspects of scenic production. With La Sylphide was born a revolutionary costume, the romantic tutu, which has become a canon of classic dance attire to this day. This research aims to carry out a bibliographical and documentary study of the costumes of the Sylph character of the ballet La Sylphide by Philippe Taglioni, from the reconstruction of this ballet by Pierre Lacotte to the Ballet de l'Opéra National de Paris and the Corpo de Baile do Theatro Municipal do Rio de Janeiro (CBTMRJ). The research investigates possible associations of the formal design and constructive aspects of this wardrobe with the aesthetic of the feminine clothings of the romantic period. The main sources of research in this study are the bibliography specialized in the history of dance and clothings, from design of ballet costumes, as well as documents from the collection of the Fundação Teatro Municipal do Rio de Janeiro, where the data were collected through interviews, analysis and measurements of the pieces of the collection of costumes. The wardrobe of the La Sylphide production of the CBTMRJ stores a rich body of data on the making of classical dance costumes over the centuries, which this research intends to disseminate and preserve, contributing to the access to the bibliography on classic ballet costume and the qualification and enhancement of skilled labor. Keywords: Romantic Tutu. Costume. Sylph. Pierre Lacotte. Theatro Municipal do Rio de Janeiro. SUMÁRIO 1 INTRODUÇÃO……………………..………………………………………....………17 2 CARACTERIZAÇÃO GERAL DA PESQUISA…………………………..………..19 2.1 QUESTÃO FUNDAMENTAL………..…………..……………………………...…….19 2.2 JUSTIFICATIVA.............................................................................................................19 2.3 OBJETIVOS.....................................................................................................................20 2.3.1 Objetivo geral..................................................................................................................20 2.3.2 Objetivos específicos.......................................................................................................21 2.4 DELIMITAÇÕES DO ESTUDO.....................................................................................21 2.5 PRESSUPOSTOS............................................................................................................21 2.6 DEFINIÇÕES E TERMOS-CHAVE...............................................................................22 3 MÉTODO........................................................................................................................25 3.1 ENUNCIADOS................................................................................................................25 3.1.1 Enunciado sintético........................................................................................................25 3.1.2 Enunciado completo.......................................................................................................25 3.1.3 Enunciado expandido.....................................................................................................26 3.2 SUBPROBLEMAS..........................................................................................................26 3.2.1 Subproblema 1................................................................................................................26 3.2.2 Subproblema 2................................................................................................................26 3.2.3 Subproblema 3................................................................................................................26
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