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Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec. -
Ondine - Diary of a Ballet Online
6qNin [Download free ebook] Ondine - Diary of a Ballet Online [6qNin.ebook] Ondine - Diary of a Ballet Pdf Free Hans Werner Henze ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #4990267 in Books 2015-10-30Original language:EnglishPDF # 1 8.50 x .31 x 5.51l, .54 #File Name: 185273095176 pages | File size: 15.Mb Hans Werner Henze : Ondine - Diary of a Ballet before purchasing it in order to gage whether or not it would be worth my time, and all praised Ondine - Diary of a Ballet: 2 of 2 people found the following review helpful. Dear Hans, thanks for sharing, you're the cat's pajamas. Better, you're The Cat's Fugue.By J. FaulkThese extracts, melded together, from the composer's diary were published in Germany in 1959 and in English in 2003.In 1957 Ashton and Henze meet in Ischia to convert the old German folktale Undine into a ballet scenario that choreographer, composer, and the great ballerina Fonteyn can find inspiring (as well as the traditionalist London audience). The tale commences in the hut of a fisherman and his wife and their foundling daughter, actually an ondine. The girl immediately falls in love (so far as an ondine can) with the guest Knight. It takes Ashton and Henze a long time to jettison this commonplace setting. Meanwhile, Henze's diary wanders off into appreciation of Italian life.Henze goes to London to write the music and his diary shares the milieu with us. Designer Lila De Nobili comes over from Paris and joins in the ever-shifting ideas. -
A Mixed Blessing at the Ballet 01
Daily Telegraph July 28 2001 A mixed blessing at the ballet Photo Sheila Rock As Anthony Dowell leaves the Royal Ballet, dance critic Ismene Brown assesses his 15-year regime as director - and stars pay tribute below AT THE Royal Ballet the countdown has begun to the end of an era. A week tonight, amid flowers, Champagne and tears, Sir Anthony Dowell, the longest-serving ballet director since the company’s founder, Ninette de Valois, will end his 15-year regime. He was undoubtedly one of the great world stars of dancing, and the “Celebration Programme” will mark his achievements as such. But about his success as director of the company, opinion is far from unanimous. What makes a good director? The question has never been more of a poser than during Dowell\s captaincy of the ballet, in the most turbulent years of the Royal Opera House’s history. There are many pluses on Dowell’s account sheet - his maintenance of high classical technical standards, his welcoming of key foreign artists into the Royal (particularly Sylvie Guillem and Irek Mukhamedov), his inspiring coaching, to which leading guest stars attest opposite. The rise of Darcey Bussell to world acclaim, the forging of a superb partnership between Mukhamedov and Viviana Durante, this final, nostalgic and beautiful 2000-01 season - these are positive memories. He will be noted as a conservative, and many welcomed this after an insecure period of modernising under his predecessor, Norman Morrice. Whether conservatism has served the company well for the future, though, is debatable. In the shifting landscape of ballet, conservatism is not enough to hold steady. -
Broadcasting the Arts: Opera on TV
Broadcasting the Arts: Opera on TV With onstage guests directors Brian Large and Jonathan Miller & former BBC Head of Music & Arts Humphrey Burton on Wednesday 30 April BFI Southbank’s annual Broadcasting the Arts strand will this year examine Opera on TV; featuring the talents of Maria Callas and Lesley Garrett, and titles such as Don Carlo at Covent Garden (BBC, 1985) and The Mikado (Thames/ENO, 1987), this season will show how television helped to democratise this art form, bringing Opera into homes across the UK and in the process increasing the public’s understanding and appreciation. In the past, television has covered opera in essentially four ways: the live and recorded outside broadcast of a pre-existing operatic production; the adaptation of well-known classical opera for remounting in the TV studio or on location; the very rare commission of operas specifically for television; and the immense contribution from a host of arts documentaries about the world of opera production and the operatic stars that are the motor of the industry. Examples of these different approaches which will be screened in the season range from the David Hockney-designed The Magic Flute (Southern TV/Glyndebourne, 1978) and Luchino Visconti’s stage direction of Don Carlo at Covent Garden (BBC, 1985) to Peter Brook’s critically acclaimed filmed version of The Tragedy of Carmen (Alby Films/CH4, 1983), Jonathan Miller’s The Mikado (Thames/ENO, 1987), starring Lesley Garret and Eric Idle, and ENO’s TV studio remounting of Handel’s Julius Caesar with Dame Janet Baker. Documentaries will round out the experience with a focus on the legendary Maria Callas, featuring rare archive material, and an episode of Monitor with John Schlesinger’s look at an Italian Opera Company (BBC, 1958). -
Ourhousetoyourhouse Royal Opera House Announces New Friday Premiere Stream: the Royal Ballet’S the Dream (2017)
17 March 2021 #OurHouseToYourHouse Royal Opera House announces new Friday Premiere stream: The Royal Ballet’s The Dream (2017) The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3. Join us on Friday 19 March at 7pm GMT as we stream The Dream (2017). Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory, and this production, recorded in 2017, features music from Felix Mendelssohn performed by the Orchestra of the Royal Opera House and designs from David Walker. Showcasing the extraordinary talents of dancers of The Royal Ballet, this recording stars Principal dancers Akane Takada as Titania and Steven McRae as Oberon. Also featured are First Soloist Valentino Zucchetti as Puck and Principal Character Artist Bennet Gartside as Bottom. Titles currently available to view via stream.roh.org.uk include La Fille mal gardée (The Royal Ballet, 2015), Il trittico (The Royal Opera, 2011), Raymonda Act III (The Royal Ballet, 2019), Tony and the Young Artists (The Royal Opera, 2021) and The Sleeping Beauty (The Royal Ballet, 2020). As part of our ongoing partnership with the BBC, Royal Opera House content continues to be available via BBC Sounds and BBC iPlayer. The Royal Opera’s 2018 performance of Wagner’s Ring Cycle in Keith Warner’s acclaimed production is available to listen to again in full. Presented by Tom Service, these performances feature Antonio Pappano conducting the Orchestra of the Royal Opera House and a stellar cast including soprano Nina Stemme as Brünnhilde; baritone John Lundgren as Wotan; mezzo- soprano Sarah Connolly as Fricka; and tenor Stefan Vinke as Siegfried, among others. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice. -
Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre
Founders Stella Abrera is the Artistic Director of Kaatsbaan and a Principal Dancer with American Ballet Gregory Cary Kevin McKenzie Theatre. Ms. Abrera is from South Pasadena, California, and began her studies with Philip and Bentley Roton Martine van Hamel Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Executive Director Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. She also spent three Sonja Kostich Artistic Director years studying the Royal Academy of Dancing method with Joan and Monica Halliday at the Stella Abrera Halliday Dance Centre in Sydney, Australia. Board of Trustees Kevin McKenzie, Chair Stella Abrera Ms. Abrera joined American Ballet Theatre as a member of the corps de ballet in 1996, was Christine Augustine Gregory Cary appointed a Soloist in 2001, and Principal Dancer in August 2015. Her repertoire with ABT includes Sandy Choi Sonja Kostich the Girl in Afternoon of a Faun, Calliope in Apollo, Gamzatti and a Shade in La Bayadère, The Chris Omark Bentley Roton Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Martine van Hamel Moss and Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque Board of Advisors in Le Corsaire, Chloe in Daphnis and Chloe, She Wore a Perfume in Dim Lustre, the woman in white Dancers Isabella Boylston in Diversion of Angels, Mercedes, the Driad Queen and a Flower Girl in Don Quixote, Helena in The Gary Chryst Herman Cornejo Dream, the first -
World Premiere of Angels' Atlas by Crystal Pite
World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent -
2016 - 2017 Season Passion
2016 - 2017 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Thank you for joining us for our 47th season of the Northwest Florida Ballet. This year will be the most exciting yet, as we debut the Northwest Florida Ballet Symphony Orchestra led by renowned conductor and composer, David Ott. As a non-prot 501(c)(3) organization, NFB is highly regarded for providing world-class ballet performances, training students in the art of dance, and reaching out into our community through our educational endeavors. The introduction of the NFB Symphony Orchestra only further enriches our productions and programming, adding an unparalleled level of depth that Todd Eric Allen, NFB Artistic Director & CEO no other ballet company in our area can claim. In many ways, this depth showcases NFB as a cultural mosaic arranged to represent the best of the Emerald Coast. From the facility in downtown Fort Walton Beach where we train our students to the local family attending a ballet performance for the rst time, we recognize that every facet of who we are as an organization is part of this mosaic. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.