DOCSLIB.ORG

People on the Cover Media Performances

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
People on the Cover Media Performances Bolshoi stars THE DREAM 40 Stuttgart Ballet - Friedemann Vogel and Miriam Kacerova in MacMillan's Mayerling. © Emma Kauldhar Contents People Media 10 Friedemann Vogel 63 Force of Nature Natalia EMMA KAULDHAR talks with the Stuttgart ROBERT PENMAN reviews the latest Ballet principal about his career spanning two dance documentary at the Curzon decades Performances 30 Jacopo Tissi AMANDA JENNINGS catches up with the 26 He Takes Her By The Bolshoi leading soloist guesting in London Hand... GERARD DAVIS visits Wuppertal to catch Alyona Kovalyova 36 an early piece by Pina Bausch CATHERINE PAWLICK meets the Bolshoi first soloist in Moscow 40 Mayerling PREMIERE ALISON KENT appraises a new production Johan Kobborg 68 of MacMillan's harrowing ballet in Stuttgart MIKE DIXON meets the dancer/ choreographer preparing a new Romeo and Cinderella-in-the-Round Juliet for Cojocaru and Polunin in Verona 46 MIKE DIXON reports on ENB's latest production away from the proscenium arch On The Cover Front cover: The Royal Ballet The Legend of Love DEBUTS - Fumi Kaneko in Frederick 18 Fonteyn - A Celebration 50 Ashton's Birthday Offering, LYDIA RADETSKY appreciates an Margot Fonteyn - A MIKE DIXON savours a gala to celebrate Celebration on 8 June 2019. enduring Soviet ballet enhanced by the memory of The Royal Ballet's indelible © Emma Kauldhar by Alyona Kovalyova outstanding debuts The Bolshoi Ballet’s First Soloist, courtesy of the ROH legend GRISHKO®Brand Ambassador Leotard, Art. DA 1901MP GRISHKO® Europe distribution center Find us: grishko-world.com Mesh skirt, Art. DA 1908 Mikulandska 4/122, 11000 Praha, 1 Follow us: @grishkoworld Jacopo Tissi + 420 224 934 293 Write us: [email protected] The Bolshoi Ballet’s Leading Soloist Leggings, Art. DA 1915M +420 727 933 480 Shop online: grishkoshop.com 6 ENTRE NOUS 93 AUDITIONS 101 WHAT'S ON 106 PEOPLE PAGE Dance Europe - July 2019 3 DANCE EUROPE Performances FOUNDED IN 1995 PREMIERE P.O. Box 12661, London E5 9TZ,UK 54 Polunin Ink Tel: +44 (0)20 8985 7767 MIKE DIXON and ROBERT PENMAN www.danceeurope.net evaluate the world premiere of Rasputin Editor/Photographer Emma Kauldhar and a mixed bill at the London [email protected] Palladium mobile/text: +44 (0)7983 608544 Advertising Manager Naresh Kauldhar A Month in the Country [email protected] 58 DEBUTS Tel: +44 (0)20 7682 1733 mobile/text: +44 (0)7981 945320 ROBERT PENMAN and LYDIA RADETSKY review a programme inspired by Russia Editorial Consultant Clare Taylor Administrator Katie Harrington White Nights [email protected] 64 LUCY VAN CLEEF considers a diverse Listings and Videos for Digital Edition bill in Oslo [email protected] PREMIERE 72 On the Town CRITICS & WRITERS 58 ALISON KENT reviews a new production of the Broadway musical Mark Baird, Pandora Beaumont, Luke Bradshaw, with choreography by Adam Cooper Ellie Carr, Gerard Davis, Mike Dixon, Valery Dmitriev, François Fargue, Jesús R. Gamo, Maina Gielgud, Amanda Jennings, Altin Kaftira, Alison Fabbrica Europa Kent, Ali Mahbouba, Trina Mannino, Bruce 74 BRUCE MICHELSON rounds up Michelson, Yuki Nagano, Catherine Pawlick, Robert Penman, Susan Pond, Lydia Radetsky, Oli Florence's dance festival Speers, Jessica Teague, Philip Tunstall, Lucy Van Cleef, Viki Westall. Two Romeos DEBUTS 78 AMANDA JENNINGS rates a feast FREELANCE WRITERS of romantic tragedy The editor welcomes applications from new PREMIERE writers with significant dance backgrounds, Bach Studies 82 especially from former professional dancers. In GERARD DAVIS sums up an uneven the first instance, interested parties are invited to piece by Benjamin Millepied submit a sample review of a recent performance and a comprehensive CV to the editor. SFB in London 84 AMANDA JENNINGS and GERARD DISTRIBUTION DAVIS welcome American visitors Dance Europe is published 11 times a year in London and distributed worldwide by: UK - Le Corsaire 90 Intermedia, London; Austria - Morawa & Co. AMANDA JENNINGS reviews an aging Ltd; Australia/New Zealand - Gordon & Gotch; 30 Canada - LMPI; Croatia - ANGCRO; Germany - production saved by its dancers We Saarbach GmbH; Iceland - Innkaupasam band Boksala; South Africa - Magscene (Pty); Sweden School Show - Svenska Interpress AB; Poland - Ingland Co. Ltd; Croatia, Slovenial - Levant Dist; Portugal - International News; Trieste - EST; Finland - Vaganova Academy Rautakirja Oy; Poland - Ingland Co. Ltd; Sweden 94 PANDORA BEAUMONT applauds this - Sevenska Interpress; U.S.A. - SEMAJ INC/ IPD/; Spain - SGEL; Belgium - AMP; Hungary year's graduation performance - Libropress 2000; Taiwan - Multi-Arts Enter- prise; Singapore - Borders/STP; Japan - Yohan ; Reviews Malaysia - STP; Italy - Intercontinental (FE) and in France by the publisher +44 20 8985 7767. RAMBERT Dance Europe is published in both printed paper 96 Rouge/PreSentient/ In your rooms and digital editions. Subscriptions, single and back issues and library and institution subscrip- BOSTON BALLET tions online at www.danceeurope.net. Playlist/Pas/Parts 2018/Wings of Wax STAATSBALLETT BERLIN ISSN: 1359-9798 Romeo and Juliet The content of Dance Europe is copyrighted and RICHARD SIEGAL/YANG ZHEN may not be freely reproduced in any medium Roughhouse/Delta whatsoever, including on the internet. The scan- SEETA PATEL ning and posting of articles published in Dance Europe online is strictly forbidden and constitutes The Rite of Spring a breach of copyright. NEDERLANDS DANS THEATER Fit/Wir Sage nuns Dunkles/Signing off © Dance Europe 2019 50 Dance Europe - July 2019 5.
Load more

Recommended publications
  • Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre
    Founders Stella Abrera is the Artistic Director of Kaatsbaan and a Principal Dancer with American Ballet Gregory Cary Kevin McKenzie Theatre. Ms. Abrera is from South Pasadena, California, and began her studies with Philip and Bentley Roton Martine van Hamel Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Executive Director Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. She also spent three Sonja Kostich Artistic Director years studying the Royal Academy of Dancing method with Joan and Monica Halliday at the Stella Abrera Halliday Dance Centre in Sydney, Australia. Board of Trustees Kevin McKenzie, Chair Stella Abrera Ms. Abrera joined American Ballet Theatre as a member of the corps de ballet in 1996, was Christine Augustine Gregory Cary appointed a Soloist in 2001, and Principal Dancer in August 2015. Her repertoire with ABT includes Sandy Choi Sonja Kostich the Girl in Afternoon of a Faun, Calliope in Apollo, Gamzatti and a Shade in La Bayadère, The Chris Omark Bentley Roton Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Martine van Hamel Moss and Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque Board of Advisors in Le Corsaire, Chloe in Daphnis and Chloe, She Wore a Perfume in Dim Lustre, the woman in white Dancers Isabella Boylston in Diversion of Angels, Mercedes, the Driad Queen and a Flower Girl in Don Quixote, Helena in The Gary Chryst Herman Cornejo Dream, the first
    [Show full text]
  • World Premiere of Angels' Atlas by Crystal Pite
    World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • Numerical Listing
    SEQ DISC NO LABEL CDN PRICE PERFORMER DESCRIPTION a a THREE FOR TWO! ON ALL ITEMS PRICED AT £5.00, ONE- THIRD (1/3) OFF ALL ORDERS FOR 3 OR MORE a a 23776 0 10 1441-3 Supraphon, blue m A1 £10.00 Talich, Vaclav Vol. 1. Suk: Serenade for Strings; Asrael; Ripening. Czech PO c 22047 1 11 1106 Supraphon s A1 £5.00 Vlach SQ Beethoven: Quartets, Opp.18-1; 18-6 bb 22524 1 11 1755 Supraphon s A1 £5.00 Prague SQ Lubomir Zelezny: Clt. Quintet; Wind Quintet; Piano Trio. Prague Wind Quintet, Smetana Trio bb 23786 10 Penzance, USA m A1 £8.00 Callas, Maria, s Wagner: Parsifal, Act 2. Baldelli, Modesti, Pagliughi, -Gui. Live, 20.xi.50. In Italian a 22789 1007831 VdsM, References m A1 £7.00 Kreisler, Fritz, vn Beethoven; Sonatas 5, "Spring"; 9, "Kreutzer". F. Rupp, pf bb 23610 101 Rara Avis, lacquer m A-1- £10.00 Ginsburg, Grigory, pf Liszt: Bells of Geneva, Campanella, Rigoletto, Spanish Rhapsody / Weber: Rondo brillante / Chopin: Etudes, Op.25, 1-3. From 78s, semi-private issue b 22800 12T 160 Topic m A1 £7.00 Folk Songs of Britain, 1 Child Ballads 1. Various artists (field recordings) e 22707 13029 AP DGG, Archiv, Ger., m A1 £40.00 Schneiderhan, Wolfgang, vn Bach: Partita 2, D minor, for solo violin. Sleeve: buff, gatefold 10" bb 22928 133 004 SLPE DGG, Ger., tulip, 10" s A1 £12.00 Bolechowska, Alina, s Chopin: Lieder. S. Nadgrizowski, pf a 22724 133 122 SLP DGG, Ger., red, tulip, s A1 £12.00 Markevitch, Igor, dir Mozart: Coronation Mass.
    [Show full text]
  • One Aim/One Vision: the Bolshoi Ballet in Still Photography
    ave maria university presents One Aim/One Vision: The Bolshoi Ballet in Still Photography CANIZARO LiBRARY March 27-May 9, 2010 Marc Haegeman is a dance writer and photographer based in Belgium. He is a European correspondent for DanceView and Danceviewtimes (Washington DC) and writes the Russian Profile in Dance International (Vancouver). His reviews, features and interviews have also been published in The Dancing Times (London), Dance Now (London), Ballet2000 (Milan), Brolga (Australia), Ballet Magazine (Moscow), and Nezavisimaya Gazeta (Moscow). As Photographer he contributes to dance magazines worldwide, to souvenir program books of Moscow's Bolshoi Ballet and several web sites, including the personal web pages of Russian dancers, Svetlana Zakharova, Natalia Osipova, Daria Pavlenko, Nina Ananiashvili and Dmitry Gudanov, among others. His photos also illustrate the book by Isis Wirth, Despues de Giselle. Estética y Ballet en el Siglo XXI (Valencia, 2007). For more information about the photographer and his work please view: http://www.for-ballet-lovers-only.com. This exhibition has been made possible thanks to the cooperation of the Bolshoi Theatre. marc haegeman All photos © 2010 Marc Haegeman at Bolshoi Theatre. All Rights Reserved. LA SYLPHIDE: Staging produced by Johan Kobborg, principal dancer with London's Royal Ballet. Choreography by August Bournonville. Production and new choreography by Johan Kobborg. Sets and costumes by Peter Farmer. Lighting by Damir Ismagilov. 1 | Ekaterina Krysanova (the Sylphide) and Yan Godowsky (James). 2 | Ekaterina Krysanova (the Sylphide) and Yan Godowsky (James). 3 | Ekaterina Krysanova (the Sylphide). 4 | Vyacheslav Lopatin (James). 5 | Irina Zibrova (Madge, the witch) and artists of the Bolshoi Ballet.
    [Show full text]
  • Dance Books Complete Catalogue
    CATALOGUE 1 DANCE BOOKS LTD Publications and distributed titles Winter 2018-2019 2 DANCE BOOKS Books and DVDs in this catalogue are published or distributed by: Dance Books Ltd Southwold House Isington Road Binsted Hampshire GU34 4PH Telephone +44 (0) 1420 525299 Web site www.dancebooks.co.uk Trade distribution UK and world wide excluding the USA: Vine House Distribution Ltd Orca Book Services The Old Mill House 160 Eastern Avenue Mill Lane Milton Park Uckfield Abingdon East Sussex OX14 4SB TN22 5AA Telephone: +44 (0) 1235 465500 Fax: +44 (0) 1235 465555 Telephone: +44 (0) 1825 767396 email: [email protected] Fax: +44 (0) 1825 765649 email: [email protected] Our publications are also stocked by the wholesalers Bertrams and Gardners Trade distribution USA: Trans-Atlantic Publications Inc. 33 Ashley Drive Schwenksville PA 19473 USA Telephone: 484-919-6486 Fax: 215-717-4655 email: [email protected] (Prices may vary from those shown in this catalogue) CATALOGUE 3 DANCE BOOKS publications NEW publication Robert Helpmann The Many Faces of a Theatrical Dynamo Edited by Richard Allen Cave and Anna Meadmore Dancer, actor in theatre, film and television, choreographer for stage and film, revue artist, director of ballet, opera, drama, pantomime, musicals, comedy: Robert Helpmann (1909-1986) exuberantly realised a career that encompassed a phenomenal range. In ballet and dance he grew beyond his early years as Ninette de Valois’ protégé within the Vic-Wells Ballet in the 1930s, to become premier danseur with the Company in the 1940s, guest artist with The Royal Ballet in the 1950s and 1960s, and finally director of Australian Ballet.
    [Show full text]
  • Introduction
    Introduction The World Ballet Festival Returns for Summer 2018 From the 14th World Ballet FestivalPhoto: Kiyonori Hasegawa For more than 40 years now, the most talented and renowned dancers have come to Tokyo from around the world to perform in the World Ballet Festival, which will once again be held this summer. When it was first introduced in 1976 under the leadership of Tadatsugu Sasaki, it was very rare for the star ballerinas of different companies or countries to share a stage. Its first edition caused an international sensation by bringing together three legends, Margot Fonteyn from the UK, Maya Plisetskaya from the Soviet Union and Alicia Alonso from Cuba. Since then stars such as Jorge Donn, Patrick Dupond, Sylvie Guillem, Alessandra Ferri, Manuel Legris and Vladimir Malakhov have become regular participants, bringing the audiences to a storm of excitement every time and inspiring them to watch and compare all the dancers perform. The circle of energy created between audiences and artists in this festival produces an atmosphere that motivates dancers to perform to the best of their abilities, and has resulted in many legendary performances. Featuring the world's leading dancers, all from different artistic backgrounds and representing a wide variety of repertoire and styles, the festival also offers an opportunity to observe an overview of today's ballet scene. While there are now many similar festivals, the quality of both artists and audiences at the World Ballet Festival continues to be amongst the highest in the world. Ballet is an art form that unites finely tuned bodies and minds with sophisticated powers of expression, to create a deep and lasting impression on the audience members.
    [Show full text]
  • Dorathi Bock Pierre Dance Collection, 1929-1996
    http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.
    [Show full text]
  • Take a Look at the Progra
    SEASON SPONSOR SUPPORTED BY NATIONAL TOURING PARTNER A TASTY TREAT OF A BALLET ROYAL NEW ZEALAND BALLET CLICK TO EXPLORE Artistic Director Patricia Barker Executive Director Lester McGrath Ballet Masters Clytie Campbell, Laura McQueen Schultz, Nicholas Schultz, Michael Auer (guest) Principals Allister Madin, Paul Mathews, Katharine Precourt, Mayu Tanigaito, Nadia Yanowsky Soloists Sara Garbowski, Kate Kadow, Shaun James Kelly, Fabio Lo Giudice, Massimo Margaria, Katherine Minor, Joseph Skelton Choreography Loughlan Prior Artists Cadence Barrack, Luke Cooper, Rhiannon Fairless, Kiara Flavin, Madeleine Graham, Kihiro Kusukami, Minkyung Music Claire Cowan Lee, Yang Liu*, Nathan Mennis, Olivia Moore, Clare Set and costume design Kate Hawley Schellenberg, Kirby Selchow, Katherine Skelton, Laurynas Assistant set designers Miriam Silvester and Seth Kelly Vėjalis, Leonora Voigtlander, Caroline Wiley, Wan Bin Yuan Lighting Jon Buswell Todd Scholar Teagan Tank Visual effectsPOW Studios Apprentices Georgia Baxter, Ella Chambers, Lara Flannery, Conductor Hamish McKeich Vincent Fraola, Calum Gray, Kaya Weight Orchestra Orchestra Wellington Guests Jamie Delmonte, Tristan Gross, Levi Teachout *On parental leave. CONNECT WITH US rnzb.org.nz Vodafone is proud to keep the Royal New Zealand Ballet facebook.com/nzballet connected, whether we’re in Wellington or out on the road. In twitter.com/nzballet December 2019, Vodafone will be launching the next generation instagram.com/nzballet of mobile technology – 5G. To learn more about what this youtube.com/nzballet means for you and your business visit vodafone.co.nz/5G. Hansel and Gretel drive our story and their ‘ Above all, the story is about Building relationship reflects the ups and downs of overcoming difficult obstacles any good sibling bond.
    [Show full text]
  • Viviana Durante
    VIVIANA DURANTE TRAINING & EDUCATION 1978–1983 Royal Ballet School Lower School 1983–1984 Royal Ballet School Upper School Diploma with Distinction 2014–2016 Royal Ballet School, Diploma of Dance Teaching 2014–2016 Trinity College London, Diploma in Dance Teaching and Learning (RQF Level 6) With Merit 2015–2016 Dance UK Mentoring Scheme: mentored by Jude Kelly (Artistic Director, Southbank Centre) and Louise Jeffreys (Director of Arts, Barbican Centre) 2017 Royal Opera House Shadowing assignment: Alex Beard, Chief Executive EMPLOYMENT CURRENT 2019— Director of Dance, English National Ballet School 2017— Artistic Director, Viviana Durante Company AS BALLET DANCER: 1984–2000 Royal Ballet Corps de ballet 1984-1987; Soloist 1987-1989; Principal 1989-1997; Principal Guest Artist 1997-2000 1990 Arena di Verona Guest Artist 1992 New York City Ballet Guest Artist 1993 Dutch National Ballet Guest Artist 1993–2002 Tokyo Ballet Guest Artist 1996–1998 Teatro dell’Opera, Roma Guest Artist 1998–1999 New National Theatre Ballet, Tokyo Guest Artist 1999 American Ballet Theater Principal Dancer 1999–2009 K-Ballet, Tokyo Principal Guest Artist 2000 English National Ballet Guest Artist 2000 Ballet de Santiago Guest Artist 2001–2002 San Carlo, Napoli Guest Artist 2002 Zurich Ballet Guest Artist 2002–2003 Teatro alla Scala, Milan Principal Guest Artist 2003–2004 Semperoper Ballet, Dresden Guest Artist 2005 Tulsa Ballet Guest Artist 2005–2006 Teatro Massimo, Palermo Guest Artist 2008 National Theatre, London Ballerina in Fram REPERTOIRE INCLUDES: Giselle,
    [Show full text]
  • Benesh Movement Notation Score Catalogue
    Benesh Movement Notation Score Catalogue Extraction from: Benesh Movement Notation Score Catalogue: An International listing of Benesh Movement Notation scores of professional dance works recorded 1955-1998 Ed. Inman, T. © Royal Academy of Dance, London, 1998 All scores listed are unpublished and are not necessarily available for general use. Benesh International has endeavoured to gather information of all existing notated choreographic works, however, the omission of certain titles does not necessarily mean that no notation of the work exists. Score Lodgement: Numbered scores – a copy is held in the Philip Richardson Library for public viewing. SK: Safe Keeping – not available for public viewing. Educational Use: Scores available for educational use. Choreographer Work Composer Notator Score Educational Lodgement Use ACHCAR, D. Nutcracker, The (excerpts) Tchaikovsky, P. I. Schroeder, C. - ACHCAR, D. / ASHTON, F. Floresta Amazônica Villa-Lobos, H. Parker, M. - AILEY, A. Myth (excerpts) Stravinsky, I. Suprun, I. - AILEY, A. River, The Ellington, D. Lindström, E. 523 AILEY, A. Night Creature Ellington, D. - AILEY, A. Night Creature (2nd & 3rd sections) Ellington, D. Suprun, I. - AITKEN, G. Naila Delibes, L. Marwood, J. - ALSTON, R. Apollo Distraught Osborne, N. Cunliffe, L. - EU ALSTON, R. Cat’s Eyes Sawer, D. Reeder, K. - ALSTON, R. Chicago Brass Hindemith, P. Braban, M. 374 EU ALSTON, R. Cinema Satie, E. Macourt, M. - Royal Academy of Dance® is a charity registered in England and Wales No. 312826 1 Choreographer Work Composer Notator Score Educational Lodgement Use ALSTON, R. Cutter Gowans, J.-M. Sandles, J. 481 ALSTON, R. Dangerous Liaisons Waters, S. Dyer, A. 430 EU ALSTON, R. Dealing with Shadows Mozart, W.
    [Show full text]
  • The Inventory of the Alicia Markova Collection #1064
    The Inventory of the Alicia Markova Collection #1064 Howard Gotlieb Archival Research Center Markova, Alicia #1064 6/30/95 Preliminary Listing Box 1 I. Correspondence. [F. 1] A. Markova, Alicia. ANS to unknown, 1 p., n.d. B. Invitation to the annual meeting of the Boston University Friends of the Libraries where AM will speak, May 8, 1995. II. Printed Material. A. Newspaper clippings. 1. AMarkova Rounding Out 33 Years on Her Toes,@ by Art Buchwald, New York Herald Tribune, Nov. 22, 1953. [F. 2] 2. AThe Ballet Theatre,@ by Walter Terry, New York Herald Tribune, Apr. 16, 1955. 3. Printed photo of AM, Waterbury American, Nov. 25, 1957. 4. ATotal Role Recall,@ by Jann Parry, The Observer Review, Jan. 29, 1995. 5. AThe Nightingale Dances Again,@ by Ismene Brown, The Daily Telegraph, Feb. 3, 1995. 6. AA Step in Time,@ by David Dougill, The Sunday Times, Feb. 5, 1995. 7. AFanfare for Stars With a Place in Our Hearts,@ by Michael Owen, Evening Standard, Mar. 21, 1995. B. Photocopied pages from an unidentified printed source; all images of AM; 13 p. total. C. Promotional brochure for Yorkshire Ballet Seminars, July 29 - Aug. 26, 1995. D. Booklets. [F. 3] 1. AEnglish National Ballet,@ for a ARoyal gala performance in celebration of the 80th birthday of the President and co-founder of the company, Dame Alicia Markova ...,@ Nov. 27, 1990. 2. AA Dance Spectacular, in tribute to Dame Alicia Markova DBE, on the occasion of her 80th birthday ... in aid of The Dance Teachers= Benevolent Fund,@ Dec. 2, 1990. III. Photographs.
    [Show full text]