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Ondine - Diary of a Ballet Online
6qNin [Download free ebook] Ondine - Diary of a Ballet Online [6qNin.ebook] Ondine - Diary of a Ballet Pdf Free Hans Werner Henze ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #4990267 in Books 2015-10-30Original language:EnglishPDF # 1 8.50 x .31 x 5.51l, .54 #File Name: 185273095176 pages | File size: 15.Mb Hans Werner Henze : Ondine - Diary of a Ballet before purchasing it in order to gage whether or not it would be worth my time, and all praised Ondine - Diary of a Ballet: 2 of 2 people found the following review helpful. Dear Hans, thanks for sharing, you're the cat's pajamas. Better, you're The Cat's Fugue.By J. FaulkThese extracts, melded together, from the composer's diary were published in Germany in 1959 and in English in 2003.In 1957 Ashton and Henze meet in Ischia to convert the old German folktale Undine into a ballet scenario that choreographer, composer, and the great ballerina Fonteyn can find inspiring (as well as the traditionalist London audience). The tale commences in the hut of a fisherman and his wife and their foundling daughter, actually an ondine. The girl immediately falls in love (so far as an ondine can) with the guest Knight. It takes Ashton and Henze a long time to jettison this commonplace setting. Meanwhile, Henze's diary wanders off into appreciation of Italian life.Henze goes to London to write the music and his diary shares the milieu with us. Designer Lila De Nobili comes over from Paris and joins in the ever-shifting ideas. -
Boston Symphony Orchestra Concert Programs, Season 94, 1974-1975
BOSTON SYMPHONY ORCHESTRA Founded in 1881 by HENRY LEE HIGGINSON SEIJI OZAWA Music Director COLIN DAVIS Principal Guest Conductor NINETY- FOURTH SEASON 1974-1975 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K.ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN ARCHIE C. EPPS III JOHN T. NOONAN ALLEN G. BARRY MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS MRS JOHN M. BRADLEY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E.MORTON JENNINGS JR PAULC. REARDON ABRAM T. COLLIER EDWARD M. KENNEDY MRS GEORGE LEE SARGENT NELSON J. DARLING JR EDWARD G. MURRAY JOHN HOYT STOOKEY TRUSTEES EMERITUS FRANCIS W. HATCH PALFREY PERKINS HENRY A. LAUGHLIN ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood ELEANOR R. JONES Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. December SYMPHONY HALL BOSTON MASSACHUSETTS J 6 e 2 2 Meet Him In a Cloud of Chiffon Li Surely, he'll appreciate this graceful flow of gray / chiffon. Sc'oop necked and softly tiered skirted. • Ready to rise to an occasion. From our outstanding /Collection of long and short evening looks, ay or navy polyester chiffon. Misses sizes. $100 isses Dresses, in Boston and in Chestnut Hill Boston, Chestnut Hill, South \Shore, Northshore, Burlington, Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS Principal Guest Conductor NINETY-FOURTH SEASON 1974-1975 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. -
Ourhousetoyourhouse Royal Opera House Announces New Friday Premiere Stream: the Royal Ballet’S the Dream (2017)
17 March 2021 #OurHouseToYourHouse Royal Opera House announces new Friday Premiere stream: The Royal Ballet’s The Dream (2017) The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3. Join us on Friday 19 March at 7pm GMT as we stream The Dream (2017). Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory, and this production, recorded in 2017, features music from Felix Mendelssohn performed by the Orchestra of the Royal Opera House and designs from David Walker. Showcasing the extraordinary talents of dancers of The Royal Ballet, this recording stars Principal dancers Akane Takada as Titania and Steven McRae as Oberon. Also featured are First Soloist Valentino Zucchetti as Puck and Principal Character Artist Bennet Gartside as Bottom. Titles currently available to view via stream.roh.org.uk include La Fille mal gardée (The Royal Ballet, 2015), Il trittico (The Royal Opera, 2011), Raymonda Act III (The Royal Ballet, 2019), Tony and the Young Artists (The Royal Opera, 2021) and The Sleeping Beauty (The Royal Ballet, 2020). As part of our ongoing partnership with the BBC, Royal Opera House content continues to be available via BBC Sounds and BBC iPlayer. The Royal Opera’s 2018 performance of Wagner’s Ring Cycle in Keith Warner’s acclaimed production is available to listen to again in full. Presented by Tom Service, these performances feature Antonio Pappano conducting the Orchestra of the Royal Opera House and a stellar cast including soprano Nina Stemme as Brünnhilde; baritone John Lundgren as Wotan; mezzo- soprano Sarah Connolly as Fricka; and tenor Stefan Vinke as Siegfried, among others. -
Ferenc Molnar
L I L I O M A LEGEND IN SEVEN SCENES BY FERENC MOLNAR EDITED AND ADAPTED BY MARK JACKSON FROM AN ENGLISH TEXT BY BENJAMIN F. GLAZER v2.5 This adaptation of Liliom Copyright © 2014 Mark Jackson All rights strictly reserved. For all inquiries regarding production, publication, or any other public or private use of this play in part or in whole, please contact: Mark Jackson email: [email protected] www.markjackson-theatermaker.com CAST OF CHARACTERS (4w;4m) Marie / Stenographer Julie / Louise Mrs Muskat Liliom Policeman / The Guard Mrs Hollunder / The Magistrate Ficsur / A Poorly Dressed Man Wolf Beifeld / Linzman / Carpenter / A Richly Dressed Man SCENES (done minimally and expressively) FIRST SCENE — A lonely place in the park. SECOND SCENE — Mrs. Hollunder’s photographic studio. THIRD SCENE — Same as scene two. FOURTH SCENE — A railroad embankment outside the city. FIFTH SCENE — Same as scene two SIXTH SCENE — A courtroom in the beyond. SEVENTH SCENE — Julie’s garden, sixteen years later. A NOTE (on time & place) The current draft retains Molnar’s original 1909 Budapest setting. With minimal adjustments the play could easily be reset in early twentieth century America. Though I wonder whether certain of the social attitudes—toward soldiers, for example— would transfer neatly, certainly an American setting could embody Molnar’s complex critique of gender, class, and racial tensions. That said, retaining Molnar’s original setting perhaps now adds to his intention to fashion an expressionist theatrical legend, while still allowing for the strikingly contemporary themes that prompted me to write this adaptation—among them how Liliom struggles and fails to change in the face of economic and social flux; that women run the businesses, Heaven included; and Julie’s independent, confidently anti-conventional point of view. -
Don Quixote Press Release 2019
January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates. -
What's the Use of Wondering If He's Good Or Bad?: Carousel and The
What’s the Use of Wondering if He’s Good or Bad?: Carousel and the Presentation of Domestic Violence in Musicals. Patricia ÁLVAREZ CALDAS Universidad de Santiago de Compostela [email protected] Recibido: 15.09.2012 Aceptado: 30.09.2012 ABSTRACT The analysis of the 1956 film Carousel (Dir. Henry King), which was based on the 1945 play by Rodgers and Hammerstein, provides a suitable example of a musical with explicit allusions to male physical aggression over two women: the wife and the daughter. The issue of domestic violence appears, thus, in a film genre in which serious topics such as these are rarely present. The film provide an opportunity to study how the expectations and the conventions brought up by this genre are capable of shaping and transforming the presentation of Domestic Violence. Because the audience had to sympathise with the protagonists, the plot was arranged to fulfil the conventional pattern of a romantic story inducing audiences forget about the dark themes that are being portrayed on screen. Key words: Domestic violence, film, musical, cultural studies. ¿De qué sirve preocuparse por si es bueno o malo?: Carrusel y la presentación de la violencia doméstica en los musicales. RESUMEN La película Carrusel (dirigida por Henry King en 1956 y basada en la obra de Rodgers y Hammerstein de 1945), nos ofrece un gran ejemplo de un musical que realiza alusiones explícitas a las agresiones que ejerce el protagonista masculino sobre su esposa y su hija. El tema de la violencia doméstica aparece así en un género fílmico en el que este tipo de tratamientos rara vez están presentes. -
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
Liebeslieder-Walzer Et Lieder Choisis Johannes Brahms
Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Jeudi 5 février Johannes Brahms | Liebeslieder-Walzer et lieder choisis Jeudi 5 février | Dans le cadre du cycle Le temps de la danse Du samedi 31 janvier au vendredi 6 février 2009 et lieder choisis Liebeslieder-Walzer Liebeslieder-Walzer Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Johannes Brahms | Johannes Brahms Cycle Le temps de la danse La valse, la bourrée… : toutes les danses dictent leur rythme. Elles donnent le ton et le temps à ceux qui s’y accordent. De la danse traditionnelle thaïe aux Ländler de Brahms, les pulsations d’une chorégraphie réelle ou rêvée emportent la musique et les corps dans leurs tournoiements. Le khon, théâtre traditionnel thaï apparu voici mille ans dans les cours royales d’Ayutthaya, s’imposa rapidement comme le divertissement privilégié des rois. Il met en scène des personnages masqués, richement costumés de brocarts de soie, qui exécutent des danses très codifiées, accompagnées par des musiciens, des chanteurs et des narrateurs. La très forte puissance évocatrice de cet art pictural vivant permet d’entrer en contact avec le monde invisible, de donner âme aux croyances magiques… Et aussi de fonder l’identité de la communauté, de la rassembler sur des temps forts. Le programme imaginé par Jordi Savall sous le titre de Ludi Musici : L’esprit de la danse participe du même paradoxe, pas dansés qui font à la fois la distinction et la communion des corps : il présente un répertoire composite, qui rassemble deux siècles de musiques dansées (de 1450 à 1650) en Europe occidentale, en Asie occidentale et en Amérique latine. -
Ashton Triple Cast Sheet 16 17 ENG.Indd
THE ROYAL BALLET Approximate timings DIRECTOR KEVIN O’HARE Live cinema relay begins at 7.15pm, ballet begins at 7.30pm FOUNDER DAME NINETTE DE VALOIS OM CH DBE FOUNDER CHOREOGRAPHER The Dream 55 minutes SIR FREDERICK ASHTON OM CH CBE Interval FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Symphonic Variations 20 minutes PRIMA BALLERINA ASSOLUTA Interval DAME MARGOT FONTEYN DBE Marguerite and Armand 35 minutes The live relay will end at approximately 10.25pm Tweet your thoughts about tonight’s performance before it starts, THE DREAM during the intervals or afterwards with #ROHashton FREE DIGITAL PROGRAMME SYMPHONIC Royal Opera House Digital Programmes bring together a range of specially selected films, articles, pictures and features to bring you closer to the production. Use promo code ‘FREEDREAM’ to claim yours (RRP £2.99). VARIATIONS roh.org.uk/publications 2016/17 LIVE CINEMA SEASON MARGUERITE OTELLO WEDNESDAY 28 JUNE 2017 AND ARMAND 2017/18 LIVE CINEMA SEASON THE MAGIC FLUTE WEDNESDAY 20 SEPTEMBER 2017 LA BOHÈME TUESDAY 3 OCTOBER 2017 CHOREOGRAPHY FREDERICK ASHTON ALICE’S ADVENTURES IN WONDERLAND MONDAY 23 OCTOBER 2017 THE NUTCRACKER TUESDAY 5 DECEMBER 2017 CONDUCTOR EMMANUEL PLASSON RIGOLETTO TUESDAY 16 JANUARY 2018 TOSCA WEDNESDAY 7 FEBRUARY 2018 ORCHESTRA OF THE ROYAL OPERA HOUSE THE WINTER’S TALE WEDNESDAY 28 FEBRUARY 2018 CONCERT MASTER VASKO VASSILEV CARMEN TUESDAY 6 MARCH 2018 NEW MCGREGOR, THE AGE OF ANXIETY, DIRECTED FOR THE SCREEN BY NEW WHEELDON TUESDAY 27 MARCH 2018 ROSS MACGIBBON MACBETH WEDNESDAY 4 APRIL 2018 MANON THURSDAY 3 MAY 2018 LIVE FROM THE SWAN LAKE TUESDAY 12 JUNE 2018 ROYAL OPERA HOUSE WEDNESDAY 7 JUNE 2017, 7.15PM For more information about the Royal Opera House and to explore our work further, visit roh.org.uk/cinema THE DREAM SYMPHONIC VARIATIONS Oberon, King of the Fairies, has quarrelled with his Queen, Titania, who refuses to MUSIC CÉSAR FRANCK hand over the changeling boy. -
Full Production and Guest Artist Details Don Quixote
Full Production and Guest Artist Details Don Quixote A THRILLING TALE OF HANDSOME BULLFIGHTERSAND UNBRIDLED PASSION Bursting with gravity-defying jetes, fearless lifts, and impressive fouette turns, Nina Ananiashvili’s exuberant Don Quixote features Spanish matadors and spirited ballerinas performing some of the most technically demanding choreography in classical ballet. The chivalrous noble, Don Quixote, sets off on an adventure with his loyal squire, Sancho Panza, while lovers Kitri and Basilio battle against all odds to unite in true love. Based on Cervantes' iconic Spanish novel, Don Quixote is a must-see ballet for all the family—a glorious dance spectacle packed with virtuoso dancing, stunning costumes, a fanciful storyline and a lively cast of characters. Choreography Marius Pepita, Alexander Gorsky Additional Choreography Nina Ananiashvili Music Ludwig Minkus Set & Costume Design Thomas Mika Lighting Design Billy Chan Live Accompaniment City Chamber Orchestra of Hong Kong Conductor Judith Yan GRAND THEATRE, HONG KONG CULTURAL CENTRE Live Accompaniment OPENING NIGHT 30 OCT 2020 Fri 7:30pm 31 OCT–1 NOV 2020 Sat–Sun 2:30pm & 7:30pm $1,000 (Limited VIP Tickets), $680, $480, $280, $140 Suitable for ages 3 and above The Nutcracker THE WORLD’S MOST POPULAR HOLIDAY BALLET This sparkling Christmas tradition receives a new lease on life in Terence Kohler’s beloved production, returning once again to Hong Kong! Join Clara and Fritz on their unforgettable journey as they valiantly battle the villainous Rat King, and the Nutcracker Prince -
Arthur Kleiner, Who Has Been Composing, Arranging and Playing the Piano Accompani
he Museum of Modern Art i^ No. 32 |l West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart FOR IMMEDIATE RELEASE Tuesday, March 28, 1967 Arthur Kleiner, who has been composing, arranging and playing the piano accompani ments for silent films at The Museum of Modern Art for 28 years, is retiring the first of April, Rene d'Hamonoourt. Director of the Museum, announced today. As Music Director of the Department of Film since 1939, and probably the world's only full- time silent movie pianist, Mr. Kleiner has sought out long-lost scores for innumerable early films, researched films for which the scores could not be found in order to com pose the appropriate music, and written scores when none existed. Born in Vienna, Austria, Mr. Kleiner studied piano, organ and theory at the Vienna Music Academy from 191ii to 1921. From then until 1928 he was an accompanist- composer for major dance companies touring throughout Europe and a professor at Max Reinhardt's Seminar for Actors in Vienna, where he also composed scores for numerous plays. He conducted A Midsummer Night's Dream for Reinhardt during the Salzburg Festival of 1933- After arriving in the United States in 1938, his first job was playing piano accompaniment for choreographer George Balanchine, as well as for Agnes de Mille and the Ballet Theatre. In 1939 when he was approached by Iris Barry, first Curator of the Museum's Department of Film, to play for the Museum's screenings, she asked him if he could play ragtime. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.