Prix De Lausanne Gala • Pages 6, 7, 8

Total Page:16

File Type:pdf, Size:1020Kb

Prix De Lausanne Gala • Pages 6, 7, 8 Contents Press release • pages 1, 2 Prix de Lausanne celebrates its 40th anniversary • pages 3, 4, 5 Prix de Lausanne Gala • pages 6, 7, 8 Amanda Bennett, new Artistic Director of the Prix de Lausanne • page 9 Selected candidates • pages 10, 11, 12, 13 Nationalities represented • page 14 Schedule of the competition week • page 15 Classical variations • pages 16, 17 Contemporary variations and choreographers • pages 18, 19 Jury • page 20 Evaluation of career potential • page 21 Prizes, networking forum • pages 22, 23 Partner schools and companies • pages 24, 25, 26 Coaches, teachers, musicians • page 27 Interlude performance • page 28 Master classes 2012 • page 29 Prix de Lausanne in its home region, "Tremplin Danse", Class & Lecture • page 30 Other Events • pages 31, 32 Budget • page 33 Prix de Lausanne organisation • pages 34, 35 Sponsors, patrons and partners • pages 36, 37, 38, 39, 40, 41, 42, 43 TV and internet broadcasts, videoblogs and micro-blogs • page 44 Press contact: Catherine Kopitopoulos Jean-Paul Dinh Tél. +41 (0)21 643 24 08 Fax +41 (0)21 643 24 09 [email protected] PRIX DE LAUSANNE 2012 – 40th COMPETITION Press release Prix de Lausanne 2012 40th international competition for young dancers from January 29 to February 4, 2012, at the Beaulieu Theater in Lausanne Lausanne, January 24, 2012: The Prix de Lausanne is celebrating its 40th anniversary. 40 years of excellence and passion in fostering the stars of tomorrow. Since 1973, the challenge launched by Philippe and Elvire Braunschweig, founders of the Prix de Lausanne, is met each winter with the same creative energy and artistic rigor. 79 candidates of 19 different nationalities were selected on the basis of the videos submitted by the 226 entrants and will be competing in Lausanne for a week. At the end of the selection round, on Friday, February 3rd, 20 candidates will have been chosen to perform in the finals on Saturday, February 4th. 8 of them will be leaving with a year-long scholarship to one of the 65 prestigious Prix de Lausanne partner schools and companies. The jury, composed of 9 personalities of the dance world, all prize winners of the Prix de Lausanne, will be presided by the Director and Choreographer of the Ballets of Monte- Carlo, Mr Jean-Christophe Maillot (prize winner 1977). In the finals, during the jury deliberations, the public will be able to admire three short performances danced by the students of the Royal Ballet School of London and the Royal Danish Ballet School of Copenhagen, both partner schools of the Prix de Lausanne. An exceptional Gala will take place on Sunday, February 5th, 2012, at 5 pm at the Beaulieu Theater with 25 artists, most of them prize winners of the Prix de Lausanne. The pas de deux will be danced by Principals of the Ballet of the National Opera of Paris, the Royal Ballet, and the Ballets of Monte-Carlo among others. The Prix de Lausanne wishes to celebrate this anniversary with the citizens of Lausanne and invites them to share key moments in the life of the competition. Some events are not to be missed: until March 1, an exhibition at the CHUV “The Prix de Lausanne through 40 years of posters”; a photo exhibit on the Grand-Pont “from shadow to light”; and a programme of dance films at the Swiss Cinematheque starting on February 13. And for the first time, the finals will be commented live on the web in 4 languages by four prize winners – on www.prixdelausanne-live.com . Tickets for the finals and the gala are on sale at the Opéra de Lausanne: +41 (0)21 310 16 00 or on www.prixdelausanne.org - 1 - PRIX DE LAUSANNE 2012 – 40th COMPETITION Press release In addition to the finals, some of the competition activities are open to the public from Tuesday, January 31st to Thursday, February 2nd and all day Friday 3rd. Tickets are on sale at the entrance: 10 Swiss francs from Tuesday to Thursday, 20 Swiss francs on Friday. Children aged 7 to 15: free of charge (children under 7 not admitted). Information: Prix de Lausanne press department Catherine Kopitopoulos, Jean-Paul Dinh +41 (0) 21 643 24 08 - Fax +41 (0)21 643 24 09 – E-mail : [email protected] Created in 1973, the Prix de Lausanne is an annual international competition for young dancers aged 15 to 18. Its goal is to discover, promote and support the world’s finest young talents. 65 of the world’s most prestigious dance schools and companies, such as the Royal Ballet School of London, the School of American Ballet in New York, and the Béjart Ballet Lausanne, are associated with the Prix de Lausanne and support its activities. One of a kind, the Prix de Lausanne represents an exceptional platform for discovering youthful talents and is open to dance professionals who can observe and establish contacts with the candidates, thereby transforming Lausanne into the world’s capital for young dancers during the week of the competition. - 2 - PRIX DE LAUSANNE 2012 – 40th COMPETITION Prix de Lausanne celebrates its 40th anniversary 40 years of excellence and passion serving the stars of tomorrow. Since 1973, the challenge launched by Philippe and Elvire Braunschweig, founders of the Prix de Lausanne, has been taken up each winter with the same creative energy and unfailing artistic rigour. The vocation of the international competition for young dancers aged 15 to 18 remains unchanged: discover the best young talents in the world and open the doors of the most prestigious dance schools and companies for them to realize their potential and become high level professional dancers. Over the years, by making Lausanne the annual meeting point of artists from all over the world who wish to see dance progress on an international level, the Prix de Lausanne has created a professional network that truly makes it a privileged platform. The desire to encourage the versatility of young dancers increases each year, as they must master classical as well as contemporary dance languages in order to rise to the challenges of their profession. The candidates also have the possibility to develop the expressive part of their performance during the various classes and coaching sessions over the week in Lausanne – truly a unique experience. The follow-up of these young artists also means promoting the completion of their academic degree – a career in dance is very short - and ensuring that strict health principles are in place. Both of these essential points guarantee the ethical reputation and holistic approach of the competition. The engagement of a permanent artistic director from March 1st, 2012 will enable the Prix de Lausanne to consolidate the development of its network and perpetuate its role as a key international platform. Prix de Lausanne: key dates 1973 First Prix de Lausanne competition 1974 First broadcast of the finals on Suisse Romande Television 1975 A prize for the best Swiss candidate is added to the scholarship prizes 1984 Introduction of contemporary dance in the selection trials 1985 Prix de Lausanne in New York 1989 Prix de Lausanne in Tokyo 1995 Prix de Lausanne in Moscow - 3 - PRIX DE LAUSANNE 2012 – 40th COMPETITION Prix de Lausanne celebrates its 40th anniversary 1997 o 25th anniversary: workshop on the theme « What future for classical dance? » o Philippe Braunschweig steps down and hands over the presidency of the foundation to Franz Blankart, the vice-presidency to Charles Gebhard and the artistic direction to Jan Nuyts. 1998 A mandate is given to young choreographers to create the compulsory contemporary variations. 1999 o Partnerships are made with ballet companies so that prize winners can follow a professional apprenticeship. o The partner schools agree to ensure that the prize winners that choose them can complete their academic degrees. o The candidates that are screened out during the week can follow classes during the competition and meet members of the jury for feedback. 2000 o Introduction of individual coaching: the candidates receive advice from a ballet principal to improve the artistic interpretation of their variation. o Creation of the Prize for Contemporary Interpretation o A health check of the candidates is included in the registration procedures of the competition. 2001 o Jan Nuyts steps down and transmits the artistic direction to Mavis Staines. o First live streaming of the finals on the Prix website. 2004 o Introduction of a new grading system to follow the evolution of the requirements of the dance profession. o Creation of the networking forum: the non finalist candidates can take an audition class that is observed by persons from the partner schools and companies to – potentially – invite or hire certain of the candidates. 2005 Franz Blankart steps down and hands the presidency of the foundation to Charles Gebhard. 2006 In order to expand the scope of participants to the competition, the selection is now done by video submission. 2007 The age limit of the candidates is raised by one year (18 years and 11 months). - 4 - PRIX DE LAUSANNE 2012 – 40th COMPETITION Prix de Lausanne celebrates its 40th anniversary 2008 o Distribution of candidates in two age groups (15-16 years and 17-18 years) o Substitution of the semi-finals in favour of classes and coaching. o Mavis Staines steps down and transmits the artistic direction to Wim Broeckx. 2010 Charles Gebhard steps down and hands over the presidency of the foundation to Beth Krasna. 2011 Beth Krasna’s principal objective is to ensure the future of the holistic approach of the competition launched by Philippe and Elvire Braunschweig. 2012 o 40th anniversary of the Prix de Lausanne celebrated with an “all prize winner” jury, teachers, coaches and most of the artists of the Gala evening performance.
Recommended publications
  • Radio 3 Listings for 10 – 16 January 2015 Page
    Radio 3 Listings for 10 – 16 January 2015 Page 1 of 10 SATURDAY 10 JANUARY 2015 5:01 AM SAT 14:00 Saturday Classics (b04xrnhb) Brahms, Johannes (1833-1897) Simon Heffer: Best of British Playlist SAT 01:00 Through the Night (b04wmy50) Academic Festival Overture, Op.80 Casals Quartet BBC National Orchestra of Wales, Grant Llewellyn Episode 2 (Conductor) The Casals Quartet play Mozart, Ligeti and Brahms. Presented Inspired by Radio 3 Breakfast's "Best of British" playlist which by Jonathan Swain. 5:12 AM ran throughout 2014, journalist Simon Heffer continues the Vivaldi, Antonio (1678-1741) choice of his favourite music by British composers, including 1:01 AM Concerto in D minor for strings and basso continuo (RV.128) works by Frank Bridge, Gerald Finzi, Herbert Howells, Eric Mozart, Wolfgang Amadeus (1756-1791) Arte dei Suonatori, Eduardo Lopez (conductor) Coates and George Lloyd. String Quartet in C major (K.465) "Dissonance" Casals Quartet: Vera Martínez-Mehner and Abel Tomàs 5:18 AM (violins), Jonathan Brown (viola), Arnau Tomàs (cello) Strauss, Richard (1864-1949) SAT 16:00 Sound of Cinema (b04xrnhd) Der Abend (Op.34 No.1) for 16 part choir Film Musicals - The Last 50 Years 1:29 AM Danish National Radio Choir, Stefan Parkman (conductor) Ligeti, Gyorgy (1923-2009) The Sound of Music with Julie Andrews is 50 years old - in the Quartet no. 1 (Metamorphoses nocturnes) for strings 5:27 AM week of the release of Sondheim's screen version of Into The Casals Quartet Chopin, Fryderyk [1810-1849] Woods, Matthew Sweet looks back on the last half century of Krakowiak - rondo for piano and orchestra (Op.14) in F major the screen musical.
    [Show full text]
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • The Prima Ballerinas of the Kirov
    Philippe Jordan MD CLINIC 23 23 Elystan St, SW33NT.London. Feb 2017 THE PRIMA BALLERINAS OF THE KIROV Диана Вишнёва DIANA VISHNEVA C A T A L O G U E PHILIPPE JORDAN France 1962 The Wandering Banker, Moscow. To survive in the harsh reality of Moscow, the financier Philippe Jordan spends his evenings drawing Indians, creating ballerinas, and meeting oligarchs. And it helps! Philippe is quite an unconventional banker. During working hours he is deals with derivatives, futures and options, but in his private time he makes paintings on glass, and art from paper. “It seemed to me that there was always some magic at the Ballet: the music played, the notes came alive, the ballerinas flew in the air” Philippe was born in Strasbourg, and his stepfather, Robert Grossmann, not only was the vice- mayor of the town of Strasbourg, but also a long-term associate of Nicolas Sarkozy – “the man who thirty years ago taught the future French president the art of public speaking.” The former president of France also has one of Jordan’s works: a courier delivered it, and after a few days, Philippe received a letter of thanks. Unconventional by nature, again in 2010, Philippe invited his friend in Moscow, the French author Michel Houellebecq, who once compared Philippe’s works to those of Giorgio de Chirico. The story of their friendship is downright amazing. After reading the novel "The Map and the Territory," Jordan was shocked - the book’s main character was so much like him. He, like Jordan, met with Abramovich. And also painted a portrait of Houellebecq.
    [Show full text]
  • AND FRIENDS Milano
    presenta ROBERTO AND FRIENDS milano · 29 / 30 novembre 2016 TeaTro degli arcimboldi © Giovanni Gastel © Giovanni ROBERTO BOLLE CAST AND FRIENDS A MILANO UN VIAGGIO IMPERDIBILE NELLA BELLEZZA DELLA DANZA Gala Roberto Bolle and Friends si sono tra- ROBERTO BOLLE sformati nelle mani di Roberto Bolle, qui nei TEatRO ALLA SCALA, MILANO panni non solo di interprete, ma anche di AMERICAN BALLET THEatRE, NEW YORK direttore artistico, in un potente strumento culturale di diffusione della danza, attirando ogni anno migliaia di appassionati e non. Bolle, forte della sua intensissima esperienza ALICIA AMATRIAIN internazionale, è riuscito ogni volta a ricrea- STUTTGART BALLETT, STOCCARDA re per ognuno di questi appuntamenti uno spettacolo magico, riunendo alcuni dei più importanti ballerini del mondo e dando vita Icon loro a programmi vivaci, sorprendenti, che hanno TIMOFEJ ANDRIJASHENKO saputo coinvolgere pubblici eterogenei e mai così TEatRO ALLA SCALA, MILANO vasti finora. Dai grandi classici, alle coreografie più nuove, il Roberto Bolle and Friends ha radunato ogni anno il meglio della danza del mondo, offrendo una possibi- CHRISTIAN BAUCH lità culturale rara e prestigiosa e infrangendo alcuni SEMPEROPER BALLET, DRESDA tabù che costringevano il balletto nella definizione di arte di nicchia. Anche il programma, pensato per quest’attesissimo appuntamento di fine novembre al Teatro degli Ar- OSIEL GOUNEO cimboldi di Milano, ha trovato nell’accostamento BAYERISCHES STAATSBALLETT, MONACO del repertorio classico – con titoli celeberrimi come Il Corsaro, Don Chisciotte e Diana e Atteone – a quello più moderno e contemporaneo – Vertigo Maze e Duet from New Suite – la sua cifra distintiva MARIA KOCHETKOVA e inimitata. Ma il programma, già così ricco, presenta SAN FRANCISCO BALLET, SAN FRANCISCO anche importanti novità.
    [Show full text]
  • Vision / Dance Innovations
    2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol.
    [Show full text]
  • Swiss Dance Awards 2013 Award Winners
    Federal Department of Home Affairs FDHA Federal Office of Culture FOC Swiss Dance Awards 2013 Award winners Index Awards 2 «Swiss Dance Award»: Martin Schläpfer ............................................................................... 2 «Special Dance Award»: Théâtre Sévelin 36 ......................................................................... 2 «Outstanding Female Dancer»: Yen Han ............................................................................... 3 «Outstanding Male Dancer»: Foofwa d’Imobilité .................................................................... 4 Competition: «Current Dance Works» 5 «Sideways Rain»: Alias Cie / Guilherme Botelho ................................................................... 5 «Disabled Theater»: Theater HORA / Jérôme Bel ................................................................. 6 «From B to B»: ZOO / Thomas Hauert ................................................................................... 7 «Diffraction»: Cie Greffe / Cindy Van Acker ........................................................................... 8 June Johnson Dance Prize 9 «Dark side of the moon»: Asphalt Piloten / Anna Anderegg ................................................... 9 Schweizer_Tanzpreis_2013_Anhang_EN.docx Swiss Dance Awards 2013 - Award winners Awards «Swiss Dance Award»: Martin Schläpfer Martin Schläpfer was born in 1959 and grew up in the Appenzell region. At the age of 15, he switched from figure skating to ballet. Just two years later he was chosen as the best Swiss dancer
    [Show full text]
  • Nussknacker Und Mausekönig
    NUSSKNACKER UND MAUSEKÖNIG BEGLEITMATERIALIEN FÜR DEN UNTERRICHT 1 Inhalt Besetzung Nussknacker und Mausekönig 4 Garantiert jugendfrei 20 Wie E.T.A. Hoffmanns Nussknacker kastriert wurde Vorbemerkungen 5 Eine hochromantische, düstere Geschichte 22 Portrait Ballett Zürich 6 Gespräch mit Christian Spuck Lebenslauf von Christian Spuck 25 Einführung 6 Der Wendige 26 Handlung und Musik 8 Dominik Slavkovský 1. Akt 8 2. Akt 10 Treffen mit der Kostümbildnerin Buki Shiff 28 Lebenslauf Buki Shiff 30 Romantik 11 Romantik und Kunstmärchen 11 Ideen für den Unterricht 31 Tanzstile, Ausdrucksformen und Bewegungssprachen 31 E.T.A. Hoffmann – Jurist, Musiker und Schriftsteller 12 Wenn Dinge lebendig werden – erfinde deine eigene fantastische Geschichte 33 Nussknacker sein 34 Die Erzählung Nussknacker und Mausekönig 14 Non-verbale Kommunikation 35 Die Geschichte des Balletts Der Nussknacker 15 Kleines Tanzlexikon 36 Das Libretto 15 Erklärungen zu Fachausdrücken aus dem Bereich Bühnentanz, Musik und Bühne Die Musik 15 Musikalischer Aufbau des Balletts 16 Merkblatt zum Vorstellungsbesuch im Opernhaus Zürich 40 Die Choreografie 17 Die Uraufführung 17 Literatur, Musik, Links und Quellenangaben 41 Weitere Fassungen 17 Die Künstler des Nussknackers von 1892 18 Musik – Pjotr Iljitsch Tschaikowski 18 Libretto und Konzeption der Choreografie – Marius Petipa 19 Choreografie – Lew Iwanow 19 Nussknacker und Mausekönig Vorbemerkungen Ballett von Christian Spuck nach dem gleichnamigen Märchen von E.T.A. Hoffmann Neufassung des Szenariums von Claus Spahn, Musik von Pjotr
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • International Dance Day 2021 Event Report
    International Theatre Institute ITI World Organization for the Performing Arts International Dance Day 2021 Event Report 29 April 2021 Online Celebration Under the patronage of UNESCO United Nations Educational, Scientific and Cultural Organization www.international-dance-day.org Content Introduction 3 Welcome Address by Tobias BIANCONE, Director General of ITI 4 Speech by Alberto GARCÍA CASTAÑO, President of International Dance Committee of ITI 5 Speech by Henrik NEUBAUER, First International Dance Day Message Author (1982) 6 International Dance Day 2021 Message Author, Friedemann VOGEL 7 International Dance Day 2021 Message 8 Online Celebration Programme 9 Main Celebration 10 Dance Performance Videos from ITI Centres and Members 11 Videos from Global Dance Community Luminaries and Past IDD Message Authors 16 Special Projects 17 Presentations 18 Promotion 19 International Dance Day: Worldwide Events 24 Event Participation 25 The Outcome 26 The Organizers 27 Expression of Gratitude 28 Participation List 29 2 www.international-dance-day.org Introduction International Dance Day IDD, an artistic day created by ITI and The Online Celebration went live on Thursday 29 April 2021, the Dance Committee of ITI, is to celebrate dance and to revel at 14h00 Paris Time, on the International Dance Day website the universality of this art form. Under current circumstances, www.international-dance-day.org. The main celebration when the world is still affected by isolation and lockdown, ITI contains a 4-hour video of dance performances from ITI wishes to use dance and the occasion of IDD to bring people Centres, the ITI Dance Committee, and the World Dance together, enhance exchange and build solidarity.
    [Show full text]
  • Miami City Ballet 37
    Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha
    [Show full text]
  • State Ballet of Georgia
    საქართველოს სახელმწიფო STATE BALLET ბალ ე ტი OF GEORGIA საბალეტო სეზონის დახურვა Ballet SeaSon CloSIng ნინო ანანიაშვილი და საქართველოს სახელმწიფო ბალეტი Nina Ananiashvili and State Ballet of geoRgIa გალა-კონცერტი gala-ConCeRt საბალეტო დასის სამხატვრო ხელმძღვანელი Ballet Company aRtIStIC DIReCtoR ნინო ანანიაშვილი nIna ananIaShvIlI ივლისი JULY 2016 9 19:00 No1(26) 2016 ხუთი საპრემიერო სპექტაკლი ოთხ თვეში – ასე Arabesque დაიწყო განხლებული ოპერის თეატრში საბალეტო Ballet Magazine `arabeski~ Jurnali baletze დასის შემოქმედებითი ცხოვრება და ბუნებრივია, „არაბესკის“ ამ ნომრის მთავარი თემები ამ პრემი- ერებისგან მიღებული შთაბეჭდილებებია. „გორდას“ აღდგენა და მისი ახალი რედაქცია, რო- გორც დამდგმელი ჯგუფი ფიქრობს, ვახტანგ ჭაბუკი- ანის შემოქმედების, ქართული ბალეტის ისტორიისა და დღევანდელობის უწყვეტობისკენ გადადგმული ნაბიჯია; „გედების ტბის“ და „ფასკუნჯის“ისტორიული სპექტაკლების დადგმა კი კლასიკური საბალეტო მემკვიდრეობისადმი პატივის მიგებაა, რითაც ყო- ველთვის გამორჩეულია ნებისმიერი საბალეტო კომ- პანია. მაგრამ რეპერტუარში მხოლოდ კლასიკა არაა წარმოდგენილი – დაიდგა კილიანის „სარაბანდა“ და სრულად იქნა წარმოდგენილი მისი ქორეოგრაფიის პროგრამა, ნაჩვენები იქნა ბალანჩინის „სიმფონია დო მაჟორი“ და რეპერტუარში აქამდე არსებული ქორეოგრაფის კიდევ ორი ბალეტი. ივნისის ბოლოს მაყურებელს საბალეტო დასი zaqaria faliaSvilis saxelobis Tbilisis operisa da baletis profesiuli saxelmwifo საერთაშორისო პროექტზე იწვევს – ნინო სურგუ- Teatris sabaleto dasis Jurnali ლაძის საერთაშორისო საქველმოქმედო ფონდი MAGAZINE ABOUT THE BALLET COMPANY OF THE TBILISI Z. PALIASHVILI OPERA AND BALLET PROFESSIONAL STATE THEATRE „ნატვრის ხე“, თბილისის ოპერის თეატრთან gamodis weliwadSi orjer Issued twice a year ერთად, მნიშვნელოვან პროექტს ახორციელებს. პროგრამაში ნინო როტას სუიტაზე (ფედერიკო ფე- თეატრის სამხატვრო საბალეტო დასის ლინის ფილმიდან „La Strada“) დადგმული ბალეტი ხელმძღვანელი ხელმძღვანელი იქნება, სადაც ნინო ანანიაშვილი და საბალეტო დავით კინწურაშვილი ნინო ანანიაშვილი დასი მიიღებს მონაწილეობას. ამ და სხვა მნიშვნე- Artistic Manager Artistic Director of ლოვან ამბებზე მომავალ ნომერში მოგითხრობთ.
    [Show full text]
  • Isabella Boylston, Misty Copeland and Devon
    ISABELLA BOYLSTON, MISTY COPELAND AND DEVON TEUSCHER DISCUSS AMERICAN PREMIERE OF JANE EYRE WITH CHOREOGRAPHER CATHY MARSTON AT 92ND STREET Y, FRIDAY, MAY 3 AT 8:00 P.M. American Ballet Theatre Principal Dancers Isabella Boylston, Misty Copeland and Devon Teuscher will join choreographer Cathy Marston for a conversation on her full-length ballet Jane Eyre. Boylston, Copeland and Teuscher will dance the title role in Marston’s ballet during ABT’s Spring season at the Metropolitan Opera House. The discussion, moderated by Elda Rotor, Vice President and Publisher for Penguin Classics, will take place at the 92nd Street Y on Friday, May 3, 2019 at 8:00 P.M. Tickets for the event, starting at $35, are available online at https://www.92y.org/event/jane-eyre. The American Premiere of the full-length Jane Eyre, set for Tuesday, June 4, features choreography and direction by Marston, music compiled and composed by Philip Feeney, scenery and costumes by Patrick Kinmonth and lighting by Brad Fields. The production received its World Premiere by Northern Ballet on May 19, 2016 in Doncaster, England. Jane Eyre is a co-production with Joffrey Ballet and is staged for ABT by Jenny Tattersall and Daniel de Andrade. Following the June 4 Company Premiere, the ballet will be given seven performances by ABT through Monday, June 10. Tickets for American Ballet Theatre’s 2019 Metropolitan Opera House season, beginning at $25, are available online, at the Met box office or by phone at 212-362-6000. The Metropolitan Opera House is located on Broadway between 64th and 65th streets in New York City.
    [Show full text]