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Bibliography Bibliography Abram, David. The Spell of the Sensuous: Perception and Language in a More-than- Human World. New York: Vintage Books, 1996. Print. Adelt, Leonhard. “Lesabéndio. Ein Asteroiden-Roman.” Rev. of Lesabéndio. Ein Asteroiden-Roman by Paul Scheerbart. Das litterarische Echo. 2 Jan. 1914. 650–52. Über Paul Scheerbart: Ed. Paul Kaltefleiter. Oldenburg 1998. 221–23. Print. Adorno, Theodor and Max Horkheimer. Dialektik der Aufklärung: Philosophische Fragmente. Frankfurt a.M.: Fischer, 2008. Print. Alcock, John. An Enthusiasm for Orchids: Sex and Deception in Plant Evolution. Oxford: Oxford University Press, 2006. Print. Alraune. Dir. Henrik Galeen. Perf. Brigitte Helm and Paul Wegener. Ama-Film, 1928. Film. “Alraune.” Rev. of Alraune. Lichtbild-Bühne. Feb. 1928. Filmportal. Web. 12 Aug. 2013. Andriopoulos, Stefan. “Occult Conspiracies: Spirits and Secret Societies in Schiller’s Ghost Seer.” New German Critique; Ngc. (2008): 65. ArticleFirst. Web. 10 Dec. 2014. Arnheim, Rudolf. “Das Blumenwunder (1926)” from Film als Kunst. Presse über den Film “Das Blumenwunder”. Archiv der Deutschen Kinemathek. Print. The Arabian Nights’ Entertainments. Chicago: Rand McNally and Co., 1914. Project Gutenberg. Web. 24 Apr. 2012. Asendorf, Christoph. Batteries of Life: The History of Things and Their Perception in Modernity. Trans. Don Reneau. Weimar and Now: German Cultural Criticism. Ed. Martin Jay and Anton Kaes. Berkeley: U of California P, 1993. Google Books. Web. 22 Jul. 2012. Bakke, Monika. “Art for Plant’s Sake? Questioning Human Imperialism in the Age of Biotech.” Parallax. 18.4 (2012): 9–25. Balázs, Béla. “Tanzdichtungen” Musikblätter der Anbruch. March 1926: 109–112. Internet Archive. Web. 2 Dec. 2013. Balázs, Béla. Der Sichtbare Mensch oder die Kultur des Films. (1924). Frankfurt am Main: Suhrkamp, 2001. Print. Bär, Hubert. Natur Und Gesellschaft Bei Scheerbart: Genese Und Implikationen Einer Kulturutopie. Heidelberg: J. Groos, 1977. Print. Becker, Andreas. Perspektiven Einer Anderen Natur: Zur Geschichte Und Theorie Der Filmischen Zeitraffung Und Zeitdehnung. Bielefeld: Transcript, 2004. Print. Becker, Erich. Deutsche Philosophen: Lebensgang u. Lehrgebäude von Kant, Schelling, Fechner, Lotze, Lange, Erdmann, Mach, Stumpf, Bäumker, Eucken, Siegfried Becher. München: Duncker & Humblot 1929. Print. Beerling, D. J. The Emerald Planet: How Plants Changed Earth’s History. Oxford: Oxford University Press, 2007. Ebrary. Web. 30 May 2013. 190 Bibliography Behne, Adolf. Die Wiederkehr der Kunst. Leipzig: K. Wolff, 1919. Internet Archive. Web. 28 Dec. 2011. Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. 3rd Version. Gesammelte Schriften. Ed. Rolf Tiedemann, and Hermann Schweppenhäuser. Vol. 1. Frankfurt am Main: Suhrkamp, 1978. 371–508. Print. Benjamin, Walter. “Doctrine of the Similar.” 1930. New German Critique. (Spring 1979). 65–69. Jstor. Web. 17 August 2011. Benjamin, Walter. “Paris, die Stadt im Spiegel.” Gesammelte Schriften. Ed. Rolf Tiedemann, and Hermann Schweppenhäuser. Vol. 4. Frankfurt am Main: Suhrkamp, 1978. 356–58. Print. Benjamin, Walter. “Kleine Geschichte der Photographie.” (1931) Gesammelte Schriften. Ed. Rolf Tiedemann, and Hermann Schweppenhäuser. Vol. 2. Frankfurt am Main: Suhrkamp, 1978. 368–86. Print. Benjamin, Walter. “Neues von Blumen” Rev. of Urformen der Kunst by Karl Blossfeldt. Die literarische Welt. 23 Nov. 1928. Gesammelte Schriften. Ed. Rolf Tiedemann, and Hermann Schweppenhäuser. Vol. 3. Frankfurt am Main: Suhrkamp, 1978. 151–53. Print. Benjamin, Walter. “Zu Scheerbart “Münchhausen und Clarissa.” Gesammelte Schriften. Ed. Rolf Tiedemann, and Hermann Schweppenhäuser. Vol. 6. Frankfurt am Main: Suhrkamp, 1978. 148–49. Bergson, Henri. Creative Evolution. 1911. Trans. Arthur Miller. New York: Modern Library, 1944. Internet Archive. Web. 9 April 2014. Bergstrom, Janet. “Sexuality at a Loss: The Films of F. W. Murnau.” Poetics Today. 6 (1985): 185–203. Print. “Berliner Morgenpost.” Presse über den Film “Das Blumenwunder”. Archiv der Deutschen Kinemathek. Blankenship, Janelle. “ ‘Film-Symphonie vom Leben und Sterben der Blumen’: Plant Rhythm and Time-Lapse Vision in Das Blumenwunder”. Intermédialités: histoire et théorie des arts, des lettres et des techniques / Intermediality: History and Theory of the Arts, Literature and Technologies, n° 16, 2010, 83–103. Bletter, Rosemarie Haag. “Bruno Taut and Paul Scheerbart’s Vision: Utopian Aspects of German Expressionist Architecture.” Diss. Colombia U. 1973. ProQuest Dissertions and Theses. Web. 22 Aug. 2012. Bletter, Rosemarie Haag. “The Interpretation of the Glass Dream-Expressionist Architecture and the History of the Crystal Metaphor.” Journal of the Society of Architectural Historians. 40.1 (1981): 20–43 Jstor. Web. 28 Nov. 2011. Blossfeldt, Karl. Adiantum pedatum. Frauhaarfarn. 1928. Karl Blossfeldt: The Complete Published Work. Köln: Taschen, 2008. 79. Print. Blossfeldt, Karl. Urformen der Kunst. 1926. Karl Blossfeldt: The Complete Published Work. Köln: Taschen, 2008. 124–135. Print..
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