DOCSLIB.ORG

SFSFF 2018 Program Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SFSFF 2018 Program Book elcome to the San Francisco Silent Film Festival for five days and nights of live cinema! This is SFSFFʼs twenty-third year of sharing revered silent-era Wmasterpieces and newly revived discoveries as they were meant to be experienced—with live musical accompaniment. We’ve even added a day, so there’s more to enjoy of the silent-era’s treasures, including features from nine countries and inventive experiments from cinema’s early days and the height of the avant-garde. A nonprofit organization, SFSFF is committed to educating the public about silent-era cinema as a valuable historical and cultural record as well as an art form with enduring relevance. In a remarkably short time after the birth of moving pictures, filmmakers developed all the techniques that make cinema the powerful medium it is today— everything except for the ability to marry sound to the film print. Yet these films can be breathtakingly modern. They have influenced every subsequent generation of filmmakers and they continue to astonish and delight audiences a century after they were made. SFSFF also carries on silent cinemaʼs live music tradition, screening these films with accompaniment by the worldʼs foremost practitioners of putting live sound to the picture. Showcasing silent-era titles, often in restored or preserved prints, SFSFF has long supported film preservation through the Silent Film Festival Preservation Fund. In addition, over time, we have expanded our participation in major film restoration projects, premiering four features and some newly discovered documentary footage at this event alone. This year coincides with a milestone birthday of film scholar extraordinaire Kevin Brownlow, whom we celebrate with an onstage appearance on June 2. The festival’s longtime booster and true friend Frank Buxton (1930–2018) helped make SFSFF the world-class festival it is today, and we dedicate this year’s event to his memory. Enjoy the festival! 1 Mary Pickford on the set of Rosita. Photo courtesy of the Museum of Modern Art WEDNESDAY MAY 30 FRIDAY JUNE 1 continued SUNDAY JUNE 3 continued 7:00 PM THE MAN WHO LAUGHS 4:15 PM ROSITA 5:30 PM FRAGMENT OF AN EMPIRE Musical accompaniment by the Berklee Silent Film Orchestra Musical accompaniment by the Mont Alto Motion Picture Orchestra Musical accompaniment by Stephen Horne and Frank Bockius Introduced by Mike Daruty Introduction by Cari Beauchamp 8:00 PM BATTLING BUTLER 6:30 PM MOTHER KRAUSE’S JOURNEY Musical accompaniment by the Mont Alto Motion Picture Orchestra THURSDAY MAY 31 TO HAPPINESS Introduction by Leonard Maltin Musical accompaniment by Sascha Jacobsen and the Musical Art Quintet 10:00 AM AMAZING TALES FROM THE ARCHIVES 9:30 PM POLICEMAN Guest Presenters: Martin Koerber, Cynthia Walk, Davide Pozzi, Elzbieta Musical accompaniment by Stephen Horne and Frank Bockius Wysocka, Robert Byrne, and Russell Merritt Introduction by Eddie Muller Musical accompaniment by Donald Sosin TABLE OF CONTENTS 1:00 PM SOFT SHOES PROGRAM ESSAYS With short: DETAINED SATURDAY JUNE 2 Musical accompaniment by Donald Sosin 10:00 AM NO MAN’S GOLD 6 The Man Who Laughs Introduced by Jeff Lambert Musical accompaniment by Donald Sosin and Frank Bockius 12 Amazing Tales from the Archives 2:45 PM MASTER OF THE HOUSE 12:00 NOON MARE NOSTRUM 16 Soft Shoes Musical accompaniment by Stephen Horne Musical accompaniment by Stephen Horne and Frank Bockius 20 Master of the House Selected and introduced by Kevin Brownlow to celebrate his birthday! 5:15 PM AN INN IN TOKYO 24 An Inn in Tokyo Musical accompaniment by Guenter Buchwald and Frank Bockius 2:45 PM TRAPPOLA 30 People on Sunday Introduction by Hisashi Okajima With SAN FRANCISCO 1906 footage Musical accompaniment by the Mont Alto Motion Picture Orchestra 34 The Lighthouse Keepers 7:15 PM PEOPLE ON SUNDAY 40 Good References FEATURES Musical accompaniment by the Mont Alto Motion Picture Orchestra 4:30 PM THE HOUND OF THE BASKERVILLES Introduction by Martin Koerber Musical accompaniment by the Guenter Buchwald Ensemble 46 The Other Woman’s Story 10 Silent but not Silenced Introduction by Robert Byrne and Elzbieta Wysocka 50 Silent Avant-Garde 14 The State of Preservation 9:15 PM THE LIGHTHOUSE KEEPERS Musical accompaniment by Guenter Buchwald and Frank Bockius 7:00 PM THE SAGA OF GÖSTA BERLING 56 Rosita 28 Ozu’s Costumed City Introduction by Hisashi Okajima Musical accompaniment by the Matti Bye Ensemble 62 Mother Krause’s Journey to Happiness 38 The Musical Mind of Guenter Buchwald SFSFF 2018 Award presentation to Jon Wengström 68 Policeman 44 Dorothy Farnum: Advice from a Scenario Writer FRIDAY JUNE 1 72 No Man’s Gold 60 American Legacy 10:00 AM GOOD REFERENCES SUNDAY JUNE 3 78 Mare Nostrum Musical accompaniment by Donald Sosin 66 Workers of Silent Cinema Unite! 10:00 AM SERGE BROMBERG PRESENTS... 84 Trappola Introduction by Bruce Goldstein Musical accompaniment by Donald Sosin 76 Tony the Wonder Horse Introduced by Serge Bromberg 88 The Hound of the Baskervilles 12:00 NOON THE OTHER WOMAN’S STORY 82 A Letter from Location 92 The Saga of Gösta Berling Musical accompaniment by Stephen Horne 12:00 NOON A THROW OF DICE 116 Remembering Frank Buxton Introduction by David Stenn Musical accompaniment by Guenter Buchwald and Frank Bockius 96 Serge Bromberg Presents... 100 A Throw of Dice PAGES 2:00 PM SILENT AVANT-GARDE 2:15 PM THE ANCIENT LAW Musical accompaniment by the Matti Bye Ensemble Musical accompaniment by the Donald Sosin Ensemble 104 The Ancient Law 4 Musicians at the Festival Introduction by Craig Baldwin Introduction by Martin Koerber 108 Fragment of an Empire 118 Book Contributors 112 Battling Butler 134 Acknowledgments 2 3 Conductor, composer, pianist, and violinist GUENTER In addition to Bye, the ensemble members include MUSICIANS BUCHWALD is a pioneer of the renaissance in silent Helena Espvall, Kristian Holmgren, Lotta Johanson, film music. For almost forty years, he has provided and Laura Naukkarinen. This year, they accompany live accompaniment for thousands of titles, playing at the Silent Avant-Garde program and The Saga of AT THE FESTIVAL festivals worldwide from Berlin to Tokyo, both solo and Gösta Berling. with other musicians through his Silent Movie Music Incubated at the world-renowned Berklee College of Music in Company. Joined by percussionist Frank Bockius A chamber ensemble that revives the tradition of silent- Boston, the BERKLEE SILENT FILM ORCHESTRA is made up for An Inn in Tokyo, The Lighthouse Keepers, and A film orchestras, MONT ALTO MOTION PICTURE of student composers and musicians, who write original scores Throw of Dice, Buchwald leads the Guenter Buchwald ORCHESTRA culls historic libraries of music for its live for classic silent films and perform them live. BSFO returns to the Ensemble for The Hound of the Baskervilles. Read an accompaniments. Together Rodney Sauer, Britt Swenson, San Francisco Silent Film Festival for the fourth time, perfoming interview with Buchwald on pages 38–39. David Short, Brian Collins, and Dawn Kramer have re- on opening night for The Man Who Laughs. The 2018 class corded and toured widely, creating vibrant, emotional, composers are Phil Carlson, Benjamin Knorr, Marcelle Simpson, Based at London’s BFI Southbank, STEPHEN HORNE and historically appropriate musical scores for more Sonia Coronado, Daniel Tauber, Emi Nishida, and Dai is considered one of the leading silent film accom- than 125 films. The orchestra accompanies People on Haraguchi. Instrumentalists are Keren Satkin, Andrew van der panists working today and his music has met with Sunday, Trappola, Rosita, and the closing night film, Paardt, Stephanie Clark, Grant Bingham, Braden Williams, acclaim worldwide. Principally a pianist, he often Battling Butler. Jeremy Alvarez, Ethan Santos, Eren Başbuğ, Patrick Hanafin, incorporates other instruments into his performances, Tania Mesa, Nate Taylor, and Michael Simon. Faculty advisors sometimes playing them simultaneously. This year, he Pianist DONALD SOSIN has been creating and include Alison Plante, chair of film scoring, Peter Bufano, and performs solo for Master of the House and The Other performing silent film music for forty-five years, playing Rob Hayes, BSFO’s managing director. Woman’s Story, as well as the Garbo Rarities program for major festivals, archives, and DVD recordings. He at the Pacific Film Archive. Frank Bockius joins him for is the resident accompanist at New York’s Film Society Versatile jazz percussionist FRANK BOCKIUS specializes in Policeman, Mare Nostrum, and Fragment of an Empire. of Lincoln Center, the Museum of the Moving Image, jazz and is versed in medieval, flamenco, and Latin music styles. and the Brooklyn Academy of Music. His scores He has performed for dance and theater companies as well as Bassist SASCHA JACOBSEN draws on a variety of mu- are heard regularly on Turner Classic Movies and in his own bands, including the jazz quintet Whisper Hot and the sical styles from classical to jazz and Argentine Tango. his music accompanies films on more than fifty DVD percussion ensemble Timpanicks. He joined Guenter Buchwald’s In demand as a performer, composer, and arranger releases. He has performed at SFSFF since 2007, and Silent Movie Music Company more than twenty years ago and he has played with the Kronos Quartet and for many this year plays for the Amazing Tales program, Soft has since performed for silent films at festivals in Kyoto, Pordenone, theatrical greats, including Patti LuPone. He is founder Shoes, Good References, No Man’s Gold, and Serge and Sodankylä, Finland. He made his first appearance at SFSFF of the MUSICAL ART QUINTET, which performs his Bromberg Presents, as well as leads the Donald Sosin in 2014 and, this year, joins Guenter Buchwald, Stephen Horne, original compositions and includes Matthew Szemela Ensemble for The Ancient Law. and Donald Sosin to play for various films.
Load more

Recommended publications
  • The Sur-Metre
    The Sur-Metre "D1mn" has geared wmches operated From under the deck, the wmches alongs1de the mam cockpit having large drums for Geno4 sheet Md spinnaker ge4r Note the Geno4 sheet lead blocks on the r4il, the boom downhaulcJnd the rod riggmg Just o~fter a sto~rt of tbe Sixes. No. 72 is Stanley Barrows' Strider, No. 38 is George So~t~cbn's /ll o~ybe, 50 is Ripples, · sailed by Sally Swigart. 46 Vemotl Edler's Capriu, o~ml 77 is St. Fro~tlciS , sailed by VincetJt Jervis. Lmai was out aheatl o~Jld to windward.- Photo by Kent Hitchcock. MEN and BOATS Midwinter Regatta at Los Angeles Again Deanonstrates That it is not Enough to Have a Fast Boat; for Boat, Skippe r and Crew Must All he Good to Form n Winning Combination AS IT the periect weather. or the outside competition, the time-tested maxim that going up the beach is best. Evidently W or the lack of acrimonious protest hearings, or the he did it on the off chance of gaining by splitting with Prel11de, smooth-running race committees, or the fact that it was the first which was leading him by some six minutes. Angelita mean­ regatta of the year, or all four rea~ ons that made this Midwinter while was ardently fo ll owing the maxim and to such good seem to top all others? advantage that when the two went about and converged llngl!l­ Anyway, there had been a great deal of advance speculation. it,/J starboard tack put her ahead as Yucca passed an elephant's How would the men from San francisco Bay do with their new e)•ebrow astern.
    [Show full text]
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
    BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman.
    [Show full text]
  • Cutting Patterns in DW Griffith's Biographs
    Cutting patterns in D.W. Griffith’s Biographs: An experimental statistical study Mike Baxter, 16 Lady Bay Road, West Bridgford, Nottingham, NG2 5BJ, U.K. (e-mail: [email protected]) 1 Introduction A number of recent studies have examined statistical methods for investigating cutting patterns within films, for the purposes of comparing patterns across films and/or for summarising ‘average’ patterns in a body of films. The present paper investigates how different ideas that have been proposed might be combined to identify subsets of similarly constructed films (i.e. exhibiting comparable cutting structures) within a larger body. The ideas explored are illustrated using a sample of 62 D.W Griffith Biograph one-reelers from the years 1909–1913. Yuri Tsivian has suggested that ‘all films are different as far as their SL struc- tures; yet some are less different than others’. Barry Salt, with specific reference to the question of whether or not Griffith’s Biographs ‘have the same large scale variations in their shot lengths along the length of the film’ says the ‘answer to this is quite clearly, no’. This judgment is based on smooths of the data using seventh degree trendlines and the observation that these ‘are nearly all quite different one from another, and too varied to allow any grouping that could be matched against, say, genre’1. While the basis for Salt’s view is clear Tsivian’s apparently oppos- ing position that some films are ‘less different than others’ seems to me to be a reasonably incontestable sentiment. It depends on how much you are prepared to simplify structure by smoothing in order to effect comparisons.
    [Show full text]
  • January 12, 2010: XX:1 the GENERAL 1927 (75 Minutes)
    January 12, 2010: XX:1 THE GENERAL 1927 (75 minutes) Directed by Clyde Bruckman, Buster Keaton Written by Al Boasberg and Charlie Smith based on William Pittenger’s 1863 novel, The Great Locomotive Chase Producers by Buster Keaton, Joseph M. Schenck Cinematography by Bert Haines, Devereaux Jennings Film Editing by Buster Keaton and Sherman Kell Art Direction Fred Gabourie Marion Mack.... Annabelle Lee Charles Smith .... Mr. Lee Richard Allen .... His Son Glen Cavender .... Captain Anderson Jim Farley .... General Thatcher Frederick Vroom....Southern General Joe Keaton....Union General Mike Donlin....Union General Tom Nawn .... Union General B Buster Keaton .... Johnnie Gray Selected for the National Film Registry, 1989 BUSTER KEATON (Joseph Frank Keaton VI, 4 October 1895, Piqua, Kansas—1 February 1966, Los Angeles, lung cancer) wrote about 30 films, directed nearly 50, and acted in more than 130, often playing himself. His first film role was in The Butcher Boy 1917; his last in Samuel Becket’s Film 1966. Some of the others are A Funny Thing Happened on the Way to the Forum 1966, How to Stuff a Wild Bikini 1965, Beach Blanket Bingo 1965, Pajama Party 1964, It's a Mad Mad Mad Mad World 1963, Limelight 1952, Sunset Blvd. 1950, Pardon My Berth Marks 1940, Palooka from Paducah 1935, What! No Beer? 1933, Steamboat Bill, Jr. 1928, College 1927, Battling Butler 1926, Seven Chances 1925, The Navigator 1924, Sherlock, Jr. 1924, Our Hospitality 1923, Paleface 1922, Cops 1922, One Week 1920. He won an honorary Academy Award in 1960. MARION MACK (Joey Marion McCreery, 9 April 1902, Mammoth, Utah—1 May 1989, Costa Mesa, California) appeared in only five films: The Great Chase 1963, The General, The Carnival Girl 1926, One of the Bravest 1925, and Mary of the Movies 1923.
    [Show full text]
  • New Findings and Perspectives Edited by Monica Dall’Asta, Victoria Duckett, Lucia Tralli Researching Women in Silent Cinema New Findings and Perspectives
    in Silent Cinema New Findings and Perspectives edited by Monica Dall’Asta, Victoria Duckett, lucia Tralli RESEARCHING WOMEN IN SILENT CINEMA NEW FINDINGS AND PERSPECTIVES Edited by: Monica Dall’Asta Victoria Duckett Lucia Tralli Women and Screen Cultures Series editors: Monica Dall’Asta, Victoria Duckett ISSN 2283-6462 Women and Screen Cultures is a series of experimental digital books aimed to promote research and knowledge on the contribution of women to the cultural history of screen media. Published by the Department of the Arts at the University of Bologna, it is issued under the conditions of both open publishing and blind peer review. It will host collections, monographs, translations of open source archive materials, illustrated volumes, transcripts of conferences, and more. Proposals are welcomed for both disciplinary and multi-disciplinary contributions in the fields of film history and theory, television and media studies, visual studies, photography and new media. http://creativecommons.org/licenses/by-nc-nd/3.0/us/ # 1 Researching Women in Silent Cinema: New Findings and Perspectives Edited by: Monica Dall’Asta, Victoria Duckett, Lucia Tralli ISBN 9788898010103 2013. Published by the Department of Arts, University of Bologna in association with the Victorian College of the Arts, University of Melbourne and Women and Film History International Graphic design: Lucia Tralli Researching Women in Silent Cinema: New Findings and Perspectives Peer Review Statement This publication has been edited through a blind peer review process. Papers from the Sixth Women and the Silent Screen Conference (University of Bologna, 2010), a biennial event sponsored by Women and Film History International, were read by the editors and then submitted to at least one anonymous reviewer.
    [Show full text]
  • National Register of Historic Places Continuation Sheet
    NPS Form 10-900-a OMB Approval No. 1024-0018 (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number ——— Page ——— SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 99000550 Date Listed: 5/14/99 Hollywood Cemetery Los Angeles CA Property Name County State N/A Multiple Name This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. —,——.—————-j /Lx7—————————————— 7 ^ / Signature/^ofvche Keeper Date of Action Amended Items in Nomination: Name of Property: The Historic Name of the property should be: Hollywood Cemetery. [This reflects the name of the resource during its primary period of significance; the name Hollywood Memorial Park Cemetery is moved to the Common Name.] This information was confirmed with M. Lortie of the CA SHPO. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NFS Form 10-900 (Rev. 10-90) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions.
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • Film and Politics
    Politics and Film PS 350 – Spring 2015 Instructor: Jay Steinmetz – [email protected] Office hours and location: Wednesdays – 3 to 5, PLC 808 GTFs: TBD Culture constitutes shared signs and expressions that can reveal, determine, and otherwise influence politics. The film medium is perfectly tailored for this: the power of moving image with sound, reflected in public spaces, produces politically charged identities and influences the way spectators see themselves and their shared communities. Moreover, the interwoven nature of the economic and social in cinema makes it an especially intriguing site for observing change of political culture over time. The economic commodity of the cinema is necessarily social—a nexus of public and shared images of the world. Conversely, the social constraints (ie moral regulation or censorship of film content) is necessarily shaped by economic factors. The “Dream Machine” of Hollywood is a potent meaning-making site not just for Americans but across the world (today, roughly half of a Hollywood film’s revenue often comes from overseas), and so this course will pay close attention to Hollywood film texts and contexts in a global setting. The second half of the term (starting in Week 5) will shift to a comparative approach, contrasting American and Italian film styles, industries, regulatory concerns, and economic strategies. Analytic comparison is a crucial aspect of this course—be it comparisons across genres, time periods, films, or industries—and will culminate in a comparative research paper due on Week 10. There will be one film screening in class every week. Please note: Attendance to these screenings is part of your class responsibilities.
    [Show full text]
  • Available Videos for TRADE (Nothing Is for Sale!!) 1
    Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot.
    [Show full text]
  • Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box OCe?
    Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box O±ce?¤ Arthur De Vany Department of Economics Institute for Mathematical Behavioral Sciences University of California Irvine, CA 92697 USA W. David Walls School of Economics and Finance The University of Hong Kong Pokfulam Road Hong Kong Abstract Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduce risk? We investigate these ques- tions using a sample of over 2000 motion pictures. We discover that the movies are very risky indeed. Box-o±ce revenue dynamics are a Le'vy stable process and are asymptotically Pareto-distributed with in¯nite variance. The mean is dominated by rare blockbuster movies that are located in the far right tail. There is no typical movie be- cause box o±ce revenue outcomes do not converge to an average, they diverge over all scales. Movies with stars in them have higher revenue ¤This paper was presented at the annual meeting of the American Economic Associa- tion, New York, January 1999. Walls received support from the Committee on Research and Conference Grants of the University of Hong Kong. De Vany received support from the Private Enterprise Research Center of Texas A&M University. 1 expectations, but in¯nite variance. Only 19 stars have a positive cor- relation with the probability that a movie will be a hit. No star is \bankable" if bankers want sure things; they all carry signi¯cant risk. The highest grossing movies enjoy long runs and their total revenue is only weakly associated with their opening revenue.
    [Show full text]
  • Known Nursery Rhymes Residencies Fruit Eaten Remembered World
    13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.
    [Show full text]