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Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman. -
January 12, 2010: XX:1 the GENERAL 1927 (75 Minutes)
January 12, 2010: XX:1 THE GENERAL 1927 (75 minutes) Directed by Clyde Bruckman, Buster Keaton Written by Al Boasberg and Charlie Smith based on William Pittenger’s 1863 novel, The Great Locomotive Chase Producers by Buster Keaton, Joseph M. Schenck Cinematography by Bert Haines, Devereaux Jennings Film Editing by Buster Keaton and Sherman Kell Art Direction Fred Gabourie Marion Mack.... Annabelle Lee Charles Smith .... Mr. Lee Richard Allen .... His Son Glen Cavender .... Captain Anderson Jim Farley .... General Thatcher Frederick Vroom....Southern General Joe Keaton....Union General Mike Donlin....Union General Tom Nawn .... Union General B Buster Keaton .... Johnnie Gray Selected for the National Film Registry, 1989 BUSTER KEATON (Joseph Frank Keaton VI, 4 October 1895, Piqua, Kansas—1 February 1966, Los Angeles, lung cancer) wrote about 30 films, directed nearly 50, and acted in more than 130, often playing himself. His first film role was in The Butcher Boy 1917; his last in Samuel Becket’s Film 1966. Some of the others are A Funny Thing Happened on the Way to the Forum 1966, How to Stuff a Wild Bikini 1965, Beach Blanket Bingo 1965, Pajama Party 1964, It's a Mad Mad Mad Mad World 1963, Limelight 1952, Sunset Blvd. 1950, Pardon My Berth Marks 1940, Palooka from Paducah 1935, What! No Beer? 1933, Steamboat Bill, Jr. 1928, College 1927, Battling Butler 1926, Seven Chances 1925, The Navigator 1924, Sherlock, Jr. 1924, Our Hospitality 1923, Paleface 1922, Cops 1922, One Week 1920. He won an honorary Academy Award in 1960. MARION MACK (Joey Marion McCreery, 9 April 1902, Mammoth, Utah—1 May 1989, Costa Mesa, California) appeared in only five films: The Great Chase 1963, The General, The Carnival Girl 1926, One of the Bravest 1925, and Mary of the Movies 1923. -
Arisa: V. 6 Free
FREE ARISA: V. 6 PDF Natsumi Ando | 176 pages | 17 Jan 2012 | Kodansha America, Inc | 9781612620398 | English | New York, United States Arisa NISHIHARA - Google Scholar This site is running Profiles RNS version v2. UCSD Profiles search, discover, network. Arisa Ortiz. ORNG Applications. Clinical Trials. Researchers can login to make corrections Arisa: v. 6 additions, or contact us for help. Dermatol Surg. PMID: Analysis of U. Effects of anhydrous gel with TriHex peptides on healing after hybrid laser resurfacing. J Cosmet Dermatol. Arisa: v. 6 expert panel consensus on opioid-prescribing guidelines for dermatologic procedures. J Am Acad Dermatol. Laser Therapy for Actinic Purpura. A model for sustainable laser tattoo removal services for adult probationers. Int J Prison Health. Lasers Surg Med. Brown MM, Ortiz A. Outcomes of long-pulsed ? Treatment of benign pigmented lesions using a novel Dermal Cooling System. Vazirnia A, Ortiz AE. An expanded study of long-pulsed ? Airborne particulate concentration during laser hair removal: A comparison between cold sapphire with aqueous gel and cryogen skin cooling. JAMA Dermatol. A Combination Approach to Surgical Scars. Noninvasive body contouring: cryolipolysis and ultrasound. Semin Cutan Med Surg. Squamous cell carcinoma with aggressive subclinical extension: 5-year retrospective review of diagnostic predictors. Generalized basaloid follicular hamartoma syndrome: a case report and review of the literature. Am J Dermatopathol. A 1,nm Nd: YAG laser for improving the appearance of onychomycosis. Ablative CO2 lasers for skin tightening: traditional versus fractional. A review of lasers and light for the treatment of onychomycosis. Port-wine stain laser treatments and novel approaches. Facial Plast Surg. -
Corus Entertainment Q4 2012 Anaylst Call
CORUS ENTERTAINMENTS Moderator: John Cassaday 10-25-12/12:00 pm CT Confirmation # 21607427 Page 1 CORUS ENTERTAINMENTS Moderator: John Cassaday October 25, 2012 12:00 pm CT Operator: Ladies and gentlemen thank you for standing by. Welcome to the Corus Entertainments Q4 and Year-End Analyst and Investor conference call. During the presentation all participants will be in a listen-only mode. Afterwards we will conduct a question-and-answer session. At that time if you have a question, please press the 1 followed by the 4 on your telephone. If at any time during the conference you need to reach an operator, please press star 0. As a reminder, this conference is being recorded today, Thursday, October 25, 2012. I would now like to turn the conference over to President and CEO, Mr. John Cassaday. Please go ahead, sir. John Cassaday: Thank you, operator. Good afternoon everyone. I’m John Cassaday, and welcome to Corus Entertainment’s Fiscal 2012 Fourth Quarter and Year-End Report and Analyst call, and again thank you for joining us today. Before we read the cautionary statement, we would like to remind everyone that there are a series of PowerPoint slides that accompany this call. The slides CORUS ENTERTAINMENTS Moderator: John Cassaday 10-25-12/12:00 pm CT Confirmation # 21607427 Page 2 can be found on our Web site, www.CorusEnt.com in the Investor Relations section. We will now run through the standard cautionary statement. This discussion contains forward-looking statements which may involve risks and uncertainties. Additional information concerning factors that could cause actual results to materially differ from those in the forward-looking statements is contained in the company’s filings with the Canadian Securities Administrators on SEDAR. -
The Last Days of Buster Keaton John C. Tibbetts
Fall 1995 79 The Hole in the Doughnut: The Last Days of Buster Keaton John C. Tibbetts In the Fall of 1995 Eleanor Norris Keaton will come to Kansas to celebrate the 100th birthday of her late husband.1 Part of an extensive itinerary that also takes her to other centenary observances in New York, Muskegon, Michigan, and Los Angeles, the Kansas trip is particularly poignant. Keaton was born on October 4,1895, in the tiny farm community of Piqua, in southeast Kansas, while his parents were performing with a medicine show.2 Although he may have been a Kansan only through sheer accident of circumstances—the baby and his mother remained in Piqua only two weeks before rejoining the troupe on the road—he returned there many times as a child on tour with his parents.3 Later, the classic slapstick comedian paid tribute to his home state in many of the themes and situations of his best films, most notably in the cyclone sequence in Steamboat Bill, Jr. (1928). To my mind, even his trademark "deadly horizontal" hat (as James Agee described it) evokes the stark flatness of the Kansas prairies.4 While the Keaton phenomenon will be fully explored throughout the centenary year, Eleanor herself should not be forgotten. By all accounts, she was an important force in Buster's later years. "She has seen Buster Keaton through a long period of painful adjustment, relapse, and readjustment and a dozen partial comebacks," wrote Rudi Blesh, shortly before Buster's death on February 1,1966. "She has carried him, content and at times happy, across the threshold of his seventies. -
BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym. -
Marriage Record Index 1922-1938 Images Can Be Accessed in the Indiana Room
Marriage Record Index 1922-1938 Images can be accessed in the Indiana Room. Call (812)949-3527 for more information. Groom Bride Marriage Date Image Aaron, Elza Antle, Marion 8/12/1928 026-048 Abbott, Charles Ruby, Hallie June 8/19/1935 030-580 Abbott, Elmer Beach, Hazel 12/9/1922 022-243 Abbott, Leonard H. Robinson, Berta 4/30/1926 024-324 Abel, Oscar C. Ringle, Alice M. 1/11/1930 027-067 Abell, Lawrence A. Childers, Velva 4/28/1930 027-154 Abell, Steve Blakeman, Mary Elizabeth 12/12/1928 026-207 Abernathy, Pete B. Scholl, Lorena 10/15/1926 024-533 Abram, Howard Henry Abram, Elizabeth F. 3/24/1934 029-414 Absher, Roy Elgin Turner, Georgia Lillian 4/17/1926 024-311 Ackerman, Emil Becht, Martha 10/18/1927 025-380 Acton, Dewey Baker, Mary Cathrine 3/17/1923 022-340 Adam, Herman Glen Harpe, Mary Allia 4/11/1936 031-273 Adam, Herman Glenn Hinton, Esther 8/13/1927 025-282 Adams, Adelbert Pope, Thelma 7/14/1927 025-255 Adams, Ancil Logan, Jr. Eiler, Lillian Mae 4/8/1933 028-570 Adams, Cecil A. Johnson, Mary E. 12/21/1923 022-706 Adams, Crozier E. Sparks, Sarah 4/1/1936 031-250 Adams, Earl Snook, Charlotte 1/5/1935 030-250 Adams, Harry Meyer, Lillian M. 10/21/1927 025-376 Adams, Herman Glen Smith, Hazel Irene 2/28/1925 023-502 Adams, James O. Hallet, Louise M. 4/3/1931 027-476 Adams, Lloyd Kirsch, Madge 6/7/1932 028-274 Adams, Robert A. -
The Rebirth of Slick: Clinton, Travolta, and Recuperations of Hard-Body Nationhood in the 1990S
THE REBIRTH OF SLICK: CLINTON, TRAVOLTA, AND RECUPERATIONS OF HARD-BODY NATIONHOOD IN THE 1990S Nathan Titman A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Simon Morgan-Russell, Advisor Dr. Philip Terrie ii ABSTRACT Simon Morgan-Russell, Advisor This thesis analyzes the characters and performances of John Travolta throughout the 1990s and examines how the actor's celebrity persona comments on the shifting meanings of masculinity that emerged in a post-Reagan cultural landscape. A critical analysis of President Clinton's multiple identities⎯in terms of gender, class, and race⎯demonstrates that his popularity in the 1990s resulted from his ability to continue Reagan's "hard-body" masculine national identity while seemingly responding to its more radical aspects. The paper examines how Travolta's own complex identity contributes to the emergent "sensitive patriarch" model for American masculinity that allows contradictory attitudes and identities to coexist. Starting with his iconic turn in 1977's Saturday Night Fever, a diachronic analysis of Travolta's film career shows that his ability to convey femininity, blackness, and working-class experience alongside more normative signifiers of white middle-class masculinity explains why he failed to satisfy the "hard-body" aesthetic of the 1980s, yet reemerged as a valued Hollywood commodity after neoconservative social concerns began emphasizing family values and white male responsibility in the 1990s. A study of the roles that Travolta played in the 1990s demonstrates that he, like Clinton, represented the white male body's potential to act as the benevolent patriarchal figure in a culture increasingly cognizant of its diversity, while justifying the continued cultural dominance of white middle-class males. -
If It's New Year's Eve, It Must Be Ryan Seacrest
Visit Our Showroom To Find The Perfect Lift Bed For You! Dec. 27, 2019 - Jan. 2, 2020 Ryan Seacrest hosts “Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest“ Tuesday on ABC. 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H R E G N F K N U F F G A Your Key 2 x 3" ad I Z F O Z J O S E P H E O T P B G O P E F A H T E O L V A R To Buying R T A W F P Z E P X L R U Y I and Selling! S L T R Q M A R T I N E Z L L 2 x 3.5" ad C L O J U S T I C E D Q D O M A D K S M C F F S H E E J R F P U I R A X M F L T D Y A K F O O T V S N C B L I U I W L E V J L L O Y G O R H C A Q A H Z A L I Z W H E J I L G M U L E I X C T N I K L U A A J S U B K G G A I E Z A E R N O U G E T E V F D C P X D S E N K A A S X A Y B E S K I L T R A B “Deputy” on Fox Bargain Box (Words in parentheses not in puzzle) Bill (Hollister) (Stephen) Dorff Los Angeles (County) Place your classified Classified Merchandise Specials Solution on page 13 Cade (Ward) (Brian) Van Holt Justice ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Brianna (Bishop) (Bex) Taylor-Klaus Drama Midlothian Mirror and Ellis Joseph (Harris) (Shane Paul) McGhie Politics County Trading1 Post! x 4" ad Deal Merchandise Word Search Paula (Reyes) (Yara) Martinez (New) Sheriff Call (972) 937-3310 Run a single item Run a single item If it’s New Year’s Eve, it priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, must be Ryan Seacrest Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
Momaexh 1405 Masterchecklist
\ . The Museum of Modern Art CHECKLIST Officeof the Registrar November 4, 1985 112-700 96.34 "That's Not All Folks! Warner Brothers Animation" September 10, 1985 - January 7, 1986 85.1336 - 85.1342 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Richard Bickenbach MoMAExh_1405_MasterChecklist 85.1343 - 85.1344 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Herman Cohen 85 .1345 DUCK AMUCK, 1953 Directed by Chuck Jones Character layout drawing by Chuck Jones 85.1346 DAFFY DUCK HUNT, 1949 Directed by Robert McKimson Preliminary model poses by John Carey 85.1347 YOU OUGHT TO BE IN PICTURES, 1940 Directed by Friz Freleng Preliminary model poses 85.1348 - 85.1352 THE OLD GREY HARE, 1944 Directed by Bob Clampett Character layout drawings by Michael Sasanoff 85.1353 BUGS BUNNY NIPS THE NIPS, 1944 Directed by Friz Freleng Animation drawing 85.1354 WHAT'S COOKIN', DOC? Directed by Bob Clampett Animation drawing .. 11 West 53 Street, New York, N Y 10019-5486Tel 212-700 94()()Coble MOOERNARI Telex. 62370MOOA�l -2- 85 .1355 BUGS BUNNY AND THE THREE BEARS, 1944 Directed by Chuck Jones Animation drawing 85.1356 THE WACKY WABBIT, 1942 Directed by Bob Clampett Animation drawing 85.1357 A WILD HARE, 1940 Directed by Tex Avery Size chart by Robert Givens 85.1358 THE HARE BRAINED HYPNOTIST, 1942 MoMAExh_1405_MasterChecklist Directed by Friz Freleng Animation drawing by Phil Monroe 85.1359 - 85.1362 HARE RIBBIN' , 1944 Directed by Bob Clampett Animation drawing by Robert McKimson 85.1363 HARE CONDITIONED, 1945 -
Nosferatu. Revista De Cine (Donostia Kultura)
Nosferatu. Revista de cine (Donostia Kultura) Título: ¿EL APOCALIPSIS A LA HORA DEL TÉ? BREVE HISTORIA DE LA CIENCIA- FICCIÓN BRITÁNICA Autor/es: Antonio José Navarro Citar como: Antonio José Navarro (2001). ¿EL APOCALIPSIS A LA HORA DEL TÉ? BREVE HISTORIA DE LA CIENCIA-FICCIÓN BRITÁNICA. Nosferatu. Revista de cine. Documento(34). descargado de: http://hdl.handle.net/10251/41206 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: británica Zlen t:ifikúo brz'tainiarra, zeinak bere go ieneko aldia berrogáta hwnar eta hirurogeiko hamarkadeLan bi::j i:nn bcn'tzuen, hasiera-hasieratik izan zuen, beldurrezko zinemarekúz gertatzerz den bezala, goúzúmo-ukitu hat.jeneroaren Estatu Batuetako produkzioetan agertzen ez dena. Film brúainiarrei ardura handiago Pmgúen diete pertsonaiek, gertatzen diren fantasz'azko gertaerek no la erasaten dituzten, gertaera lwriek bere: boina. !nteres handiagoa du kontakizwwren egiantzak azaldutakoaren errealitate zientifikoak baitw. NOSFERATU 34-35 ll·•••••• ran Bretafia es, casi por Libre la mente y el espíritu del transformación. Los efectos de lo tradición, el país de los hedor de las tumbas, del siniestro fantástico sobre los personajes in horrores más espanto lamento de los espectros, se im teresaban más que los fenómenos sos ocultos tras una fa pone una pregunta: ¿existe, o me extraordinarios en sí: cualquier chada de inmaculada respetabili jor dicho, ha existido, pues, una cociente de "realidad" científica se dad.