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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Tribute to Chuck Jones at the Museum of Modern Art. Animator
NO. 25 The Museum of Modern Art FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart TRIBUTE TO CHUCK JONES AT THE MUSEUM OF MODERN ART ANIMATOR WILL BE PRESENT CHUCK JONES: THE YEARS AT WARNER BROTHERS, a special four-day program honoring this famous animator and director of such stars as Bugs Bunny, Daffy Duck, Porky Pig, the Roadrunner, and Wile E. Coyote, will take place at The Museum of Modern Art from March 19 through March 22. The program includes a screening of 12 cartoons on Saturday, March 19 at noon, two showings on Sunday, March 20 at noon and 2:30 at which Mr. Jones will be present to discuss his work, and repeat showings of the Sunday programs on Monday, March 21 and Tuesday, March 22 at noon. The film programs, selected by Greg Ford, historian of the American an imated film, are designed to show Chuck Jones' development at Warner Brothers, where he was director of animation for 26 years. Jones began his career in a representational style heavily influences by Disney, but soon developed a more abstract, zanier style of cartooning, shown in "The Dover Boys" of 1942 with its lurched-tempo motion, and "The Aristo-Cat" of 1943 with its expression- istic backgrounds. It was during the fifties, however, while working with Warner's stable of cartoon stars, that Jones fully developed his style, based not on exaggeration but continual refinement. It is a "personality animation," according to Greg Ford, "marked by logical application of space, movement, and editing ideas, and by very subtle drawing that keenly deliniates character attitude." Among the films to be shown during this tribute are "What's Opera Doc," (1957), "Duck Amuck" (1953), "Ali-Baba Bunny" (1957) and "To Beep or Not to Beep" (1964). -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
Get Kindle ~ the Best of Cartoon Carnival
BTMEVIFPZT4O » Book > The Best of Cartoon Carnival The Best of Cartoon Carnival Filesize: 9.47 MB Reviews This ebook is amazing. I actually have read and i also am certain that i will going to read once more again down the road. I found out this pdf from my dad and i advised this book to discover. (Isaiah Swaniawski) DISCLAIMER | DMCA 54CNRDGFU8XN « Kindle > The Best of Cartoon Carnival THE BEST OF CARTOON CARNIVAL Waterlogg Productions, 2014. CD-Audio. Condition: New. Adapted ed.. Language: English . Brand New. This collection includes all four volumes of The Best of Cartoon Carnival.As the protege of cartoon voice legend Daws Butler, veteran award-winning broadcaster Joe Bevilacqua is no stranger to the cartoon world. From Mel Blanc to June Foray, from Disney to Hanna-Barbera, Cartoon Carnival is a lively hour of rare and classic cartoon audio, children s records, cartoon music and sound eects, new radio cartoons, interviews, and mini-documentaries about the wonderful world of animation. Just a small sampling of the delightful characters you ll encounter in this must-have audio includes Yogi Bear, Huckleberry Hound, the Flintstones, Quick Draw McGraw, Rocky and Bullwinkle, Popeye, Bugs Bunny, and Day Duck. There s fun for the whole family!The InterviewsIncluded in this first collection are interviews with Joe Barbera, Leonard Maltin, Bob Clampett, Stan Freberg, Daws Butler, Mel Blanc, Bill Marx, June Foray, Bill Scott, Hoyt Curtin, and Craig Marin. Also included is audio from Warner Brothers and Hanna-Barbera cartoons such as The Jetsons, The Flintstones, Huckleberry Hound, Yogi Bear, Quick Draw McGraw, Ru n Reddy, Magilla Gorilla, Bob Clampett s Time for Beany, Jay Ward s Rocky and Bullwinkle, Fractured Fairy Tales, Fractured Flickers, The Chuck McCann Show, Winchell-Mahoney Time, and The Sandy Becker Show. -
Printable Ornament List for Robert Chad
Robert Chad 2014 1495QXE3723 High-Flying Hero Disney The Rocketeer 1LPR3346 Dahlia Mary's Angels 995QRP5933 Frosting Frosty Friend Merry Makers - By Tom Best and Robert Chad 1995QGO1666 Christmas Countdown! 2995QX9023 A Pre-flight Snack 4th in the Once Upon a Christmas series - By Tom Best, Robert Chad, Joanne Eschrich and Jim Kemme 1795QGO1243 Disco Inferno 995QX9076 Dahlia 27th in the Mary's Angels series 1495QXI2736 Sloth The Goonies 1495QXI2443 A Sticky Situation Taz – LOONEY TUNES 1795QXI2433 Weady for Christmas Tweety -- LOONEY TUNES 1495QGO1643 Merry Hanukkah! 1495QGO1663 Partridge on a Par 3 2013 1495QFO5222 Creepy Coffin 1LPR3365 A North Pole Stroll 1795QXG1335 Santa's Magic Bell - By Robert Chad and Valerie Shanks 1995QXG1352 Santa's North Pole Workshop 1795QXG1525 Peppermint Bark - By Robert Chad and Sharon Visker 2495QXG1512 Countdown to Christmas - By Orville Wilson and Robert Chad 1495QXG1362 A Snowman's Joyful Job - By Joanne Eschrich and Robert Chad 2995QX9045 3rd in the Once Upon a Christmas series - By Robert Chad, Tom Best, Julie Forsyth and Jim Kemme 1795QXG1722 I've Been Everywhere 995QX9052 Poinsettia 26th in the Mary's Angels series 1495QXI2032 A Puddy for Tweety Tweety--LOONEY TUNES 1795QXI2042 A "Light" Snack Taz--LOONEY TUNES 1495QXI2035 Merry Christmas, Earthlings! Marvin the Martian - LOONEY TUNES 2012 2295QXG4004 Countdown to Christmas 2995QX8174 Time for Toys 2nd in the Once Upon a Christmas series - By Robert Chad, Orville Wilson and Nello Williams 995QX8271 Sterling Rose 25th in the Mary's Angels series -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
SHSU ALUMNI ASSOCIATION Life Members (As of June 8, 2021) Life
SHSU ALUMNI ASSOCIATION Life Members (as of June 8, 2021) Life Endowed Members Joint Life Endowed Barbara Bright 1961 Kerri Byler Justin Burnett 2002 Bill Byler 1988 Terry Carlton 1960 Rod Danielson Gary Dudley 1969 Kelly DeHay 1974 Jim Ferris 1969 Jan Fitzgerald Gary Fickes 1972 Walter Fitzgerald 1979 Allen Gage 1961 Jim Gaertner 1965 James Hallbeck 1997 2003 Nancy Gaertner Bud Haney 1963 Glenda Gordy 1973 Chuck Jones 1981 Russell Gordy 1972 Ron Koska 1961 John Hoyt 1975 Kyle Lehne 1994 Betty Lewis 1967 Susan Lenamon 1973 Dean Lewis 1967 Dianne MacKenzie 1960 Kitty Lindley 1983 Randy Martell 1978 Dick Lindley 1961 Tommy Metcalf 1971 Randy Pollard 1974 Jill Myatt 1963 Trisha Pollard 1974 Dan Rather 1953 John Ragsdale 1959 Martee Rush 2005 Judy Ragsdale Don Sanders 1958 C. Tom Reese 1956 John Simmons 1968 Melba Reese Becky Spelce 1993 1997 Dan Spence 1965 Reuben Tamez 1990 1994 Marian Spence Major Terry 2003 Carol Hail Weller 1969 Gary Fickes 1972 Robert Young 2013 Life Members Bryan Aaron 2010 Cynthia Aaron 2006 Buddy Aber 1973 Sheena Abernathy 2003 2006 Gabrielle Abowd 2020 Amanda Abrego 2016 Carol Adamcik 1971 Joe Adame 1969 Carly Adams 2011 2015 Gary Adams 1978 Roger Adams 1967 Jan Adams 1975 Jill Adams 1982 1985 Joey Adams 1993 Gail Adams Mark Adams 1991 1998 Mary Ella Adams 1951 Shelley Adams 2016 Scott Adley 2013 2017 Bruce Agness 1979 Gracie Aguilar 2011 Bill Aguilar 2004 Joyce Ahearn 1964 Keith Ahee 2010 2013 Kimberly Ahee 2014 2019 Carol Ainsworth 1961 Jim Ainsworth 1960 Amy Albert 2004 Terre Albert 1997 William Albert 1967 Bobby Alexander 1952 Sharon Alexander-Shrout 2011 Gay Allbritton 1975 1979 Kay Allbritton 1975 Donald Allee 1973 Arnold Allemang 1965 Cassidy Allen 2018 Emily and Brandon Allen 2016 JoAnn Allen 1952 Leah Allen 1976 Marcus Allen Marcus Allen 2016 Gary Allison 1959 Heather Althoff 2002 2018 Valerie Alvarado 2014 Melissa Alvarez-Downing 2000 A. -
Ursula Mctaggart
RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists. -
10093.Ch01.Pdf
© 2007 UC Regents Buy this book Frontispiece. Disney draws Mickey Mouse at a reception at the Savoy Hotel in London in 1946. Quigley Photographic Collection, Walt Disney File, Georgetown University Library, Special Collections Division, Washington, D.C. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by Michael Barrier Library of Congress Cataloging-in-Publication Data Barrier, J. Michael. The animated man : a life of Walt Disney / Michael Barrier. p. cm. Includes bibliographical references and index. isbn: 978-0-520-24117-6 (cloth : alk. paper) 1. Disney, Walt, 1901–1966. 2. Animators—United States—Biography. I. Title. nc1766.u52d53155 2007 791.43092—dc22 [b] 2006025506 Manufactured in the United States of America 16 15 14 13 12 11 10 09 08 07 10987654321 This book is printed on Natures Book, which contains 50% post-consumer waste and meets the minimum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper). contents Plates follow pages 140 and 236 preface ix acknowledgments xv introduction: “It’s All Me” 1 1 “The Pet in the Family” On the Farm and in the City,