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BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
If It's New Year's Eve, It Must Be Ryan Seacrest
Visit Our Showroom To Find The Perfect Lift Bed For You! Dec. 27, 2019 - Jan. 2, 2020 Ryan Seacrest hosts “Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest“ Tuesday on ABC. 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H R E G N F K N U F F G A Your Key 2 x 3" ad I Z F O Z J O S E P H E O T P B G O P E F A H T E O L V A R To Buying R T A W F P Z E P X L R U Y I and Selling! S L T R Q M A R T I N E Z L L 2 x 3.5" ad C L O J U S T I C E D Q D O M A D K S M C F F S H E E J R F P U I R A X M F L T D Y A K F O O T V S N C B L I U I W L E V J L L O Y G O R H C A Q A H Z A L I Z W H E J I L G M U L E I X C T N I K L U A A J S U B K G G A I E Z A E R N O U G E T E V F D C P X D S E N K A A S X A Y B E S K I L T R A B “Deputy” on Fox Bargain Box (Words in parentheses not in puzzle) Bill (Hollister) (Stephen) Dorff Los Angeles (County) Place your classified Classified Merchandise Specials Solution on page 13 Cade (Ward) (Brian) Van Holt Justice ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Brianna (Bishop) (Bex) Taylor-Klaus Drama Midlothian Mirror and Ellis Joseph (Harris) (Shane Paul) McGhie Politics County Trading1 Post! x 4" ad Deal Merchandise Word Search Paula (Reyes) (Yara) Martinez (New) Sheriff Call (972) 937-3310 Run a single item Run a single item If it’s New Year’s Eve, it priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, must be Ryan Seacrest Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
20Th Anniversary Initiation Banquet ·=- February 1956
( LlKA 20th anniversary initiation banquet ·=- february 1956 ALPHA CHAPTER DELTA KAPPA ALPHA 20th ANNIVERSARY INITIATION BANQUET Saturday, February 11, 1956 Biltmore Hotel - Los Angeles PROGRAM Introduction of Guests Barry Kirk Introduction of Honorary and Associate Members - Chris Seiter Introduction of Alumni and Active Members Welcome from the President Daulat Masuda "25 Years of Cinema at SC" Dr. Robert 0. Hall Message from the National President ('Daulat Masuda Initiation Ceremonies (Chris Seiter (Tom Conrad Presentation of Awards Daulat Masuda Introduction of Mr. Williams Daulat Masuda Acceptance Speech Elmo Williams, A.C.E. Intermission Film Showing of SC Cinema Production, THE FACE of LINCOLN Delta Kappa Alpha N a tiona! Honorary Cinema Fraternity SILVER ANNIVERSARY BANQUET honoring MARY PICKFORD and HAROLD LLOYD January 6, 1963 TOWN and GOWN University of Southern California / PROGRAM I. Opening Dr. Norman Topping, President, USC II. Representing DKA and Cinema Dr. Bernard Kantor III. l\!listress of Ceremonies Bette Davis IV. Harold Lloyd interviewed by Steve Allen Delmer Daves Jack Lemmon V. Film clips of Harold Lloyd VI. Adolph Zukor VII. Mary Pickford interviewed by Bette Davis George Cukor Arthur Knight VIII. Film clips of Mary Pickford Piano-Dave Raksin IX. Leonard Firestone, Chairman of USC Board of Trustees Presentation to Mary Pickford and Harold Lloyd X. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mrs. George Axelrod Miss Jeanette MacDonald Mrs. Harry Brand Mrs. Robert Stack George Cukor Miss Barbara Stanwyck Bette Davis Mrs. Norman Taurog Y. Frank Freeman Charles Walters Mrs. Beatrice Greenough Miss Ruth Waterbury l\llrs. Leiland Atherton Irish Mrs. -
October/ November 2014 at BFI Southbank
October/ November 2014 at BFI Southbank Sci-Fi: Days of Fear and Wonder, Afrofuturism, Birth of the Method, Nuri Bilge Ceylan, Jacques Tati Helen de Witt, Head of Cinemas, BFI said: “Days of Fear and Wonder at the BFI Southbank in October and November is an interstellar voyage across the cinematic galaxy, taking in Sci- Fi odysseys, time-travelling Archive classics and landing back on earth with one of the greatest contemporary directors.” The BFI’s three-month blockbuster season, Sci-Fi: Days of Fear and Wonder touches down at BFI Southbank this autumn with an out of this world programme of screenings and events. Highlights will include the UK Premiere of Future Shock! – The Story of 2000AD, looking at the huge influence of the weekly British sci-fi comic; a keynote talk from award-winning author William Gibson; an event to mark the 40th anniversary of the Arecibo Message, with Dr Adam Rutherford and Professor Brian Cox; live music events featuring DJ Yoda, John Foxx, Steve D’Agostino and Charlotte Hatherley; plus a film programme to satisfy Sci-Fi aficionados and novices alike. As part of Sci-Fi, Inside Afrofuturism will examine black visions of Sci-Fi, with films such as the legendary Space is the Place (1974) and Born in Flames (1983) both starring Sun Ra. There will also be a screening of Terence Nance’s An Oversimplification of Her Beauty (2012) followed by a Skype Q&A with the director. Plus, a very special In Conversation event with Hip Hop pioneer, Afrika Bambaataa. Sci-Fi extended runs will consist of the ever-eerie Invasion of the Body Snatchers (1956) directed by Don Siegel, and Stanley Kubrick’s masterpiece 2001: A Space Odyssey (1968), presented in a stunning 4k digital restoration, and released in cinemas across the UK on 28 November. -
Thats Allthere Is
That’s All There Is Video by Michael Pilz Austria 2005 Part 1 151 minutes Part 2 142 minutes 362 September 1988. September 1988. George Tabori's theater Der Kreis in Vienna. George Taboris Theater Der Kreis in Wien. Rehearsals of three late plays by Samuel Beckett. Proben dreier später Stücke Samuel Becketts. The director: Jack Garfein. Der Regisseur: Jack Garfein. Over a period of six weeks, I film his work with the actors. Sechs Wochen lang filme ich seine Arbeit mit den Schau- 16 years later, I edit the film and opt for the rehearsals of spielern. Ohio Impromptu. 16 Jahre danach schneide ich den Film und entscheide Life or death. I will go on. mich für die Arbeit an Ohio Impromptu. Michael Pilz, Vienna, November 2004 Tod oder Leben. Ich mach weiter. Michael Pilz, Wien, November 2004 Conciseness is usually a valued quality. Verbosity is not. Yet master documentary maker Michael Pilz chose for duration and circumlocution in his portrait of Beckett dir- ector Jack Garfein. Because groping and searching are also qualities. The footage was shot in September 1988. It was only recently that the film maker found the peace and the courage to cut material that he probably didn't want to cut at all at first. In that sense the film is concise after all. The famous Czech-born American theatre maker Jack Gar- fein (1930) worked as a guest director in Vienna, in George Tabori's theatre Der Kreis. Garfein rehearsed three late plays by Samuel Beckett with the company attached to the theatre. -
1961-62 Year Book Canadian Motion Picture Industry
e&xri-i METRO-GOLDWYN-MAYERtl WITH THESE CURRENT AMD CANADIAN OPENING! TORO NTO—October 2t UNIVERSITY THEATRE MONTREAL—November 2 ALOUETTE THEATRE Metro-Golduyn-Mayer present. VANCOUVER-Dec. 21 Samuel Bronston's Proaua STANLEY THEATRE IRAMA TECHNICOLOR JEFFREY HUNTER'■ SIOBHAN McKENNA • HURD HATFIELD-RON RANDELL • VIVECA LINDFORS-RITA GAM • CARMEN SEVILLA • BRIGID BAZLEN HARRY GUARDINO • RIP TORN • FRANK THRING • GUY ROLFE • MAURICE MARSAC • GREGOIRE ASLAN • ROBERT RYAN^n,^. Screen Play by PHILIP YORDAN * Directed by NICHOLAS RAY • Produced by SAMUEL BRONSTON METRO GOLDWYN MAYER PRESENTS METRO GOLDWYN MAYER presents a JULIAN BLAUSTEIN production <cMy\KMFY HI</\NI)C) Starring AS FLETCHER CHRISTIAN ri<i-\OR Howard GLENN FORD AS CAPTAIN BUGH INGRID THULIN CHARLES BOYER RICHARD HARRIS AS JOHN mills IN AN ARCOLA PRODUCTION LEE J. COBB PAUL HENREID co starring QMUTluvy qjvT ui'HTt BcyujViy PAUL LUKAS YVETTE MIMIEUX KARL BOEHN co-sTunim HUGH GRIFFITH RICHARD HAYDN »»»TARITA screen play by ROBERT ARDREY and JOHN GAY BASED ON THf NOVEL BVCHARLES NOROHOff AND JAMS S NORMIN HAH based on the novel by directed by omcnm.LEWIS MILESTONE PRODUCE 0 BY AARON ROSENBERG VICENTE BLASCO IBANEZ • VINCENTE MINNELLI TECHNICOLOR • FILMED IN ULTRA PANAVISION in CINEMASCOPE and METROCOLOR 19 CONTINUES ITS SUCCESS STORY COMING BOX-OFFICE ATTRACTIONS! BRIDGE TO THE SUN BACHELOR IN PARADISE CARROLL BAKER, James Shigeta, BOB HOPE, LANA TURNER, James Yagi, Emi Florence Hirsch, Janis Paige, Jim Hutton, Paula Prentiss, Nori Elizabeth Hermann. Don Porter, Virginia Grey, Agnes Moorehead. A Cite Films Production. A Ted Richmond Production. ★ In CinemaScope and Metrocolor SWEET BIRD OF YOUTH ★ PAUL NEWMAN, GERALDINE PAGE, TWO WEEKS IN ANOTHER TOWN Shirley Knight, Ed Begley, Rip Torn, KIRK DOUGLAS, Mildred Dunnock. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Metaphors We Act By: Kinesthetics, Cognitive Psychology, and Historical Structures
Spring 1993 25 Metaphors We Act By: Kinesthetics, Cognitive Psychology, and Historical Structures Bruce A. McConachie "The [Actor's] Studio is close to the roots of our time." William Inge I At the climax of the "Poker Night" scene in A Streetcar Named Desire, Marlon Brando howeled a plea that echoed and amplified the prototypical Misunderstood Male in the culture of post-war America. The explosion of emotion behind his "STELLLAHHHHH!" seemed to comunicate immediately and viscerally to theatregoers (and later to moviegoers), who sought similar experiences in the frustrated-sensitive-loner characterizations of James Dean, Paul Newman, and others from the late 1940s through the early '60s. But how exactly did audiences make sense of Brando's moment on stage? How does the actor's use of his or her body help to shape the perceptions and understandings produced by spectators? And what do these kinesthetically generated meanings have to do with the construction and reproduction of culture? How, in other words, are kinesthetics, psychology, and historical structures linked together? At stake in the theoretical controversies surrounding this question is the potential agency of the body in history. The dominant tendency of western science since the Enlightenment has been to understand the body as one among many physical objects in the universe, thus reducing it to a passive recipient of external and internal forces and drives. As sociologist Paul Connerton remarks, the "linguistic turn" of recent scholarship has reinforced this tendency: "When the defining feature of the human species was seen as language, the body was 'readable' as a text or code, but the body is regarded as the arbitrary bearer of meanings; bodily practices are acknowledged, but in an etherealized form" (101). -
Your Shabbat Edition • January 29, 2021
YOUR SHABBAT EDITION • JANUARY 29, 2021 Stories for you to savor over Shabbat and Sunday GET THE LATEST AT FORWARD.COM 1 GET THE LATEST AT FORWARD.COM LETTER FROM L.A. Why did these rabbis seek a pardon for Elliot Broidy? By Louis Keene When former President Donald Trump, in one of his Israel human rights organization, who said he obliged last acts in office, granted an executive pardon to Broidy without hesitation. “In my view, it was a matter confessed felon Elliott Broidy, the White House cited of supporting a person who really had his heart in the letters in Broidy’s support from some unusual sources: right place.” five Los Angeles rabbis. While Broidy was on Wiesenthal Center’s Board of Broidy, a multimillionaire businessman and prominent Trustees, May said, he helped secure funding from a Jewish philanthropist, pleaded guilty to illegal foreign trust which pays for about 25,000 students from lobbying on Oct. 20. Broidy was covertly paid millions disadvantaged areas to visit the Wiesenthal Center’s to push federal officials to drop one of the largest Holocaust museum every year. May said the program, embezzlement investigations in the history of the which costs around $500,000 annually, has been in Justice Department. He also lobbied officials to deport place for five years. a critic of the Chinese government who resides in In the case for which he was pardoned, Broidy lobbied Brooklyn. federal officials to deport a Chinese dissident and drop Why, with the ink barely dry on his guilty plea, did its investigation of a billion-dollar embezzlement these rabbis come to Elliott Broidy’s defense? scandal at the Malaysian sovereign investment fund 1MDB. -
39Th TFF Program Guide V10.Pdf
THIS FESTIVAL IS DEDICATED TO Bingham Ray 1954–2012 ©Michael Rauner, courtesy©Michael Rauner, of San Francisco Film Society Jan Sharp 1946–2012 ©Alice Lodge Julie Huntsinger | Directors Tom Luddy Gary Meyer Geoff Dyer | Guest Director Muffy Deslaurier | Director of Support Services Brandt Garber | Production Manager Karen Schwartzman | SVP, External Affairs Elizabeth Temple | VP, Filmanthropy Melissa DeMicco | Development Manager Kirsten Laursen | Executive Assistant to the Directors Kate Sibley | Education Programs Dean Jenny Jacobi | Operations Manager Joanna Lyons | Events Manager Bärbel Hacke | Hosts Manager Shannon Mitchell | Public Relations Manager Marc McDonald | Theater Operations Manager Lucy Lerner | ShowCorps Manager Erica Gioga | Housing/Travel Manager Technical Direction Chapin Cutler | Operations Russell Allen | Sound, Digital Cinema Ross Krantz | Chief Technician Barbara Grassia | Projection Annette Insdorf | Moderator Pierre Rissient | Resident Curators Peter Sellars Paolo Cherchi Usai Publications Editor Jason Silverman (JS) Chief Writer Larry Gross Prized Program Contributors Meredith Brody (MB), Paolo Cherchi Usai (PCU), Mark Danner (MD), Jesse Dubus (JD), Scott Foundas (SF), Barry Jenkins (BJ), Leonard Maltin (LM), Gary Meyer (GM), Kim Morgan (KM), Nicholas O’Neill (NO), Alexander Payne (AP), David Thomson (DT) Tribute Curator Short Films Curator Chris Robinson Barry Jenkins 1 The National Film Preserve, Ltd. A Colorado 501(c)(3) nonprofit, tax-exempt educational corporation Guest Director Founded in 1974 by James Card, Tom Luddy and Bill & Stella Pence Each year, Telluride’s Guest Director serves as a key collaborator in the Directors Emeriti Festival’s programming decisions, bringing new ideas and overlooked films. Bill & Stella Pence Past Guest Directors include Salman Rushdie, Buck Henry, Laurie Anderson, Stephen Sondheim, Peter Sellars, Slavoj Zizek, Alexander Payne, Michael Board of Governors Ondaatje and Caetano Veloso. -
Read Ebook {PDF EPUB} the Strange One by Bernie Morris Toni Morrison – Strangers Analysis
Read Ebook {PDF EPUB} The Strange One by Bernie Morris Toni Morrison – Strangers analysis. “I try to understand the intensity of my chagrin, and why I am missing a woman I spoke to for fifteen minutes…Now she is gone, taking away with her my good opinion of myself, which, of course, is unforgivable. Isn’t that the kind of thing that we fear strangers will do? Disturb. Betray. Prove they are not like us. that is why it is so hard to know what to do with them” (77). Morrison’s short essay, Strangers, explores the preconceived notions that people make of others, and questions why this is. The narrator meets an old woman by a river one day and they instantly connect. She is old and wise, and he grows to be very fond of her in the fraction of a day they spend together. When the man returns the following day to find that the woman is not there, he is very disappointed and begins to think of the way people judge others. He had judged the woman a bit at first because she appeared strange and different. However, once the narrator got to know the woman, he found himself feeling a strong attachment to her. Morrison appeals to pathos by giving the reader images of different kinds of people, making the reader think of the snap judgements they would typically make about the people in the them. He gives a sense of self- awareness to the reader, and potentially a sense of guilt. Morrison also appeals to logos by assuming that the reader will judge the woman in the story at first, or the people in the images, because the reader in fact does.