Emojis and Ancient Egyptian Hieroglyphs
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Concretismo and the Mimesis of Chinese Graphemes
Signmaking, Chino-Latino Style: Concretismo and the Mimesis of Chinese Graphemes _______________________________________________ DAVID A. COLÓN TEXAS CHRISTIAN UNIVERSITY Concrete poetry—the aesthetic instigated by the vanguard Noigandres group of São Paulo, in the 1950s—is a hybrid form, as its elements derive from opposite ends of visual comprehension’s spectrum of complexity: literature and design. Using Dick Higgins’s terminology, Claus Clüver concludes that “concrete poetry has taken the same path toward ‘intermedia’ as all the other arts, responding to and simultaneously shaping a contemporary sensibility that has come to thrive on the interplay of various sign systems” (Clüver 42). Clüver is considering concrete poetry in an expanded field, in which the “intertext” poems of the 1970s and 80s include photos, found images, and other non-verbal ephemera in the Concretist gestalt, but even in limiting Clüver’s statement to early concrete poetry of the 1950s and 60s, the idea of “the interplay of various sign systems” is still completely appropriate. In the Concretist aesthetic, the predominant interplay of systems is between literature and design, or, put another way, between words and images. Richard Kostelanetz, in the introduction to his anthology Imaged Words & Worded Images (1970), argues that concrete poetry is a term that intends “to identify artifacts that are neither word nor image alone but somewhere or something in between” (n/p). Kostelanetz’s point is that the hybridity of concrete poetry is deep, if not unmitigated. Wendy Steiner has put it a different way, claiming that concrete poetry “is the purest manifestation of the ut pictura poesis program that I know” (Steiner 531). -
Determination in the Anatolian Hieroglyphic Script of the Empire and Transitional Period 223
Altorientalische Forschungen 2017; 44(2): 221–234 Annick Payne Determination in the Anatolian Hieroglyphic Script of the Empire and Transitional Period https://doi.org/10.1515/aofo-2017-0019 Abstract: The Anatolian Hieroglyphic script is a mixed writing system which contains both phonetic and semantographic signs. The latter may be used in the function of logogram and/or determinative. A dedicated study of the script’s determinatives has so far not been undertaken but promises insight into structures of mental organization and script development. Because of its pictorial character, individual signs can occasion- ally be shown to act in a dual capacity, as icons and signs of writing. This article forms part one of a diachronic study of the determinative system, and adresses the period 13th–10th century BC. Keywords: Ancient Anatolian writing systems, Anatolian Hieroglyphic script, determinatives Introduction In the Anatolian Hieroglyphic script (AH), determination is one function of the class of semantographic signs. Alternatively, semantographic signs may function as logograms. While logograms represent a word to be read out, determinatives are not intended to be read out, instead, they mark their host word as belonging to a specific semantic category. Thus, determinatives are mute graphemes that act as reading aids, and they are dependent on a host word; with very few exceptions,1 the determinative is placed in front of the host. Different relationships between determinative and host are possible: they may be coordinated or the host may be subordinate to a determinative representing a superordinate category under which several hosts may be subsumed. The script shows numerically equal relationships where one determinative is used for one host, with the aim of reinforcing – less frequently, obstructing – the reading, or of disambiguating it. -
A STUDY of WRITING Oi.Uchicago.Edu Oi.Uchicago.Edu /MAAM^MA
oi.uchicago.edu A STUDY OF WRITING oi.uchicago.edu oi.uchicago.edu /MAAM^MA. A STUDY OF "*?• ,fii WRITING REVISED EDITION I. J. GELB Phoenix Books THE UNIVERSITY OF CHICAGO PRESS oi.uchicago.edu This book is also available in a clothbound edition from THE UNIVERSITY OF CHICAGO PRESS TO THE MOKSTADS THE UNIVERSITY OF CHICAGO PRESS, CHICAGO & LONDON The University of Toronto Press, Toronto 5, Canada Copyright 1952 in the International Copyright Union. All rights reserved. Published 1952. Second Edition 1963. First Phoenix Impression 1963. Printed in the United States of America oi.uchicago.edu PREFACE HE book contains twelve chapters, but it can be broken up structurally into five parts. First, the place of writing among the various systems of human inter communication is discussed. This is followed by four Tchapters devoted to the descriptive and comparative treatment of the various types of writing in the world. The sixth chapter deals with the evolution of writing from the earliest stages of picture writing to a full alphabet. The next four chapters deal with general problems, such as the future of writing and the relationship of writing to speech, art, and religion. Of the two final chapters, one contains the first attempt to establish a full terminology of writing, the other an extensive bibliography. The aim of this study is to lay a foundation for a new science of writing which might be called grammatology. While the general histories of writing treat individual writings mainly from a descriptive-historical point of view, the new science attempts to establish general principles governing the use and evolution of writing on a comparative-typological basis. -
11 Cuneiform and Hieroglyphs 11
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1. -
" King of Kish" in Pre-Sarogonic Sumer
"KING OF KISH" IN PRE-SAROGONIC SUMER* TOHRU MAEDA Waseda University 1 The title "king of Kish (lugal-kiski)," which was held by Sumerian rulers, seems to be regarded as holding hegemony over Sumer and Akkad. W. W. Hallo said, "There is, moreover, some evidence that at the very beginning of dynastic times, lower Mesopotamia did enjoy a measure of unity under the hegemony of Kish," and "long after Kish had ceased to be the seat of kingship, the title was employed to express hegemony over Sumer and Akked and ulti- mately came to signify or symbolize imperial, even universal, dominion."(1) I. J. Gelb held similar views.(2) The problem in question is divided into two points: 1) the hegemony of the city of Kish in early times, 2) the title "king of Kish" held by Sumerian rulers in later times. Even earlier, T. Jacobsen had largely expressed the same opinion, although his opinion differed in some detail from Hallo's.(3) Hallo described Kish's hegemony as the authority which maintained harmony between the cities of Sumer and Akkad in the First Early Dynastic period ("the Golden Age"). On the other hand, Jacobsen advocated that it was the kingship of Kish that brought about the breakdown of the older "primitive democracy" in the First Early Dynastic period and lead to the new pattern of rule, "primitive monarchy." Hallo seems to suggest that the Early Dynastic I period was not the period of a primitive community in which the "primitive democracy" was realized, but was the period of class society in which kingship or political power had already been formed. -
Chapter 6, Writing Systems and Punctuation
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
A Probabilistic Model of Ancient Egyptian Writing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository A probabilistic model of Ancient Egyptian writing Mark-Jan Nederhof and Fahrurrozi Rahman School of Computer Science University of St Andrews North Haugh, St Andrews, KY16 9SX, UK Abstract Most are written as Latin characters, some with di- acritical marks, plus aleph Z and ayin c. An equal This article investigates a probabilistic sign is commonly used to precede suffix pronouns; model to describe how signs form words thus sdm means “to hear” and sdm=f “he hears”. in Ancient Egyptian writing. This applies ¯ ¯ A dot can be used to separate other morphemes; to both hieroglyphic and hieratic texts. for example, in sdm.tw=f, “he is heard”, the mor- The model uses an intermediate layer of ¯ pheme .tw indicates passive. sign functions. Experiments are concerned with finding the most likely sequence of The Ancient Egyptian writing system itself is a sign functions that relates a given se- mixture of phonetic and semantic elements. The quence of signs and a given sequence of most important are phonograms, logograms, and phonemes. determinatives. A phonogram is a sign that repre- sents a sequence of one, two or three letters, with- 1 Introduction out any semantic association. A logogram repre- Ancient Egyptian writing, used in Pharaonic sents one particular word, or more generally the Egypt, existed in the form of hieroglyphs, often lemma of a word or a group of etymologically re- carved in stone or painted on walls, and some- lated words. -
The Hieroglyphic Sign Functions. Suggestions for a Revised Taxonomy
The Hieroglyphic Sign Functions1 Suggestions for a Revised Taxonomy Stéphane Polis/Serge Rosmorduc Abstract The aim of this paper is to suggest a taxonomy that allows for a systematic description of the functions that can be fulfilled by hieroglyphic signs. Taking as a point of departure the insights of several studies that have been published on the topic since Champollion, we suggest that three key-features – namely, semography, phonemography and autonomy – are needed in order to provide a description of the glottic functions of the ancient Egyptian graphemes. Combining these paradigmatic and syntagmatic features, six core functions can be identified for the hieroglyphic signs: they may behave as pictograms, logograms, phonograms, classifiers, radicograms or interpretants. In a second step, we provide a defi nition for each function and discuss examples that illustrate the fuzziness between these core semiotic categories. The understanding of the functions of the signs2 in the hieroglyphic writing system3 has been an issue ever since knowledge of this script was lost during Late Antiquity. If ancient authors 1 We are grateful to Todd Gillen, Eitan Grossman, Matthias Müller, Wolfgang Schenkel, Sami Uljas and Jean Winand for their critical comments and suggestions on earlier drafts of this paper. 2 In this paper, we focus exclusively on the so-called “glottic” functions (see e. g. Harris 2000) of the ancient Egyptian writing system, i. e., on the writing system viewed as a means of communicating linguistic content. It should be stressed that “[t]hat the notions of logograms, classifiers, phonograms, and interpretants [etc. used throughout this paper] refer to possible functions fulfilled by the tokens of particular graphemes according to their distribution and do not define inherent qualities of the signs” (Lincke/Kammerzell 2012: 59); see already Schenkel’s (1984: 714–718) and Kammerzell’s (2009) ‘Zeichenfunktionsklasse.’ 3 Regarding the various possible approaches to this complex writing system, see Schenkel (1971: 85). -
Computational Pattern Recognition in Linear a Jajwalya Karajgikar, Amira Al-Khulaidy, Anamaria Berea
Computational Pattern Recognition in Linear A Jajwalya Karajgikar, Amira Al-Khulaidy, Anamaria Berea To cite this version: Jajwalya Karajgikar, Amira Al-Khulaidy, Anamaria Berea. Computational Pattern Recognition in Linear A. In press. hal-03207615 HAL Id: hal-03207615 https://hal.archives-ouvertes.fr/hal-03207615 Preprint submitted on 26 Apr 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Computational Pattern Recognition in Linear A Jajwalya R. Karajgikar1*, Amira Al-Khulaidy 2 , Anamaria Berea3 1 Computational Sciences, MS, George Mason University 2 Computational Social Sciences, PhD student, George Mason University 3 Computational and Data Sciences, Associate Professor, George Mason University *Corresponding author: Jajwalya R. Karajgikar1 Abstract Linear A is an ancient Mycenaean Greek language that is as of yet undeciphered. Computational analysis of the symbols using natural language processing and data mining techniques can aid to better understand this logogram language, and to help us uncover interesting statistical and information-theoretic patterns even without deciphering the language. Using information theory and data science techniques, we show an exploratory analysis of these symbols. We use n-gram analysis to summarize and predict the possible symbols on lost stone tablets, while symbols are clustered by topic modeling as well as k-means, for comparison. -
COX-DISSERTATION-2018.Pdf (5.765Mb)
Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance. -
OLD AKKADIAN WRITING and GRAMMAR Oi.Uchicago.Edu Oi.Uchicago.Edu
oi.uchicago.edu OLD AKKADIAN WRITING AND GRAMMAR oi.uchicago.edu oi.uchicago.edu MATERIALS FOR THE ASSYRIAN DICTIONARY NO. 2 OLD AKKADIAN WRITING AND GRAMMAR BY I. J. GELB SECOND EDITION, REVISED and ENLARGED THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS oi.uchicago.edu The University of Chicago Press, Chicago and London The University of Toronto Press, Toronto 5, Canada c, 1952 and 1961 by The University of Chicago. Published 1952. Second Edition Published 1961. PHOTOLITHOPRINTED BY GUSHING - MALLOY, INC. ANN ARBOR, MICHIGAN, UNITED STATES OF AMERICA 1961 oi.uchicago.edu TABLE OF CONTENTS pages I. INTRODUCTION TO THE STUDY OF OLD AKKADIAN 1-19 A. Definition of Old Akkadian 1. B. Pre-Sargonic Sources 1 C. Sargonic Sources 6 D. Ur III Sources 16 II. OLD AKKADIAN WRITING 20-118 A. Logograms 20 B. Syllabo grams 23 1. Writing of Vowels, "Weak" Consonants, and the Like 24 2. Writing of Stops and Sibilants 28 3. General Remarks 4o C. Auxiliary Marks 43 D. Signs 45 E. Syllabary 46 III. GRAMMAR OF OLD AKKADIAN 119-192 A. Phonology 119 1. Consonants 119 2. Semi-vowels 122 3. Vowels and Diphthongs 123 B. Pronouns 127 1. Personal Pronouns 127 a. Independent 127 b. Suffixal 128 i. With Nouns 128 ii. With Verbs 130 2. Demonstrative Pronouns 132 3. 'Determinative-Relative-Indefinite Pronouns 133 4. Comparative Discussion 134 5. Possessive Pronoun 136 6. Interrogative Pronouns 136 7. Indefinite Pronoun 137 oi.uchicago.edu pages C. Nouns 137 1. Declension 137 a. Gender 137 b. Number 138 c. Case Endings- 139 d. -
Reading Akkadian Cuneiform Using Natural Language Processing
PLOS ONE RESEARCH ARTICLE Reading Akkadian cuneiform using natural language processing 1 2☯ 2☯ 3 4 Shai GordinID *, Gai Gutherz , Ariel Elazary , Avital Romach , Enrique JimeÂnez , Jonathan Berant2, Yoram Cohen3 1 Faculty of Social Sciences and Humanities, Digital Humanities Ariel Lab, Ariel University, Ariel, Israel, 2 School of Computer Sciences, Tel Aviv University, Tel Aviv, Israel, 3 Jacob M. Alkow Department of Archaeology and Ancient Near Eastern Civilizations, Tel Aviv University, Tel Aviv, Israel, 4 Institute for Assyriology and Hittitology, Ludwig-Maximilians-UniversitaÈt MuÈnchen, Munich, Germany ☯ These authors contributed equally to this work. a1111111111 * [email protected] a1111111111 a1111111111 a1111111111 Abstract a1111111111 In this paper we present a new method for automatic transliteration and segmentation of Unicode cuneiform glyphs using Natural Language Processing (NLP) techniques. Cunei- form is one of the earliest known writing system in the world, which documents millennia of OPEN ACCESS human civilizations in the ancient Near East. Hundreds of thousands of cuneiform texts Citation: Gordin S, Gutherz G, Elazary A, Romach were found in the nineteenth and twentieth centuries CE, most of which are written in Akka- A, JimeÂnez E, Berant J, et al. (2020) Reading dian. However, there are still tens of thousands of texts to be published. We use models Akkadian cuneiform using natural language based on machine learning algorithms such as recurrent neural networks (RNN) with an processing. PLoS ONE 15(10): e0240511. https:// accuracy reaching up to 97% for automatically transliterating and segmenting standard Uni- doi.org/10.1371/journal.pone.0240511 code cuneiform glyphs into words. Therefore, our method and results form a major step Editor: Marco Lippi, University of Modena and towards creating a human-machine interface for creating digitized editions.