" King of Kish" in Pre-Sarogonic Sumer
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Bismya; Or the Lost City of Adab : a Story of Adventure, of Exploration
The Lost City of Adab 1 ' i %|,| / ";'M^"|('1j*)'| | Edgar James Banks l (Stanttll Wttfrmttg |fitag BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Hcm-ij W. Sage 1891 fjjRmf... Lifoi/jL 3777 Cornell University Library DS 70.S.B5B21 Bismya: or The lost city of Adab 3 1924 028 551 913 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028551913 The Author as an Arab. Bismya or The Lost City of Adab A Story of Adventure, of Exploration, and of Excavation among the Ruins of the Oldest of the Buried Cities of Babylonia By Edgar James Banks, Ph.D. Field Director of the Expedition of the Oriental Exploration Fund of the University of Chicago to Babylonia With 174 Illustrations G. P. Putnam's Sons New York and London Gbe IRnfcfeerbocfter press 1912 t.v. Copyright, 1912 BY EDGAR JAMES BANKS Ube TKniefeerbocftei: ipresg, mew ffiorft The University of Chicago office of the president Chicago, June 12, 1912. On the recommendation of the Director of the Baby- lonian Section of the Oriental Exploration Fund of the University of Chicago, permission has been granted to Dr. Edgar J. Banks, Field Director of the Fund at Bismya, to publish this account of his work in Mesopotamia. Dr. Banks was granted full authority in the field. He is entitled therefore to the credit for successes therein, as of course he will receive whatever criticism scholars may see fit to make. -
The Nature and Importance of Sumerian City States 73
The Nature and Importance of Sumerian City States 73 The Nature and Importance of Sumerian City States Kate Narev Masters, University of New England Introduction Civilisation had existed in the lowlands between the Tigris and Euphrates rivers from around 5000 BCE, but as the fourth millennium progressed the structure of self-sufficient villages changed, and the population shifted into larger settlements with bigger and more enduring architectural constructions. By 3000 BCE the settlements had become established city-states, providing their inhabitants with economic organisation, irrigation and political leadership. While it was once assumed that leadership came from a clearly defined combination of temples, palaces and assemblies, it is now acknowledged that these three institutions shared responsibility in a more fluid way, without clear delineations of power. The features of these early city-states included pioneering developments in writing, law and education; the use of walls and weapons for protection; and the production of art in the form of pottery, decoration, jewellery, and figural art. The Sumerian city-state was remarkable for its highly developed political and economic management, and the relative uniformity of culture throughout the region. While archaeologists such as Wooley and Moorey have excavated invaluable material evidence, the extant evidence from this period is fragmentary. No cities have been excavated in their entirety.1 Much of the evidence comes from the two main cities of Uruk and Ur, but this evidence is largely transactional, with some one-dimensional historical accounts.2 Unfortunately, the evidence does not provide a full picture of the personal lives or human experiences of these first city dwellers. -
Cuneiform Digital Library Preprints <
Cuneiform Digital Library Preprints <http://cdli.ucla.edu/?q=cuneiform-digital-library-preprints> Hosted by the Cuneiform Digital Library Initiative (<http://cdli.ucla.edu>) Editor: Bertrand Lafont (CNRS, Nanterre) Number 6 Title: „Nachdem das Königtum vom Himmel herabgekommen war…“. Untersuchungen zur Sumerischen Königliste. Author: Jörg Kaula Posted to web: 21 November 2016 „NACHDEM DAS KÖNIGTUM VOM HIMMEL HERABGEKOMMEN WAR…“ Untersuchungen zur Sumerischen Königsliste Von Jörg Kaula 3 Inhaltsverzeichnis 1 Die Tonprismen der Weld-Blundell-Collection im Ashmolean Museum in Oxford 5 2 Königslisten in der Keilschriftliteratur 6 3 Die Sumerische Königsliste 7 3.1 Die „antediluvian section“ 11 3.2 Die Ur – Isin-Königsliste 12 3.3 Der Kern der Sumerischen Königsliste 12 4 Die SKL in der Forschung 14 5 Die Bedeutung der Zahlen 17 6 Das Umfeld und der Sinn der SKL 22 7 Das Königtum 23 8 Die Genesis der SKL von Naram-Sîn bis zu den Königen von Isin 24 9 Die Rekonstruktion des Weld-Blundell-Prismas 26 10 Die Sumerische Königliste – Transliteration 28 11 Deutsche Übersetzung 44 12 Kommentar zur Rekonstruktionsfassung 54 13 Literaturverzeichnis 69 4 Abstract The duration of the First Dynasty of Kish, 24510 years as provided by the Sumerian King List (SKL), is generally held as a purely mythical account without any historical reliability. However, a careful examination of the SKL’s most complete version in the Weld-Blundell Prism (Ashmolean Museum, Oxford, inv. no.WB. 1923.444) not only allows us to reconstruct the text itself by completing lost parts by some other recently published versions of the SKL. Also we get some further insight into the metrological system used by the authors of the SKL. -
Republic of Iraq
Republic of Iraq Babylon Nomination Dossier for Inscription of the Property on the World Heritage List January 2018 stnel oC fobalbaT Executive Summary .......................................................................................................................... 1 State Party .......................................................................................................................................................... 1 Province ............................................................................................................................................................. 1 Name of property ............................................................................................................................................... 1 Geographical coordinates to the nearest second ................................................................................................. 1 Center ................................................................................................................................................................ 1 N 32° 32’ 31.09”, E 44° 25’ 15.00” ..................................................................................................................... 1 Textural description of the boundary .................................................................................................................. 1 Criteria under which the property is nominated .................................................................................................. 4 Draft statement -
Nabu 2015-2-Mep-Dc
ISSN 0989-5671 2015 N°2 (juin) NOTES BRÈVES 25) À propos d’ARET XII 344, des déesses dgú-ša-ra-tum et de la naissance du prince éblaïte* — Le texte administratif ARET XII 344 est malheureusement assez lacuneux, mais à notre avis quand même très intéressant. Les lignes du texte préservées sont les suivantes: r. I’:1’-5’: ‹x›[...] / šeš-[...] / in ⸢u₄⸣ / ḫúl / ⸢íl⸣-['à*-ag*-da*-mu*] v. II’:1’-11’: ...] K[ALAM.]KAL[AM(?)] / NI-šè-na-⸢a⸣ / ma-lik-tum / è / é / daš-dar / ap / íl-'à- ag-da-mu / i[n] / [...] / [...] r. III’:1’-9’: ⸢'à⸣-[...] / 1 gír mar-t[u] zú-aka / 1 buru₄-mušen 1 kù-sal / daš-dar / NAM-ra-luki / 1 zara₆-túg ú-ḫáb / 1 giš-šilig₅* 2 kù-sig₁₇ maš-maš-SÙ / 1 šíta zabar / dga-mi-iš r. IV’:1’-10’: ⸢x⸣[...] / 10 lá-3 an-dù[l] igi-DUB-SÙ šu-SÙ DU-SÙ kù:babbar / 10 lá-3 gú-a-tum zabar / dgú-ša-ra-tum / 5 kù-sig₁₇ / é / en / ni-zi-mu / 2 ma-na 55 kù-sig₁₇ / sikil r. V’:1’-6’: [x-]NE-[t]um / [x K]A-dù-gíd / [m]a-lik-tum / i[n-na-s]um / dga-mi-iš / 1 dib 2 giš- DU 2 ti-gi-na 2 geštu-lá 2 ba-ga-NE-su!(ZU) r. VI’:1’-6’: [...]⸢x⸣ / [m]a-[li]k-tum / [šu-ba₄-]ti / [x ki]n siki / [x-]li / [x-b]a-LUM. Tout d’abord, on remarquera qu’au début du texte on peut lire in ⸢u₄⸣ / ḫúl / ⸢íl⸣-['à*-ag*-da*- mu*], c’est-à-dire « dans le jour de la fête (en l’honneur) d’íl-'à-ag-da-mu ». -
Writing and City Life
29 THEME2 writing and city life CITY life began in Mesopotamia*, the land between the Euphrates and the Tigris rivers that is now part of the Republic of Iraq. Mesopotamian civilisation is known for its prosperity, city life, its voluminous and rich literature and its mathematics and astronomy. Mesopotamia’s writing system and literature spread to the eastern Mediterranean, northern *The name Syria, and Turkey after 2000 BCE, so that the kingdoms of Mesopotamia is that entire region were writing to one another, and to the derived from the Pharaoh of Egypt, in the language and script of Mesopotamia. Greek words mesos, Here we shall explore the connection between city life and writing, and then look at some outcomes of a sustained meaning middle, tradition of writing. and potamos, In the beginning of recorded history, the land, mainly the meaning river. urbanised south (see discussion below), was called Sumer and Akkad. After 2000 BCE, when Babylon became an important city, the term Babylonia was used for the southern region. From about 1100 BCE, when the Assyrians established their kingdom in the north, the region became known as Assyria. The first known language of the land was Sumerian. It was gradually replaced by Akkadian around 2400 BCE when Akkadian speakers arrived. This language flourished till about Alexander’s time (336-323 BCE), with some regional changes occurring. From 1400 BCE, Aramaic also trickled in. This language, similar to Hebrew, became widely spoken after 1000 BCE. It is still spoken in parts of Iraq. Archaeology in Mesopotamia began in the 1840s. At one or two sites (including Uruk and Mari, which we discuss below), excavations continued for decades. -
Understanding Gilgamesh: His World and His Story Aims Toward This Process of Communication
University of Pretoria etd – De Villiers, G (2005) UNDERSTANDING GILGAMESH: HIS WORLD AND HIS STORY by GEZINA GERTRUIDA DE VILLIERS submitted in partial fulfilment of the requirements for the degree DOCTOR LITTERARUM (SEMITIC LANGUAGES) in the FACULTY OF HUMANITIES at the University of Pretoria SUPERVISOR : PROF GTM PRINSLOO Pretoria October 2004 University of Pretoria etd – De Villiers, G (2005) CONTENTS Pag CHAPTER 1 : INTRODUCTION 1-1 1. Motivation for research 1-2 2. Research problem 1-4 3. Hypothesis 1-5 4. Purpose for research 1-5 5. Methodology 1-6 5.1. Source-orientated inquiry 1-6 5.2. Discourse-orientated analysis 1-7 5.2.1. Epic: poetry or prose? 1-7 6. Premises 1-9 7. Contents 1-12 CHAPTER 2 : THE STANDARD BABYLONIAN GILGAMESH EPIC 2-14 1. The narrative 2-15 CHAPTER 3 : THE SOURCE HISTORY OF THE EPIC OF GILGAMESH 3-38 1. The Sumerian past 3-38 1.1. General background 3-38 1.2. Cities 3-40 1.3. Animals 3-45 1.4. Kings 3-46 1.5. Theology 3-49 2. Sumerian literature: the five poems on Bilgames 3-56 2.1. Obscure origins: did the king really exist? 3-56 2.2. The poems 3-58 2.3. The function of the Sumerian poems 3-71 3. From frivolous frolic to academic achievement: entertainment to literature 3-72 University of Pretoria etd – De Villiers, G (2005) 3.1. Writing 3-72 3.2. From Sumerian to Akkadian 3-74 3.3. The Sumerian Renaissance 3-76 3.4. The end of Ur III and the Isin-Larsa period 3-79 3.5 Babylon 3-81 3.5.1. -
SUMERIAN LITERATURE and SUMERIAN IDENTITY My Title Puts
CNI Publicati ons 43 SUMERIAN LITERATURE AND SUMERIAN IDENTITY JERROLD S. COOPER PROBLEMS OF C..\NONlCl'TY AND IDENTITY FORMATION IN A NCIENT EGYPT AND MESOPOTAMIA There is evidence of a regional identity in early Babylonia, but it does not seem to be of the Sumerian ethno-lingusitic sort. Sumerian Edited by identity as such appears only as an artifact of the scribal literary KIM RYHOLT curriculum once the Sumerian language had to be acquired through GOJKO B AR .I AMOVIC educati on rather than as a mother tongue. By the late second millennium, it appears there was no notion that a separate Sumerian ethno-lingui stic population had ever existed. My title puts Sumerian literature before Sumerian identity, and in so doing anticipates my conclusion, which will be that there was little or no Sumerian identity as such - in the sense of "We are all Sumerians!" outside of Sumerian literature and the scribal milieu that composed and transmitted it. By "Sumerian literature," I mean the corpus of compositions in Sumerian known from manuscripts that date primarily 1 to the first half of the 18 h century BC. With a few notable exceptions, the compositions themselves originated in the preceding three centuries, that is, in what Assyriologists call the Ur III and Isin-Larsa (or Early Old Babylonian) periods. I purposely eschew the too fraught and contested term "canon," preferring the very neutral "corpus" instead, while recognizing that because nearly all of our manuscripts were produced by students, the term "curriculum" is apt as well. 1 The geographic designation "Babylonia" is used here for the region to the south of present day Baghdad, the territory the ancients would have called "Sumer and Akkad." I will argue that there is indeed evidence for a 3rd millennium pan-Babylonian regional identity, but little or no evidence that it was bound to a Sumerian mother-tongue community. -
A Review of Maiocchi, M. Classical Sargonic Tablets Chiefly from Adab in the Cornell University Collections (CUSAS 13)
A review of Maiocchi, M. Classical Sargonic Tablets Chiefly from Adab in the Cornell University Collections (CUSAS 13). Bethesda: CDL Press, 2009 (337 pp. + xxxviii pl.), with notes on Maiocchi, M.; Visicato, G. Classical Sargo- nic Tablets hiefly from Adab in the Cornell University Collections. Part II (CUSAS 19). Bethesda: CDL Press, 2012 (208 pp.).1 The Cornell University houses one of the most important collections of the Sargonic texts in the United States.2 This corpus is being published in the Cornell University Studies in Assyriology and Sumerology (CUSAS) series; by now five CUSAS volumes with Sargonic material have come out of press.3 This is the (admittedly delayed) review of CUSAS 13 (Maiocchi 2009)4 and CUSAS 19 (Maiocchi–Visicato 2012). These volumes are treated here together because most of the texts in them share the same provenance and dating. In total the books under review provide the edition of 432 cunei- form tablets mostly of Adab origin,5 with some minor groups attributed to other cities6 such as Umma, Umm-al-Hafriyat, Isin, Ešnuna and Girsu. 1 This article was prepared with the financial support from the Russian Foun- dation for the Humanities (project No.14-21-17004). The author wishes to ex- press her gratitude to this institution. 2 Detailed information on the tablet collections in the Jonathan and Jeannette Rosen Ancient Near Eastern Studies Seminar, Cornell University in Ithaca, N.Y. and their publication in the CUSAS series can be found at http://cuneiform.library.cornell.edu/collections. 3 These are Maiocchi 2009 (CUSAS 13), Visicato–Westenholz 2010 (CUSAS 11), Maiocchi–Visicato 2012 (CUSAS 19), Bartash 2013 (CUSAS 23) and Westenholz 2014 (CUSAS 26). -
Concretismo and the Mimesis of Chinese Graphemes
Signmaking, Chino-Latino Style: Concretismo and the Mimesis of Chinese Graphemes _______________________________________________ DAVID A. COLÓN TEXAS CHRISTIAN UNIVERSITY Concrete poetry—the aesthetic instigated by the vanguard Noigandres group of São Paulo, in the 1950s—is a hybrid form, as its elements derive from opposite ends of visual comprehension’s spectrum of complexity: literature and design. Using Dick Higgins’s terminology, Claus Clüver concludes that “concrete poetry has taken the same path toward ‘intermedia’ as all the other arts, responding to and simultaneously shaping a contemporary sensibility that has come to thrive on the interplay of various sign systems” (Clüver 42). Clüver is considering concrete poetry in an expanded field, in which the “intertext” poems of the 1970s and 80s include photos, found images, and other non-verbal ephemera in the Concretist gestalt, but even in limiting Clüver’s statement to early concrete poetry of the 1950s and 60s, the idea of “the interplay of various sign systems” is still completely appropriate. In the Concretist aesthetic, the predominant interplay of systems is between literature and design, or, put another way, between words and images. Richard Kostelanetz, in the introduction to his anthology Imaged Words & Worded Images (1970), argues that concrete poetry is a term that intends “to identify artifacts that are neither word nor image alone but somewhere or something in between” (n/p). Kostelanetz’s point is that the hybridity of concrete poetry is deep, if not unmitigated. Wendy Steiner has put it a different way, claiming that concrete poetry “is the purest manifestation of the ut pictura poesis program that I know” (Steiner 531). -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
The Limits of Middle Babylonian Archives1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenstarTs The Limits of Middle Babylonian Archives1 susanne paulus Middle Babylonian Archives Archives and archival records are one of the most important sources for the un- derstanding of the Babylonian culture.2 The definition of “archive” used for this article is the one proposed by Pedersén: «The term “archive” here, as in some other studies, refers to a collection of texts, each text documenting a message or a statement, for example, letters, legal, economic, and administrative documents. In an archive there is usually just one copy of each text, although occasionally a few copies may exist.»3 The aim of this article is to provide an overview of the archives of the Middle Babylonian Period (ca. 1500-1000 BC),4 which are often 1 All kudurrus are quoted according to Paulus 2012a. For a quick reference on the texts see the list of kudurrus in table 1. 2 For an introduction into Babylonian archives see Veenhof 1986b; for an overview of differ- ent archives of different periods see Veenhof 1986a and Brosius 2003a. 3 Pedersén 1998; problems connected to this definition are shown by Brosius 2003b, 4-13. 4 This includes the time of the Kassite dynasty (ca. 1499-1150) and the following Isin-II-pe- riod (ca. 1157-1026). All following dates are BC, the chronology follows – willingly ignoring all linked problems – Gasche et. al. 1998. the limits of middle babylonian archives 87 left out in general studies,5 highlighting changes in respect to the preceding Old Babylonian period and problems linked with the material.