Bismya; Or the Lost City of Adab : a Story of Adventure, of Exploration
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SUMERIAN LITERATURE and SUMERIAN IDENTITY My Title Puts
CNI Publicati ons 43 SUMERIAN LITERATURE AND SUMERIAN IDENTITY JERROLD S. COOPER PROBLEMS OF C..\NONlCl'TY AND IDENTITY FORMATION IN A NCIENT EGYPT AND MESOPOTAMIA There is evidence of a regional identity in early Babylonia, but it does not seem to be of the Sumerian ethno-lingusitic sort. Sumerian Edited by identity as such appears only as an artifact of the scribal literary KIM RYHOLT curriculum once the Sumerian language had to be acquired through GOJKO B AR .I AMOVIC educati on rather than as a mother tongue. By the late second millennium, it appears there was no notion that a separate Sumerian ethno-lingui stic population had ever existed. My title puts Sumerian literature before Sumerian identity, and in so doing anticipates my conclusion, which will be that there was little or no Sumerian identity as such - in the sense of "We are all Sumerians!" outside of Sumerian literature and the scribal milieu that composed and transmitted it. By "Sumerian literature," I mean the corpus of compositions in Sumerian known from manuscripts that date primarily 1 to the first half of the 18 h century BC. With a few notable exceptions, the compositions themselves originated in the preceding three centuries, that is, in what Assyriologists call the Ur III and Isin-Larsa (or Early Old Babylonian) periods. I purposely eschew the too fraught and contested term "canon," preferring the very neutral "corpus" instead, while recognizing that because nearly all of our manuscripts were produced by students, the term "curriculum" is apt as well. 1 The geographic designation "Babylonia" is used here for the region to the south of present day Baghdad, the territory the ancients would have called "Sumer and Akkad." I will argue that there is indeed evidence for a 3rd millennium pan-Babylonian regional identity, but little or no evidence that it was bound to a Sumerian mother-tongue community. -
A Review of Maiocchi, M. Classical Sargonic Tablets Chiefly from Adab in the Cornell University Collections (CUSAS 13)
A review of Maiocchi, M. Classical Sargonic Tablets Chiefly from Adab in the Cornell University Collections (CUSAS 13). Bethesda: CDL Press, 2009 (337 pp. + xxxviii pl.), with notes on Maiocchi, M.; Visicato, G. Classical Sargo- nic Tablets hiefly from Adab in the Cornell University Collections. Part II (CUSAS 19). Bethesda: CDL Press, 2012 (208 pp.).1 The Cornell University houses one of the most important collections of the Sargonic texts in the United States.2 This corpus is being published in the Cornell University Studies in Assyriology and Sumerology (CUSAS) series; by now five CUSAS volumes with Sargonic material have come out of press.3 This is the (admittedly delayed) review of CUSAS 13 (Maiocchi 2009)4 and CUSAS 19 (Maiocchi–Visicato 2012). These volumes are treated here together because most of the texts in them share the same provenance and dating. In total the books under review provide the edition of 432 cunei- form tablets mostly of Adab origin,5 with some minor groups attributed to other cities6 such as Umma, Umm-al-Hafriyat, Isin, Ešnuna and Girsu. 1 This article was prepared with the financial support from the Russian Foun- dation for the Humanities (project No.14-21-17004). The author wishes to ex- press her gratitude to this institution. 2 Detailed information on the tablet collections in the Jonathan and Jeannette Rosen Ancient Near Eastern Studies Seminar, Cornell University in Ithaca, N.Y. and their publication in the CUSAS series can be found at http://cuneiform.library.cornell.edu/collections. 3 These are Maiocchi 2009 (CUSAS 13), Visicato–Westenholz 2010 (CUSAS 11), Maiocchi–Visicato 2012 (CUSAS 19), Bartash 2013 (CUSAS 23) and Westenholz 2014 (CUSAS 26). -
Neil Simon's Musical Fools” Is Presented by Special Arrangement with Samuel French, Inc., a Concord Theatricals Company
Presents Neil Simon’s MUSICAL FOOLS Book and Lyrics by Neil Simon Music and Lyrics by Phil Swann and Ron West Directed by Ron West Music Direction by Jan Roper Choreography by Louisa Kendrick Burton Music Arrangements by Luke Harrington Featuring James Byous • Parvesh Cheena* • Cat Davis* • Nina Genatossio • Ben Goldberg* Bruce Green* • Juliane Hagn • Demetris Hartman • Hank Jacobs Derek Manson* • Brendan Mulally • Jason Paige • Diane Reneé • Beth Robbins Robyn Roth* • Bolor Saruul • Jack Sharpe • Clare Snodgrass Scenic Design Costume Design Sound Design Jan Munroe Mylette Nora Tim Labor Lighting Design Properties Production Management Matt Richter & Bruce Dickinson & Amanda Weier & Mary Keegan Ina Shumaker Art Hall Publicist Production Stage Manager Associate Producer Lucy Pollak Jennifer Palumbo* Caroline Klidonas Produced by Martha Demson *Member, Actors’ Equity Association, "This performance is supported, in part, the Union of Professional Actors and by the Los Angeles County Board of Stage Managers in the United States. Supervisors through the Los Angeles This production is presented under the County Department of Arts and auspices of the Actors’ Equity Los Culture." Angeles Membership Company Rule Ticketing and CRM Technology provided by PatronManager “Neil Simon's Musical Fools” is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company. Adapted from the play FOOLS by Neil Simon Presents Neil Simon’s MUSICAL FOOLS Book and Lyrics by Neil Simon Music and Lyrics by Phil Swann and Ron West Directed -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Your Android Tablet out of Date? Our Tablets Are 4000 Years Old! by Darlene F
Your Android tablet out of date? Our tablets are 4000 years old! By Darlene F. Lizarraga This is Part Two of a developing 4-part series titled, “Digging in Storage,” documenting the results of an independent study course, directed by Dr. Irene Bald Romano, fall 2013. Some among the younger generations might be surprised to know that tablets existed long before Apple and Microsoft created the high- definition, flat-screened versions so ubiquitous today. ASM object #68 is a 4000-year-old cuneiform tablet from ancient Sumer. This type of tablet, in its day, was equally high tech and equally ubiquitous. People living in ancient Mesopotamia—the area between the Tigris and Euphrates Rivers comprised of the empires of Assyria, Babylonia, Sumer, and often referred to as the “Cradle of Western Civilization”—developed one of the world’s earliest writing systems around 3100 BCE. ASM #68: Cuneiform Tablet Sumerian, Ur III period, 2056 BCE Tell Jokha, Iraq; ancient Umma, Mesopotamia Mesopotamian scribes recorded daily events, Baked clay trade, astronomy, literature, and even Height 3.58 inches (9.1 cm.) Width 2.04 inches (5.2 cm.) personal correspondence with wedge-shaped Thickness 0.91 inches (2.3 cm.) symbols known as cuneiform (Latin: cuneus = Purchased from Edgar J. Banks, 1914 wedge) on tablets of soft clay which, after being inscribed, were either sun-dried or kiln COME SEE THIS TABLET AND OTHER OLD baked. The writing utensil was probably reed, WORLD OBJECTS! ASM #68 and other highlights from ASM’s Near which could have either a pointed end or a Eastern, Egyptian, Greek, Etruscan, and Roman squared-off end, and would be used either to collections will be on display in the museum’s scratch or press in order to produce the script. -
Forgetting the Sumerians in Ancient Iraq Jerrold Cooper Johns Hopkins University
“I have forgotten my burden of former days!” Forgetting the Sumerians in Ancient Iraq Jerrold Cooper Johns Hopkins University The honor and occasion of an American Oriental Society presidential address cannot but evoke memories. The annual AOS meeting is, after all, the site of many of our earliest schol- arly memories, and more recent ones as well. The memory of my immediate predecessor’s address, a very hard act to follow indeed, remains vivid. Sid Griffiths gave a lucid account of a controversial topic with appeal to a broad audience. His delivery was beautifully attuned to the occasion, and his talk was perfectly timed. At the very first AOS presidential address I attended, the speaker was a bit tipsy, and, ten minutes into his talk, he looked at his watch and said, “Oh, I’ve gone on too long!” and sat down. I also remember a quite different presi- dential address in which, after an hour had passed, the speaker declared, “I know I’ve been talking for a long time, but since this is the first and only time most of you will hear anything about my field, I’ll continue on until you’ve heard all I think you ought to know!” It is but a small move from individual memory to cultural memory, a move I would like to make with a slight twist. As my title announces, the subject of this communication will not be how the ancient Mesopotamians remembered their past, but rather how they managed to forget, or seemed to forget, an important component of their early history. -
The Lagash-Umma Border Conflict 9
CHAPTER I Introduction: Early Civilization and Political Organization in Babylonia' The earliest large urban agglomoration in Mesopotamia was the city known as Uruk in later texts. There, around 3000 B.C., certain distinctive features of historic Mesopotamian civilization emerged: the cylinder seal, a system of writing that soon became cuneiform, a repertoire of religious symbolism, and various artistic and architectural motifs and conven- tions.' Another feature of Mesopotamian civilization in the early historic periods, the con- stellation of more or less independent city-states resistant to the establishment of a strong central political force, was probably characteristic of this proto-historic period as well. Uruk, by virtue of its size, must have played a dominant role in southern Babylonia, and the city of Kish probably played a similar role in the north. From the period that archaeologists call Early Dynastic I1 (ED 11), beginning about 2700 B.c.,~the appearance of walls around Babylonian cities suggests that inter-city warfare had become institutionalized. The earliest royal inscriptions, which date to this period, belong to kings of Kish, a northern Babylonian city, but were found in the Diyala region, at Nippur, at Adab and at Girsu. Those at Adab and Girsu are from the later part of ED I1 and are in the name of Mesalim, king of Kish, accompanied by the names of the respective local ruler^.^ The king of Kish thus exercised hegemony far beyond the walls of his own city, and the memory of this particular king survived in native historical traditions for centuries: the Lagash-Umma border was represented in the inscriptions from Lagash as having been determined by the god Enlil, but actually drawn by Mesalim, king of Kish (IV.1). -
Lou Reed › Clueso & Band › Dr. Eckart Von Hirschhausen › Tim Bendzko & Band › Adoro › Roger Hodgson & Band
'EFyRDERTDURCHDAS-INISTERIUMF~R"ILDUNG 7ISSENSCHAFT 7EITERBILDUNGUND+ULTUR2HEINLAND 0FALZ COMPAÑIA DR. ECKART VON JOAN ARMATRADING TIM BENDZKO & BAND MARIA SERRANO HIRSCHHAUSEN & BAND CLUESO & BAND THE BOSSHOSS LOU REED BLOOD SWEAT AND TEARS CHRIS DE BURGH ADORO RED BARAAT SHARON CORR LOREENA ROGER HODGSON & BAND (THE CORRS) McKENNITT DAS VOLLPLAYBACKTHEATER RUNRIG LOU REED › CLUESO & BAND › DR. ECKART VON HIRSCHHAUSEN › TIM BENDZKO & BAND › ADORO › ROGER HODGSON & BAND › THE BOSSHOSS › LOREENA McKENNITT › BLOOD SWEAT AND TEARS › RED BARAAT › DAS VOLLPLAYBACK- THEATER › SHARON CORR › COMPAÑIA MARIA SERRANO › CHRIS DE BURGH › JOAN ARMATRADING › RUNRIG COLBATZKY Tolles Ensemble: erst Weintrauben und dann Beifall geerntet. In Rheinhessen steht eine ganze Reihe von Winzern im Rampenlicht. Ihr Erfolgsgeheimnis: Sie teilen ihr immenses Wissen miteinander und bleiben dabei einzigartig. So entstehen ausge- zeichnete Weine, die von Publikum und Presse überschwänglich gefeiert werden. Autogramm- jäger wenden sich an rheinhessenwein.de VORWORT Liebe Mainzerinnen und Mainzer, liebe Gäste aus Lou Reed, Blood Sweat and Tears, Clueso, Loreena Nah und Fern! McKennitt, Compañia Maria Serrano, Sharon Corr, The BossHoss, Chris de Burgh, Joan Armatrading, Das Mainzer Festival „Summer in the City“ ist – wie Runrig, Dr. Eckart von Hirschhausen und auf das das Mainzer Zeltfestival zuvor – ein Highlight im Vollplaybacktheater. Foto: Heike Rost Programm des Kultursommers Rheinland-Pfalz. Vielen Dank an alle Mitwirkenden und an alle, die Jedes Jahr eine faszinierende Reihe internationaler kräftig mithelfen, dass dieses Festival stattfinden kann und nationaler Musikgrößen, dazu kabarettistische und (wieder) ein voller Erfolg wird! und komödiantische Auflockerungen, und das Ganze zumeist open-air an schönen Plätzen in der Ich wünsche Ihnen eine gute Zeit und viele schöne Landeshauptstadt: Das ist das Erfolgsrezept dieses Abende bei „Summer in the City“. -
Ancient Sumerians
Ancient Sumerians Reviving a civilization from the past Megan Frisella, Joy Lim, Sriya Pidatala, Tony Vuolo Who were the Sumerians? ➔ A civilization that populated land in southern Mesopotamia (modern day Iraq and Kuwait) ➔ The Sumerians are known for the first cities and innovation in writing, governance, and technology. ➔ Sumer existed from around 4000 BCE to 2000 BCE. Origin of the Sumerians ➔ 4500-4000 BCE (in Mesopotamia) ◆ Ubaid people - civilization built around farming communities ➔ 3000 BCE - Sumerians took over the region and controlled it until 2000 BCE Sumerian City-States ➔ Sumerian city-states were walled in communities surrounded by agricultural villages ➔ Governed by a king/priest who serves as a political and religious leader ◆ Each city is dedicated to a Sumerian deity who is worshiped by the city’s inhabitants ➔ The first cities in the world were in the Sumerian civilization ◆ Uruk : The first city in the world and the capital of the Sumerian empire Government ➔ Government could levy taxes; allowed them to have public works like large canals and monuments ➔ A record of kings was found inscribed on a tablet ➔ Lugalzagesi was the last ruler before Sumer came under the control of another nation ➔ Captured by the Akkadians Language ➔ One of the first writing systems was cuneiform ◆ Cuneiform uses pictographs, written with a reed stylus on a wet clay tile ➔ Employed scribes to keep records in government or religious settings ◆ Stamps with symbols that indicate what is being traded ◆ Detailed trade reports (for taxes, etc.) Social Structure 1. King/Priest 2. Subordinate Priests (religious leaders and healers) 3. Upper Class (self-employed, high in the military, scribes) 4. -
Craftsmen in the Neo-Assyrian Empire
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High Demand Prompts Ticket Change Moreau
/ ^ V THE O b se r v e r The Independent Newspaper Serving Notre Dame and Saint Marys OLUME 41 : ISSUE 56 TUESDAY, NOVEMBER28, 2006 NDSMCOBSERVER.COM High demand prompts ticket change Moreau who apply for tickets to only one of those Parents granted access to two games may designate the game of 2007 named for only one game next seasontheir choice — and they will be guaranteed two tickets to that game.” S p e c ia l D e sig n a t io n Parents who apply to both games “will H o m e G a m e s beatification By JOE PIARULLI be guaranteed tickets to at least one of the two games, but will not be able to specify Assistant News Editor the game for which tickets will be guaran SEPT.22 Holy Cross founder teed.” Michigan State Football at Notre Dame will undergo Parents would be entered into the gener Senior Alumni Game will be honored by Pope some changes next season, but not all of al alumni lottery for the second game. Notre Dame contributing alumni them will take place on the field. The parents’ game for incoming stu who graduated 35 or more years ago As a result of record-high ticket demand dents will be announced in June. By MARCELA BERRIOS in the 2006 season, the University has “We’re making changes based on the Nov. 3 o r Nov. 10 News Writer made some ticketing changes, according to record-setting demand from last year to Navy or Air Force a Sunday press release. -
Sumerian and Babylonian Psalms
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Henru W< Sage 1891 p...&.af..3...m / -z*//a/t.fi.. 3513-1 ' vjV 23 Juhft«JSWi r 2005 INTERLIBR^rj^g 3785 £, &C_f e Un ' Ver8i 'y Llbrary PJ 3785.L27 " Su b ,onian winiiiiiiwS!iiiMiii Y psalms 3 1924 026 807 028 I Cornell University f Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026807028 SUMERIAN AND BABYLONIAN PSALMS BY STEPHEN LANGDON, Ph D, Reader in Assyriology and Comparative Semitic Philology, Oxford. PARIS LIBRAIRIE PAUL GEUTHNER 68, RUE MAZARINE LEIPZIG, I. C. HINRICIIS'SCHE BUCHHANDLUNG London; luzac & c» — new-york, g. e. stechert & c° l 9°9 C Paul GEUTHNER, 68, Rue Mazarine, Paris (6 ). AUTRES PUBLICATIONS DE L'AUTEUR :. < Lectures on Babylonia and Palestine, 200 pp. in-12, Paris, Geutbner, 1906 . ,.' 4 fc. Babyloniskand Palestine — Babylonian and Hebrew literature — manners trade commerce, temples and Social customs —• measures and weights — and and estates, letter writing — relogion of the Babylonians — Religion of the the Kouyunjik Hebrews to Jesus — Appendix : business documents' from Collection. La Syntaxe du verbe sumerien, 100 pp. in-8, Paris, fr. Geuthner, 1907. • . 6 Tirage a part des fiabyloniaca. l Building inscriptions of the Neo-BabyIonian empire, Paris, part I : Nabopolassar and Nebuchadnezzar, in-8, ] ' fl Leroux, igo5. • ^ 7 - 50 | Sumerian loan-words in Babylonian, in-8, Paris", Geuthner, 1907. 2 fr., Tirage a part des Babyloniaca. List of proper names in the Annals of Asurbanipal, in-S, New Haven, 190/1.