ACP Spire Diary – September Events, Meetings and Concerts (Please Check for Updates)
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English and INTRODACTION
CHANGES AND CONTINUITY IN EVERYDAY LIFE IN ALBANIA, BULGARIA AND MACEDONIA 1945-2000 UNDERSTANDING A SHARED PAST LEARNING FOR THE FUTURE 1 This Teacher Resource Book has been published in the framework of the Stability Pact for South East Europe CONTENTS with financial support from the Dutch Ministry of Foreign Affairs. It is available in Albanian, Bulgarian, English and INTRODACTION..............................................3 Macedonian language. POLITICAL LIFE...........................................17 CONSTITUTION.....................................................20 Title: Changes and Continuity in everyday life in Albania, ELECTIONS...........................................................39 Bulgaria and Macedonia POLITICAL PERSONS..............................................50 HUMAN RIGHTS....................................................65 Author’s team: Terms.................................................................91 ALBANIA: Chronology........................................................92 Adrian Papajani, Fatmiroshe Xhemali (coordinators), Agron Nishku, Bedri Kola, Liljana Guga, Marie Brozi. Biographies........................................................96 BULGARIA: Bibliography.......................................................98 Rumyana Kusheva, Milena Platnikova (coordinators), Teaching approches..........................................101 Bistra Stoimenova, Tatyana Tzvetkova,Violeta Stoycheva. ECONOMIC LIFE........................................103 MACEDONIA: CHANGES IN PROPERTY.......................................104 -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
CSR of Mahindra and Mahindra
Corporate Social Responsibility Project Report on Critical analysis of Sustainability report of Mahindra & Mahindra Ltd. Submitted by: Group 10 Avinash Kumar G034 Saurabh Mishra G040 Abhiroop Mukherjee G042 Amartya Sen G055 Vuda Anurag Naveen Theja G062 Corporate Social Responsibility 2 Index 1. The Mahindra Group 3 2. CSR policy of Mahindra Group 3 3. Sustainability challenges / materiality issues 6 4. Integration of Sustainability into business strategy 6 5. Sustainability structure of Mahindra 7 6. Measurement of social performance indicators 8 7. Measurement of environmental performance indicators 9 8. Achievement of past targets 10 9. Approach to stakeholder engagement 11 10. Other pertinent things 14 11. Three key learnings for the team 15 The Mahindra Group Mahindra is a USD 16.7 billion multinational group based in Mumbai, India, with more than 180,000 people in over 100 countries. In addition to being leaders in fields of utility vehicle manufacturing, information technology, tractors, financial services, real estate and vacation homes, they also have a presence in aerospace, aftermarket, components, consulting services, defence, energy, logistics, retail and two wheelers. The group has transformed its core purpose which is, “To challenge conventional thinking and innovatively use all our resources to drive positive change in the lives of our stakeholders and communities across the world - to enable them to Rise.” The new purpose aims in taking along all the communities and stakeholders across the world to grow and rise move beyond the conventional thinking by engaging all its resources. This goes in tandem to their core values to rise and lead by sustainability. These values guide their actions, personal and corporate both. -
Bilan Positif Du Dispositif Autour De La Techno Parade
BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE DU 22 JUILLET AU 07 OCTOBRE TRANS-PORTEUR A CRÉÉ UN RÉEL ENGOUEMENT SUR INTERNET AVEC 1 011 407 PERSONNES TOUCHÉES PAR NOS COMMUNICATIONS (CHIFFRES AU 7 OCTOBRE 2015) DEUX GRANDS MÉDIAS ONT À EUX SEULS ATTEINTS PLUS D’UN MILLION D’AUDITEURS (ESTIMATION BASSE) ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 02 L’EXPÉRIENCE TRANS-PORTEUR ENTRE LE 22 JUILLET ET LE 19 SEPTEMBRE A ÉTÉ UN VIF SUCCÈS ! L’objectif étant de véhiculer un message positif et concret de la société en transition en utilisant d’une part Internet et d’autre part, le plan média de la Techno Parade. Le tout s’appuyant sur des technologies et de nouveaux usages développés par le club des partenaires et réunit lors d’un défi qui a étérelevé totalement. BRAVO À TOUS ! BRAVO À CHACUN DES MEMBRES DU CLUB DES PARTENAIRES. ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 03 L’engouement pour cette étape 1 du dispositif a été fort. C’est son caractère inédit, sa forme de laboratoire de technologie et sa capacité à mobiliser la société civile qui a séduit jusqu’aux plus hautes arcanes de l’Etat et des collectivités territoriales. Techniquement nous avons réussi ensemble une première : camion au biogaz, bus à l’éthanol, énergies renouvelables, stockage de l’énergie, économie circulaire, boisson avec un objectif zéro déchet et zéro carbone, streaming vidéo, émission de radio… ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 04 LES PERSONNALITÉS SUR LE CHAR ©2015 TRANS-PORTEUR.COM | BILAN POSITIF DU DISPOSITIF AUTOUR DE LA TECHNO PARADE | 05 LES ARTISTES Certains présidents et fondateurs de festivals étaient aussi avec nous comme Aurélien Dubois ci-dessus. -
Transf Rming Cities
Wolfgang Schneider, Kristina Jacobsen (eds.) In its more than three decades of history, the European Capital of Culture initiative has become an important instrument for cul- tural urban development. The EU cultural policy guidelines apply in all participating countries-but the design varies greatly from location to location. This volume reflects the approaches in 18 countries, inside and outside the EU, that have already hosted Paradigms and Potentials of Urban Development one or more Capitals of Culture. It conveys the assessments of Within the „European Capital of Culture“ scholars from various disciplines, and from those responsible for the programme on how art and culture deal with local and regi- onal forms of transformation. W. Schneider / K. Jacobsen Schneider / K. Jacobsen W. ISBN 978-3-487-15796-2 OLMS Transforming Cities edited by Wolfgang Schneider and Kristina Jacobsen Hildesheimer Universitätsschrifen herausgegeben von der Universitätsbibliothek Hildesheim Band 40 Transforming Cities Paradigms and Potentials of Urban Development Within the “European Capital of Culture” edited by Wolfgang Schneider and Kristina Jacobsen Universitätsverlag Hildesheim Georg Olms Verlag Hildesheim Hildesheim ∙ Zürich ∙ New York 2019 Transforming Cities Paradigms and Potentials of Urban Development Within the “European Capital of Culture” edited by Wolfgang Schneider and Kristina Jacobsen Universitätsverlag Hildesheim Georg Olms Verlag Hildesheim Hildesheim ∙ Zürich ∙ New York 2019 Diese Publikation entstand in Zusammenarbeit von Georg -
Proceedings of the Fourth International Conference on Live
4th International Conference on Live Interfaces Inspiration, Performance, Emancipation ICLI 2018 4th International Conference on Live Interfaces Inspiration, Performance, Emancipation Dates 14-16 June 2018 Location Casa da Música & Passos Manuel, Porto, Portugal Website www.liveinterfaces.org Edited by José Alberto Gomes Miguel Carvalhais Rui Penha Design Michelle Martins ISBN 978-989-746-170-5 Published by Universidade do Porto Praça Gomes Teixeira 4099-002 Porto Portugal Contents 11 Foreword Keynotes 14 Rajele Jain From the Natyashastra 16 Andrew McPherson Comparative Musical Instrument Design Papers 19 Vincent Goudard Gestural Ergonomics of Visual Interfaces: The MP.TUI Library for Max 27 Raul Masu, Nuno N. Correia Penguin: Design of a Screen Score Interactive System 34 Raffaella Folgieri, Maria Elide Vanutelli, Paola Maria Sala, Ludovico Dei Cas, Dario Dei Cas, Claudio Lucchiari The Creative Mind: DRACLE Further Development 45 Henrique Portovedo, Paulo Ferreira-Lopes, Ricardo Mendes HASGS: The Repertoire as an Approach to Prototype Augmentation 52 Tiago Ângelo, Rui Penha, José Alberto Gomes, Pedro Rebelo Actuated Musical Instruments: a State of the Art 62 Visda Goudarzi, Enrique 151 Koichi Samuels, Hadi Bastani Tomás, Artemi-Maria Gioti Digital Media, Live Interfaces Collaborative Design Methods and Inclusion: ethnographic towards Evaluation of perspectives a Tangible Interface 160 Jung In Jung 71 Alex McLean, Dave Griffiths, Bridging Abstract Sound and Dance Ellen Harlizius-Klück Ideas with Technology: Interactive Digital Art: A Long -
Toxicomanie Et Usages De Drogues À Paris : État Des Lieux En 2007 Et Évolutions
Observatoire français des drogues et des toxicomanies Observatoire régional de santé d’Ile-de-France Toxicomanie et usages de drogues à Paris : état des lieux en 2007 et évolutions Tendances récentes et nouvelles drogues (TREND) Juin 2008 Le dispositif TREND à Paris est coordonné par Sandrine HALFEN Auteurs : Sandrine HALFEN, Catherine VINCELET, ORS Ile-de-France Directrice : Isabelle GREMY, ORS Ile-de-France Toxicomanie et usages de drogues à Paris : état des lieux en 2007 et évolutions Remerciements Nous remercions toutes les personnes qui ont participé au dispositif TREND Paris en 2007 et, en premier lieu, les responsables de l’observation de terrain, Charles GALAND (espaces festifs) et Guillaume PFAUS (espace urbain). Leur travail, toujours plus riche, et leurs investigations, chaque fois plus fouillées, constituent un élément déterminant de ce dispositif. Nous remercions aussi pour leur précieuse collaboration au dispositif TREND les équipes des structures intervenant auprès des usagers de drogues (Aides, A.S.U.D., Beaurepaire, Ego, Nova Dona, Sida Paroles/Lapin Vert, Step) ainsi que les participants aux groupes focaux, professionnels de santé et fonctionnaires de police. Nos remerciements s’adressent également à Jean BENET, chef de projet Toxicomanie de la Préfecture de Paris et à son adjointe, Catherine YUEN, pour l’aide apportée lors de la réalisation du groupe focal réunissant des fonctionnaires de police. Enfin, nous remercions l’Observatoire français des drogues et des toxicomanies (OFDT) dont le financement a permis la réalisation de cette étude ainsi que l’équipe TREND de l’OFDT, Agnès CADET- TAÏROU, Abdalla TOUFIK, Michel GANDILHON, Isabelle EVRARD, Valérie MOUGINOT, pour son soutien. -
Edition 1 | 2018-2019
4 | 2018-2019 SEASON BOARD OF DIRECTORS OFFICERS DIRECTORS LIAISONS Brian Ropp, President and Dr. Bob Buckheit Dr. Derek Shackelford, Chairman of the Board Bill Coffey, CFP City of Frederick Paul Flynn, 1st Vice President Jim Lillard Jessica Fitzwater, and Secretary Matt Livelsberger Frederick County Council Linda Roth, 2nd Vice President Dr. John Molesworth John Healey, Todd Troutman, Treasurer Caroline Pugh Weinberg Center for the Arts Robin Sagoskin Jim A. Sears, Jr. Sam Vitale Jan West Olivia G. White, Ph.D. SPONSORS AND PARTNERS List is current as of August 14, 2018. PROUD PRESENTERS OF THE 2017-2018 SEASON DISCOVERY SERIES SPONSOR FILM SERIES SPONSOR FAMILY SERIES SPONSOR SMARTS SERIES SPONSOR SILENT FILM SERIES FREDERICK SPEAKER SERIES SPONSORS WeinbergCenter.org | 301.600.2828 | 7 8 | 2018-2019 SEASON CORPORATE SUPPORT The Weinberg Center for the Arts would like to thank these corporations and local businesses who generously give their time and money to support the 2018-2019 season. This listing is current as of August 14, 2018. Please contact the theater with any errors or omissions. Mid-Atlantic Arts Foundation Complete Document Solutions $100,000+ City of Frederick National Endowment for the Arts of Maryland, LLC Estate of L. Edward Blumenauer PNC Bank+ Damascus Community Bank Charitable Trust 930 WFMD/99.9 WFRE Downtown Piano Works Maryland State Arts Council* Frederick County Bank $5,000-$9,999 Frederick Keys* Digital Bard Frederick Magazine+ $50,000-$99,999 The Plamondon Companies* Enforme Interactive Helen J. Serini Foundation+ Flying Dog Brewery* Sass Creative Studios G. Frank Thomas Foundation* Lonza Walkersville $25,000-$49,999 Leidos Biomedical Research, Inc.+ Frederick Arts Council Manning Broadcasting Tourism Council of Frederick Music & Arts* Maryland Public Television County On the Town Limousines Middletown Valley Bank Swift Systems Ramar Moving Systems, Inc. -
64 BELL Woodson Renick Full.Pdf
Affect-Based Aesthetic Evaluation and Development of Abstractions for Rhythm in Live Coding Renick Bell, Tama Art University February 27, 2015 1 Renick Bell – Affect-Based Aesthetic Evaluation and Development of Abstractions for Rhythm in Live Coding Contents 1 Preface 7 2 Summary 9 3 Introduction 14 3.1 An Outline of this Document . 15 3.2 Definition of Live Coding . 16 3.3 How Live Coding Is Done . 17 3.3.1 Abstractions . 18 3.3.2 Other Tools . 18 3.3.3 Analogies to Traditional Music . 19 3.4 Justification for Live Coding . 20 3.5 Problem Statement . 22 4 Background 24 4.1 A Brief History of Live Coding . 24 4.2 Abstractions . 29 4.2.1 Definition of Abstraction . 35 4.2.2 Layers of Abstraction . 35 2 Renick Bell – Affect-Based Aesthetic Evaluation and Development of Abstractions for Rhythm in Live Coding 4.3 Generators . 37 4.4 Interaction . 39 4.5 Rhythm in Live Coding . 42 4.6 Approaches to Evaluating Live Coding . 44 5 My Works 46 5.1 Music Theory . 46 5.1.1 Rhythm Patterns . 46 5.1.2 Density . 52 5.2 Conductive . 55 5.3 Performances . 57 6 Discussion 63 6.1 A Pragmatic Aesthetic Theory . 63 6.1.1 Justification for Considering Live Coding from the Viewpoint of Aes- thetics . 63 6.1.2 Dewey’s Pragmatic Aesthetics . 68 6.1.3 Dewey and Valuation . 73 6.1.4 A Revised Pragmatic Aesthetics . 75 6.1.5 Affect . 75 3 Renick Bell – Affect-Based Aesthetic Evaluation and Development of Abstractions for Rhythm in Live Coding 6.1.6 Experience Phase . -
Classical Folk & Blues Jazz Stage & Screen World Music
Fall, 2020 All Prices Good through 11/30/20 Music Classical see pages 3 - 24 Not Our First Goat Rodeo Yo-Yo Ma & Friends A classical-crossover selection SNYC 19439738552 $16.98 Folk & Blues see pages 42 - 49 Sierra Hull: 25 Trips Sierra jumps from her bluegrass roots to entirely new terrain 1CD# RDR 1166100579 $16.98 Jazz see pages 38 - 41 Diana Krall This Dream of You A wonderful collection of gems from the American Songbook 1CD# IMPU B003251902 $19.98 Stage & Screen see pages 25 - 29 Ennio Morricone Partnered with: Once Upon A Time Arrangements for Guitar 1CD# BLC 95855 $12.98 World Music see pages 34 - 37 Afwoyo – Afro Jazz Milégé derive inspiration from the diverse musical traditions of Uganda VT / KY / TN CD# NXS 76108 $16.98 see page 2 HBDirect Mixed-Genre Catalog HBDirect is pleased to present our newest Mixed-Genre catalog – bringing you the widest selection of classical, jazz, world music, folk, blues, band music, oldies and so much more! Call your Fall 2020 order in to our toll-free 800 line, mail it to us, or you can search for your selections on our website where you’ll also find thousands more recordings to choose from. Not Our First Goat Rodeo: Yo-Yo Ma & Friends Classical highlights in this issue include a tribute to Orfeo Records in honor of the label’s 40th Nine years ago, classical legends Yo Yo Ma, Stuart Duncan, Chris Thile, and anniversary, music of African American composers on page 8, plus new releases, videos, boxed sets Edgar Meyer released Goat Rodeo, and now they return with their masterful, and opera. -
Networks of Liveness in Singer-Songwriting
Networks of Liveness in Singer-Songwriting: A practice-based enquiry into developing audio-visual interactive systems and creative strategies for composition and performance. Figure 1: Performance of Church Belles at Leeds International Festival of Artistic Innovation, 2016. Photo by George Yonge. Used with permission. Simon Waite P11037253 Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy October 2018 Abstract This enquiry explores the creation and use of computer-based, real-time interactive audio- visual systems for the composition and performance of popular music by solo artists. Using a practice-based methodology, research questions are identified that relate to the impact of incorporating interactive systems into the songwriting process and the liveness of the performances with them. Four approaches to the creation of interactive systems are identified: creating explorative-generative tools, multiple tools for guitar/vocal pieces, typing systems and audio-visual metaphors. A portfolio of ten pieces that use these approaches was developed for live performance. A model of the songwriting process is presented that incorporates system-building and strategies are identified for reconciling the indeterminate, electronic audio output of the system with composed popular music features and instrumental/vocal output. The four system approaches and ten pieces are compared in terms of four aspects of liveness, derived from current theories. It was found that, in terms of overall liveness, a unity to system design facilitated both technological and aesthetic connections between the composition, the system processes and the audio and visual outputs. However, there was considerable variation between the four system approaches in terms of the different aspects of liveness. -
Freilufttanzveranstaltungen Der Techno-Szene Im Öffentlichen Raum Der Stadt Halle (Saale)
Masterthesis Freilufttanzveranstaltungen der Techno-Szene im öffentlichen Raum der Stadt Halle (Saale) Autor: Christoph Busse (Matrikelnummer 18184) Studiengang: MA Angewandte Medien- und Kulturwissenschaften Betreuer: Prof. Dr. Hardy Geyer Zweitgutacher: Prof. Dr. Matthias Ehrsam 2 Inhaltsverzeichnis 1. Einleitung .................................................................................................... 4 2. Raumnutzungskonzepte von Tanzveranstaltungen ................................ 6 2.1 Tanzveranstaltungen zu Schallplattenmusik ............................................... 7 2.2 Amerikanische Veranstaltungskulturen .................................................... 10 2.3 Veranstaltungen der Underground-Szene ................................................ 14 2.4 Club-Kultur der Techno-Szene ................................................................. 21 2.5 Technoparaden im öffentlichen Raum ...................................................... 23 2.6 Freilufttanzveranstaltungen der ETM-Szene im Naturraum ...................... 25 2.7 Freilufttanzveranstaltungen der ETM-Szene im Stadtraum ...................... 28 3. Freilufttanzveranstaltungen der ETM-Szene in Halle (Saale) ................ 32 3.1 ETM-Szene in Halle (Saale) ..................................................................... 32 3.2 Freilufttanzveranstaltungen im öffentlichen Stadtraum ............................. 34 4. Ursachenanalyse ...................................................................................... 40 4.1 Ursachenhypothese