FPY 2004 Homepage 29 12

Total Page:16

File Type:pdf, Size:1020Kb

FPY 2004 Homepage 29 12 Federal Ministry for Foreign Affairs Minoritenplatz 8 A-1014 Vienna Austria Tel : During office hours on work days between 9 a.m. and 5 p.m.: 0 50 11 50-0 / int.: +43 50 11 50-0 For general information: 0 802 426 22 (free of charge; cannot be dialled from outside Austria) Fax: 0 50 11 59-0 / int.: +43 50 11 59-0 E-Mail: [email protected] Telegrams: AUSSENAMT WIEN Internet: http://www.bmaa.gv.at Service: In cases of emergency abroad, the Service is available around the clock. Tel: 0 50 11 50-4411 / int.: +43 50 11 50-4411 or: (01) 90 115-4411 / int.: (+43-1) 90 115-4411 Fax: 0 50 11 59-4411 / int.: +43 50 11 59-4411 or: (01) 904 20 16-4411 / int.: (+43-1) 904 20 16-4411 E-Mail: [email protected] The possibilities for assistance to Austrians abroad are listed in detail on the homepage of the Federal Ministry for Foreign Affairs www.bmaa.gv.at under the item “Service”. Austrian Foreign Policy Yearbook 2004 Report by the Federal Minister for Foreign Affairs Proprietor and Publisher: Federal Ministry for Foreign Affairs A-1014 Vienna, Minoritenplatz 8 Austria Edited and coordinated by: Thomas Schlesinger and Elisabeth Reich English translation coordinated by: Sabine Hübler The German original is available at www.bmaa.gv.at (Außenpolitik), or in printed form in the Documentation and Dissemination of Information, Library Department, Federal Ministry for Foreign Affairs. V PREFACE The year 2004 was definitely a year of historic importance for both Austria and the European Union alike: on 1 May ten new Member States joined the Union. With this round of enlargement, the largest ever in the history of the European Union, decades of division on our continent were finally overcome. This reunification represented an important step towards a new, modern, future-oriented Europe. Austria paid tribute to the enlargement of the European Union by organising numerous celebratory events and, it was impressive to see how Austrians celebrated on 1 May along the line of the former Iron Curtain, welcoming the new citizens of the Union. For Austria, this recent round of enlargement entailed a shift from the periphery of the Union to the geographical centre of a modified European Union. Old, long-standing neighbours have become new partners; partners with whom we are further developing the European peace project and maintaining close ties. Pro-active neighbourhood policy is one of the priorities of Austrian foreign policy. Neighbourhood policy is not an exact science but rather an art. In the new Europe and in a fundamentally changed world good neighbourliness calls for specific qualities and offers new opportunities. Austria, like hardly any other country in Europe, is experiencing this in practice – in our citizens’ everyday lives, in business and in politics. The target I have set myself in this connection is to ensure that Austrian foreign policy is understood as a genuine offer of partnership. Austria is thus constantly striving to further intensify the already close cooperation with her neighbours. The Regional Partnership Austria has established with the Czech Republic, Hungary, Poland, Slovakia and Slovenia plays an important role in this context and has proved its worth in practice. We jointly identify issues we intend to implement in the European Union and elaborate proposals for improving the coordination of national and European efforts in the event of crises. And together we intend to further intensify our cooperation in combating organised crime. However, the process of European integration was not completed with the recent round of enlargement. Bulgaria and Romania concluded their accession negotiations on 14 December and are scheduled to join in 2007. Croatia has made substantial political and economic progress in the last few years and is thus acting as a role model for the countries of South East Europe. Austria therefore strongly advocates this country’s accession to the European Union. The stabilisation of South East Europe, and especially the Western Balkans, is another priority addressed by Austrian foreign policy. I III therefore support the rapprochement of these states to the European Union. The future and the hope of all the countries of the Western Balkans lie in the European Union, and all of them will become members one day. This is where the European peace project will have to stand its next big practical test following Europe’s reunification this May. The fact of the matter is that for Croatia, Serbia and Montenegro, Kosovo, Bosnia and Herzegovina, Macedonia and Albania there is no reasonable alternative to the road towards Europe, and this European perspective has clearly become the most important driver for all future-oriented forces in the societies of this region. Turkey is an important partner for Europe in political, economic and strategic terms. We thus attach great importance to a close and dynamic partnership. The Treaty establishing a Constitution for Europe represented another milestone of European policy in 2004. Together with representatives of all the EU Member States, Federal Chancellor Schüssel and I signed the Constitutional Treaty in Rome on 29 October. In my view, it is remarkable that 25 countries succeeded in agreeing on a common constitutional text applicable to 456 million citizens. This fact alone represents a huge success because the target they had set themselves was a very ambitious one, namely to ensure that the institutional balance between large and small Member States continues to be guaranteed. In the future, EU citizens will have the right to bring any violation of their fundamental rights before the European Court of Justice and the national parliaments will have wider competences. The European Union’s Common Foreign Policy will henceforth be headed by a Union Minister for Foreign Affairs who simultaneously holds the office of Vice-President of the European Commission. This will bring the European Union another step closer to its goal of a common foreign policy. With respect to the European Security and Defence Policy, I would particularly like to highlight the takeover of the NATO SFOR operation in Bosnia and Herzegovina by the EU EUFOR-ALTHEA peacekeeping forces. Austria, too, has dispatched a Federal Army contingent to participate in this peacekeeping mission. These Austrian soldiers are thus making an important contribution to the stabilisation of Bosnia and Herzegovina and are playing their part in a concrete and visible Austrian foreign policy. But foreign policy also involves managing crises abroad. On 26 December a gigantic flood wave caused enormous destruction in South-East Asia and IV East Africa and also brought much suffering and distress to many Austrians. I was touched by our compatriots’ all-round willingness to help the tsunami victims. With their donations and their untiring efforts in the region the Austrian people once again gave a show of solidarity which reached far beyond our national borders. In the immediate aftermath of the tsunami disaster the Austrian Federal Government made available substantial funds for the implementation of humanitarian emergency relief measures and is also supporting a large-scale reconstruction programme for the affected region together with the federal provinces, cities and municipalities. I would like to take this opportunity to thank the numerous relief organisations, associations and individuals who are contributing so much effort and dedication to the reconstruction work. They are true ambassadors of humanity. In view of the unprecedented global dimension of the natural disaster and the large number of affected Europeans, we have been working intensively at both the national and the EU level to elaborate ways and means of enabling us to react even more efficiently and to assist more swiftly in the future. One of the core tasks of the Foreign Service and a focus of my personal attention is to support our citizens when they stay abroad. Over the years the Vienna-based UN headquarters has developed into a veritable “security centre” with respect to the work of the United Nations: nuclear safety, disarmament and the fight against drugs and crime are the focus of the work performed by the Vienna-based units. Vienna hosts precisely those organisations, institutions and agencies which deal with the topical issues that affect citizens’ day-to-day security and safety: the United Nations Office on Drugs and Crime (UNODC), the International Money Laundering Network (IMoLIN), the International Atomic Energy Agency and the Preparatory Commission for the Comprehensive Nuclear Test-Ban Treaty Organization (CTBTO PrepCom). Austria's candidature for a non-permanent seat on the Security Council for the period 2009–2010 emphasises our country’s commitment to and appreciation of the United Nations. The year 2004 was dominated by the organisation’s internal reform, which is aimed at strengthening the United Nations and enabling it to effectively counter the global security threats of the 21 st century. In view of the dynamic development of the European Union's Common Foreign and Security Policy, we support the creation of an EU seat on the United Nations’ Security Council in the medium term. An important element of this reform process launched by the UN is the promotion of human rights and the fight against poverty, hunger and disease. Austrian foreign policy attaches the utmost importance to the V strengthening of human rights, particularly the rights of women and children, the protection of minorities, the global enforcement of the ban on torture and the fight against racism, xenophobia and anti-Semitism. Austria chaired the Nairobi Summit on a Mine-Free World, the First Review Conference on the Implementation of the Convention on the Prohibition of the Use, Stockpiling, Production and Transfer of Anti- Personnel Mines and on Their Destruction, which was held from 29 November to 3 December.
Recommended publications
  • 7 October 2016 Page 1 of 11
    Radio 3 Listings for 1 – 7 October 2016 Page 1 of 11 SATURDAY 01 OCTOBER 2016 5:37 AM SCHAEFFER: Cinq Études De Bruits Schumann, Robert (1810-1856) STOCKHAUSEN: Studies 1-2; Gesang Der Jünglinge SAT 01:00 Through the Night (b07wrpks) Märchenbilder (Op.113) XENAKIS: Diamorphoses; Concret PH Brahms Symphony Cycle: Symphony No 3 Pinchas Zukerman (viola), Marc Neikrug (piano) VARÈSE: Poème Électronique 5:53 AM HENRY: Voile D©Orphée Jonathan Swain presents a performance from Lugano in Faure, Gabriel [1845-1924] Musique Concrète recorded in the studios of West German Radio Switzerland of Brahms©s Third Symphony and his Double Reflets dans l©eau from Mirages (Op.113) in Cologne and French Radio in Paris Concerto with violinist Alexandra Soumm and cellist Jean- Ronan Collett (baritone), Nicholas Rimmer (piano) Él ACMEM159CD (CD) Guihen Queyras. 5:58 AM 1:01 AM Dohnányi, Ernõ (1877-1960) BRITTEN: War Requiem Op. 66 Brahms, Johannes (1833-1897) Variations on a Nursery Song (Op.25) Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Double Concerto in A minor, Op.102 Arthur Ozolins (piano), Toronto Symphony, Mario Bernardi Fischer-Dieskau (baritone), Simon Preston (organ), London Alexandra Soumm (violin), Jean-Guihen Queyras (cello), (conductor) Symphony Orchestra, Melos Ensemble, London Symphony Orchestra della Svizzera Italiana, Markus Poschner (conductor) 6:23 AM Orchestra Chorus, Highgate School Choir, The Bach Choir, 1:36 AM Bach, Johann Sebastian (1685-1750), orch. Webern, Anton Benjamin Britten (conductor) Brahms, Johannes (1833-1897)
    [Show full text]
  • Dr.Michaelnemeth Musikmanagement
    Dr.MichaelNemeth © Oskar Schmidt Oskar © Musikmanagement musikmanagement Dr. Michael Nemeth | 1 Inhaltsverzeichnis Versuch einer Rückschau _________________________________________________________________________________________________ 5 Zwischenbilanz einer Erneuerung Überblick über die Musikvereinsspielzeiten seit 2008 ___________________________________________________________________________ 9 Zusammenfassung der wichtigsten organisatorisch-künstlerischen Neuerungen und wichtige Debüts im Musikverein ____________________ 34 Marketing-Aufbruch: Dokumentation Sujetplakate und neue Werbelinie ___________________________________________________________ 37 Besucher- und Auslastungszahlen sowie Mitgliederbefragung ___________________________________________________________________ 42 Dokumentation weiterer Projektarbeiten Konzerte für Menschenrechte ______________________________________________________________________________________________ 44 Festschrift "200 Jahre Musikverein" _________________________________________________________________________________________ 46 Konzerte im Stadtpark ____________________________________________________________________________________________________ 47 Kammerorchester con fuoco _______________________________________________________________________________________________ 48 Kulturforum.eu __________________________________________________________________________________________________________ 49 Orangerie im Grazer Burggarten ____________________________________________________________________________________________
    [Show full text]
  • Programme Artikulationen 2017
    Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research.
    [Show full text]
  • EYM Programmheft.Pdf
    1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is.
    [Show full text]
  • Biographies Des Solistes (Classement Alphabétique) Sullimann Altmayer Violon Né En 1981, Sullimann Altmayer Commence Le Violo
    5 Biographies des solistes (classement alphabétique) Sullimann Altmayer violon Né en 1981, Sullimann Altmayer commence le violon à l'âge de six ans. Il poursuit ses études au conservatoire supérieur de Paris-CNR, où il obtient un premier prix de violon en 1999. Il est admis ensuite dans le département soliste chez Bertrand Cervera, et dans la classe de violon solo de Luc Héry. En 1998, il fonde le Trio Con Fuoco dans la classe de Paul Boufil. Il se perfectionne avec Véda Reynolds, Eric Le Sage, Paul Meyer, György Kurtág, Gabor Takacs, et Mstislav Rostropovitch. En 2002, il est admis à la Musikhochschule de Bâle (Suisse) dans la classe de Raphaël Oleg pour un solistendiplom. Primé à de nombreux concours internationaux (Illzach, Florence, Gorizia, Paris, Heerlen), il se produit aussi bien en soliste qu'en tant que chambriste en France à Paris (aux théâtres du Châtelet, Champs-Elysées, salles Pleyel, Gaveau, Cité de la musique, auditorium du Louvre), en province (à la Roque d’Anthéron, aux Grand théâtre de Provence, de Toulouse, du Jeu de Paume, et à l’auditorium de Dijon) ainsi qu'à l'étranger (Europe, Afrique du Nord, Israël, Liban, Inde, Amérique Centrale, Russie, China, Asie du sud-est, Brésil, Argentine) avec des musiciens tels qu’Augustin Dumay, James Campbell, Nicolas Bone, Yehonathan Berrick, Gil Sharon, Carrie Denis, Henri Desmarquette, Marc Desmons, Michel Strauss, Olivier Patey, Romain Descharmes, Eric Lesage. Durant l’été 2008, il travaille avec les solistes du Berliner Philarmoniker au Festival d’Aix en Provence et devient lauréat de la Fondation HSBC. De septembre 2008 à juin 2010, il se perfectionne à la Chapelle Musicale Reine Elisabeth de Belgique, dans la classe du quatuor Artémis.
    [Show full text]
  • BIEN - Basic Income Earth Network NEWSFLASH 55 January 2009
    BIEN - Basic Income Earth Network NEWSFLASH 55 January 2009 www.basicincome.org The Basic Income Earth Network was founded in 1986 as the Basic Income European Network. It expanded its scope from Europe to the Earth in 2004. It serves as a link between individuals and groups committed to or interested in basic income, and fosters informed discussion on this topic throughout the world. The present NewsFlash has been prepared with the help of Paul Nollen, Reimund Acker, Simon Birnbaum, David Casassas, Julieta Elgarte, Xavi Fontcuberta, Axel Gosseries, Elisa Grazzi, Louise Haagh, Dirk Jacobi, Ulrich Leicht, Ralf Leonhard, Eri Noguchi, Philippe Van Parijs, Karl Widerquist, and Thérèse Davio. This NewsFlash can be downloaded as a PDF document on our website www.basicincome.org CONTENTS 1. Events 2. New issue of Basic Income Studies 3. Glimpses of National Debates 4. Publications 5. New Links 6. About BIEN _____ BIEN NEWSFLASH 55 – January 2009 1 1. EVENTS PAST EVENTS * MADRID (ES), 11 November 2008: ‘The Right to Work and Basic Income’ An official presentation of the book by José Luis Rey Pérez entitled The Right to Work and Basic Income took place on November 11th, 2009 in the Julian Besteiro School in Madrid. The author responded to the question ‘How it is possible to guarantee the Right to Work?’ (Dykinson, Madrid, 2007). The book was introduced by José Manzanares, Director of ISCOD and by José Miguel Sebastian, member of ATTAC-Madrid. The author José Luis Rey Pérez presented the main thesis defended in the book and there was an interesting debate about the role of labour in the economic crisis and the role the trade unions might play in the defense of basic income.
    [Show full text]
  • Application of VERDI-GRÜNE-VËRC for EGP Membership State of Play for Information - EGP Committee Report and Preliminary Conclusion 1
    Application of VERDI-GRÜNE-VËRC for EGP membership State of play for information - EGP Committee report and preliminary conclusion 1. General introduction 2. South Tyrol 3. Background information on the Party 4. Meetings with Verdi-Grüne-Vërc 5. Meeting with Federazione dei Verdi 6. List of other meetings 7. Conclusions and recommendations 1. General introduction The EGP arranged a fact-finding mission to South Tyrol (Italy) on 20 and 21 September 2016 as part of the application process of the South Tyrolean Greens (Verdi-Grüne-Vërc, from now on “VGV”). VGV, who had been a part of the Italian Greens till 2013, but decided in that year to pull out of the Federazione dei Verdi, approached the EGP for the first time on 14 July 2015 in order to ask to become a member of the EGP. Since then, they sent to our Council in Lyon in November 2015 a delegation which included the Co-spokesperson of the South Tyrolean Young Greens, Valentino Liberto and Office Assistant, Anna Hupel. They also participated in the Utrecht Council in May 2016, sending Party Co- spokesperson, Brigitte Foppa and Office Assistant, Anna Hupel. In January 2016 a meeting between representatives of the Italian greens and STG took place in Bologna but no settlement was found. The EGP delegation to Bolzano was made up of: Reinhard Bütikofer (Co-Chair), Monica Frassoni (Co- Chair), Mar Garcia (Secretary General), Gwendoline Delbos-Corfield (Member of the Committee responsible for Italy) and Benedetta De Marte (staff). 2. South Tyrol South Tyrol, also known by its alternative Italian name of Alto Adige, is an autonomous province in northern Italy.
    [Show full text]
  • Anastasia Kobekina Paloma Kouider Anastasia Kobekina
    ANASTASIA KOBEKINA PALOMA KOUIDER ANASTASIA KOBEKINA Issue d’une famille de musiciens, Anastasia Kobekina est née à Ekaterinbourg en 1994. Elle commence le violoncelle à l’âge de 4 ans et donne à 6 ans son premier concert avec orchestre. Après des débuts plus que prometteurs, Anastasia se produit avec les plus grands orchestres tels que l’Orchestre National de Russie, les Virtuoses de Moscou, l’orchestre du Mariinsky ou encore l’orchestre symphonique de Vienne, de Varsovie et la Camerata Baltica. Anastasia a collaboré avec de nombreux chefs d’orchestre réputés tels que Vladimir Spivakov, Krzysztov Penderecki, Heinrich Schiff ou Valery Gergiev. Elle se produit également en tant que soliste dans des lieux prestigieux tels que Konzerthaus de Berlin, au Lincoln Center de New York, à la salle du Conservatoire de Moscou et au Théâtre du Bolchoi. Après l’obtention de son diplôme à l’Ecole Centrale de Musique de Moscou en 2012, elle continue ses études comme jeune soliste dans la prestigieuse Académie Kronberg en Allemagne avec Franz Helmerson, grâce à la bourse Steigenberger/Rath. La valeur n’attendant pas le nombre des années, Anastasia a joué en musique de chambre auprès de grands noms de la musique classique comme Gidon Kremer, Yuri Bashmet, Fazil Say, Denis Matsuev, Vladimir Spivakov et Andras Schiff. Anastasia est lauréate de plusieurs concours et a ainsi remporté le prix Landgraf von Hessen ainsi que la bourse Boris Pergamenschikow de l’Académie de Kronberg en Allemagne, finaliste du concours de l’Eurovision à Vienne, demi-finaliste au Concours Tchaïkovsky en 2015 et la même année le prix de l’Académie du festival de Verbier en Suisse puis le 1er Prix de la Tonali Music Competition de Hambourg.
    [Show full text]
  • Seiji Ozawa International Academy Switzerland
    SEIJI OZAWA INTERNATIONAL ACADEMY SWITZERLAND 2015 2 3 « Merci à celles et ceux qui, depuis le début, « Thanks to those who, since the very beginning nous ont accueillis et soutenus avec force, have welcomed and supported us strongly, merci aux professeurs et à leur engagement, thanks to the tutors and to their commitment, merci à Bobby Mann qui a contribué à établir thanks to Bobby Mann who set up the basic line Seiji Ozawa Seiji Ozawa les principes de base de notre Académie » of our Academy » Robert Mann Robert Mann a composé plus de 30 œuvres pour Robert Mann Robert Mann has composed more than 30 works — narrateur et instruments, qu’il joue avec sa femme — for narrator with various instruments that he Présent dès la première heure de l’Académie, Robert l’actrice Lucy Rowan et de nombreuses compostions Present since the very beginning, Robert Mann performs with his wife, the actress Lucy Rowan. Mann en est une figure symbolique. Il a contribué dont une Fantaisie pour orchestre interprétée is a symbolic figure of the Academy. He has He has also composed an Orchestral Fantasy de façon significative à son développement par Dimitri Mitropoulos avec les Philarmoniques significantly contributed to its development and performed by Dimitri Mitropoulos with the New et à l’exigence d’excellence au cœur de ce projet. de New York, de Vienne ainsi qu’au Festival to the demand for excellence at the heart of York Philharmonic, the Vienna Philharmonic, Fondateur et premier violon du célèbre Quatuor de Salzbourg, un duo pour violon et piano, créé this project.
    [Show full text]
  • II ENCONTRO INTERNACIONAL DE PIANISTAS ON-LINE CRESCENDO (IIEIPOC) Introduction
    II Encontro Internacional 3rd and 4th de Pianistas july 2021 On-line Crescendo Pedagogical and artistic direction: pianist Adriano Nogueira II ENCONTRO INTERNACIONAL DE PIANISTAS ON-LINE CRESCENDO (IIEIPOC) Introduction The objective of the II International Meeting of Online Pianists Crescendo (IIEIPOC) is to share knowledge in the area of written tradition to piano, in Portuguese, with the presentation of master classes, concerts, masterclasses, conferences and pedagogical training courses for teachers of piano. The meeting will take place on the 3rd and 4th of July 2021, on the following social networks Youtube, Facebook, Instagram and Zoom. Among the confirmed artists are important names in today’s field of piano, in Brazil and Portugal, among them, Cristian Budu, Eduardo Monteiro, Adriano Jordão, Sérgio Azevedo, Ronaldo Miranda, António Ribeiro, Linda Bustani, Ney Fialkow, Marisa Lacorte. IIEIPOC also presents the Crescendo International Online Piano Contest, with the objective of encouraging piano to be played at home and it is aimed at all amateur piano students , of any age. The first place in the Pianist of the Year category will be given the opportunity to present 5 concerts in Europe and Brazil, as well as an invitation to present the opening recital of the 2022 edition of EIPOC. Among all levels of competition, the prizes will be given for the best interpretation of Brazilian music and for the best interpretation of Portuguese music, in order to stimulate the interpretation of the music from the two Portuguese-speaking countries. EIPOC was a pioneer in the modalities of online festivals and conferences in classical music and welcomed, in its first edition, a thousand active participants and more than 24 thousand views, during the two days of events.
    [Show full text]
  • ANSICHT Saisonprogramm 17
    1 Wohnen für Fortgeschrittene 12 ABONNEMENTS 2017/18 20 DAS GROSSE ABONNEMENT 32 SONNTAGSMATINEEN d.signwerk.com Zeitlose Klassiker und 40 FORTISSIMO 46 BRUCKNER ORCHESTER LINZ & MARKUS POSCHNER wilde Gegenwartskünstler 52 LUNCHKONZERTE gemeinsam auf einer 54 MUSIK ZU BESONDEREN ANLÄSSEN 68 FESTIVAL VOCALE Bühne? Sie werden 76 FESTIVAL ADVENT WEIHNACHT begeistert sein, welch 82 FESTIVAL KLAVIER 90 FESTIVAL IM ORIGINALKLANG großartiges Stück Wohn- 96 FESTIVAL WELTMUSIK 102 FRÜHLINGSFESTIVAL kultur dabei heraus- 112 FESTIVAL NEUE MUSIK kommen kann! 120 KINDER & JUGEND 140 JAZZ/JAZZBRUNCH 148 RUSSISCHE DIENSTAGE 154 YOUNG CLASSICS 160 MUSIK DER VÖLKER 164 KAMMERMUSIK 168 ARS ANTIQUA AUSTRIA 170 ORGELMUSIK ZUR TEATIME 172 SERENADEN 175 KULINARISCHE KOMPOSITIONEN 180 KALENDARIUM 202 KARTEN & SERVICE 203 IMPRESSUM Exklusive Möbel & Wohnaccessoires von BRUCKMÜLLER 204 SITZPLÄNE 4600 Wels, Traungasse 8–12, Telefon 07242.47695 2 www.bruckmueller-wohnen.at 3 bezahlte Anzeige Sehr geehrte Damen und Herren, Sehr geehrte Damen und Herren, Sehr geehrte Damen und Herren, seit seinem über 40-jährigen Bestehen hat sich das Brucknerhaus das Saisonprogramm des Brucknerhauses zählt alljährlich zur gefrag- wir freuen uns sehr, Ihnen auf den kommenden Seiten die Saison Seit meinem Einstieg in die LIVA als Kaufm. Vorstandsdirektor vor als kulturelle Institution in Oberösterreich und über nationale Gren- ten Lektüre unzähliger Kulturinteressierter. Das Blättern in dieser 2017/18 im Brucknerhaus Linz präsentieren zu dürfen. Wir haben eineinhalb Jahren freue ich, Mag. Thomas Ziegler, mich, dass es uns zen hinweg weltweit etabliert. Es ist ein Haus, dem es gelingt, in- Broschüre weckt die Vorfreude auf Konzertgenüsse in einem akus- wieder ein abwechslungsreiches Programm zusammengestellt, das in dieser Zeit bereits hervorragend gelungen ist, Synergien mit dem ternationale KünstlerInnen-Größen und ein Publikum aus allen Al- tisch und architektonisch stimmigen Ambiente.
    [Show full text]
  • MINI GUIDE to Eurovision Young Musicians 2018
    The 100% Unofficial MINI GUIDE to Eurovision Young Musicians 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis Eurovision Young Musicians – A Brief History The first edition of Eurovision Young Musicians took place in 1982 in Manchester and the contest became a biennial contest occurring on ‘even numbered’ years ever since then. The contest was inspired by the BBC Young Musician of the Year contest. There have been 24 different instruments featured over the years; beside the traditional classical music instruments there have also been some ethnic instruments such as the Tamburica played by Croatia’s Marko Martinović in 2016, the Kanun played by Narek Kazazyan from Armenia in 2012 and the Cimbalom played by Belarusian entrant Alexandra Denisenya in 2012. The most prolific countries at Eurovision Young Musicians are Austria and Norway. Austria have taken part in 18 contests (though not this year) and Norway are close behind them having taken part in 17 contests Year Host City/Country Winning Musician Instrument Runner up Country 1982 Manchester, UK Germany Markus Pawlik Piano France 1984 Geneva, Switzerland Netherlands Isabelle van Keulen Violin Finland 1986 Copenhagen, Denmark France Sandrine Lazarides Piano Switzerland 1988 Amsterdam, Netherlands Austria Julian Rachlin Violin Norway 1990 Vienna, Austria Netherlands Niek van Oosterum Piano Germany 1992 Brussels, Belgium Poland Bartlomiej Nizoł Violin Spain 1994 Warsaw, Poland UK Natalie Clein Cello Latvia 1996 Lisbon, Portugal Germany Julia Fischer Violin Austria
    [Show full text]