Seiji Ozawa International Academy Switzerland
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Daniil Trifonov
Sunday 16 June 2019 7–9pm Barbican LSO SEASON CONCERT ARTIST PORTRAIT: DANIIL TRIFONOV Beethoven Overture: Egmont Shostakovich Concerto No 1 for HAROLD Piano, Trumpet and Strings Interval Berlioz Harold in Italy * Gianandrea Noseda conductor Daniil Trifonov piano Philip Cobb trumpet IN ITALY Antoine Tamestit viola * Welcome Latest News On our Blog After the interval, Antoine Tamestit joins BMW CLASSICS IN TRAFALGAR SQUARE DIGITAL TECHNOLOGY GROUP: the Orchestra as viola soloist in Berlioz’s WORKS IN PROGRESS Harold in Italy, a work originally written for On 30 June, the LSO takes over Trafalgar violin and viola virtuoso Niccolò Paganini. Square as Sir Simon Rattle conducts a This month’s LSO Discovery Showcase, This four-movement symphony is inspired dance-inspired programme of music by ‘One Night, One Thousand and One by a poem by Lord Byron, describing Childe Dvořák, Poulenc, Ravel and Bushra El-Turk. Stories’, featured pieces for electronics, Harold’s pilgrimage through Italy. This There will also be performances by young live performance and video presented concert forms part of Berlioz 150, as we musicians from the LSO On Track scheme in by Ife Olalusi and Ken Burnett, members celebrate the composer’s life and music East London and from the Guildhall School. of the LSO Digital Technology Group. across 2019, marking 150 years since We spoke to Ken and Ife about their Berlioz’s death. inspirations and influences, and how elcome to tonight’s LSO concert LSO AT THE BBC PROMS 2019 they produced music for the concert. at the Barbican conducted by A very warm welcome to the retired LSO Gianandrea Noseda. -
7 October 2016 Page 1 of 11
Radio 3 Listings for 1 – 7 October 2016 Page 1 of 11 SATURDAY 01 OCTOBER 2016 5:37 AM SCHAEFFER: Cinq Études De Bruits Schumann, Robert (1810-1856) STOCKHAUSEN: Studies 1-2; Gesang Der Jünglinge SAT 01:00 Through the Night (b07wrpks) Märchenbilder (Op.113) XENAKIS: Diamorphoses; Concret PH Brahms Symphony Cycle: Symphony No 3 Pinchas Zukerman (viola), Marc Neikrug (piano) VARÈSE: Poème Électronique 5:53 AM HENRY: Voile D©Orphée Jonathan Swain presents a performance from Lugano in Faure, Gabriel [1845-1924] Musique Concrète recorded in the studios of West German Radio Switzerland of Brahms©s Third Symphony and his Double Reflets dans l©eau from Mirages (Op.113) in Cologne and French Radio in Paris Concerto with violinist Alexandra Soumm and cellist Jean- Ronan Collett (baritone), Nicholas Rimmer (piano) Él ACMEM159CD (CD) Guihen Queyras. 5:58 AM 1:01 AM Dohnányi, Ernõ (1877-1960) BRITTEN: War Requiem Op. 66 Brahms, Johannes (1833-1897) Variations on a Nursery Song (Op.25) Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Double Concerto in A minor, Op.102 Arthur Ozolins (piano), Toronto Symphony, Mario Bernardi Fischer-Dieskau (baritone), Simon Preston (organ), London Alexandra Soumm (violin), Jean-Guihen Queyras (cello), (conductor) Symphony Orchestra, Melos Ensemble, London Symphony Orchestra della Svizzera Italiana, Markus Poschner (conductor) 6:23 AM Orchestra Chorus, Highgate School Choir, The Bach Choir, 1:36 AM Bach, Johann Sebastian (1685-1750), orch. Webern, Anton Benjamin Britten (conductor) Brahms, Johannes (1833-1897) -
Swr2 Programm Kw 16
SWR2 PROGRAMM - Seite 1 - KW 16 / 19. - 25.04.2021 Ludwig van Beethoven: Seit der letzten Eiszeit befruchtet die Montag, 19. April 6 ländlerische Tänze WoO 15 „Dunkle Europäische Biene“ in Bayerische Kammerphilharmonie Europa Blütenpflanzen. Doch die 0.03 ARD-Nachtkonzert Leitung: Karl Anton Rickenbacher Imkerei mit modernen ertragreichen Franz Liszt: Granville Bantock: Honigbienen hat die Ur-Biene fast „Die Ideale“ „Celtic Symphony“ verdrängt. Um sie vor dem Gewandhausorchester Leipzig Royal Philharmonic Orchestra Aussterben zu bewahren, gestalten Leitung: Kurt Masur London Bienenzüchter in Frankreich Robert Schumann: Leitung: Vernon Handley Landstriche neu und fertigen Klavierquintett Es-Dur op. 44 artgerechte Behausungen. Auch in Peter Rösel (Klavier) 5.00 Nachrichten, Wetter Deutschland engagieren sich Gewandhaus-Quartett Forscher*innen und Joseph Haydn: 5.03 ARD-Nachtkonzert Hobbyimker*innen. Denn: Die Violoncellokonzert D-Dur Hob. VIIb/4 Niels Wilhelm Gade: Wildbiene ist robust, passt sich gut Jan Vogler (Violoncello) „Sommertag auf dem Lande“, an Klimaveränderungen an und trägt Virtuosi Saxoniae Fröhliches Landleben op. 55 zum Erhalt der Artenvielfalt bei, Leitung: Ludwig Güttler Staatsphilharmonie Rheinland-Pfalz indem sie andere Pflanzen bestäubt Francesco Feo: Leitung: Ole Schmidt als die moderne Biene. „Confitebor“ Domenico Cimarosa: Anja Züger, Dorothea Wagner Oboenkonzert C-Dur 8.58 SWR2 Programmtipps (Sopran) Lajos Lencsés (Oboe) Dominika Hirschler (Alt) Kammerorchester Arcata Stuttgart 9.00 Nachrichten, Wetter Tobias Hunger (Tenor) Leitung: Patrick Strub Tobias Berndt (Bass) Anton Arenskij: Sächsisches Vocalensemble 9.05 SWR2 Musikstunde Allegro moderato aus dem Klaviertrio Batzdorfer Hofkapelle Es werde Licht! Wie das Alte d-Moll op. 32 Leitung: Matthias Jung Testament klingt (1) Trio Wanderer Mit Sabine Weber Carl Maria von Weber: Wenzel Raimund Birck: Klavierkonzert Nr. -
Dr.Michaelnemeth Musikmanagement
Dr.MichaelNemeth © Oskar Schmidt Oskar © Musikmanagement musikmanagement Dr. Michael Nemeth | 1 Inhaltsverzeichnis Versuch einer Rückschau _________________________________________________________________________________________________ 5 Zwischenbilanz einer Erneuerung Überblick über die Musikvereinsspielzeiten seit 2008 ___________________________________________________________________________ 9 Zusammenfassung der wichtigsten organisatorisch-künstlerischen Neuerungen und wichtige Debüts im Musikverein ____________________ 34 Marketing-Aufbruch: Dokumentation Sujetplakate und neue Werbelinie ___________________________________________________________ 37 Besucher- und Auslastungszahlen sowie Mitgliederbefragung ___________________________________________________________________ 42 Dokumentation weiterer Projektarbeiten Konzerte für Menschenrechte ______________________________________________________________________________________________ 44 Festschrift "200 Jahre Musikverein" _________________________________________________________________________________________ 46 Konzerte im Stadtpark ____________________________________________________________________________________________________ 47 Kammerorchester con fuoco _______________________________________________________________________________________________ 48 Kulturforum.eu __________________________________________________________________________________________________________ 49 Orangerie im Grazer Burggarten ____________________________________________________________________________________________ -
Programme Artikulationen 2017
Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research. -
Michael Tilson Thomas and the San Francisco
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / FEBRUARY 12, 2020 (High resolution images are available for download from the San Francisco Symphony’s Online Photo Library. MICHAEL TILSON THOMAS AND THE SAN FRANCISCO SYMPHONY EMBARK ON FINAL TOUR OF NEW YORK AND EUROPE TOGETHER WITH PERFORMANCES IN EIGHT COUNTRIES, MARCH 17–APRIL 7, 2020 Tour begins with two performances at New York’s Carnegie Hall March 17 & 18 featuring Stravinsky’s The Firebird, Saint-Saëns’ Cello Concerto No. 1 with Gautier Capuçon, the New York Premiere of San Francisco Symphony and Carnegie Hall Co-Commission I Still Dance by John Adams, and Mahler’s Symphony No. 6 European tour performances feature Pianist Daniil Trifonov in London, Hamburg, Berlin, and Vienna; and Cellist Gautier Capuçon in Munich, Amsterdam, Antwerp, Luxembourg, Lyon, and Paris SAN FRANCISCO, CA—Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) embark on their final tour of New York and Europe together before MTT concludes his distinguished 25-year tenure as Music Director at the end of the 2019–20 season. The tour begins with two concerts at New York’s Carnegie Hall March 17–18, and continues with 14 performances in ten cities across Europe, March 21–April 7. The March 17 performance at Carnegie Hall features the New York premiere of John Adams’ new composition, I Still Dance, co-commissioned by the San Francisco Symphony and Carnegie Hall. An explosive eight-minute work written in a single movement, I Still Dance features densely interwoven parts that are driven forward by propulsive arpeggiated figures. -
100 YEARS of MESSE ESSEN Hochtief.Com
www.messe-essen.de 1.2013 Issue DEEP KNOWLEDGE SCHWEISSEN & SCHNEIDEN: what the joining technology elite is discussing 100 YEARS OF MESSE ESSEN hochtief.com MY OUR COMPANY HISTORY YEARS OCHTIEF In 1873, the Helfmann brothers founded a small construction business—hoping that it would be a long-term success. In 2013, HOCHTIEF celebrates its 140th anniversary and is one of the leading global construction groups. A number of remarkable projects around the globe testify to the company’s creativity. In its long history, HOCHTIEF has shaped living spaces, built spectacular landmarks, and delivered technically superlative solutions. In performing these activities, the Group could rely on its accumulated expertise and never had to be afraid of changes—a tradition HOCHTIEF can also build on in future. Turning Vision into Value. Anz_Essen-Affair_2013.indd 2 27.03.13 10:10 EDITORIAL | 3 Egon Galinnis Managing Director of Messe Essen GmbH Dear Readers, Not too much navel-gazing – we set ourselves this objective at the very start of ESSEN AFFAIRS. And your comments on our magazine have convinced us that this is still the right way to go. But we’ve made an exception for this issue. And I’m sure you won’t hold it against us, for the occasion is unique: Messe Essen was founded 100 years ago, on 21 April 1913. In the cover story on our 100-year jubilee, we not only take a look back but also gaze into the future – just like the many well-wishers who sent us their personal congratulations. I would like to take this opportunity to warmly thank all of them once again for their contributions. -
EYM Programmheft.Pdf
1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is. -
Biographies Des Solistes (Classement Alphabétique) Sullimann Altmayer Violon Né En 1981, Sullimann Altmayer Commence Le Violo
5 Biographies des solistes (classement alphabétique) Sullimann Altmayer violon Né en 1981, Sullimann Altmayer commence le violon à l'âge de six ans. Il poursuit ses études au conservatoire supérieur de Paris-CNR, où il obtient un premier prix de violon en 1999. Il est admis ensuite dans le département soliste chez Bertrand Cervera, et dans la classe de violon solo de Luc Héry. En 1998, il fonde le Trio Con Fuoco dans la classe de Paul Boufil. Il se perfectionne avec Véda Reynolds, Eric Le Sage, Paul Meyer, György Kurtág, Gabor Takacs, et Mstislav Rostropovitch. En 2002, il est admis à la Musikhochschule de Bâle (Suisse) dans la classe de Raphaël Oleg pour un solistendiplom. Primé à de nombreux concours internationaux (Illzach, Florence, Gorizia, Paris, Heerlen), il se produit aussi bien en soliste qu'en tant que chambriste en France à Paris (aux théâtres du Châtelet, Champs-Elysées, salles Pleyel, Gaveau, Cité de la musique, auditorium du Louvre), en province (à la Roque d’Anthéron, aux Grand théâtre de Provence, de Toulouse, du Jeu de Paume, et à l’auditorium de Dijon) ainsi qu'à l'étranger (Europe, Afrique du Nord, Israël, Liban, Inde, Amérique Centrale, Russie, China, Asie du sud-est, Brésil, Argentine) avec des musiciens tels qu’Augustin Dumay, James Campbell, Nicolas Bone, Yehonathan Berrick, Gil Sharon, Carrie Denis, Henri Desmarquette, Marc Desmons, Michel Strauss, Olivier Patey, Romain Descharmes, Eric Lesage. Durant l’été 2008, il travaille avec les solistes du Berliner Philarmoniker au Festival d’Aix en Provence et devient lauréat de la Fondation HSBC. De septembre 2008 à juin 2010, il se perfectionne à la Chapelle Musicale Reine Elisabeth de Belgique, dans la classe du quatuor Artémis. -
Season 2019-2020
23 Season 2019-2020 Saturday, February 1, at 8:00 The Philadelphia Orchestra Sunday, February 2, at 2:00 Yannick Nézet-Séguin Conductor Daniil Trifonov Piano Boulanger Of a Sad Evening Beethoven Piano Concerto No. 5 in E-flat major, Op. 73 (“Emperor”) I. Allegro II. Adagio un poco mosso— III. Rondo: Allegro Intermission Farrenc Symphony No. 2 in D major, Op. 35 I. Andante—Allegro II. Andante III. Scherzo: Vivace IV. Andante—Allegro This program runs approximately 2 hours. These concerts are sponsored by Ralph Muller and Beth Johnston. These concerts are part of The Philadelphia Orchestra’s WomenNOW and BeethovenNOW celebrations. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community centers, the Mann Through concerts, tours, is one of the world’s Center to Penn’s Landing, residencies, and recordings, preeminent orchestras. classrooms to hospitals, and the Orchestra is a global It strives to share the over the airwaves and online. ambassador. It performs transformative power of The Orchestra continues annually at Carnegie Hall, music with the widest to discover new and the Saratoga Performing possible audience, and to inventive ways to nurture its Arts Center, and the Bravo! create joy, connection, and relationship with loyal patrons. Vail Music Festival. The excitement through music The Philadelphia Orchestra Orchestra also has a rich in the Philadelphia region, continues the tradition of history of touring, having across the country, and educational and community first performed outside around the world. -
Daniil Trifonov
Daniil Trifonov Thursday, February 1, 2018 at 8:00pm This is the 798th concert in Koerner Hall PROGRAM Federico Mompou: Variations on a Theme of Chopin Robert Schumann: “Chopin” from Carnaval: Scènes mignonnes sur quatre notes, op. 9 Edvard Grieg: “Hommage à Chopin“ from Moods, op. 73 Samuel Barber: Nocturne (Homage to John Field), op. 33 Pyotr Il’yich Tchaikovsky: “Un poco di Chopin,” op. 72, no. 15 Sergei Rachmaninov: Variations on a Theme of Chopin, op. 22 Tema: Largo Variation 1: Moderato Variation 2: Allegro Variation 3: L’istesso tempo Variation 4: L’istesso tempo Variation 5: Meno mosso Variation 6: Meno mosso Variation 7: Allegro Variation 8: L’istesso tempo Variation 9: L’istesso tempo Variation 10: Più vivo Variation 12: Moderato Variation 13: Largo Variation 14: Moderato Variation 15: Allegro scherzando Variation 16: Lento Variation 17: Grave Variation 20: Presto Variation 21: Andante Variation 22: Maestoso – Tempo 1 Tema INTERMISSION Fryderyk Chopin: Variations on “Là ci darem la mano” from Mozart’s Don Giovanni, op. 2 Introduction. Largo—Poco più mosso Thema. Allegretto Variation 1. Brillante Variation 2. Veloce, ma accuratamente Variation 3. Sempre sostenuto Variation 4. Con bravura Variation 5. Adagio and Alla Polacca Fryderyk Chopin: Piano Sonata No. 2 in B flat Minor, op. 35 I. Grave - Doppio movimento II. Scherzo III. Marche funèbre: Lento IV. Finale: Presto Federico Mompou Born in Barcelona, Spain, April 16, 1893; died there, June 30, 1987 Variations on a Theme of Chopin (1938-57) Catalan composer Federico Mompou composed the earliest sketches for his Variations on a Theme of Chopin in 1938 in Paris, almost a century after the Polish composer died in his adopted city. -
Gidon Kremer, Violin Daniil Trifonov, Piano
Tuesday, January 13, 2015, 8pm First Congregational Church Gidon Kremer, violin Daniil Trifonov, piano PROGRAM Wolfgang Amadeus Mozart (1756–1791) Fantasia for Piano in D minor, K. 397 (1782) Mieczysław Weinberg (1919–1996) Sonata No. 5 for Violin and Piano in G minor, Op. 53 (1953) Andante con moto Allegro molto Allegro moderato Allegro — Andante — Allegretto Mozart Sonata for Piano and Violin in E-flat major, K. 481 (1785) Molto allegro Adagio Thema con variazioni: Allegretto INTERMISSION Weinberg Sonata No. 3 for Solo Violin, Op. 126 (1978) Franz Schubert (1797–1828) Fantasy for Violin and Piano in C major, D. 934 (1827) Andante molto — Allegretto — Andantino — Tempo I — Allegro vivace — Allegretto — Presto Funded, in part, by the Koret Foundation, this performance is part of Cal Performances’ – Koret Recital Series, which brings world-class artists to our community. This performance is made possible, in part, by Patron Sponsors Liz and Greg Lutz and Lance and Dalia Nagel. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 15 PROGRAM NOTES Wolfgang Amadeus Mozart (;A?@–;AC;) Romanticism. Repetitions of this sad song are Fantasia for Piano in D minor, K. =CA twice interrupted by sweeping cadenza-like eruptions be fore the Fantasia pauses on an in - Composed in 1782. conclusive harmony, takes a small breath, and trots off with a cheerful D major melody of In 1782, one year after he had bolted from opera buffa jocularity. Mozart, perhaps unsure Salzburg to take up life as a freelance composer of how to bring these two vastly different kinds and pianist in Vienna, Mozart developed a new, of music into balance, did not finish notating gleaming admiration for the music of Bach, the piece.