Elbphilharmonie Arrangements

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ELBPHILHARMONIE ARRANGEMENTS Eine neue Konzert-Saison wird immer mit Spannung erwartet, das gilt ganz besonders in Hamburg, wo eines der modernsten und eindrucksvollsten Konzerthäuser das Stadtbild schmückt. Besuchen auch Sie die Elbphilharmonie und erleben Sie musikalische Meisterstücke, interpretiert von den besten Orchestern und Opernstars der Welt. Wählen Sie Ihr persönliches Lieblings-Konzert und erleben Sie mit dem The Fontenay unvergessliche musikalische Momente in der Hansestadt. ELBPHILHARMONIE ARRANGEMENT • Zwei Übernachtungen im Fontenay Deluxe Zimmer oder einer Suite inklusive Frühstück • Pre-Show-Dinner im Parkview Restaurant • Transfer zur Elbphilharmonie und zurück • Karten der Preiskategorie 1 für das Konzert in der Elbphilharmonie • Ausklang mit Dessert und Champagner in der Fontenay Bar • Nutzung des Fontenay Spa mit 20m Innen-/Außenpool, Sauna und Fitnessbereich • WLAN Internetzugang • Auswahl an Getränken aus der Minibar PREIS: ab € 750,- pro Person im Fontenay Deluxe Zimmer bei Doppelbelegung ab € 1.100,- pro Person in einer Executive Suite bei Doppelbelegung Buchbar nach Verfügbarkeit, limitiertes Kartenkontingent WWW.THEFONTENAY.COM ELBPHILHARMONIE ARRANGEMENTS 2020/2021 SEPTEMBER 2020 3. September 2020 Pittsburgh Symphony Orchestra: Rudolph Buchbinder / Manfred Honeck 23. September 2020 SWR Symphonieorchester / Patricia Kopatchinskaja / Teodor Currentzis OKTOBER 2020 10. Oktober 2020 Münchner Philharmoniker / Yuja Wang / Valery Gergiev NOVEMBER 2020 6. November 2020 Lang Lang / Laeiszhalle 13. November 2020 Klaus Maria Brandauer / Sebastian Knauer / Laeiszhalle 14. November 2020 Orchestre des Champs-Élysées / Collegium Vocale Gent 15. November 2020 Mahler Chamber Orchestra / Sir Simon Rattle 16. November 2020 Gewandhausorchester Leipzig / Anne-Sophie Mutter / Andris Nelsons 17. November 2020 Gewandhausorchester Leipzig / Daniil Trifonov / Andris Nelsons 24. November 2020 Cecilia Bartoli* * Dieses Arrangement ist nur mit 2 Übernachtungen und Konzertkarten buchbar DEZEMBER 2020 26. Dezember 2020 Ein Wintermärchen / Weihnachtskonzert / Zürcher Kammerorchester JANUAR 2021 3. Januar 2021 Andrea Bocelli FEBRUAR 2021 19. Februar 2021 NDR Elbphilharmonie Orchester / Alan Gilbert 23. Februar 2021 Rolando Villazón / Xavier de Maistre MÄRZ 2021 5. März 2021 Chor und Orchester des Mariinski-Theaters / Valery Gergiev 20. März 2021 Israel Philharmonic Orchestra / Nikolaj Szeps-Znaider / Lahav Shani 26. März 2021 Tonhalle-Orchester Zürich / Frank Peter Zimmermann / Paavo Järvi MAI 2021 6. Mai 2021 Russische Nationalphilharmonie / Ivan Bessonov / Vladimir Spivakov.

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Daniil Trifonov
Sunday 16 June 2019 7–9pm Barbican LSO SEASON CONCERT ARTIST PORTRAIT: DANIIL TRIFONOV Beethoven Overture: Egmont Shostakovich Concerto No 1 for HAROLD Piano, Trumpet and Strings Interval Berlioz Harold in Italy * Gianandrea Noseda conductor Daniil Trifonov piano Philip Cobb trumpet IN ITALY Antoine Tamestit viola * Welcome Latest News On our Blog After the interval, Antoine Tamestit joins BMW CLASSICS IN TRAFALGAR SQUARE DIGITAL TECHNOLOGY GROUP: the Orchestra as viola soloist in Berlioz’s WORKS IN PROGRESS Harold in Italy, a work originally written for On 30 June, the LSO takes over Trafalgar violin and viola virtuoso Niccolò Paganini. Square as Sir Simon Rattle conducts a This month’s LSO Discovery Showcase, This four-movement symphony is inspired dance-inspired programme of music by ‘One Night, One Thousand and One by a poem by Lord Byron, describing Childe Dvořák, Poulenc, Ravel and Bushra El-Turk. Stories’, featured pieces for electronics, Harold’s pilgrimage through Italy. This There will also be performances by young live performance and video presented concert forms part of Berlioz 150, as we musicians from the LSO On Track scheme in by Ife Olalusi and Ken Burnett, members celebrate the composer’s life and music East London and from the Guildhall School. of the LSO Digital Technology Group. across 2019, marking 150 years since We spoke to Ken and Ife about their Berlioz’s death. inspirations and influences, and how elcome to tonight’s LSO concert LSO AT THE BBC PROMS 2019 they produced music for the concert. at the Barbican conducted by A very warm welcome to the retired LSO Gianandrea Noseda.
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Swr2 Programm Kw 16
SWR2 PROGRAMM - Seite 1 - KW 16 / 19. - 25.04.2021 Ludwig van Beethoven: Seit der letzten Eiszeit befruchtet die Montag, 19. April 6 ländlerische Tänze WoO 15 „Dunkle Europäische Biene“ in Bayerische Kammerphilharmonie Europa Blütenpflanzen. Doch die 0.03 ARD-Nachtkonzert Leitung: Karl Anton Rickenbacher Imkerei mit modernen ertragreichen Franz Liszt: Granville Bantock: Honigbienen hat die Ur-Biene fast „Die Ideale“ „Celtic Symphony“ verdrängt. Um sie vor dem Gewandhausorchester Leipzig Royal Philharmonic Orchestra Aussterben zu bewahren, gestalten Leitung: Kurt Masur London Bienenzüchter in Frankreich Robert Schumann: Leitung: Vernon Handley Landstriche neu und fertigen Klavierquintett Es-Dur op. 44 artgerechte Behausungen. Auch in Peter Rösel (Klavier) 5.00 Nachrichten, Wetter Deutschland engagieren sich Gewandhaus-Quartett Forscher*innen und Joseph Haydn: 5.03 ARD-Nachtkonzert Hobbyimker*innen. Denn: Die Violoncellokonzert D-Dur Hob. VIIb/4 Niels Wilhelm Gade: Wildbiene ist robust, passt sich gut Jan Vogler (Violoncello) „Sommertag auf dem Lande“, an Klimaveränderungen an und trägt Virtuosi Saxoniae Fröhliches Landleben op. 55 zum Erhalt der Artenvielfalt bei, Leitung: Ludwig Güttler Staatsphilharmonie Rheinland-Pfalz indem sie andere Pflanzen bestäubt Francesco Feo: Leitung: Ole Schmidt als die moderne Biene. „Confitebor“ Domenico Cimarosa: Anja Züger, Dorothea Wagner Oboenkonzert C-Dur 8.58 SWR2 Programmtipps (Sopran) Lajos Lencsés (Oboe) Dominika Hirschler (Alt) Kammerorchester Arcata Stuttgart 9.00 Nachrichten, Wetter Tobias Hunger (Tenor) Leitung: Patrick Strub Tobias Berndt (Bass) Anton Arenskij: Sächsisches Vocalensemble 9.05 SWR2 Musikstunde Allegro moderato aus dem Klaviertrio Batzdorfer Hofkapelle Es werde Licht! Wie das Alte d-Moll op. 32 Leitung: Matthias Jung Testament klingt (1) Trio Wanderer Mit Sabine Weber Carl Maria von Weber: Wenzel Raimund Birck: Klavierkonzert Nr.
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Michael Tilson Thomas and the San Francisco
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / FEBRUARY 12, 2020 (High resolution images are available for download from the San Francisco Symphony’s Online Photo Library. MICHAEL TILSON THOMAS AND THE SAN FRANCISCO SYMPHONY EMBARK ON FINAL TOUR OF NEW YORK AND EUROPE TOGETHER WITH PERFORMANCES IN EIGHT COUNTRIES, MARCH 17–APRIL 7, 2020 Tour begins with two performances at New York’s Carnegie Hall March 17 & 18 featuring Stravinsky’s The Firebird, Saint-Saëns’ Cello Concerto No. 1 with Gautier Capuçon, the New York Premiere of San Francisco Symphony and Carnegie Hall Co-Commission I Still Dance by John Adams, and Mahler’s Symphony No. 6 European tour performances feature Pianist Daniil Trifonov in London, Hamburg, Berlin, and Vienna; and Cellist Gautier Capuçon in Munich, Amsterdam, Antwerp, Luxembourg, Lyon, and Paris SAN FRANCISCO, CA—Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) embark on their final tour of New York and Europe together before MTT concludes his distinguished 25-year tenure as Music Director at the end of the 2019–20 season. The tour begins with two concerts at New York’s Carnegie Hall March 17–18, and continues with 14 performances in ten cities across Europe, March 21–April 7. The March 17 performance at Carnegie Hall features the New York premiere of John Adams’ new composition, I Still Dance, co-commissioned by the San Francisco Symphony and Carnegie Hall. An explosive eight-minute work written in a single movement, I Still Dance features densely interwoven parts that are driven forward by propulsive arpeggiated figures.
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100 YEARS of MESSE ESSEN Hochtief.Com
www.messe-essen.de 1.2013 Issue DEEP KNOWLEDGE SCHWEISSEN & SCHNEIDEN: what the joining technology elite is discussing 100 YEARS OF MESSE ESSEN hochtief.com MY OUR COMPANY HISTORY YEARS OCHTIEF In 1873, the Helfmann brothers founded a small construction business—hoping that it would be a long-term success. In 2013, HOCHTIEF celebrates its 140th anniversary and is one of the leading global construction groups. A number of remarkable projects around the globe testify to the company’s creativity. In its long history, HOCHTIEF has shaped living spaces, built spectacular landmarks, and delivered technically superlative solutions. In performing these activities, the Group could rely on its accumulated expertise and never had to be afraid of changes—a tradition HOCHTIEF can also build on in future. Turning Vision into Value. Anz_Essen-Affair_2013.indd 2 27.03.13 10:10 EDITORIAL | 3 Egon Galinnis Managing Director of Messe Essen GmbH Dear Readers, Not too much navel-gazing – we set ourselves this objective at the very start of ESSEN AFFAIRS. And your comments on our magazine have convinced us that this is still the right way to go. But we’ve made an exception for this issue. And I’m sure you won’t hold it against us, for the occasion is unique: Messe Essen was founded 100 years ago, on 21 April 1913. In the cover story on our 100-year jubilee, we not only take a look back but also gaze into the future – just like the many well-wishers who sent us their personal congratulations. I would like to take this opportunity to warmly thank all of them once again for their contributions.
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Season 2019-2020
23 Season 2019-2020 Saturday, February 1, at 8:00 The Philadelphia Orchestra Sunday, February 2, at 2:00 Yannick Nézet-Séguin Conductor Daniil Trifonov Piano Boulanger Of a Sad Evening Beethoven Piano Concerto No. 5 in E-flat major, Op. 73 (“Emperor”) I. Allegro II. Adagio un poco mosso— III. Rondo: Allegro Intermission Farrenc Symphony No. 2 in D major, Op. 35 I. Andante—Allegro II. Andante III. Scherzo: Vivace IV. Andante—Allegro This program runs approximately 2 hours. These concerts are sponsored by Ralph Muller and Beth Johnston. These concerts are part of The Philadelphia Orchestra’s WomenNOW and BeethovenNOW celebrations. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community centers, the Mann Through concerts, tours, is one of the world’s Center to Penn’s Landing, residencies, and recordings, preeminent orchestras. classrooms to hospitals, and the Orchestra is a global It strives to share the over the airwaves and online. ambassador. It performs transformative power of The Orchestra continues annually at Carnegie Hall, music with the widest to discover new and the Saratoga Performing possible audience, and to inventive ways to nurture its Arts Center, and the Bravo! create joy, connection, and relationship with loyal patrons. Vail Music Festival. The excitement through music The Philadelphia Orchestra Orchestra also has a rich in the Philadelphia region, continues the tradition of history of touring, having across the country, and educational and community first performed outside around the world.
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Daniil Trifonov
Daniil Trifonov Thursday, February 1, 2018 at 8:00pm This is the 798th concert in Koerner Hall PROGRAM Federico Mompou: Variations on a Theme of Chopin Robert Schumann: “Chopin” from Carnaval: Scènes mignonnes sur quatre notes, op. 9 Edvard Grieg: “Hommage à Chopin“ from Moods, op. 73 Samuel Barber: Nocturne (Homage to John Field), op. 33 Pyotr Il’yich Tchaikovsky: “Un poco di Chopin,” op. 72, no. 15 Sergei Rachmaninov: Variations on a Theme of Chopin, op. 22 Tema: Largo Variation 1: Moderato Variation 2: Allegro Variation 3: L’istesso tempo Variation 4: L’istesso tempo Variation 5: Meno mosso Variation 6: Meno mosso Variation 7: Allegro Variation 8: L’istesso tempo Variation 9: L’istesso tempo Variation 10: Più vivo Variation 12: Moderato Variation 13: Largo Variation 14: Moderato Variation 15: Allegro scherzando Variation 16: Lento Variation 17: Grave Variation 20: Presto Variation 21: Andante Variation 22: Maestoso – Tempo 1 Tema INTERMISSION Fryderyk Chopin: Variations on “Là ci darem la mano” from Mozart’s Don Giovanni, op. 2 Introduction. Largo—Poco più mosso Thema. Allegretto Variation 1. Brillante Variation 2. Veloce, ma accuratamente Variation 3. Sempre sostenuto Variation 4. Con bravura Variation 5. Adagio and Alla Polacca Fryderyk Chopin: Piano Sonata No. 2 in B flat Minor, op. 35 I. Grave - Doppio movimento II. Scherzo III. Marche funèbre: Lento IV. Finale: Presto Federico Mompou Born in Barcelona, Spain, April 16, 1893; died there, June 30, 1987 Variations on a Theme of Chopin (1938-57) Catalan composer Federico Mompou composed the earliest sketches for his Variations on a Theme of Chopin in 1938 in Paris, almost a century after the Polish composer died in his adopted city.
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Gidon Kremer, Violin Daniil Trifonov, Piano
Tuesday, January 13, 2015, 8pm First Congregational Church Gidon Kremer, violin Daniil Trifonov, piano PROGRAM Wolfgang Amadeus Mozart (1756–1791) Fantasia for Piano in D minor, K. 397 (1782) Mieczysław Weinberg (1919–1996) Sonata No. 5 for Violin and Piano in G minor, Op. 53 (1953) Andante con moto Allegro molto Allegro moderato Allegro — Andante — Allegretto Mozart Sonata for Piano and Violin in E-flat major, K. 481 (1785) Molto allegro Adagio Thema con variazioni: Allegretto INTERMISSION Weinberg Sonata No. 3 for Solo Violin, Op. 126 (1978) Franz Schubert (1797–1828) Fantasy for Violin and Piano in C major, D. 934 (1827) Andante molto — Allegretto — Andantino — Tempo I — Allegro vivace — Allegretto — Presto Funded, in part, by the Koret Foundation, this performance is part of Cal Performances’ – Koret Recital Series, which brings world-class artists to our community. This performance is made possible, in part, by Patron Sponsors Liz and Greg Lutz and Lance and Dalia Nagel. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 15 PROGRAM NOTES Wolfgang Amadeus Mozart (;A?@–;AC;) Romanticism. Repetitions of this sad song are Fantasia for Piano in D minor, K. =CA twice interrupted by sweeping cadenza-like eruptions be fore the Fantasia pauses on an in - Composed in 1782. conclusive harmony, takes a small breath, and trots off with a cheerful D major melody of In 1782, one year after he had bolted from opera buffa jocularity. Mozart, perhaps unsure Salzburg to take up life as a freelance composer of how to bring these two vastly different kinds and pianist in Vienna, Mozart developed a new, of music into balance, did not finish notating gleaming admiration for the music of Bach, the piece.
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San Francisco Symphony 2017-2018 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 6, 2017 SAN FRANCISCO SYMPHONY 2017-2018 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2017-18 season go on sale TUESDAY, March 7 at 10 am at www.sfsymphony.org/1718season, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Additional information about subscription packages and season highlights is available prior to the on-sale date at www.sfsymphony.org/1718season. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted OPENING NIGHT GALA with YO-YO MA Thursday, September 14, 2017 at 8 pm Michael Tilson Thomas conductor Yo-Yo Ma cello San Francisco Symphony BERNSTEIN Overture to Candide SAINT-SAËNS Cello Concerto No. 1 in A minor, Opus 33 TCHAIKOVSKY Variations on a Rococo Theme RAVEL Boléro SAN FRANCISCO SYMPHONY AND CHORUS, MICHAEL TILSON THOMAS CONDUCTING Friday, September 22, 2017 at 8 pm Saturday, September 23, 2017 at 8 pm Sunday, September 24, 2017 at 2 pm Michael Tilson Thomas conductor Isabel Leonard mezzo-soprano Ryan McKinny bass-baritone [SFS debut] Carey Bell clarinet San Francisco Symphony Chorus, Ragnar Bohlin director San Francisco Symphony BERNSTEIN Prelude, Fugue, and Riffs BERNSTEIN Chichester Psalms BERNSTEIN (arr. Coughlin) Arias and Barcarolles BERNSTEIN (orch. Kostal, Ramin) Symphonic Dances from West Side Story San Francisco Symphony 2017-18 Season Calendar – Page 2 of 18 SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 28, 2017 at 8 pm Saturday, September 30, 2017 at 8 pm Sunday, October 1, 2017 at 2 pm Michael Tilson Thomas conductor Jeremy Denk piano San Francisco Symphony BARTÓK Piano Concerto No.
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FOR RELEASE: January 22, 2014
FOR IMMEDIATE RELEASE November 24, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] PIANIST DANIIL TRIFONOV ELECTED TO NEW YORK PHILHARMONIC BOARD OF DIRECTORS Pianist Daniil Trifonov, the 24-year-old Russian pianist who is beginning his final week as the spotlighted soloist in the three-week Rachmaninoff: A Philharmonic Festival, has joined the Board of Directors of the New York Philharmonic, elected on November 13, 2015. The Philharmonic’s relationship with Daniil Trifonov began with his Philharmonic debut in the 2012–13 season, when, at the age of 21, he performed Prokofiev’s Piano Concerto No. 3, led by Music Director Alan Gilbert. The New York Times wrote of that performance: “The orchestra and the soloist clearly had chemistry, sounding completely in sync even during the trickiest passages. Their vivid dialogues unfolded with both verve and spontaneity.” The Philharmonic invited Mr. Trifonov to return in the 2014–15 season to perform Rachmaninoff’s Piano Concerto No. 1, led by Juanjo Mena. Called “dazzling” and “a brilliant, uncommonly poetic soloist” by The New York Times, Mr. Trifonov is the featured soloist in Rachmaninoff: A Philharmonic Festival, taking place throughout November 2015, in which he performs Rachmaninoff’s Piano Concertos Nos. 2, 3, and 4 and Rhapsody on a Theme of Paganini, in addition to a chamber program featuring Mr. Trifonov alongside Musicians from the New York Philharmonic. “Daniil Trifonov will be an outstanding addition to the New York Philharmonic Board of Directors,” said Chairman Oscar S. Schafer. “He is a brilliant pianist who, since his debut in 2012, has thrilled our audiences and established a strong rapport with our musicians that critics and audiences have noticed.
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Seiji Ozawa International Academy Switzerland
SEIJI OZAWA INTERNATIONAL ACADEMY SWITZERLAND 2015 2 3 « Merci à celles et ceux qui, depuis le début, « Thanks to those who, since the very beginning nous ont accueillis et soutenus avec force, have welcomed and supported us strongly, merci aux professeurs et à leur engagement, thanks to the tutors and to their commitment, merci à Bobby Mann qui a contribué à établir thanks to Bobby Mann who set up the basic line Seiji Ozawa Seiji Ozawa les principes de base de notre Académie » of our Academy » Robert Mann Robert Mann a composé plus de 30 œuvres pour Robert Mann Robert Mann has composed more than 30 works — narrateur et instruments, qu’il joue avec sa femme — for narrator with various instruments that he Présent dès la première heure de l’Académie, Robert l’actrice Lucy Rowan et de nombreuses compostions Present since the very beginning, Robert Mann performs with his wife, the actress Lucy Rowan. Mann en est une figure symbolique. Il a contribué dont une Fantaisie pour orchestre interprétée is a symbolic figure of the Academy. He has He has also composed an Orchestral Fantasy de façon significative à son développement par Dimitri Mitropoulos avec les Philarmoniques significantly contributed to its development and performed by Dimitri Mitropoulos with the New et à l’exigence d’excellence au cœur de ce projet. de New York, de Vienne ainsi qu’au Festival to the demand for excellence at the heart of York Philharmonic, the Vienna Philharmonic, Fondateur et premier violon du célèbre Quatuor de Salzbourg, un duo pour violon et piano, créé this project.
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FOR RELEASE: February 22, 2012 Contact: Eric Latzky
FOR RELEASE: February 22, 2012 Contact: Eric Latzky ALAN GILBERT AND THE NEW YORK PHILHARMONIC 2012–13 SEASON ALAN GILBERT OPENS THE SEASON with The Rite of Spring, Pianist Leif Ove Andsnes Performs Kurtág and Beethoven, September 19–22 THE OPENING GALA: Respighi, and Itzhak Perlman Performs Tchaikovsky, September 27 World Premiere of ANDERS HILLBORG Song Cycle with RENÉE FLEMING at Carnegie Hall THE NIELSEN PROJECT CONTINUES — The Three Concertos Performed and Recorded THREE AMERICANS: IVES’s FOURTH SYMPHONY, World Premiere by Christopher ROUSE, BERNSTEIN’s Serenade New Work by STEVEN STUCKY, Barber with GIL SHAHAM, Rachmaninoff JUNE JOURNEY: GILBERT’S PLAYLIST THE JAZZ EFFECT: Stravinsky, Shostakovich, COPLAND’s Clarinet Concerto , WYNTON MARSALIS’s Swing Symphony with THE JAZZ AT LINCOLN CENTER ORCHESTRA, May 31–June 1 GERALD FINLEY as DALLAPICCOLA’s IL PRIGIONIERO LISA BATIASHVILI Plays Prokofiev, June 6–11 A RING JOURNEY, Alan Gilbert’s Arrangement of Wagner’s Ring Cycle ROUSE’s Seeing with EMANUEL AX, June 20–22 STRAVINSKY ON STAGE Director/Designer DOUG FITCH and Giants Are Small Animate PETRUSHKA with THE FAIRY’S KISS, June 27–29 CHRISTOPHER ROUSE Named Marie-Josée Kravis COMPOSER-IN-RESIDENCE First Season of Two-Year Term: World Premiere, Seeing, Phantasmata Advisory Role on CONTACT!, World, U.S., New York Premieres, with Jayce Ogren, Alan Gilbert __________________ EMANUEL AX Named Mary and James G. Wallach ARTIST-IN-RESIDENCE Bach, Schoenberg, Mozart, Rouse with Orchestra; Mahler/Schoenberg Das Lied von der Erde — a Co-Presentation with Lincoln Center’s White Light Festival — and Brahms in Chamber Concerts; Soloist on EUROPE / SPRING 2013 Tour __________________ THE BACH VARIATIONS: A Philharmonic Festival Perspectives on Bach by Masaaki Suzuki, Alan Gilbert, András Schiff, Bernard Labadie Mass in B Minor, Orchestral Suites, Mendelssohn, and Schumann A Collaboration with 92nd Street Y __________________ (Headlines continued next page) 2 TRISTAN MURAIL’s Piano Concerto, U.S.
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Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No.
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