2019–2020 Season Chronological Listing of Concerts
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Brahms Elgar 7
LANGER STRAUSS BRAHMS ELGAR 7. SINFONIEKONZERT 16/17 Wir machen darauf aufmerksam, dass Ton- und/oder Bildaufnahmen unserer Aufführungen durch jede Art elektronischer Geräte strikt untersagt sind. LANGER STRAUSS BRAHMS ELGAR 7. SINFONIEKONZERT Elena Langer Story of an Impossible Love 11‘ (*1974) DEUTSCHE ERSTAUFFÜHRUNG Richard Strauss Duett-Concertino für Klarinette und Fagott F-Dur 19’ (1864 – 1949) 1. Allegro moderato 2. Andante 3. Rondo. Allegro ma non troppo Johannes Brahms Schicksalslied für Chor und Orchester op. 54 16‘ (1833 – 1897) nach Hölderlins gleichnamiger Dichtung Adagio: Ihr wandelt droben im Licht Allegro: Doch uns ist gegeben Adagio: Orchesternachspiel Edward Elgar The Music Makers für Mezzosopran, (1857 – 1934) Chor und Orchester op. 69 40‘ nach der gleichnamigen Ode von Arthur O’Shaughnessy Daniel Bollinger Klarinette Romain Lucas Fagott Katharine Tier Mezzosopran Ulrich Wagner Choreinstudierung Marius Zachmann Mitarbeit Choreinstudierung Justin Brown Dirigent BADISCHER STAATSOPERN- & EXTRACHOR BADISCHE STAATSKAPELLE 18.6.2017 11.00 GROSSES HAUS 19.6.2017 20.00 GROSSES HAUS Dauer 2 ¼ Stunden, eine Pause Mit freundlicher Unterstützung durch MÄRCHEN- BILDER ES WAREN ZWEI KÖNIGSKINDER Dazu passt, dass die Komponistin selbst Langer: Story of an Impossible Love zwei musikalische Welten in sich trägt und (2016/17) diese harmonisch miteinander verbindet. Ihr erster musikalischer Eindruck, sagte sie Die Oboe sitzt in der Mitte des Orches- beim Ausfüllen eines Fragebogens, sei der ters, doch eine Barriere aus Notenpulten Gesang ihrer Großmutter gewesen, wenn trennt sie von den Streichern. Die Geigen sie betrunken war. Und Komponistin sei sie sitzen vorne und strahlen ihren Glanz kol- geworden, weil Klavierspielen so viel Zeit lektiv ins Publikum, während die Oboe mit beansprucht und aus ständiger Wiederho- ihrem näselnden Timbre individuell aus lung besteht. -
Daniil Trifonov
Sunday 16 June 2019 7–9pm Barbican LSO SEASON CONCERT ARTIST PORTRAIT: DANIIL TRIFONOV Beethoven Overture: Egmont Shostakovich Concerto No 1 for HAROLD Piano, Trumpet and Strings Interval Berlioz Harold in Italy * Gianandrea Noseda conductor Daniil Trifonov piano Philip Cobb trumpet IN ITALY Antoine Tamestit viola * Welcome Latest News On our Blog After the interval, Antoine Tamestit joins BMW CLASSICS IN TRAFALGAR SQUARE DIGITAL TECHNOLOGY GROUP: the Orchestra as viola soloist in Berlioz’s WORKS IN PROGRESS Harold in Italy, a work originally written for On 30 June, the LSO takes over Trafalgar violin and viola virtuoso Niccolò Paganini. Square as Sir Simon Rattle conducts a This month’s LSO Discovery Showcase, This four-movement symphony is inspired dance-inspired programme of music by ‘One Night, One Thousand and One by a poem by Lord Byron, describing Childe Dvořák, Poulenc, Ravel and Bushra El-Turk. Stories’, featured pieces for electronics, Harold’s pilgrimage through Italy. This There will also be performances by young live performance and video presented concert forms part of Berlioz 150, as we musicians from the LSO On Track scheme in by Ife Olalusi and Ken Burnett, members celebrate the composer’s life and music East London and from the Guildhall School. of the LSO Digital Technology Group. across 2019, marking 150 years since We spoke to Ken and Ife about their Berlioz’s death. inspirations and influences, and how elcome to tonight’s LSO concert LSO AT THE BBC PROMS 2019 they produced music for the concert. at the Barbican conducted by A very warm welcome to the retired LSO Gianandrea Noseda. -
Swr2 Programm Kw 16
SWR2 PROGRAMM - Seite 1 - KW 16 / 19. - 25.04.2021 Ludwig van Beethoven: Seit der letzten Eiszeit befruchtet die Montag, 19. April 6 ländlerische Tänze WoO 15 „Dunkle Europäische Biene“ in Bayerische Kammerphilharmonie Europa Blütenpflanzen. Doch die 0.03 ARD-Nachtkonzert Leitung: Karl Anton Rickenbacher Imkerei mit modernen ertragreichen Franz Liszt: Granville Bantock: Honigbienen hat die Ur-Biene fast „Die Ideale“ „Celtic Symphony“ verdrängt. Um sie vor dem Gewandhausorchester Leipzig Royal Philharmonic Orchestra Aussterben zu bewahren, gestalten Leitung: Kurt Masur London Bienenzüchter in Frankreich Robert Schumann: Leitung: Vernon Handley Landstriche neu und fertigen Klavierquintett Es-Dur op. 44 artgerechte Behausungen. Auch in Peter Rösel (Klavier) 5.00 Nachrichten, Wetter Deutschland engagieren sich Gewandhaus-Quartett Forscher*innen und Joseph Haydn: 5.03 ARD-Nachtkonzert Hobbyimker*innen. Denn: Die Violoncellokonzert D-Dur Hob. VIIb/4 Niels Wilhelm Gade: Wildbiene ist robust, passt sich gut Jan Vogler (Violoncello) „Sommertag auf dem Lande“, an Klimaveränderungen an und trägt Virtuosi Saxoniae Fröhliches Landleben op. 55 zum Erhalt der Artenvielfalt bei, Leitung: Ludwig Güttler Staatsphilharmonie Rheinland-Pfalz indem sie andere Pflanzen bestäubt Francesco Feo: Leitung: Ole Schmidt als die moderne Biene. „Confitebor“ Domenico Cimarosa: Anja Züger, Dorothea Wagner Oboenkonzert C-Dur 8.58 SWR2 Programmtipps (Sopran) Lajos Lencsés (Oboe) Dominika Hirschler (Alt) Kammerorchester Arcata Stuttgart 9.00 Nachrichten, Wetter Tobias Hunger (Tenor) Leitung: Patrick Strub Tobias Berndt (Bass) Anton Arenskij: Sächsisches Vocalensemble 9.05 SWR2 Musikstunde Allegro moderato aus dem Klaviertrio Batzdorfer Hofkapelle Es werde Licht! Wie das Alte d-Moll op. 32 Leitung: Matthias Jung Testament klingt (1) Trio Wanderer Mit Sabine Weber Carl Maria von Weber: Wenzel Raimund Birck: Klavierkonzert Nr. -
Michael Tilson Thomas and the San Francisco
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / FEBRUARY 12, 2020 (High resolution images are available for download from the San Francisco Symphony’s Online Photo Library. MICHAEL TILSON THOMAS AND THE SAN FRANCISCO SYMPHONY EMBARK ON FINAL TOUR OF NEW YORK AND EUROPE TOGETHER WITH PERFORMANCES IN EIGHT COUNTRIES, MARCH 17–APRIL 7, 2020 Tour begins with two performances at New York’s Carnegie Hall March 17 & 18 featuring Stravinsky’s The Firebird, Saint-Saëns’ Cello Concerto No. 1 with Gautier Capuçon, the New York Premiere of San Francisco Symphony and Carnegie Hall Co-Commission I Still Dance by John Adams, and Mahler’s Symphony No. 6 European tour performances feature Pianist Daniil Trifonov in London, Hamburg, Berlin, and Vienna; and Cellist Gautier Capuçon in Munich, Amsterdam, Antwerp, Luxembourg, Lyon, and Paris SAN FRANCISCO, CA—Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) embark on their final tour of New York and Europe together before MTT concludes his distinguished 25-year tenure as Music Director at the end of the 2019–20 season. The tour begins with two concerts at New York’s Carnegie Hall March 17–18, and continues with 14 performances in ten cities across Europe, March 21–April 7. The March 17 performance at Carnegie Hall features the New York premiere of John Adams’ new composition, I Still Dance, co-commissioned by the San Francisco Symphony and Carnegie Hall. An explosive eight-minute work written in a single movement, I Still Dance features densely interwoven parts that are driven forward by propulsive arpeggiated figures. -
100 YEARS of MESSE ESSEN Hochtief.Com
www.messe-essen.de 1.2013 Issue DEEP KNOWLEDGE SCHWEISSEN & SCHNEIDEN: what the joining technology elite is discussing 100 YEARS OF MESSE ESSEN hochtief.com MY OUR COMPANY HISTORY YEARS OCHTIEF In 1873, the Helfmann brothers founded a small construction business—hoping that it would be a long-term success. In 2013, HOCHTIEF celebrates its 140th anniversary and is one of the leading global construction groups. A number of remarkable projects around the globe testify to the company’s creativity. In its long history, HOCHTIEF has shaped living spaces, built spectacular landmarks, and delivered technically superlative solutions. In performing these activities, the Group could rely on its accumulated expertise and never had to be afraid of changes—a tradition HOCHTIEF can also build on in future. Turning Vision into Value. Anz_Essen-Affair_2013.indd 2 27.03.13 10:10 EDITORIAL | 3 Egon Galinnis Managing Director of Messe Essen GmbH Dear Readers, Not too much navel-gazing – we set ourselves this objective at the very start of ESSEN AFFAIRS. And your comments on our magazine have convinced us that this is still the right way to go. But we’ve made an exception for this issue. And I’m sure you won’t hold it against us, for the occasion is unique: Messe Essen was founded 100 years ago, on 21 April 1913. In the cover story on our 100-year jubilee, we not only take a look back but also gaze into the future – just like the many well-wishers who sent us their personal congratulations. I would like to take this opportunity to warmly thank all of them once again for their contributions. -
GYULA NAGY Baritone
GYULA NAGY Baritone Address RoI: 38 Grove Park, Rathmines, Dublin 6, Ireland Address UK: 46 Kemble Road, Forest Hill, London, SE23 2DJ Mobile UK: +447775150180 Mobile RoI: +353871676408 [email protected] Hungarian (EU citizen) Young Artist at Jette Parker Young Artists Programme - Royal Opera House, Covent Garden (2016 September- 2018 June) Upcoming Operatic Engagements: 2017-18: Schaunard La Boheme ROH Escamillo La Tragédie de Carmen ROH-JPYAP Morales Carmen ROH Sivlio (cover) Pagliacci ROH Ford (cover) Falstaff ROH Third Brabantian Noble Lohengrin ROH Recent Operatic Engagements: 2017: Belcore (Cover) L'elisir d'amore ROH Baron Douphol La Traviata ROH Flemish Deputy Don Carlos ROH Sharpless (Cover) Madama Butterfly ROH Imperial Commissioner Madama Butterfly ROH Nachtigall Meistersinger ROH Paul Les Enfants Terribles (Philip Glass) The Royal Ballet 2016: Filotete Oreste (Handel) ROH - JPYAP Fiorello Il barbiere di Siviglia ROH As WNO Associate Artist: Silvio Pagliacci Welsh National Opera Count Almaviva (Cover) The Marriage of Figaro Welsh National Opera Count Almaviva (Cover) Figaro Gets a Divorce Welsh National Opera 2015: Escamillo (Cover) Carmen Scottish Opera Punch (H. Birtwistle) Unhappy Families (Scenes) National Opera Studio Eisenstein/Figaro (Rossini) Opera Scenes Scottish Opera-NOS 2014: Don Giovanni/Papageno Opera Gala Welsh National Opera-NOS Onegin/Don Giovanni Opera Scenes National Opera Studio Tarquinius The Rape of Lucretia Irish Youth Opera Forester The Cunning Little Vixen (English trans.) Royal Irish Academy -
Classical New Releases
harmonia mundi UK FEBRUARY 2015 Classical new releases DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, BELVEDERE, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DUCALE, EDITION CLASSICS, EVIDENCE, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, HERITAGE, KAMER, KML, LA DOLCE VOLTA, LA MUSICA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, MUSIQUES A LA CHABOTTERIE, NAÏVE, ONYX, OPELLA NOVA,, PAN CLASSICS, PARADIZO, PARATY, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE available February 5th, call-off Jan 25th 2016 BBC Music Magazine February Concerto Choice harmonia mundi HMC902221 Vivaldi Violin Concertos / Teatro alla Moda Amandine Beyer, Gli Incogniti Gramophone Editor’s Choice February Glossa GCD921517 Handel Duetti e terzette Italiani Roberta Invernizzi, Silvia Frigato, Krystian Adam, Thomas Bauer, La Risonanza / Fabio Bonizzoni Gramophone Editor’s Choice January DISC OF THE MONTH EVCD015 Beethoven Complete works for cello & Piano François Frédéric Guy & Xavier Phillips Gramophone Editor’s Choice January Wigmore Hall Live WHLIVE 0078/2 Mozart Piano Sonatas Vol.4 Christian Blackshaw Gramophone Editor’s Choice January Naive V5414 My Armenia Sergey Khachatryan (violin) & Lusine Khachatryan (piano) Gramophone Editor’s Choice January Mirare MIR162 W.F.Bach Keyboard Concertos Maude Gratton, Il Convito NOMINEES CHORAL Signum SIGCD430 Brahms & Bruckner Motets Tenebrae/Nigel Short; Mark Templeton, Helen Vollam, Patrick Jackman (trombone) “Don’t be fooled by the compact dimensions of Bruckner’s motets. They have lofty symphonic ambitions, and Tenebrae and its enterprising conductor Nigel Short match their demands with an ease and economy that’s rarely heard, from the deepest bass to the soaring sopranos. -
The Figaro Project
The Figaro Project Directed by Jean Randich · Beaumarchais' THE_MARRIAGE OF FIGARO adapted by Eric Overmyer, and interludes from Mozart's LE NOZZE DI FIGARO CAST: Figaro: Tyler Twombly Susanna: Raphaeh Rose Primus Cherubino: Kevin Lackatf-Gilligan Count: Tom Shoemaker Countess: Molly Tarlov Antonio: Noel Kanalley Pedrillo: Josh Gulotta Fanchette: Allison Zajac-Battell Peasants and Shepherdesses: 1he Ensemble VOCALISTS: Figaro: Danny Brylow Susanna: Raphaela Rose Primus Cherubino: Sarah King Count: Tom Shoemaker Countess: Rebecca Moulton ARTISTIC STAFF: Director: Jean Randich Music Director: Tom Bogdan Dramaturge: Katie Kierstead Fight Choreographer: Chris Edwards Technical Director: Mike Rancourt Assistant Director: Laura Elaine Allen Set Designer: Sue Rees Costume Designer: J en Bennett Costume Designer: Emily Woods Hogue Lighting Designer: C. Webster Marsh Sound Designer: Travis Garrison Stage Manager: Abby Geoghegan Assistant Stage Manager: Olivia Murphy RUNNING CREW: Light Board Operator: Nick Haas Sound Board Operator: Marika Shyurotf Follow Spots: Cate Ludin and Kaarin Lysen Wardrobe: Cathy Skulnik, Matthew Denison, Karly Blase Hair and Make-Up: Jen Bennett, Emily Woods Hogue, Max Wolkowitz, Kaitlin Tredway Scene Shop Carpenters: Laura Elaine Allen,Jomthan Burklund, Keith Eyrich,Jen Funk, K.1tie_lackson , Katherine Perkins, Anthony Pinto, Emily Reid Scene Shop Lab Crew: Jane Burns, Aisha Cruse, Ileasa Grcen.Jami Jvlarshall-Lively. Denise McLean, C1itlin Orner, Man~ n P.1trick, Ed Pisari, Rhea Rhiley. Brian Schul tis, Tom Shoemaker, -
SALZBURG FESTIVAL 20 July – 31 August 2019 Young Singers Project
SALZBURG FESTIVAL 20 July – 31 August 2019 Press Release of the Salzburg Festival Young Singers Project 2019 Supported by the Kühne Foundation photo: SF/Anne Zeuner (SF, 2 July 2019) “The lucky hand – or rather, lucky ear – of Evamaria Wieser, the director of the Young Singers Project, is demonstrated by the fact that the participants in the Young Singers Project achieve excellent results at competitions all over the world and are engaged by the best opera houses,” says Festival President Helga Rabl-Stadler. “This year, a total of 13 participants of the Young Singers Project will appear on the programme of the Salzburg Festival. Furthermore, I am particularly pleased that Joel Prieto, a 2008 YSP participant, will sing the title role in Orphée aux enfers.” With the Young Singers Project, the Salzburg Festival has created a high-carat platform for the support of young vocalists, which looks back upon eleven years of successful history in 2019. Since 2008, 157 young vocalists from 41 countries have participated in the Young Singers Project. This year, 13 young singers from eleven nations will take part. They are from Canada, Spain, the UK, France, Russia, Poland, the USA, Ukraine, Ireland and, for the first time, from Mexico and New Zealand. 1 SALZBURG FESTIVAL 20 July – 31 August 2019 The singers are chosen at international auditions. As part of their fellowship, they have the opportunity to work with Festival artists. Tuition includes not only music lessons and repertoire expansion, but also stage rehearsals, language coaching and lied interpretation. Its master classes and strong practical orientation make YSP an international model for young artist programmes. -
The Figaro Project Beaumarchais' the Marriage of FIGARO Adapted by Eric Overmyer, and Interludes from Mozart's LE NOZZE DI FIGARO
The Figaro Project Beaumarchais' THE Marriage OF FIGARO adapted by Eric Overmyer, and interludes from Mozart's LE NOZZE DI FIGARO CAST Figaro:Tyler Twombly Susanna: Raphaela Rose Primus Cherubino: Kevin Lackaff-Gilligan Count: Tom Countess: MollyTJrlov An tonio: Noel Kanalley Pedrillo: Josh Gulotta Fanchette: Allison Zajac-Battell Peasants and Shepherdesses: The Ensemble VOCALISTS: Figaro: Danny Brylow Susanna: Raphaela Rose Primus Cherubino: Sarah King Count: Tom Shoemaker Countess: Rebecca Moulton ARTISTIC STAFF: Director: Jean Randich Music Director: Tom Bogdan Dramaturge: Katie Kierstead Fight Choreographer: Chris Edwards Technical Director: Mike Rancourt Assistant Director: Laura Elaine Allen Set Designer: Sue Rees Costume Designer: Jen Bennett Costume Designer: Emily Woods Hogue Lighting Designer: C. Webster Marsh Sound Designer: Travis Garrison Stage Manager: Abby Geoghegan Assistant Stage Manager: O livia Murphy RUNNING CREW: Light Board Operator: Nick Haas Sound Board Opwtor: Marika Shyuroff Follow Spots: Cate Ludi n and Kaarin Lysen Wardrobe: Cathy Skulnik, Matthew Denison, Karly Blase Hair and Make-Up: Jen Bennett, Emily Wc,ods Hogue, Max Wolkowitz, Kaitlin Tredway Scene Shop Carpenters: Laur.l ElaineAllen._JonathanBurklund, Kei th Eyrich, Jen Funk. Katie Jackson KatherinePerkins, t\nthony Pinto Emily Reid Scene Shop Lab Crew:J1ne Burns, Aisha Cruse, Ileasa Green._Jami Marshall-Lively Denise McLean, Caitlin O rner, Maren Patrick, Ed Pisari, Rhea Rhiley, Brian Schulis Tom Shoemaker. Pond Spaeth, Amanda Vorce, Max Wolkowitz Costume -
Music by BENJAMIN BRITTEN Libretto by MYFANWY PIPER After a Story by HENRY JAMES Photo David Jensen
Regent’s Park Theatre and English National Opera present £4 music by BENJAMIN BRITTEN libretto by MYFANWY PIPER after a story by HENRY JAMES Photo David Jensen Developing new creative partnerships enables us to push the boundaries of our artistic programming. We are excited to be working with Daniel Kramer and his team at English National Opera to present this new production of The Turn of the Screw. Some of our Open Air Theatre audience may be experiencing opera for the first time – and we hope that you will continue that journey of discovery with English National Opera in the future; opera audiences intrigued to see this work here, may in turn discover the unique possibilities of theatre outdoors. Our season continues with Shakespeare’s As You Like It directed by Max Webster and, later this summer, Maria Aberg directs the mean, green monster musical, Little Shop of Horrors. Timothy Sheader William Village Artistic Director Executive Director 2 Edward White Benson entertained the writer one One, about the haunting of a child, leaves the group evening in January 1895 and - as James recorded in breathless. “If the child gives the effect another turn of There can’t be many his notebooks - told him after dinner a story he had the screw, what do you say to two children?’ asks one ghost stories that heard from a lady, years before. ‘... Young children man, Douglas, who says that many years previously he owe their origins to (indefinite in number and age) ... left to the care of heard a story too ‘horrible’ to admit of repetition. -
Boston Symphony Orchestra Concert Programs, Season 68, 1948-1949
-4£2ttttj£fe, SYMPHONY HALL, BOSTON SIXTY-EIGHTH SEASON, 1948-1949*! CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1948, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Roger I. Lee Alvan T. Fuller Lewis Perry Jerome D. Greene Henry B. Sawyer N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager [529] Only 3& you can @ decide © © © © © Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- © mate disposition is a matter of vital concern to those you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: ''Should I Make a Will?" © It outlines facts that everyone with property should © © know, and explains the many services provided by this Bank as Executor and Trustee. Call at any of our 2 J convenient offices, write or telephone © for our booklet: "Should I Make a WHIP" © © © Zj&KAonal c/KMdt z/jefotwitment © © Optional © The © © Shawmut Bank © 40 IVater Street^ Boston © Member Federal Deposit Insurance Corporation © © Capital and Surplus $30,000,000 © "Outstanding Strength 'for 112 Years © © [530] PB BB SYMPHONIANA The American Festival of 1939 One Always Returns THE AMERICAN FESTIVAL OF 1939 The review of American music at the symphony concerts of this week and next brings to mind two special concerts in October, 1939.