Obon Festival 2013

Total Page：16

File Type：pdf, Size：1020Kb

Obon Festival 2013 August 2013 Volume 1, Issue 1 Celebrating Your Heritage Obon is similar to America's Thanksgiving. At the beginning of Obon, spirits are called to the cemeteries through the burning of incense and the offering of a pray- er, and at the end the spirits are led to a river or the ocean's edge on their way back to the world of the dead, guided by a paper lantern with a candle inside. Although some of Obon's rituals are somber, much of the holiday is festive; a time when families happily reunite and celebrate the Bon Festival and Lantern Floating Ceremony for all loved ones and ancestors that have passed away. The festival has been held since the 7th century although many of the events have changed and it is one of the most significant and enjoyable of the Japanese festivals. It goes by a variety of names, the most popular of which is "The Bon Festival and Lantern Floating Ceremony”. Teaching our Children or Grandchildren Heritage is kept alive when we pass along the understanding and traditions to our youth. To see and become a participant in the Festival our Children and Grandchildren learn to respect and honor the sacrifices of those who came before us. For More Information call or visit: Valley of the Temples 808-236-4078 www. valley-of-the-temples.com Page 2 Byodo-In Temple Obon Festival 2013 You and your family are invited to join us on Saturday, August 17, 2013 from 11:00 to 4:00 pm for the Obon Festival sponsored by the Valley of the Temples and held at the Byodo-In Temple 47-200 Kahekili Hwy. ,Kaneohe. The day will be filled with enter- tainment, prizes and celebration for the entire family. Schedule of Events Saturday, August 17, 2013 Master of Ceremonies Lina Girl—KCCN FM100’s Morning Drive 11:00 am Opening Ceremony VOT & Bishop Hosen Fukuhara 11:15 am Taiko Nakai-Dragon Drum Beat 11:45 am Nankuru Naisa Hawaii Seiichi Yagi & Friends 12:15 pm Drawing Rules & Lotus Lantern Application 12:25 pm Taisho Koto Kinjo-ryu Taisho Koto Rainbow Group Charles and Masako Miyajima 1:00 pm Drawing for Artist’s Gift 1:10 pm Minyo Harada Nao Azusa-Kai Hawaii...Nonaka 1:30 pm Bon Dance Sukiyaki Bon Dance Club Koolau Utakai 2:15 pm Drawing for Artist’s Gift 2:20 pm Naginata Martial Arts Jiki-Shinkage-ryu Naginata/Kusarigama Hawaii Naginata Federation Hanae Miura Valley of the Temples 47-200 Kahekili Hwy, Kaneohe HI Page 3 Schedule of Events 3:00 pm Drawing for Artist’s Gift 3:15 pm Koto Music Darin Miyashiro &David Amann 3:45 pm Drawing for Artist’s Gift 4:00 pm Closing Ceremony Valley of the Temples, Bishop Fukuhara, Taiko Drums by Nakai Dragon Drum Beat & Bon-sho Tolling Enter To Win Round Trip Airfare for 2 to Japan* Restrictions apply Must be 21 or older to enter Chances of winning determined by number of entries No purchase necessary Draw date August 20, 2013 Participating Artists and Vendors—Mahalo Dragon Bonsai Club Glenn & Mary Sears Green Synergy Origami … Lillian Yajima Photo Art … Shannon Rae Mihoko Maier Sumi-e Art … Hisae Shouse Watercolor … Daniel Wang Ribbon Lei … Judy Barnes Oil Painting … Elaine Matsuda MOA … Tea Ceremony; Mini-Ikebana Demo Dr. Spencer Hamada & Michael Cheek (Apologies for No Salutations) .

Copy Link

Recommended publications

What-Kind-Place-Is-Ayabe.Pdf
What kind of Place is Ayabe? Lovely Land and Lovable People Table of Contents 1.Outline of Ayabe City 1) Fundamental Information of Ayabe City 2 2) The Land of Ayabe 6 3) The People of Ayabe 9 2. Four Seasons in Ayabe (Events and Flowers) 1)Spring ( from March to May ) 12 2)Summer ( from June to August ) 27 3)Autumn ( from September to November ) 38 4)Winter ( from December to February ) 51 3.Cultural Aspects and Tourist Destinations in Ayabe 1) Shinto and Shinto Shrines 57 2) Buddhism and Buddhist Temples 63 3) Other Cultural Aspects and Tourist Destinations 69 4) Shops, Cafés, Restaurants etc. 84 Ayabe City Sightseeing Map 88 C260A4AM21 この地図の作成に当っては、国土地理院長の承認を得て、同院発行の数値地図25000(地図画像)を使用した。(承認番号平２２業使、第632号)」 1. Outline of Ayabe City 1) Fundamental Information of Ayabe City Location The middle part of Kyoto Prefecture. It takes about one hour by train from Kyoto. Total Area 347.1 square kilometers Climate It belongs to the temperate zone. The average yearly temperature is 14.8 degrees Celsius. Population 33,821 people in 2015 Working The working population of commerce Population 2,002 people (in 2014) The working population of industry 4,786 people (in 2014) The working population of agriculture 2,914 people (in 2015) Established August 1, 1950 Mayor Zenya Yamazaki (as of 2017) Friendship Cities Jerusalem (Israel), Changshu (China) City Tree Pine City Flower Japanese plum blossoms City Bird Grosbeak (Ikaru) Schools Kyoto Prefectural Agricultural College Ayabe Senior High School Junior high schools 6 schools Elementary schools 10 schools Local Specialties Green tea Matsutake mushroom Chestnut Sweet fish (Ayu) Traditional Japanese hand-made paper (Kurotani Washi) Main Rivers Yura River, Kambayashi River, Sai River, Isazu River, Yata River High mountains M.Tokin (871meters), Mt.
[Show full text]
A Japanese View of “The Other World” Reflected in the Movie “Departures
13. A Japanese view of the Other World reflected in the movie “Okuribito (Departures)” Keiko Tanita Introduction Religion is the field of human activities most closely related to the issue of death. Japan is considered to be a Buddhist country where 96 million people support Buddhism with more than 75 thousands temples and 300 thousands Buddha images, according to the Cultural Affaires Agency in 2009. Even those who have no particular faith at home would say they are Buddhist when asked during their stay in other countries where religion is an important issue. Certainly, a great part of our cultural tradition is that of Buddhism, which was introduced into Japan in mid-6th century. Since then, Buddhism spread first among the aristocrats, then down to the common people in 13th century, and in the process it developed a synthesis of the traditions of the native Shintoism. Shintoism is a religion of the ancient nature and ancestor worship, not exactly the same as the present-day Shintoism which was institutionalized in the late 19th century in the course of modernization of Japan. Presently, we have many Buddhist rituals especially related to death and dying; funeral, death anniversaries, equinoctial services, the Bon Festival similar to Christian All Souls Day, etc. and most of them are originally of Japanese origin. Needless to say, Japanese Buddhism is not same as that first born in India, since it is natural for all religions to be influenced by the cultures specific to the countries/regions where they develop. Japanese Buddhism, which came from India through the Northern route of Tibet and China developed into what is called Mahayana Buddhism which is quite different from the conservative Theravada traditions found in Thai, Burmese, and Sri Lankan Buddhism, which spread through the Southern route.
[Show full text]
Japanese Musical Performance and Diaspora
Japanese Musical Performance and Diaspora Andrew N. Weintraub Contract laborers from Japan were brought to Hawai'i in large numbers beginning in 1885. The first generation of Japanese immigrants, or issei, were primarily farmers, fishermen, and country folk. By 1920, forty percent of the population in Hawai'i was Japanese. Issei immigrants paved the way for their children (nisei, or second generation), grandchildren (sansei, or third generation), and great-grandchildren (yonsei, or fourth generation). The Japanese impact on local Hawaiian culture can be seen in many areas, including foods, customs, architecture, and public music and dance festivals. Bon odori (or bon dance) in Hawai'i has endured many changes since the first group of issei arrived on the islands. During the plantation period (1880s to 1910s), the immigrants steadfastly kept the tradition alive despite low working wages, difficult living conditions, and isolation from their homeland. In the 1930s, with the new homeland established, the tradition was strengthened by new choreographies, new music, contests, and scheduled dances. During this time the bon dance became a popular social event that appealed particularly to the younger generation. After the outbreak of World War II in December 1941, priests were detained, temples were closed, and Japanese were discouraged from gathering in large numbers. It became dangerous for Japanese to make any public expressions of national pride. Bon dance activities probably did not take place again until after the war ended in 1945. But during the 1950s and 1960s, a revival of bon odori took place. In addition to temple festivals, bon dances were sponsored by groups outside the temples for non-religious functions.
[Show full text]
The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information
Cambridge University Press 978-0-521-88047-3 — The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information Index 1955 system 116, 168 anti-Americanism 347 anti-authoritarianism 167 Abe, Kazushige 204–6 anti-globalisation protests 342–3 Abe, Shinzo¯ 59, 167, 172, 176, 347 anti-Japanese sentiment abortion 79–80, 87 in China 346–7 ‘Act for the Promotion of Ainu Culture & in South Korea 345, 347 Dissemination of Knowledge Regarding Aoyama, Nanae 203 Ainu Traditions’ 72 art-tested civility 170 aged care 77, 79, 89, 136–7, 228–9 Asada, Zennosuke 186 ageing population 123, 140 Asian identity 175–6, 214 participation in sporting activities 227–8 asobi (play) 218 aidagara (betweeness) 49 Astro Boy (Tetsuwan Atomu) 243 Ainu language 71–2 audio-visual companies, export strategies Ainu people 362 banning of traditional practices 71 deﬁnition of 72 Balint, Michael 51 discrimination against 23 Benedict, Ruth 41 homeland 71 birthrate 81–5, 87, 140, 333–4 as hunters and meat eaters 304 Bon festival 221 overview 183 brain drain 144 Akitsuki, Risu 245 ‘bubble economy’ 118 All Romance Incident 189 Buddha (manga) 246 amae 41–2, 50–1 Buddhism 57, 59, 136 Amami dialects 63 background 149 Amami Islands 63 disassociation from Shinto under Meiji Amebic (novel) 209 152–6 The Anatomy of Dependence 40 effects of disassociation 153, 155–6 ancestor veneration 160–1 moral codes embodied in practice anime 15, 236 157 anime industry problems in the study of 151–2 criticisms of 237–8 as a rational philosophy 154 cultural erasure
[Show full text]
Japanese Festival
40 th Anniversary JAPANE SE FESTIVAL SEPTEMBER 3–5 labor day weekend Welcome Admission Celebrating the history, culture, and people of Japan, the Japanese Festival $15 for adults at the Missouri Botanical Garden is one of the largest and oldest festivals $5 for children (12 and under) and Garden members of its kind in the United States. Since 1977 the Garden has proudly hosted Members’ children (12 and under) are free Regular admission rates apply for the Doris I. Schnuck Children’s Garden. All this unique event at one of the largest Japanese gardens in North America. activities at the Japanese Festival are included with admission except Teahouse A fruitful collaboration with several local Japanese-American organizations Island Tours. Trams will not run during the festival. provides authentic Japanese music, art, dance, food, and entertainment for thousands of visitors each year. We hope you enjoy your experience. Yokoso! Festival Hours Information JOIN DURING THE FESTIVAL Saturday, September 3: 10 a.m. to 8 p.m. Festival information tents are and get your admission credited toward a membership! Sunday, September 4: 10 a.m. to 8 p.m. located on Spoehrer Plaza Visitors who become Garden members or renew an existing Monday, September 5: 10 a.m. to 5 p.m. and near the Kemper Center membership during the Festival receive free admission to Japanese Grounds open at 9 a.m. and then remain open until for Home Gardening. Festival applicable to the new membership level. Present your ticket- 10 p.m. for candlelight walks on Saturday purchase receipt at the Membership Tent in front of the Ridgway and Sunday.
[Show full text]
About Kiwi & the Papayamangoes ∼キウイとパパイヤ、マンゴーズ
about Kiwi & the PapayaMangoes ～キウイとパパイヤ、マンゴーズについて～ This is Tokyo DownTown Rare groove!! This is Tact Hirose’ s artistic project. It is right and clever that Japanese have an adoration for the foreign music, especially, Brazilian and some Asian countrys because there are lots of immigrants from such countrys. We are manufacturing the New style Japanese dance music in the downtown area in Tokyo.We love tropical, nostalgic and novel sound and play music in not only live houses,clubs and some field music festival- for exsample Fuji Rock Festival- but also “Izakaya” ・・・ that is traditional style Japanese bar and some local festival like Bon festival or marriage parties. ・ Someone says that K.P.M. makes the city type folk song in Japanese present age. ・【past performance】 AZGO Festival (Mozambique) ／ MTN BushFire Festival (Swaziland) ／ Casa da Musica（Portugal）／ Japan Festa2013（Portugal）／ Abrantes city Festival（Portugal）／ Glatt und Verkehrt Festival（Austria） Ulsan World Music Festival（South Korea）／ Zao-di music Festival（Taiwan）／ Sukiyaki Meets the World（Japan）／ Fuji Rock Festival（Japan）etc. 【Official web site】 http://kpm-tokyo.com 【e-mail】[email protected] (Tact Hirose) 廣瀬拓音 Tact Hirose(B.Zabumba.Composing) Born in ‘81 in deep mountains of Gifu Prefecture. 山本泉新井剛 He is a puroducer of K.P.M. and a Reggae and Izumi Yamamoto(Vo.Shamisen,Triangle) GoArai(Vn&Sitar) Ondo - that is a Japanese traditional style dance music Born in ‘84 in Nagano Prefecture where is highland region 永田真毅 played in the Bon Festival - styled basist. Born in ‘79 in a farming family in Masaki Nagata(Drums) of central Japan .Her family line is famouse for “Minyo” He is also arganizing a Btucada of Brazilian Maracatu mountainous region of Saitama Prefecture.
[Show full text]
Download The
Folkdance and Fairgrounds: More Notes on Neighborhood Festivals in Tokyo By A.W. S a d l e r Sarah Lawrence College 1 FOLKDANCE Doing bon odori at festival time is，for the Japanese, the most natural thing in the world. Festival time is a happy time, and when people are really happy they want to dance. And bon odori is the national folkdance of Japan. It is a genre of true folkdance, a dance that all the people can do. And if you d o n ，t know the steps or the gestures，you join the circle anyway, and learn as you go. That much needs to be said before we talk about the “Buddhist” origin of the dance，and its “Buddhist” meaning. Bon odori, or Bon dance, is so named because of its association in the popular mind with the Buddhist festival of O-Bon. There is in Japan a happy division of labor between religions: Shinto shrines are concerned with whisking away corruption and impurity, and preserving life in all its vigor; Buddhist temples are concerned with funerary custom, and related spiritual matters. O-Bon，the one national festival with strong ly Buddhistic undertones，is sometimes called the festival of the dead. It has also been called the Japanese All Souls5 Day. Geoffrey Bownas ob serves that, like all Japanese festivals, it has three sequential elements:1 ) the welcoming of a returning spirit，2) joint entertainment，and 3) the escorted departure of the spirit.1 Bon odori is simply the entertain ment offered by the people for the spirit，and, pari passu，for themselves, at the Bon festival.
[Show full text]
Japan Day and Japan Week General Outline Produced by Mr
PRESS RELEASE May 26, 2005 Japan Day and Japan Week General Outline produced by Mr. Sadao Watanabe Ministry of Economy, Trade and Industry Japan Association for the 2005 World Exposition ___________________________________________________________________________ Japan Day Part 1: Ceremony Monday, June 6 13:00~ As the host country of Expo 2005, Japan will hold “Japan Day and Japan Week” events at Expo Dome. Japan Day Ceremony is an important event of the special week with being held at the first day, June 6. The Master of Ceremonies is Ms. Junko Kubo. Persons who will appear on stage to address the audience will include Mr. Sadao Watanabe General Superintendent of the Japan Pavilion Project and Ms. Keiko Takeshita, Chief Pavilion Director of the Japan Pavilions. Part 2: Special Attraction 16:00~17:30 The message song “Share the World,” which was composed by Japan Pavilion Projects Director-General Sadao Watanabe, will be sung in beautiful and imposing harmony and to orchestral accompaniment by a large choir, which will include Mr. Sadao Watanabe and children from Japan and Brazil who have shared his musical activities. ___________________________________________________________________________ Japan Week Part 1 Tuesday, June 7 13:30~14:45 Japan Week Selection – Tradition and Contemporary, with the theme “KANADERU” This might be called a “historical scroll” (rekishi emaki) of Japanese music, or a “sound trip” from Aichi to the whole world, transcending time. Reflecting the historical changes in Japan’s musical traditions, music which represents four periods – Nara/Heian, Kamakura/Muromachi, Edo, and Contemporary – will be performed using musical instruments of these four periods. The refined court 1 music of the Nara/Heian period, the strains of Noh music from the Kamakura/Muromachi period, and the gallant nagauta and kabuki music of the Edo period invite the listener into each of these earlier eras.
[Show full text]
Aspects of Shinto in Japanese Communication*
Intercultural Communication Studies XII-4 2003 Asian Approaches to Human Communication Aspects of Shinto in Japanese Communication* Kazuya Hara Meikai University, Japan Abstract A person’s religious view is one of the elements that strongly influences his or her guiding principle in daily communication. In this essay, the author focuses on Shinto and attempts to conceptualize its influence on aspects of Japanese daily life and communication. First, the author reviews Shinto’s definitions, types of modern Shinto, the concept of kami (gods), the-other- world-views, reverence of nature, worship of ancestors, musubi (the mystical power of becoming or creation), and purity. Then, the author proposes two communication models based on a Shinto perspective: (1) kan’no (responding to nature as a deity) as intrapersonal communication; and (2) the sense of oneness with kami achieved by carrying mikoshi (a portable Shinto shrine) in matsuri festival. Introduction Sound human communication is being confronted with crises because of environmental disruption, superficial human relationships in society, or inhumane crimes. In such a time, it seems meaningful to rethink what we live by, and to what we owe our appreciation for our existence in this world. A person’s religious view is one of the elements that strongly influences his or her guiding principle in daily communication. For example, Wakimoto (1990) states that religious worldview not only inspires a person’s way of life, but also sways his or her value judgment and decision making. Among various religious and cultural views held, for most Japanese people, Shinto1 has had the greatest influence on their communication as the nucleus of their mental and behavioral culture with its simplicity (e.g., Irwin, 1996; Tsujimura, 1987).
[Show full text]
Dancing Gods at Godless Festivals
Dancing Gods at Godless Festivals An Introduction to the Phenomenon of Japanese Dance Yosakoi through a Comparative Analysis of Three Yosakoi Performances with the Theme Princess Kaguya The Department of Asian, Middle Eastern and Turkish Studies Master's Thesis 30 ETCS Japanese Master's Course in Japanese Studies (120 ETCS) Spring term 2016 Supervisor: Gunnar Linder Author: Theres Wik Abstract The aim of the thesis is to provide the Western reader a with comprehensive introduction of the phenomenon of Japanese dance yosakoi, as well as a better understanding how a yosakoi performance is made. The first half of the thesis discusses the traditional festivals and the folk performing arts of Japan in order to contrast these to the very young yosakoi festival. Then the paper concentrates on yosakoi performances with a specific theme, that of Princess Kaguya from the folk story Taketori Monogatari. A dance analysis method looking at different aspects of a performance was applied. The research questions dealt with what makes a yosakoi performance yosakoi, as well as how the chosen performances tell the story of Princess Kaguya through yosakoi and how yosakoi has changed. The results indicate that the use of naruko and folk songs, are the most striking common factor. Further discussion is made concerning whether yosakoi is a festival in its true sense, as there are no gods present at a yosakoi festival. I also argue whether yosakoi could be on its way of becoming part of Japan’s intangible heritage/folk performing art. This paper also problematizes how yosakoi dancers approach the dilemma of dancing for their own pleasure or the pleasure of the spectator.
[Show full text]
Japanese Traditions: Rice Cakes, Cherry Blossoms and Matsuri: a Year of Seasonal Japanese Festivities Pdf
FREE JAPANESE TRADITIONS: RICE CAKES, CHERRY BLOSSOMS AND MATSURI: A YEAR OF SEASONAL JAPANESE FESTIVITIES PDF Setsu Broderick,Willamarie Moore | 48 pages | 15 Apr 2010 | Tuttle Shokai Inc | 9784805310892 | English | Kanagawa, Japan The lowest-priced brand-new, unused, unopened, undamaged Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. New other. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. See all 2 brand new listings. Buy It Now. Add to cart. This book helps the readers learn about many Japanese traditions and customs, such as gathering around the kotatsu to stay warm, throwing soybeans to keep away ogres, and hanging handmade teru-teru-bozu dolls out the window to stop the rain. Additional Product Features Dewey Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities. Japanese Traditions is exactly the kind of book worth curling up with in a warm place with your child. It's a friendly, nostalgic look at the country, filled with the bustling details of the everyday life of Japanese families in the countryside as they experience it twelve months of the year. Soft, appealing cartoon illustrations of the cuddly, expressive cats dressed in traditional Japanese clothing a"Told via a series of short text blocks and lighthearted illustrations based on cats, Japanese Traditions displays seasonal festivals and activities such as O-Bon Festival of the SoulsO- hanami cherry blossom viewing and preparing for the New Year.
[Show full text]
(1)Obon: (2)Obon Sutra: (3)Bon Odori
陳先生、とりあえず、資料をまとめておきました。適当に編集、修正してください。泉原 Obon is a shortened form of Ullambana (Japanese: 于蘭盆會 or 盂蘭盆會, (1) Obon: Urabon'e). It is Sanskrit for "hanging upside down" and implies great A Buddhist festival called the "Bon" Festival suffering. The Japanese believe they should ameliorate the suffering of the (2) Obon Sutra: "Urabon." It is said that Segaki of Mokuren originated from 'Urabon-e-kyo Sutra. Buddhist In Japan, Obon (お盆) or just Bon (盆) is a kind of Buddhist custom to honor tradition held that the sutra was translated from the Sanskrit by Dharmarakṣa. the spirits of one's ancestors. This Buddhist-Confucian custom has evolved "Recent scholarship however, acknowledges that this sutra was not originally into a family reunion holiday during which people return to ancestral family composed in India but in China in the mid-sixth century." places and visit and clean their ancestors' graves, and when the spirits of (3) Bon odori: ancestors are supposed to revisit the household altars, which has been On the evening of the 16th, the day after the Bon festival, men and women of all celebrated in Japan for more than 1,000 years and traditionally includes a ages get together in the precincts of a shrine or other places and dance the Bon dance, known as Bon-Odori. Odori. The Ullambana Sutra , a Mahayana sutra, consists in a brief discourse given Though this also depends on the region, there are special by the Gautama Buddha principally to the monk Maudgalyayana (Japanese rituals, for example, households experiencing Hatsubon hang all Mokuren) on the practice of filial piety.
[Show full text]