Japanese Traditions: Rice Cakes, Cherry Blossoms and Matsuri: a Year of Seasonal Japanese Festivities Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Japanese Traditions: Rice Cakes, Cherry Blossoms and Matsuri: a Year of Seasonal Japanese Festivities Pdf FREE JAPANESE TRADITIONS: RICE CAKES, CHERRY BLOSSOMS AND MATSURI: A YEAR OF SEASONAL JAPANESE FESTIVITIES PDF Setsu Broderick,Willamarie Moore | 48 pages | 15 Apr 2010 | Tuttle Shokai Inc | 9784805310892 | English | Kanagawa, Japan The lowest-priced brand-new, unused, unopened, undamaged Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. New other. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. See all 2 brand new listings. Buy It Now. Add to cart. This book helps the readers learn about many Japanese traditions and customs, such as gathering around the kotatsu to stay warm, throwing soybeans to keep away ogres, and hanging handmade teru-teru-bozu dolls out the window to stop the rain. Additional Product Features Dewey Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities. Japanese Traditions is exactly the kind of book worth curling up with in a warm place with your child. It's a friendly, nostalgic look at the country, filled with the bustling details of the everyday life of Japanese families in the countryside as they experience it twelve months of the year. Soft, appealing cartoon illustrations of the cuddly, expressive cats dressed in traditional Japanese clothing a"Told via a series of short text blocks and lighthearted illustrations based on cats, Japanese Traditions displays seasonal festivals and activities such as O-Bon Festival of the SoulsO- hanami cherry blossom viewing and preparing for the New Year. Children, parents, and teachers will enjoy perusing the playful illustrations and learning about traditional Japanese culture. And for anyone whothere's a LOT of information contained within the pages of this beautiful hard-cover book. Japanese Traditions is a wonderful resource for any home or school Japanese Traditions: Rice Cakes have. It will teach children about traditions they may not know, and the illustrations are s"But the real value of this book is the masterful way it combines loads of vocabulary words and customs with the tenderness of the author's memories and the hilarious and busy drawings, making it a treat for both younger and older kids. And for anyone who wonders how life in Japan used to be when people lived closer to the earth, the seasons and each other, this is a sweet, fun, entertaining primer. As may be expected, it focuses on various customs, including those that involve cherry blossoms. Voices, "While the text includes factual information about customs, food, games, festivals, and other cultural topics, the narrative is conversational. Soft, appealing cartoon illustrations of the cuddly, expressive cats dressed in traditional Japanese clothing are full of detail and humor. Voices, "But the real value of this book is the masterful way it combines loads of vocabulary words and customs with the tenderness of the author's memories and the hilarious and busy drawings, making it a treat for both younger and older kids. It's a friendly, nostalgic look at the country, filled with the bustling details of the everyday life of Japanese families in the countryside as, " Japanese Traditions is completely charming. Show More Show Less. Any Condition Any Condition. See all 8 - All listings for this product. No ratings or reviews yet No ratings or reviews yet. Be the first to write a Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities. Best Selling in Nonfiction Japanese Traditions: Rice Cakes all. Bill o'Reilly's Killing Ser. When Women Pray Hardcover T. Jakes Christian Inspirational No ratings or reviews yet. Save on Nonfiction Trending price is based on prices over last 90 days. You may also like. Japanese Hardcover Books in Japanese. Hardcover Books in Japanese. Hardcovers Books in Japanese. Hardcover Children in Japanese. Japanese Hardcover Books. This item doesn't belong on this Japanese Traditions: Rice Cakes. Be the first to write a review About this product. Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Japanese Traditions by Setsu Broderick. Willamarie Moore. Told via a series of short text blocks and lighthearted illustrations based on cats, Japanese Traditions displays seasonal festivals and activities such as O-Bon, O-hanami cherry blossom viewing and preparing for the New Year. While enjoying the charming illustrations of a family of Japanese cats, the author shares her warm childhood memories of many Japanese customs, such as gathering around the kotatsu to stay warm, throwing soybeans to keep away ogres and hanging handmade teru-teru-bozu dolls out the window to stop the rain. There are also many traditional Japanese games, toys, foods and celebrations taught through the illustrations. All in all, Japanese Traditions provides a magical feast for children of all ages. Get A Copy. Hardcover Japanese Traditions: Rice Cakes, 48 pages. More Details Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Japanese Traditionsplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Dec 04, Vanya Prodanova rated it it was amazing Shelves: japanese-obsession. An introduction to Japanese culture Japanese Traditions: Rice Cakes on the author's memories of growing up in rural Japan. Each passage is short but detailed, and Japanese Traditions: Rice Cakes illustrated. I like this because although it is primarily about the seasonal activities and festivals for each month, there are also some Japanese Traditions: Rice Cakes mundane seasonal aspects of daily life included, such as using reed shades to escape the summer heat, or adding layers to one's futon as the temperature drops in late fall. Aug 19, Autumn Triquetra Reviews rated it it was amazing. The paintings here are amazing, I adore all of the in-depth information we have on Japanese culture in an easily digestible way. Feb 16, Sasha Boersma rated it really liked it Shelves: kids-and-teenskidsmedia-book-list. Lovely book collecting a year of Japanese traditions and explaining them for young readers. Lots of detail. Read best with a teacher or parent who can provide context as it is dense with content. Apr 22, Tsai. A short book about Japanese customs and traditions throughout the year with super cute illustrations. It's probably more suitable for people who doesn't know much about this topic since it covers ones of the most well-known customs. May 19, Crystal McClean rated it it was amazing Shelves: children-s-booksculturek There are many Japanese traditions involved in their festivals and I often wondered about them during my time in Japan. The deep sense of tradition is one of the many things I loved. We were taken month by month through the year and the major festival s that There are many Japanese traditions involved in their festivals and I often wondered about them during my time in Japan. We were taken month by month through the year and the major festival s that took place during that month or season. By using cute pictures with the more factual text, it means that this book will appeal to a wider audience. My children have seen many of the items I brought back with me from Japan, and now they and I can better understand the meaning behind them. Some I bought simply because they were beautiful, and others because I found them interesting. At the end of the book are extra things to go back into each month to look for. It makes it more like a little game for the kids. Japanese Traditions is a wonderful resource for any home or school to have. Feb 09, mei rated it it was amazing. Sep 15, Carol rated it it was amazing. Fell in love with this book as soon as I saw it! The beautiful, minutely crafted details in each section of artwork on each page of color and hue and delicate detail makes my heart happy :. Feb 08, Starbubbles rated it really liked it Shelves: kid-lit. This was a super cute read, and just perfect for smaller kids. The pictures are bright and colorful. They have a lot going on in them, and capture the different months and seasons perfectly. It was truly a goodie I feel fortunate to have read. Nov 19, Riani Halim rated it it was amazing Shelves: culture-diversity. As a child grown up with mangas I always thought Japan has rich and interesting culture. In this book Setsu explained the Japanese traditions trough his own experience as a child grown up in Japan countryside. Both story and illustration are sweet and nostalgic, life was much more slower back then. Every details and colors on the illustration is just beautiful. Oct 04, Marie rated it really liked it. This is really well done. The detailed illustrations are not useful for group sharing, but are perfect to pour over. This book presents quite a lot of information about Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities in Cherry Blossoms and Matsuri: A Year of Seasonal Japanese Festivities, the kind of information that children will find interesting.
Recommended publications
  • What-Kind-Place-Is-Ayabe.Pdf
    What kind of Place is Ayabe? Lovely Land and Lovable People Table of Contents 1.Outline of Ayabe City 1) Fundamental Information of Ayabe City 2 2) The Land of Ayabe 6 3) The People of Ayabe 9 2. Four Seasons in Ayabe (Events and Flowers) 1)Spring ( from March to May ) 12 2)Summer ( from June to August ) 27 3)Autumn ( from September to November ) 38 4)Winter ( from December to February ) 51 3.Cultural Aspects and Tourist Destinations in Ayabe 1) Shinto and Shinto Shrines 57 2) Buddhism and Buddhist Temples 63 3) Other Cultural Aspects and Tourist Destinations 69 4) Shops, Cafés, Restaurants etc. 84 Ayabe City Sightseeing Map 88 C260A4AM21 この地図の作成に当っては、国土地理院長の承認を得て、同院発行の数値地図25000(地図画像)を使用した。(承認番号 平22業使、第632号)」 1. Outline of Ayabe City 1) Fundamental Information of Ayabe City Location The middle part of Kyoto Prefecture. It takes about one hour by train from Kyoto. Total Area 347.1 square kilometers Climate It belongs to the temperate zone. The average yearly temperature is 14.8 degrees Celsius. Population 33,821 people in 2015 Working The working population of commerce Population 2,002 people (in 2014) The working population of industry 4,786 people (in 2014) The working population of agriculture 2,914 people (in 2015) Established August 1, 1950 Mayor Zenya Yamazaki (as of 2017) Friendship Cities Jerusalem (Israel), Changshu (China) City Tree Pine City Flower Japanese plum blossoms City Bird Grosbeak (Ikaru) Schools Kyoto Prefectural Agricultural College Ayabe Senior High School Junior high schools 6 schools Elementary schools 10 schools Local Specialties Green tea Matsutake mushroom Chestnut Sweet fish (Ayu) Traditional Japanese hand-made paper (Kurotani Washi) Main Rivers Yura River, Kambayashi River, Sai River, Isazu River, Yata River High mountains M.Tokin (871meters), Mt.
    [Show full text]
  • A Japanese View of “The Other World” Reflected in the Movie “Departures
    13. A Japanese view of the Other World reflected in the movie “Okuribito (Departures)” Keiko Tanita Introduction Religion is the field of human activities most closely related to the issue of death. Japan is considered to be a Buddhist country where 96 million people support Buddhism with more than 75 thousands temples and 300 thousands Buddha images, according to the Cultural Affaires Agency in 2009. Even those who have no particular faith at home would say they are Buddhist when asked during their stay in other countries where religion is an important issue. Certainly, a great part of our cultural tradition is that of Buddhism, which was introduced into Japan in mid-6th century. Since then, Buddhism spread first among the aristocrats, then down to the common people in 13th century, and in the process it developed a synthesis of the traditions of the native Shintoism. Shintoism is a religion of the ancient nature and ancestor worship, not exactly the same as the present-day Shintoism which was institutionalized in the late 19th century in the course of modernization of Japan. Presently, we have many Buddhist rituals especially related to death and dying; funeral, death anniversaries, equinoctial services, the Bon Festival similar to Christian All Souls Day, etc. and most of them are originally of Japanese origin. Needless to say, Japanese Buddhism is not same as that first born in India, since it is natural for all religions to be influenced by the cultures specific to the countries/regions where they develop. Japanese Buddhism, which came from India through the Northern route of Tibet and China developed into what is called Mahayana Buddhism which is quite different from the conservative Theravada traditions found in Thai, Burmese, and Sri Lankan Buddhism, which spread through the Southern route.
    [Show full text]
  • Japanese Musical Performance and Diaspora
    Japanese Musical Performance and Diaspora Andrew N. Weintraub Contract laborers from Japan were brought to Hawai'i in large numbers beginning in 1885. The first generation of Japanese immigrants, or issei, were primarily farmers, fishermen, and country folk. By 1920, forty percent of the population in Hawai'i was Japanese. Issei immigrants paved the way for their children (nisei, or second generation), grandchildren (sansei, or third generation), and great-grandchildren (yonsei, or fourth generation). The Japanese impact on local Hawaiian culture can be seen in many areas, including foods, customs, architecture, and public music and dance festivals. Bon odori (or bon dance) in Hawai'i has endured many changes since the first group of issei arrived on the islands. During the plantation period (1880s to 1910s), the immigrants steadfastly kept the tradition alive despite low working wages, difficult living conditions, and isolation from their homeland. In the 1930s, with the new homeland established, the tradition was strengthened by new choreographies, new music, contests, and scheduled dances. During this time the bon dance became a popular social event that appealed particularly to the younger generation. After the outbreak of World War II in December 1941, priests were detained, temples were closed, and Japanese were discouraged from gathering in large numbers. It became dangerous for Japanese to make any public expressions of national pride. Bon dance activities probably did not take place again until after the war ended in 1945. But during the 1950s and 1960s, a revival of bon odori took place. In addition to temple festivals, bon dances were sponsored by groups outside the temples for non-religious functions.
    [Show full text]
  • The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information
    Cambridge University Press 978-0-521-88047-3 — The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information Index 1955 system 116, 168 anti-Americanism 347 anti-authoritarianism 167 Abe, Kazushige 204–6 anti-globalisation protests 342–3 Abe, Shinzo¯ 59, 167, 172, 176, 347 anti-Japanese sentiment abortion 79–80, 87 in China 346–7 ‘Act for the Promotion of Ainu Culture & in South Korea 345, 347 Dissemination of Knowledge Regarding Aoyama, Nanae 203 Ainu Traditions’ 72 art-tested civility 170 aged care 77, 79, 89, 136–7, 228–9 Asada, Zennosuke 186 ageing population 123, 140 Asian identity 175–6, 214 participation in sporting activities 227–8 asobi (play) 218 aidagara (betweeness) 49 Astro Boy (Tetsuwan Atomu) 243 Ainu language 71–2 audio-visual companies, export strategies Ainu people 362 banning of traditional practices 71 definition of 72 Balint, Michael 51 discrimination against 23 Benedict, Ruth 41 homeland 71 birthrate 81–5, 87, 140, 333–4 as hunters and meat eaters 304 Bon festival 221 overview 183 brain drain 144 Akitsuki, Risu 245 ‘bubble economy’ 118 All Romance Incident 189 Buddha (manga) 246 amae 41–2, 50–1 Buddhism 57, 59, 136 Amami dialects 63 background 149 Amami Islands 63 disassociation from Shinto under Meiji Amebic (novel) 209 152–6 The Anatomy of Dependence 40 effects of disassociation 153, 155–6 ancestor veneration 160–1 moral codes embodied in practice anime 15, 236 157 anime industry problems in the study of 151–2 criticisms of 237–8 as a rational philosophy 154 cultural erasure
    [Show full text]
  • Japanese Festival
    40 th Anniversary JAPANE SE FESTIVAL SEPTEMBER 3–5 labor day weekend Welcome Admission Celebrating the history, culture, and people of Japan, the Japanese Festival $15 for adults at the Missouri Botanical Garden is one of the largest and oldest festivals $5 for children (12 and under) and Garden members of its kind in the United States. Since 1977 the Garden has proudly hosted Members’ children (12 and under) are free Regular admission rates apply for the Doris I. Schnuck Children’s Garden. All this unique event at one of the largest Japanese gardens in North America. activities at the Japanese Festival are included with admission except Teahouse A fruitful collaboration with several local Japanese-American organizations Island Tours. Trams will not run during the festival. provides authentic Japanese music, art, dance, food, and entertainment for thousands of visitors each year. We hope you enjoy your experience. Yokoso! Festival Hours Information JOIN DURING THE FESTIVAL Saturday, September 3: 10 a.m. to 8 p.m. Festival information tents are and get your admission credited toward a membership! Sunday, September 4: 10 a.m. to 8 p.m. located on Spoehrer Plaza Visitors who become Garden members or renew an existing Monday, September 5: 10 a.m. to 5 p.m. and near the Kemper Center membership during the Festival receive free admission to Japanese Grounds open at 9 a.m. and then remain open until for Home Gardening. Festival applicable to the new membership level. Present your ticket- 10 p.m. for candlelight walks on Saturday purchase receipt at the Membership Tent in front of the Ridgway and Sunday.
    [Show full text]
  • About Kiwi & the Papayamangoes ∼キウイとパパイヤ、マンゴーズ
    about Kiwi & the PapayaMangoes ~キウイとパパイヤ、マンゴーズについて~ This is Tokyo DownTown Rare groove!! This is Tact Hirose’ s artistic project. It is right and clever that Japanese have an adoration for the foreign music, especially, Brazilian and some Asian countrys because there are lots of immigrants from such countrys. We are manufacturing the New style Japanese dance music in the downtown area in Tokyo.We love tropical, nostalgic and novel sound and play music in not only live houses,clubs and some field music festival- for exsample Fuji Rock Festival- but also “Izakaya” ・ ・ ・ that is traditional style Japanese bar and some local festival like Bon festival or marriage parties. ・ Someone says that K.P.M. makes the city type folk song in Japanese present age. ・ 【past performance】 AZGO Festival (Mozambique) / MTN BushFire Festival (Swaziland) / Casa da Musica(Portugal)/ Japan Festa2013(Portugal)/ Abrantes city Festival(Portugal)/ Glatt und Verkehrt Festival(Austria) Ulsan World Music Festival(South Korea)/ Zao-di music Festival(Taiwan)/ Sukiyaki Meets the World(Japan)/ Fuji Rock Festival(Japan)etc. 【Official web site】 http://kpm-tokyo.com 【e-mail】[email protected] (Tact Hirose) 廣瀬拓音 Tact Hirose(B.Zabumba.Composing) Born in ‘81 in deep mountains of Gifu Prefecture. 山本泉 新井剛 He is a puroducer of K.P.M. and a Reggae and Izumi Yamamoto(Vo.Shamisen,Triangle) GoArai(Vn&Sitar) Ondo - that is a Japanese traditional style dance music Born in ‘84 in Nagano Prefecture where is highland region 永田真毅 played in the Bon Festival - styled basist. Born in ‘79 in a farming family in Masaki Nagata(Drums) of central Japan .Her family line is famouse for “Minyo” He is also arganizing a Btucada of Brazilian Maracatu mountainous region of Saitama Prefecture.
    [Show full text]
  • Download The
    Folkdance and Fairgrounds: More Notes on Neighborhood Festivals in Tokyo By A.W. S a d l e r Sarah Lawrence College 1 FOLKDANCE Doing bon odori at festival time is,for the Japanese, the most natural thing in the world. Festival time is a happy time, and when people are really happy they want to dance. And bon odori is the national folkdance of Japan. It is a genre of true folkdance, a dance that all the people can do. And if you d o n ,t know the steps or the gestures,you join the circle anyway, and learn as you go. That much needs to be said before we talk about the “Buddhist” origin of the dance,and its “Buddhist” meaning. Bon odori, or Bon dance, is so named because of its association in the popular mind with the Buddhist festival of O-Bon. There is in Japan a happy division of labor between religions: Shinto shrines are concerned with whisking away corruption and impurity, and preserving life in all its vigor; Buddhist temples are concerned with funerary custom, and related spiritual matters. O-Bon,the one national festival with strong­ ly Buddhistic undertones,is sometimes called the festival of the dead. It has also been called the Japanese All Souls5 Day. Geoffrey Bownas ob­ serves that, like all Japanese festivals, it has three sequential elements:1 ) the welcoming of a returning spirit,2) joint entertainment,and 3) the escorted departure of the spirit.1 Bon odori is simply the entertain­ ment offered by the people for the spirit,and, pari passu,for themselves, at the Bon festival.
    [Show full text]
  • Japan Day and Japan Week General Outline Produced by Mr
    PRESS RELEASE May 26, 2005 Japan Day and Japan Week General Outline produced by Mr. Sadao Watanabe Ministry of Economy, Trade and Industry Japan Association for the 2005 World Exposition ___________________________________________________________________________ Japan Day Part 1: Ceremony Monday, June 6 13:00~ As the host country of Expo 2005, Japan will hold “Japan Day and Japan Week” events at Expo Dome. Japan Day Ceremony is an important event of the special week with being held at the first day, June 6. The Master of Ceremonies is Ms. Junko Kubo. Persons who will appear on stage to address the audience will include Mr. Sadao Watanabe General Superintendent of the Japan Pavilion Project and Ms. Keiko Takeshita, Chief Pavilion Director of the Japan Pavilions. Part 2: Special Attraction 16:00~17:30 The message song “Share the World,” which was composed by Japan Pavilion Projects Director-General Sadao Watanabe, will be sung in beautiful and imposing harmony and to orchestral accompaniment by a large choir, which will include Mr. Sadao Watanabe and children from Japan and Brazil who have shared his musical activities. ___________________________________________________________________________ Japan Week Part 1 Tuesday, June 7 13:30~14:45 Japan Week Selection – Tradition and Contemporary, with the theme “KANADERU” This might be called a “historical scroll” (rekishi emaki) of Japanese music, or a “sound trip” from Aichi to the whole world, transcending time. Reflecting the historical changes in Japan’s musical traditions, music which represents four periods – Nara/Heian, Kamakura/Muromachi, Edo, and Contemporary – will be performed using musical instruments of these four periods. The refined court 1 music of the Nara/Heian period, the strains of Noh music from the Kamakura/Muromachi period, and the gallant nagauta and kabuki music of the Edo period invite the listener into each of these earlier eras.
    [Show full text]
  • Aspects of Shinto in Japanese Communication*
    Intercultural Communication Studies XII-4 2003 Asian Approaches to Human Communication Aspects of Shinto in Japanese Communication* Kazuya Hara Meikai University, Japan Abstract A person’s religious view is one of the elements that strongly influences his or her guiding principle in daily communication. In this essay, the author focuses on Shinto and attempts to conceptualize its influence on aspects of Japanese daily life and communication. First, the author reviews Shinto’s definitions, types of modern Shinto, the concept of kami (gods), the-other- world-views, reverence of nature, worship of ancestors, musubi (the mystical power of becoming or creation), and purity. Then, the author proposes two communication models based on a Shinto perspective: (1) kan’no (responding to nature as a deity) as intrapersonal communication; and (2) the sense of oneness with kami achieved by carrying mikoshi (a portable Shinto shrine) in matsuri festival. Introduction Sound human communication is being confronted with crises because of environmental disruption, superficial human relationships in society, or inhumane crimes. In such a time, it seems meaningful to rethink what we live by, and to what we owe our appreciation for our existence in this world. A person’s religious view is one of the elements that strongly influences his or her guiding principle in daily communication. For example, Wakimoto (1990) states that religious worldview not only inspires a person’s way of life, but also sways his or her value judgment and decision making. Among various religious and cultural views held, for most Japanese people, Shinto1 has had the greatest influence on their communication as the nucleus of their mental and behavioral culture with its simplicity (e.g., Irwin, 1996; Tsujimura, 1987).
    [Show full text]
  • Dancing Gods at Godless Festivals
    Dancing Gods at Godless Festivals An Introduction to the Phenomenon of Japanese Dance Yosakoi through a Comparative Analysis of Three Yosakoi Performances with the Theme Princess Kaguya The Department of Asian, Middle Eastern and Turkish Studies Master's Thesis 30 ETCS Japanese Master's Course in Japanese Studies (120 ETCS) Spring term 2016 Supervisor: Gunnar Linder Author: Theres Wik Abstract The aim of the thesis is to provide the Western reader a with comprehensive introduction of the phenomenon of Japanese dance yosakoi, as well as a better understanding how a yosakoi performance is made. The first half of the thesis discusses the traditional festivals and the folk performing arts of Japan in order to contrast these to the very young yosakoi festival. Then the paper concentrates on yosakoi performances with a specific theme, that of Princess Kaguya from the folk story Taketori Monogatari. A dance analysis method looking at different aspects of a performance was applied. The research questions dealt with what makes a yosakoi performance yosakoi, as well as how the chosen performances tell the story of Princess Kaguya through yosakoi and how yosakoi has changed. The results indicate that the use of naruko and folk songs, are the most striking common factor. Further discussion is made concerning whether yosakoi is a festival in its true sense, as there are no gods present at a yosakoi festival. I also argue whether yosakoi could be on its way of becoming part of Japan’s intangible heritage/folk performing art. This paper also problematizes how yosakoi dancers approach the dilemma of dancing for their own pleasure or the pleasure of the spectator.
    [Show full text]
  • (1)Obon: (2)Obon Sutra: (3)Bon Odori
    陳先生、 とりあえず、資料をまとめておきました。 適当に編集、修正してください。 泉原 Obon is a shortened form of Ullambana (Japanese: 于蘭盆會 or 盂蘭盆會, (1) Obon: Urabon'e). It is Sanskrit for "hanging upside down" and implies great A Buddhist festival called the "Bon" Festival suffering. The Japanese believe they should ameliorate the suffering of the (2) Obon Sutra: "Urabon." It is said that Segaki of Mokuren originated from 'Urabon-e-kyo Sutra. Buddhist In Japan, Obon (お盆) or just Bon (盆) is a kind of Buddhist custom to honor tradition held that the sutra was translated from the Sanskrit by Dharmarakṣa. the spirits of one's ancestors. This Buddhist-Confucian custom has evolved "Recent scholarship however, acknowledges that this sutra was not originally into a family reunion holiday during which people return to ancestral family composed in India but in China in the mid-sixth century." places and visit and clean their ancestors' graves, and when the spirits of (3) Bon odori: ancestors are supposed to revisit the household altars, which has been On the evening of the 16th, the day after the Bon festival, men and women of all celebrated in Japan for more than 1,000 years and traditionally includes a ages get together in the precincts of a shrine or other places and dance the Bon dance, known as Bon-Odori. Odori. The Ullambana Sutra , a Mahayana sutra, consists in a brief discourse given Though this also depends on the region, there are special by the Gautama Buddha principally to the monk Maudgalyayana (Japanese rituals, for example, households experiencing Hatsubon hang all Mokuren) on the practice of filial piety.
    [Show full text]
  • Nakayama Shimpei's Popular Songs in the History Of
    THE RULES OF HEART: NAKAYAMA SHIMPEI'S POPULAR SONGS IN THE HISTORY OF MODERN JAPAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY DECEMBER 2014 By Patrick M. Patterson Dissertation Committee: Mark McNally, Chairperson James Kraft Christine Yano Jun Yoo Nobuko Ochner For Takako, Matthew, Erin, Charles and Judy I Acknowledgements: I would like to thank my dissertation committee: Mark McNally, James Kraft, Christine Yano, Jun Yoo, and Nobuko Ochner for their patience, encouragement and support. I also want to thank Deborah Forbis for her encouragement and willingness to read and re-read for stylistic errors, and to my colleagues Cynthia Smith and David Panisnick for their support. Thanks also to my parents, who have encouraged me all along. Without these people this dissertation would not have come into existence. Any errors are, of course, solely my responsibility and no doubt occurred in spite of all of the assistance mentioned above. Last, and most important, I wish to thank Takako Patterson, a most valued critic and my inspiration. II Abstract Composer Nakayama Shimpei (1887-1952) wrote more than 300 popular songs in his lifetime. Most are still well known and recorded regularly. An entrepreneur, he found ways to create popular songs that powered Japan’s nascent recording industry in the 1920s and 1930s. An artist, his combination of Japanese and Western musical styles and tropes appealed to Japanese sentiments in a way that not only reflected the historical and social context, but anticipated and explained those historical changes to his listeners.
    [Show full text]