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Himeji Castle, Hyōgo
Himeji Castle, Hyōgo Location: Hyōgo Prefecture Date: Original construction dates from 1333, but the current structure was built between 1580-1610 Patron: Toyotomi Hideyoshi and enlarged c 1610 by Ikeda Terumasa. Scale: 140m (east-west axis) x 125m (north-south axis). 91m above sea level. Stone wall of the main keep 15m high; the main keep is 31.5m high. There are 27 towers, 11 wells and 21 gates. Scope of work: WAR; Architecture beyond the European tradition. Materials: primarily wood and stone Style/Period: Renritsu/Azuchi–Momoyama Art History in Schools CIO | Registered Charity No. 1164651 | www.arthistoryinschools.org.uk Himeji Castle, Hyōgo Introduction Japan’s most magnificent castle, a Unesco World Heritage Site and one of only a handful of original castles remaining. Nicknamed the ‘White Egret Castle’ for its spectacular white exterior and striking shape emerging from the plain. Himeji is a hill castle, that takes advantage of the surrounding geography to enhance its defensive qualities. There are three moats to obstruct the enemy and 15m sloping stone walls make approaching the base of the castle very difficult. Formal elements Viewed externally, there is a five-storey main tenshu (keep) and three smaller keeps, all surrounded by moats and defensive walls. These walls are punctuated with rectangular openings (‘sama’) for firing arrows and circular and triangular openings for guns. These ‘sama’ are at different heights to allow for the warrior to be standing, kneeling or lying down. The main keep’s walls also feature narrow openings that allowed defenders to pour boiling water or oil on to anyone trying to scale the walls. -
Outdoor Club Japan (OCJ) 国際 アウトドア・クラブ・ジャパン Events
Outdoor Club Japan (OCJ) 国際 アウトドア・クラブ・ジャパン Events Norikuradake Super Downhill 10 March Friday to 12 March Monday If you are not satisfied ski & snowboard in ski area. You can skiing from summit. Norikuradake(3026m)is one of hundred best mountain in Japan. This time is good condition of backcountry ski season. Go up to the summit of Norikuradake by walk from the top of last lift(2000m). Climb about 5 hours and down to bottom lift(1500m) about 50 min. (Deta of last time) Transport: Train from Shinjuku to Matsumoto and Taxi from Matsumoto to Norikura-kogen. Return : Bus from Norikura-kogen to Sinshimashima and train to Shinjuku. Meeting Time & Place : 19:30 Shijuku st. platform 5 car no.1 for super Azusa15 Cost : About Yen30000 Train Shinjuku to matsumoto Yen6200(ow) but should buy 4coupon ticket each coupon Yen4190 or You can buy discount ticket shop in town price is similar. (price is non-reserve seat) Taxi about Yen13000 we will share. Return bus Yen1300 and local train Yen680. Inn Yen14000+tax 2 overnight 2 breakfast 1 dinner (no dinner Friday) Japanese room and hot spring! Necessary equipment : Skiers & Telemarkers need a nylon mohair skin. Snowboarders need snowshoes. Crampons(over 8point!) Clothes: Gore-tex jacket and pants, fleece, hut, musk, gloves, sunglasses, headlamp, thermos, lunch, sunscreen If you do not go up to the summit, you can enjoy the ski area and hot springs. 1 day lift pass Yen4000 Limit : 12persons (priority is downhill from summit) In Japanese : 026m)の頂上からの滑降です。 ゲレンデスキーに物足りないスキーヤー、スノーボーダー向き。 山スキーにいいシーズンですが、天気次第なので一応土、日と2日間の時間をとりました。 -
1423778527171.Pdf
Bahamut - [email protected] Based on the “Touhou Project” series of games by Team Shanghai Alice / ZUN. http://www16.big.or.jp/~zun/ The Touhou Project and its related properties are ©Team Shanghai Alice / ZUN. The Team Shanghai Alice logo is ©Team Shanghai Alice / ZUN. Illustrations © their respective owners. Used without permission. Tale of Phantasmal Land text & gameplay ©2011 Bahamut. This document is provided “as is”. Your possession of this document, either in an altered or unaltered state signifies that you agree to absolve, excuse, or otherwise not hold responsible Team Shanghai Alice / ZUN and/or Bahamut, and/or any other individuals or entities whose works appear herein for any and/or all liabilities, damages, etc. associated with the possession of this document. This document is not associated with, or endorsed by Team Shanghai Alice / ZUN. This is a not-for-profit personal interest work, and is not intended, nor should it be construed, as a challenge to Team Shanghai Alice / ZUN’s ownership of its Touhou Project copyrights and other related properties. License to distribute this work is freely given provided that it remains in an unaltered state and is not used for any commercial purposes whatsoever. All Rights Reserved. Introduction Choosing a Race (Cont.’d) What Is This Game All About? . 1 Magician . .20 Too Long; Didn’t Read Version . 1 Moon Rabbit . .20 Here’s the Situation . 1 Oni . .21 But Wait! There’s More! . 1 Tengu . .21 Crow Tengu . .22 About This Game . 2 White Wolf Tengu . .22 About the Touhou Project . 2 Vampire . .23 About Role-Playing Games . -
O(S) Fã(S) Da Cultura Pop Japonesa E a Prática De Scanlation No Brasil
UNIVERSIDADE TUIUTI DO PARANÁ Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL CURITIBA 2011 GIOVANA SANTANA CARLOS O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Dissertação apresentada no Programa de Mestrado em Comunicação e Linguagens na Universidade Tuiuti do Paraná, na Linha Estratégias Midiáticas e Práticas Comunicacionais, como requisito parcial para obtenção do título de Mestre, sob orientação do Prof. Dr. Francisco Menezes Martins. CURITIBA 2011 2 TERMO DE APROVAÇÃO Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Esta dissertação foi julgada e aprovada para a obtenção do título de Mestre em Comunicação e Linguagens no Programa de Pós-graduação em Comunicação e Linguagens da Universidade Tuiuti do Paraná. Curitiba, 27 de maio de 2011. Programa de pós-graduação em Comunicação e Linguagens Universidade Tuiuti do Paraná Orientador: Prof. Dr. Francisco Menezes Martins Universidade Tuiuti do Paraná Prof. Dr. Carlos Alberto Machado Universidade Estadual do Paraná Prof. Dr. Álvaro Larangeira Universidade Tuiuti do Paraná 3 AGRADECIMENTOS Aos meus pais, Carmen Dolores Santana Carlos e Vilson Antonio Carlos, e à Leda dos Santos, por me apoiarem durante esta pesquisa; À minha irmã, Vivian Santana Carlos, por ter me apresentado a cultura pop japonesa por primeiro e por dar conselhos e ajuda quando necessário; Aos professores Dr. Álvaro Larangeira e Dr. Carlos Machado por terem acompanhado desde o início o desenvolvimento deste trabalho, melhorando-o através de sugestões e correções. À professora Dr.ª Adriana Amaral, a qual inicialmente foi orientadora deste projeto, por acreditar em seu objetivo e auxiliar em sua estruturação. -
9789401437578.Pdf
CONTENTS 6 Introduction 10 About 12 About this book 15 Locations (+ overview recipes) 15 Tokyo 16 Osaka 18 Fukuoka 19 ...and beyond! TOM'S STORY 21 Mission ramen 44 Izakaya in Kyoto 62 Team-building Japan 75 Fukuoka – The home of tonkotsu 84 Ramen noodle bar 114 On the road 137 Eat ’till you drop 180 Tokyo food crawl 192 A chef’s table TOMOKO AND MIHO 24 Good food and lots of laughter 33 Miso 100 Bento 107 Sake and shochu 133 Okonomiyaki: Hiroshima-Yaki and Osaka-Yaki 142 The shopping street Tenjinbashisuji Shotengai 164 Izakaya and tachinomiya THE BASICS 196 Dashi 198 Cooked rice 199 Sushi rice and katsuobushi salt 200 Chicken stock and vegetarian ramen stock 202 Eggs in soy sauce, marinated bamboo shoots and gyoza dipping sauce 203 Marinated braised pork, shiitake-seaweed butter and tonkatsu sauce 204 Shiodare, Misodare, Basildare and Tantandare 206 Sweetened adzuki beans 208 The Japanese language 210 Addresses 214 Index 5 INTRODUCTION Street food in Japan: you don’t immediately Ask any chef in the world about his favourite think of streets and squares full of food carts country for eating out and nine times out of ten or pavements decked with tables and chairs... the answer will be “Japan”. Japanese cuisine has The country with the most Michelin stars in the its own unique identity as well as many external world is associated mainly with sushi and sashimi influences. The most significant influence, as is and seldom, if ever, with street food. But this is the case in the rest of Asia, comes from Chinese wrong because sushi used to be street food; it cuisine: ramen noodles are originally Chinese. -
Cuisine and Culture of Japan Tour Itinerary
Cuisine & Culture of Japan – Escorted Tour - Page 1 Day 1 – May 9 – Depart USA Day 2 – May 10 – Arrive Tokyo Transfer by private car to our four-star downtown hotel, conveniently located in the Marunouchi district, adjacent to Tokyo Station. Brief meet and greet orientation in the evening. Accommodations: Marunouchi Hotel Meals included: None Day 3 – May 11 – Tokyo After breakfast in the hotel, depart for a special-access tour of the wholesale floor of the new Toyosu Fish Market, followed by an introduction to the building blocks of Japanese cuisine on a guided walk through the historic Tsukiji Market, complete with snacking and shopping opportunities. At a sushi-making class, we’ll observe techniques for preparing fish and make our own sushi for lunch. This afternoon we will visit the one of the city's fine art museums. Tonight, get to know your fellow travelers at an informal welcome dinner of izakaya (Japanese pub-style) cuisine. Accommodations: Marunouchi Hotel Meals included: Breakfast, Lunch, Dinner Day 4 – May 12 – Tokyo We begin the day with an architectural walk through the Marunouchi and Ginza districts (including the Kitte Building and Tokyo International Forum), Japan’s priciest real estate of buildings by some of the world’s top architects. We end in time for a department store opening ceremony, in which the entire staff bows in welcome. After free time to experience one of Tokyo's famed depachika (department store basement food halls), we will have lunch at a longstanding soba noodle restaurant. Then we journey to the Asakusa neighborhood, center of Tokyo’s historic shitamachi (downtown). -
Japan: Castles, Armor & the Art of the Samurai
MUSEUM TRAVEL ALLIANCE Japan: Castles, Armor & the Art of the Samurai May 30–June 9, 2019 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, Japan has one of the oldest, richest, and most complex aesthetic traditions in the world– a tradition that is inextricably connected to the legacy of the samurai. Join the Museum Travel Alliance for a journey that explores the history, spiritual practices, and warrior arts of Japan. As we travel together, we will visit castles, museums, and temples that tell a fascinating story of Japanese military, political, and artistic history. We begin in Tokyo, where we discover the still-vital world of traditional swordsmithing with a visit to the studio of a master sword polisher. We also get an inside look at two authentic Japanese martial arts, sumo and kendo, as we tour training centers to observe practice drills and discuss these rich traditions with senseis and practitioners. Explorations of nearby temples will reveal connections between spiritual practice and martial and aesthetic traditions, and visits to museums will provide numerous opportunities to experience the spectacular creations of Japanese artists throughout the centuries. In Kyoto, we visit ancient Zen temples and Shinto shrines, set off by the natural beauty of mountains, foothills, and forests. This journey from Tokyo to KyotoRUSSIA will reveal some of the most astounding works of art, architecture, and arms and armor on Earth. Throughout this trip, led by a curator who is an authority in arms and armor, you will meet talented craftspeople and experts in the arts. And you will enjoy traveling in the congenial company of members from a number of museums and cultural institutions. -
EARLY MODERN JAPAN 2008 Samurai and the World of Goods
EARLY MODERN JAPAN 2008 Samurai and the World of Goods: vast majority, who were based in urban centers, could ill afford to be indifferent to money and the Diaries of the Toyama Family commerce. Largely divorced from the land and of Hachinohe incumbent upon the lord for their livelihood, usually disbursed in the form of stipends, samu- © Constantine N. Vaporis, University of rai were, willy-nilly, drawn into the commercial Maryland, Baltimore County economy. While the playful (gesaku) literature of the late Tokugawa period tended to portray them as unrefined “country samurai” (inaka samurai, Introduction i.e. samurai from the provincial castle towns) a Samurai are often depicted in popular repre- reading of personal diaries kept by samurai re- sentations as indifferent to—if not disdainful veals that, far from exhibiting a lack of concern of—monetary affairs, leading a life devoted to for monetary affairs, they were keenly price con- the study of the twin ways of scholastic, meaning scious, having no real alternative but to learn the largely Confucian, learning and martial arts. Fu- art of thrift. This was true of Edo-based samurai kuzawa Yukichi, reminiscing about his younger as well, despite the fact that unlike their cohorts days, would have us believe that they “were in the domain they were largely spared the ashamed of being seen handling money.” He forced paybacks, infamously dubbed “loans to maintained that “it was customary for samurai to the lord” (onkariage), that most domain govern- wrap their faces with hand-towels and go out ments resorted to by the beginning of the eight- after dark whenever they had an errand to do” in eenth century.3 order to avoid being seen engaging in commerce. -
Tuesday July 30, 1996
7±30±96 Tuesday Vol. 61 No. 147 July 30, 1996 Pages 39555±39838 federal register 1 II Federal Register / Vol. 61, No. 147 / Tuesday, July 30, 1996 SUBSCRIPTIONS AND COPIES PUBLIC Subscriptions: Paper or fiche 202±512±1800 FEDERAL REGISTER Published daily, Monday through Friday, Assistance with public subscriptions 512±1806 (not published on Saturdays, Sundays, or on official holidays), by General online information 202±512±1530 the Office of the Federal Register, National Archives and Records Administration, Washington, DC 20408, under the Federal Register Single copies/back copies: Act (49 Stat. 500, as amended; 44 U.S.C. Ch. 15) and the Paper or fiche 512±1800 regulations of the Administrative Committee of the Federal Register Assistance with public single copies 512±1803 (1 CFR Ch. I). Distribution is made only by the Superintendent of Documents, U.S. Government Printing Office, Washington, DC FEDERAL AGENCIES 20402. Subscriptions: The Federal Register provides a uniform system for making Paper or fiche 523±5243 available to the public regulations and legal notices issued by Assistance with Federal agency subscriptions 523±5243 Federal agencies. These include Presidential proclamations and For other telephone numbers, see the Reader Aids section Executive Orders and Federal agency documents having general applicability and legal effect, documents required to be published at the end of this issue. by act of Congress and other Federal agency documents of public interest. Documents are on file for public inspection in the Office of the Federal Register the day before they are published, unless earlier filing is requested by the issuing agency. -
What-Kind-Place-Is-Ayabe.Pdf
What kind of Place is Ayabe? Lovely Land and Lovable People Table of Contents 1.Outline of Ayabe City 1) Fundamental Information of Ayabe City 2 2) The Land of Ayabe 6 3) The People of Ayabe 9 2. Four Seasons in Ayabe (Events and Flowers) 1)Spring ( from March to May ) 12 2)Summer ( from June to August ) 27 3)Autumn ( from September to November ) 38 4)Winter ( from December to February ) 51 3.Cultural Aspects and Tourist Destinations in Ayabe 1) Shinto and Shinto Shrines 57 2) Buddhism and Buddhist Temples 63 3) Other Cultural Aspects and Tourist Destinations 69 4) Shops, Cafés, Restaurants etc. 84 Ayabe City Sightseeing Map 88 C260A4AM21 この地図の作成に当っては、国土地理院長の承認を得て、同院発行の数値地図25000(地図画像)を使用した。(承認番号 平22業使、第632号)」 1. Outline of Ayabe City 1) Fundamental Information of Ayabe City Location The middle part of Kyoto Prefecture. It takes about one hour by train from Kyoto. Total Area 347.1 square kilometers Climate It belongs to the temperate zone. The average yearly temperature is 14.8 degrees Celsius. Population 33,821 people in 2015 Working The working population of commerce Population 2,002 people (in 2014) The working population of industry 4,786 people (in 2014) The working population of agriculture 2,914 people (in 2015) Established August 1, 1950 Mayor Zenya Yamazaki (as of 2017) Friendship Cities Jerusalem (Israel), Changshu (China) City Tree Pine City Flower Japanese plum blossoms City Bird Grosbeak (Ikaru) Schools Kyoto Prefectural Agricultural College Ayabe Senior High School Junior high schools 6 schools Elementary schools 10 schools Local Specialties Green tea Matsutake mushroom Chestnut Sweet fish (Ayu) Traditional Japanese hand-made paper (Kurotani Washi) Main Rivers Yura River, Kambayashi River, Sai River, Isazu River, Yata River High mountains M.Tokin (871meters), Mt. -
Young Audiences of Massachusetts Educational Materials
Young Audiences of Massachusetts Educational Materials Please forward to teachers 4/14/10 ABOUT THE PERFORMANCE Odaiko New England Grade levels: K-5 Odiako New England demonstrates the ancient art form of taiko (Japanese drumming) and its importance in Japanese culture. This energetic and engaging program highlights kumidaiko (ensemble drumming) and combines traditional taiko rhythms with dynamic movement and rhythms from other musical traditions. Students explore kata (a drumming technique) and the concept of kiai (vocalizing energy) and join the performers on stage to play the taiko drums. LEARNING GOALS: 1. To experience and learn techniques of Japanese taiko drumming. 2. To explore the history of Japanese taiko drumming and its historical and contemporary role in Japanese culture and traditions. PRE-ACTIVITY SUMMARY: Understanding Musical Rhythms Discuss the concept of rhythm. Ask students to identify everyday rhythms they can see, hear, and replicate through movement. Have students create different percussive sounds with their bodies (snapping fingers, clapping hands, stomping feet, etc.). Create a rhythm for the rest of the class to echo. Repeat the pattern until everyone can do it. Encourage each student to demonstrate his/her own rhythm for the rest of the class. © San Jose Taiko POST-ACTIVITY SUMMARY: Family Symbols Discuss the origin of the Japanese family crest (information enclosed). Discuss how symbols represent ideas and stories. Discuss students’ surnames and the possible origins of the names. Have students select a symbol to represent their family name. Ask students to cre- ate Japanese family crests. Have them present their family crest to the class and discuss their specific design choice. -
This Sporting Life: Sports and Body Culture in Modern Japan William W
Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale CEAS Occasional Publication Series Council on East Asian Studies 2007 This Sporting Life: Sports and Body Culture in Modern Japan William W. Kelly Yale University Atsuo Sugimoto Kyoto University Follow this and additional works at: http://elischolar.library.yale.edu/ceas_publication_series Part of the Asian History Commons, Asian Studies Commons, Cultural History Commons, Japanese Studies Commons, Social and Cultural Anthropology Commons, and the Sports Studies Commons Recommended Citation Kelly, William W. and Sugimoto, Atsuo, "This Sporting Life: Sports and Body Culture in Modern Japan" (2007). CEAS Occasional Publication Series. Book 1. http://elischolar.library.yale.edu/ceas_publication_series/1 This Book is brought to you for free and open access by the Council on East Asian Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in CEAS Occasional Publication Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. This Sporting Life Sports and Body Culture in Modern Japan j u % g b Edited by William W. KELLY With SUGIMOTO Atsuo YALE CEAS OCCASIONAL PUBLICATIONS VOLUME 1 This Sporting Life Sports and Body Culture in Modern Japan yale ceas occasional publications volume 1 © 2007 Council on East Asian Studies, Yale University All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permis- sion. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.