This Sporting Life: Sports and Body Culture in Modern Japan William W
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Finding Aid to the Historymakers ® Video Oral History with Douglas Holloway
Finding Aid to The HistoryMakers ® Video Oral History with Douglas Holloway Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Holloway, Douglas V., 1954- Title: The HistoryMakers® Video Oral History Interview with Douglas Holloway, Dates: December 13, 2013 Bulk Dates: 2013 Physical 9 uncompressed MOV digital video files (4:10:46). Description: Abstract: Television executive Douglas Holloway (1954 - ) is the president of Ion Media Networks, Inc. and was an early pioneer of cable television. Holloway was interviewed by The HistoryMakers® on December 13, 2013, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2013_322 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Television executive Douglas V. Holloway was born in 1954 in Pittsburgh, Pennsylvania. He grew up in the inner-city Pittsburgh neighborhood of Homewood. In 1964, Holloway was part of the early busing of black youth into white neighborhoods to integrate Pittsburgh schools. In 1972, he entered Northeastern University in Boston, Massachusetts as a journalism major. Then, in 1974, Holloway transferred to Emerson College, and graduated from there in 1975 with his B.S. degree in mass communications and television production. In 1978, he received his M.B.A. from Columbia University with an emphasis in marketing and finance. Holloway was first hired in a marketing position with General Foods (later Kraft Foods). He soon moved into the television and communications world, and joined the financial strategic planning team at CBS in 1980. -
Mariko Mori and the Globalization of Japanese “Cute”Culture
《藝術學研究》 2015 年 6 月,第十六期,頁 131-168 Mariko Mori and the Globalization of Japanese “Cute” Culture: Art and Pop Culture in the 1990s SooJin Lee Abstract This essay offers a cultural-historical exploration of the significance of the Japanese artist Mariko Mori (b. 1967) and her emergence as an international art star in the 1990s. After her New York gallery debut show in 1995, in which she exhibited what would later become known as her Made in Japan series— billboard-sized color photographs of herself striking poses in various “cute,” video-game avatar-like futuristic costumes—Mori quickly rose to stardom and became the poster child for a globalizing Japan at the end of the twentieth century. I argue that her Made in Japan series was created (in Japan) and received (in the Western-dominated art world) at a very specific moment in history, when contemporary Japanese art and popular culture had just begun to rise to international attention as emblematic and constitutive of Japan’s soft power. While most of the major writings on the series were published in the late 1990s, problematically the Western part of this criticism reveals a nascent and quite uneven understanding of the contemporary Japanese cultural references that Mori was making and using. I will examine this reception, and offer a counter-interpretation, analyzing the relationship between Mori’s Made in Japan photographs and Japanese pop culture, particularly by discussing the Japanese mass cultural aesthetic of kawaii (“cute”) in Mori’s art and persona. In so doing, I proffer an analogy between Mori and popular Japanimation characters, SooJin Lee received her PhD in Art History from the University of Illinois-Chicago and was a lecturer at the School of Art Institute of Chicago. -
Washoku Guidebook(PDF : 3629KB)
和 食 Traditional Dietary Cultures of the Japanese Itadaki-masu WASHOKU - cultures that should be preserved What exactly is WASHOKU? Maybe even Japanese people haven’t thought seriously about it very much. Typical washoku at home is usually comprised of cooked rice, miso soup, some main and side dishes and pickles. A set menu of grilled fish at a downtown diner is also a type of washoku. Recipes using cooked rice as the main ingredient such as curry and rice or sushi should also be considered as a type of washoku. Of course, washoku includes some noodle and mochi dishes. The world of traditional washoku is extensive. In the first place, the term WASHOKU does not refer solely to a dish or a cuisine. For instance, let’s take a look at osechi- ryori, a set of traditional dishes for New Year. The dishes are prepared to celebrate the coming of the new year, and with a wish to be able to spend the coming year soundly and happily. In other words, the religion and the mindset of Japanese people are expressed in osechi-ryori, otoso (rice wine for New Year) and ozohni (soup with mochi), as well as the ambience of the people sitting around the table with these dishes. Food culture has been developed with the background of the natural environment surrounding people and culture that is unique to the country or the region. The Japanese archipelago runs widely north and south, surrounded by sea. 75% of the national land is mountainous areas. Under the monsoonal climate, the four seasons show distinct differences. -
Le Monde Du Sumo Le Premier Magazine Francophone Consacré Au Sumo
Le Monde du Sumo Le premier magazine francophone consacré au Sumo Aki basho 2004 : Kaio s’offre son 5ème yusho ! La cérémonie de retraite de Musashimaru Explications : comment lire un banzuke ? フランス語の大相撲雑誌 Numéro 6 - octobre 2004 Editorial En tout cas, c’est bien connu, le performances, et pour rester sur de meilleures malheur des uns fait toujours le bonheur des impressions, citons le fait assez rare de autres, et sans vouloir atténuer l’excellente retrouver trois des quatre sanyaku avec un performance de Kaio, la méforme d’Asashoryu kachi-koshi (plus de victoires que de défaites a certainement donné un sacré coup de pouce à sur l’ensemble du tournoi). l’ozeki ! Egalement à noter, l’excellent résultat du Russe Roho, qui remporte 10 D’autres, en revanche, n’ont victoires pour son premier tournoi en division clairement pas su tirer profit de la situation. makuuchi, et empoche par la même occasion le Restons sur les ozeki avec prix de la combativité. Avec cette performance, Chiyotaikai, tout d’abord, qui a dû attendre le il éclipse d’ailleurs légèrement Kotooshu, le dernier jour pour obtenir son kachi-koshi. Un Bulgare que l’on aurait attendu (ou au moins, résultat qui reflète parfaitement son manque espéré) au même niveau, mais qui doit se Biglobe Biglobe flagrant de conviction sur ce tournoi. contenter de 9 victoires (score somme toute Kaio, posant fièrement avec le trophée Musoyama, égal à lui-même depuis quelque fort honorable, car c’était, pour lui aussi, son symbolisant sa cinquième victoire de temps, n’a rien livré et a dû abandonner à la grand début dans la division reine). -
Eccho Rights
//// CommentarY BY FABRICIO Ferrara Turkey, Home of Content at Mipcom 2015 riven by the Istanbul Chamber of Commerce (ITO) and several Government entities such us the D Ministry of Culture and Tourism and Ministry of Economy, Turkey Country of Honour hosts at MIPCOM 2015 an important series of conferences, screenings and activities on 4-8 October, 2015. Under the motto Turkey Home of Content, the program a trade delegation consisting of 33 Turkish companies, promises to be a smart experience for the market partici- which are taking part o the matchmaking meetings. pants, and a great opportunity for the Turkish industry to The Official Welcome Party on Monday at Martinez be (much more) known by the media world. A dedicated Hotel is sponsored by TRT, while ITV Inter Medya and website, www.turkeyhomeofcontent.com, has Global Agency host their own parties on Tuesday and Published by been previously launched to show the country news. Wednesday, respectively, and ATV organizes a launch Editorial Prensario SRL Turkish companies attend MIPCOM with its different at Carlton Hotel on Monday. Regarding meeting spaces, Lavalle 1569, Of. 405 C1048 AA K branches, including networks, production and distri- there is a common sector inside the Palais des Festivals Buenos Aires, Argentina bution companies, digital media and advertisement for meetings (106.5sqm2) and a tent outside (300sqm2). Phone: (+54-11) 4924-7908 business along with stars, screenwriters, producers and PRENSARIO has been covering the Turkish industry since Fax: (+54-11) 4925-2507 directors. A major audiovisual forum is taking place of- early 2005 and, it can be assured, the evolution has been fering a deeper look at the growing media landscapes: notorious. -
Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
State of America's Children 2020
THE STATE OF AMERICA’S CHILDREN® 2020 ABOUT THE CHILDREN'S DEFENSE FUND TABLESECTION OF CONTENTS HEAD The Children’s Defense Fund’s Leave No Child Behind® mission is to ensure every child a Healthy Start, a Head Start, a Fair Start, a Safe Start and a Moral Start in life and successful passage to adulthood with the help of caring families and communities. CDF provides a strong, effective and independent voice for all the children of America who cannot vote, lobby or speak for themselves. We pay particular attention to the needs of poor children, children of color and those with disabilities. CDF educates the nation about the needs of children and encourages preventive investments before they get sick, drop out of school, get into trouble or suffer family breakdown. CDF began in 1973 and is a private, nonprofit organization supported by individual donations, foundation, corporate and government grants. A Note about Using The State of America’s Children® 2020 At the Children’s Defense Fund, we recognize there is so much work to do across different policy areas and states to end child poverty and ensure all of America’s children an equal equitable start in life. To make progress and evaluate our progress in the future, it is helpful to know where we currently stand. The State of America’s Children® 2020 and corresponding state factsheets provide a comprehensive overview of how America’s children are doing nationally to inform conversations and improve policies to ensure no child is left behind. • The State of America’s Children® 2020 summarizes the status of America’s children in 11 areas: child population, child poverty, income and wealth inequality, housing and homelessness, child hunger and nutrition, child health, early childhood, education, child welfare, youth justice and gun violence. -
World Crossbow Shooting Association - TARGET, STANDARD, FREESTYLE & MEDIEVAL CROSSBOW RULES
World Crossbow Shooting Association - TARGET, STANDARD, FREESTYLE & MEDIEVAL CROSSBOW RULES WORLD CROSSBOW SHOOTING ASSOCIATION SHOOTING RULES FOR TARGET, MEDIEVAL, STANDARD, FREESTYLE CROSSBOWS AND GENERAL SHOOTING RULES. EFFECTIVE 1st January 2019 Effective, 1st January 2019 Page: 1 World Crossbow Shooting Association - TARGET, STANDARD, FREESTYLE & MEDIEVAL CROSSBOW RULES INDEX Clause Item Page No INDEX ................................................................................................................................................................................. .................. 2 DEFINITIONS ...................................................................................................................................................................................... 6 SECTION 1. WORLD CHAMPIONSHIPS, REGINAL CHAMPIONSHIP, JUDGING, RECORDS, ASSISTED SHOOTERS 1 PRECEDENCE, INTERPRETATION AND AMENDMENTS ..................................................................................................... 9 2 WORLD CHAMPIONSHIPS ...................................................................................................................................................... 9 2.1 Outdoor Target ................................................................................................................................................................ 2.2 3D ................................................................................................................................................................................... -
Sports Quiz When Were the First Tokyo Olympic Games Held?
Sports Quiz When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari Which of these is not included in the waza techniques of -
Investor Information 2016(4.7MB)
INVESTOR INFORMATION 2016 Connecting to the future Tokyo Broadcasting System Holdings, Inc. Consolidated Financial Highlights Net Sales Operating Income (Millions of Yen) (Millions of Yen) 354,338 346,538 352,351 347,817 348,539 17,179 16,188 15,696 15,728 12,162 12/3 13/3 14/3 15/3 16/3 12/3 13/3 14/3 15/3 16/3 Ordinary Income Prot Attributable to Owners of Parent (Millions of Yen) 22,678 (Millions of Yen) 18,915 14,497 18,096 17,671 12,811 11,671 14,313 9,173 9,644 12/3 13/3 14/3 15/3 16/3 12/3 13/3 14/3 15/3 16/3 Total Assets Total Net Assets (Millions of Yen) (Millions of Yen) 653,732 649,970 456,118 458,208 555,159 559,626 579,039 385,971 344,473 322,597 12/3 13/3 14/3 15/3 16/3 12/3 13/3 14/3 15/3 16/3 Contents 2 To Our Stakeholders 13 Major Indices 3 At a Glance 15 Segment Information 4 Organization 17 TBS Television 5 Corporate Data 20 Financial Data of Major Group Companies 6 Business Report 22 TBS Networks 9 Consolidated Financial Statements Financial Figures The nancial gures used in this report are those used in the Japanese ”Tanshin,” which has been created in accordance with the provisions set forth in the Japanese Financial Instruments and Exchange Act. Thus, all gures have been rounded down to the nearest million yen. Forward-Looking Statements This report contains forward-looking statements based on management’s assumptions and beliefs in light of the information currently available. -
Tenpoint 2017Catalog Screen
4–7 | New for 2017 8–15 | Crossbows 16–19 | Crossbow Features 20–21 | Crossbow Specifications YOUR DESTINATION Dense Eastern Pine Forest YOUR CHALLENGE Tight spaces, low light, and thick cover 24–25 | Cocking Devices YOUR EQUIPMENT Carbon Nitro RDX™ with Pro Elite™ Carbon Arrows 26–27 | Crossbow Accessories 28–30 | Crossbow Arrows & Nocks 31 | String & Cable Guide WWW.TENPOINTCROSSBOWS.COM PAGE 9 Featuring our new RCX Cam System™, the game-changing Carbon Phantom RCX is the most efficient crossbow we have ever designed. Utilizing a 16-inch power stroke, its lightweight 160-pound bow assembly measures an ultra-compact 13.375-inches axle-to-axle and generates speeds up to a blazing 385 FPS. Pair that power with its new ACX™ (Adjustable Comfort Crossbow) stock and ultra-light carbon fiber barrel, and this agile-handling, hard-hitting crossbow is unmatched by the competition. NEW FOR 2017 UP TO THREE NEW PERFORMANCE-INSPIRING HUNTING MACHINES SHOW WHY TENPOINT REIGNS AS THE DEFINING MANUFACTURER 385 FPS OF ELITE-QUALITY CROSSBOWS. TO OUR CUSTOMERS TenPoint has just completed one of the most productive years in its Perhaps more importantly, this investment also involved hiring a history — a year ultimately focused on our ongoing commitment to group of highly qualified middle management professionals to technological advancement, impeccable customer service, help stimulate and manage future growth, innovation, and quality. and the production of premium crossbow products. Finally, I am proud to report that my two sons, Phil and Steve, First, we engineered and built three exciting new models for and my nephew, Mike Shaffer, have worked 24/7 to manage the 2017 — the premium-level Carbon Phantom RCX, the thrilling facilities expansion and a rather remarkable transformation Eclipse RCX, and the entry-level Renegade. -
New Ways of Being in the Fiction of Yoshimoto Banana
SINGLE FRAME HEROICS: NEW WAYS OF BEING IN THE FICTION OF YOSHIMOTO BANANA Ph. D Thesis Martin Ramsay Swinburne University of Technology 2009 CONTENTS Legend............................................................................................................. 5 Disclaimer…………………………………………………………………... 6 Acknowledgements…………………………………………………………. 7 Abstract ….…………………………………………………………………. 8 Introduction: A Literature of ‘Self-Help’………………………………… 9 Yoshimoto’s postmodern style…...………………………………………….. 11 Early success and a sense of impasse………………………………………... 15 A trans-cultural writer……………………………………………………….. 17 Rescuing literature from irrelevance………………………………………… 21 Chapter One: Women and Gender Roles in Contemporary Japanese Society………………………………………………………………………. 27 An historical overview ………………………………………….…………... 27 Nation building and changing ‘ideals of femininity’………………………... 30 The rise of the Modan Ga-ru (Modern Girl)………………………………… 32 The Post-War Experience ……………………………………….………….. 37 The emergence of the ‘parasite single’……………………………………… 38 Women’s magazines and changing ‘ideals of femininity’…………………... 41 The Women’s Liberation movement……………………………….………... 44 Fear of the young: The politics of falling birth rates……..………………….. 47 Chapter Two: Yoshimoto Banana and Contemporary Japanese Literature…....…………………………………………………………….. 53 Japanese literature, women and modernity …………………………………. 54 The problem with popular culture …………………………….…………….. 62 2 Sh ôjo culture: the ‘baby-doll face of feminism’ in Japan……..……………. 70 A global literature and a shared