DOCSLIB.ORG

Head and Shoulders

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Head and Shoulders Women’s Wear Daily • The Retailers’ Daily Newspaper • March 3, 2009 • $3.00 WReady-to-Wear/TextileswDTUESDAY Head and Shoulders Domenico Dolce and Stefano Gabbana’s fall collection for Dolce & Gabbana had a Surrealist slant, expressed in playful trompe l’oeil looks and amusing visual tricks. Another important motif: strong shoulders. Here, a sheer-sleeve bustier look worn with leather gloves that have morphed into a hat and a clock-face necklace. For more on the MILAN season, see pages 4 to 11. collections/fall ’09 Fighting Back: Istithmar Says Barneys Not for Sale, CEO on Way By David Moin interview from Dubai on Monday. wants to unload the business amid Barneys New York is not for sale, hopes In addition to battling the recession, mounting financial pressures. to resolve its issues with factors in a few sharp declines in luxury spending, and But on Monday, Jackson went on the weeks and intends to have a new chief lately a handful of factors — including defensive, flatly denying the for-sale executive officer in place by midyear. Hilldun Corp. and Rosenthal & rumors and even contending Barneys is So says David Jackson, chief executive Rosenthal Inc. — that have stopped outperforming the competition. officer of Istithmar, the Dubai-based approving shipments, Barneys has been “There are a lot of rumors about parent of Barneys, in a wide-ranging dogged by speculation that Istithmar See Istithmar’s, Page 12 PHOTO BY MAURICIO MIRANDA MAURICIO PHOTO BY 2 WWD, TUESDAY, MARCH 3, 2009 WWD.COM Retail Dragged Down in Market Sell-off By Arnold J. Karr and Alexandra Steigrad ernment will need to complete its “stress tests of the banks,” he said, essentially “telling the THE DOW JONES INDUSTRIAL AVERAGE banks to raise [their] own money” or prepare to WWDTUESReady-to-Wear/TextilesDAY tumbled through the 7,000 mark and kept fall- be “taken over.” ing Monday, hitting its lowest level in nearly 12 Publicly held fashion companies will con- FASHION years and pulling down retail shares 4.3 percent tinue to do what they can to curb costs as they Dolce & Gabbana, Versace and Fendi were among in its wake. struggle for scarce disposable income from con- s 4 the notable collections as the Milan fall season Escalating global fears about the fragility of sumers. After seeing its shares fall 18.1 percent the financial sector and the drastic measures that to $2.08 on Monday, The Talbots Inc. revealed it drew to a close. could be necessary to right hobbled world econo- had finalized terms of its $200 million unsecured GENERAL mies dragged the Dow down nearly 300 points, or term loan facility from Aeon Co. Ltd., the parent Vendors are hoping to finally unearth some solid 4.2 percent, to 6,763.29. It started the day below company of Talbots’ principal shareholder. 1 the psychologically significant 7,000 mark, dipped The retailer also noted that its board had information this week about the financial state of below 6,900 before noon and left behind the 6,800 voted to suspend the company’s quarterly divi- Barneys New York. barrier in the final hour of trading. dend, saving it about $29 million this year, and, The Dow Jones Industrial Average tumbled Meanwhile, despite word from the Commerce for an additional $6 million in savings, freeze its 2 through the 7,000 mark and kept falling Monday, Department that consumer spending in January pension plans, which earlier had been altered to hitting its lowest level in nearly 12 years rose for the first time in seven months, the S&P freeze participation for employees hired since Chanel revealed it will close two boutiques in Retail Index finished the day at 241.05, down the end of 2007. 3 10.74 points or 4.3 percent. Earlier in the day, J. Crew Group Inc., which Japan, while Chopard said it has eliminated 36 However, unlike the Dow and the battered announced layoffs and other cost reductions on jobs. S&P 500, which ended the day at its lowest level Friday, had been one of the few apparel retail- A consultant for China’s National Treasure Fund since 1996 after a 4.7 percent decline Monday, ers with stock gains, but the New York-based 3 revealed he had bought the fountainheads at the the retail index averted both near- and longer- specialty chain’s shares ended the day down 0.6 YSL auction, but didn’t plan to pay for them. term lows. percent at $11.19. Market rumors were swirling Monday that the While the Dow briefly fell below 7,000 on Others fared far worse. Among the specialty 13 Friday, Monday was the first day it had closed retailers sustaining double-digit declines in Estée Lauder Cos. had struck a spokeswoman below that milestone since May 1, 1997. The new stock prices were Frederick’s of Hollywood deal with “Slumdog Millionaire” star Freida Pinto. 52-week low of 6,755.97 hit earlier on Monday Group Inc., down 43.3 percent to 17 cents; Eddie The office of the U.S. Trade Representative sub- is 48.8 percent below the corresponding high of Bauer Holdings Inc., 22.6 percent to 48 cents; 14 mitted its annual president’s trade policy agenda 13,191.49 hit last May 2. Stein Mart Inc., 15.8 percent to $1.01, and The Versace to Congress on Monday. The Dow had last closed below 6,800 on April Wet Seal Inc., 12 percent to $2.20. 28, 1997. The somber mood on a snowy day in New The declines on Wall Street are reinforcing York followed similarly negative results in Classified Advertisements.................................................................................................15 unsettling news throughout the financial land- markets worldwide. Declines were even steep- TO E-MAIL REPORTERS AND EDITORS AT WWD, THE ADDRESS IS scape, such as Monday’s disclosure of yet anoth- er in Europe, where both London’s FTSE 100 [email protected], USING THE INDIVIDUAL’s NAME. er round of bailout money for AIG, and contrib- and Paris’ CAC 40 hit new lows. The London WWD IS A REGISTERED TRADEMARK OF ADVANCE MAGAZINE PUBLISHERS INC. COPYRIGHT ©2009 uting to restrained consumer spending. index dropped 5.3 percent to 3625.83, while the FAIRCHILD FASHION GROUP. ALL RIGHTS RESERVED. PRINTED IN THE U.S.A. “You get headline fatigue,” said Craig end-of-day quote in Paris was down 4.5 percent VOLUME 197, NO. 45. WWD (ISSN 0149–5380) is published daily (except Saturdays, Sundays and holidays, with one additional issue in January, May, October, November and December, two additional issues in March, April, June Johnson, president of Customer Growth Partners to 2,581.46. and August, and three additional issues in February and September) by Fairchild Fashion Group, which is a division LLC, in anticipation of Wall Street’s top-story In London, Marks and Spencer Group plc’s of Advance Magazine Publishers Inc. PRINCIPAL OFFICE: 750 Third Avenue, New York, NY 10017. Shared Services role on Monday night’s newscasts. “It’s little shares dropped 4.6 percent to 249 pence, or provided by Condé Nast Publications: S. I. Newhouse, Jr., Chairman; Charles H. Townsend, President/CEO; John W. Bellando, Executive Vice President/COO; Jill Bright, Executive Vice President/Human Resources. Periodicals postage wonder that people are holding their purse $3.49 at current exchange, after Credit Suisse paid at New York, NY, and at additional mailing offices. Canada Post Publications Mail Agreement No. 40644503. strings tighter. The problem is with all this head- analyst Tony Shiret issued a research note criti- Canadian Goods and Services Tax Registration No. 886549096-RT0001. Canada Post: return undeliverable Canadian line fatigue, nobody wants to spend anything.” cizing chairman Sir Stuart Rose’s leadership of addresses to: P.O. Box 503, RPO West Beaver Cre, Rich-Hill, ON L4B 4R6 POSTMASTER: SEND ADDRESS CHANGES TO WOMEN’S WEAR DAILY, P.O. Box 15008, North Hollywood, CA 91615–5008. FOR SUBSCRIPTIONS, ADDRESS In a best-case scenario, Johnson sees spend- the company. CHANGES, ADJUSTMENTS, OR BACK ISSUE INQUIRIES: Please write to WWD, P.O. Box 15008, North Hollywood, CA ing picking up in the fourth quarter but felt a “The current regime has not delivered on 91615-5008, call 800-289-0273, or visit www.subnow.com/wd. Please give both new and old addresses as printed recovery “well into 2010” is more likely. strategy or stability, and shows no sign of doing on most recent label. First copy of new subscription will be mailed within four weeks after receipt of order. Address all editorial, business, and production correspondence to WOMEN’S WEAR DAILY, 750 Third Avenue, New York, NY 10017. Although Ben Garber, economist at Moody’s so,” said Shiret, adding Britain’s largest clothing For permissions and reprint requests, please call 212-630-4274 or fax requests to 212-630-4280. Visit us online Investors Service, believes the recession, now in retailer has failed to revitalize the brand and at www.wwd.com. To subscribe to other Fairchild magazines on the World Wide Web, visit www.fairchildpub.com. its 16th month, might technically be over by the draw in younger customers. M&S’ share price Occasionally, we make our subscriber list available to carefully screened companies that offer products and services that we believe would interest our readers. If you do not want to receive these offers and/or information, please end of the year, “we will not be entering into a has fallen 36 percent over the past year. advise us at P.O. Box 15008, North Hollywood, CA 91615-5008 or call 800-289-0273.
Load more

Recommended publications
  • The Art of He’S One of Fashion’S Living Legends: a Designer, Hotelier and Restaurateur with a Billion-Pound Business to His Name
    EMBROIDERED SILK BLOUSE, £7,700, Silk SKIRT, £1,550, and SATIN SHOES, £680, GIORGIO ARMANI ArmaniTHE ART OF He’s one of fashion’s living legends: a designer, hotelier and restaurateur with a billion-pound business to his name. But who is the real Mr Armani? Ahead of his outstanding achievement award at the UK’s ‘fashion Oscars’ tomorrow, Jane McFarland is granted a rare audience at home with the fiercely private man the Milanese call King Giorgio – while his friend the model Eva Herzigova wears his latest Resort collection Photographs Anton Corbijn Styling Margherita Moro 34 The Sunday Times Style The Sunday Times Style 35 THIS PAGE SILK VELVET Style Exclusive SHIRT, £860, maTCHING JACKET, £2,300, and TROUSERS, £860, GiorGIO ARMANI. NECKLACE, EVA’S OWN OPPOSITE WOVEN CLOAK, POA, AND SILK SHANTUNG TROUSERS, £860, GIORGIO ARMANI IT’S NOT WHOLLY EXAGGERATING to compare securing surfaces, from panthers to reptiles — perhaps unsurprising, an audience with Giorgio Armani (or Mr Armani as he is given his second home, an hour from Milan, has a zoo. known to his inner circle) to arranging a casual cuppa with Outside, there’s a parked Bentley, doormen and 24/7 the Queen. Or maybe the Duchess of Sussex. He rarely talks surveillance. Across the road are the Armani offices, and to journalists, even less so the British press, so when I’m nearby, his hotel, the Emporio Armani cafe and the Via finally granted a 15-minute conversation at home with the Manzoni concept store. Even the hangar at Milan Linate king of Italian fashion, solo owner of Giorgio Armani SpA, airport bears a giant Armani logo; make no mistake, Mr who Forbes estimates to have a personal fortune of £8.26bn, Armani wields the power in Milan.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 Permalink https://escholarship.org/uc/item/2kv6s20v Author Harris, Jessica Lynne Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Jessica Lynne Harris 2016 © Copyright by Jessica Lynne Harris 2016 ABSTRACT OF THE DISSERTATION Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 by Jessica Lynne Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Brenda Stevenson, Co-chair Professor Geoffre W. Symcox, Co-chair “Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975” examines the development and growth of a mass consumer-based society in Italy after the Second World War. Employing a gendered and transnational approach, the dissertation puts women at the center of the analysis by specifically focusing on American female consumer culture’s influence on Italian women’s lives from 1945-1975. This study, in contrast to existing literature on the topic, provides a more comprehensive understanding of the nature of the models and messages of American female consumer culture in Italy during this period, how they influenced Italian women, and the extent of this culture’s influence. Furthermore, the analysis of the intersection of the modern “American woman” (the white middle-class suburban American ii housewife), consumerism, and Italian female culture and identities provides new insight into the unique cultural relationship between the United States and Italy following the Second World War.
    [Show full text]
  • Dolce & Gabbana's Communication and Branding Analysis
    FACE Business Case Dolce & Gabbana’s Communication and Branding Analysis Il presente lavoro è stato redatto grazie al contributo degli studenti del corso di Laurea Magistrale in Fashion Communication: Cristiana Avolio, Federica Fancinelli, Valentina Foschi, Veronica Rimondi e Camilla Tosi 1 The work aims to analyze the communication strategies of Dolce&Gabbana, one of the most famous brands on a national and international level, that has been able to create, within a varied audience, a global strong recognition. The fashion company was founded in 1985 by two designers: Domenico Dolce and Stefano Gabbana. 1. Zeitgeist and social context The inspiration of the designers Stefano Dolce and Domenico Gabbana comes from Sicily and the post-war neo-realist filmography, a land of perfumes and mysteries, a precious treasure chest of memories from which derive motifs destined to characterize each new collection. Surely their point of strength and recognition, both in lingerie and tailoring, is the black lace, a symbol of rigor and feminine sensuality; in fact the woman of Dolce & Gabbana, in balance between the modest and uninhibited, embodies the woman of our time with a strong and fragile personality at the same time, a concrete woman but also a dreamer. Protagonists of the fashion shows and the advertising campaigns are often the icon of the typical Italian beauty as: Bianca Balti, Monica Bellucci, Maria Grazia Cucinotta and Bianca Brandolini d'Adda. The Mediterranean woman becomes the point of reference and the muse of the two designers who highlight her shapes and her strong personality. For example, the bustier, as a synonymous for excellence of femininity that women, of all ages, have always used to outline and emphasize their bodies, recurs frequently in the brand pictures.
    [Show full text]
  • Dolce & Gabbana for Release: Dec 4, 2018. Milan, Italy Contact
    Dolce & Gabbana For release: Dec 4, 2018. Milan, Italy Contact: Alexandria Hawthorne Phone: (347)756-1655 DOLCE & GABBANA REPLACES MILLENNIALS WITH DRONES FOR FALL 2018 Domenico Dolce and Stefano Gabbana will be launching their Fall collection on Dec 4, 2018 in Milan, Italy. Get ready to experience a different level of runway at Sala delle Cariatidi @ Palazzo Reale. This season, design duo Domenico Dolce and Stefano Gabbana make a declaration of love to the industry with a Fall 2018 collection entitled Fashion Devotion. Catholic motifs are intrinsic to the Italian house, and for Fall 2018, Dolce and Gabbana is keen to give guests a deeper religious experience, with a show that will present fashion as a form of religion filled with ​angelic looks, sequined dresses with cherubs and mini-skirts with detailing that might as well have been taken from church ceilings, and bejewelled cross necklaces. Dolce & Gabbana’s identity is a mix of devotion, sheer creativity, religion, style and irony…The collection has it all, it’s an interesting play of contrasts. It pays tribute to pop culture icons, but also religion and the world of Catholicism. Dolce & Gabbana wants to celebrate their passion for fashion, which is their religion in a way. On the other hand, celebrate beauty, the ultimate “artifice” of fashion. Drones are the new angels of technology! This runway show is also meant as an homage to Dolce & Gabbana’s love for technology. ### Dolce & Gabbana was founded in 1985 by designers Domenico Dolce & Stefano Gabbana in Milan. Five years before the launch of the legendary Italian label, the two designers met in a workshop in Venice where they joined creative forces.
    [Show full text]
  • Just the Two of Us
    Domenico Dolce, left, and Stefano Gabbana describe their chemistry as a meeting of opposites egendary songstress Dusty Springfield emerges from a glass mural, a portrait of a Madonna — the original — is splashed across the back of a chair, and a huge porcelain rooster evokes the spirit of Sicily. Entering the vast private salon of Domenico Dolce and Stefano Gabbana on the top floor of their global Lheadquarters on a grim autumn day in Milan is like stepping on to a catwalk at one of their famously flamboyant shows. There’s an explosion of colour and a chaotic blend of classic Italian tradition with their own cutting edge inspired by the 60s, 70s and plenty of other eras as well. The walls are covered in crimson brocade and there’s more than a hint of art deco but perhaps most surprising are the floor- to-ceiling bookshelves filled with tributes to rivals such as Ralph Lauren, Tom Ford and Christian Dior. Yet this brash remake of the corporate boardroom seems a perfect introduction to the style icons who created Dolce & Gabbana nearly 30 years ago. Domenico Dolce and Stefano Gabbana are among the wealthiest men in Italy, cited in Forbes’ billionaire list of notable newcomers this year with a personal worth estimated at $US2 billion each ($2.1bn). Yet they enter the room without a flourish. Just the two of us Despite fighting a controversial sentence for tax evasion in the Italian courts, they are taking time out from their From humble beginnings, Domenico Dolce and Stefano Gabbana have latest collection to talk about their first store in Australia.
    [Show full text]
  • Simon Is a Rock Star, Yasmin Is a Supermodel. the Le Bons Enjoy Global Fame and Cultural Influence That Extends from Fashion
    renown / fame Simon is a rock star, Yasmin is a supermodel. The Le Bons LeBenjoy global fame and culturalon influence that extends from fashion and music to their altruistic endeavours. In this #legend exclusive, they tell their story to THERESA HAROLD Photography / Robert Astley Sparke Styling / Roberta Resta Cover On Yasmin On Yasmin Dress _ Temperley London Earrings _ Chopard Jacket _ Ermanno Scervino Dress _ Temperley London Watch _ Chopard Rings _ Yasmin’s own Rings _ Yasmin’s own On Simon On Simon Tuxedo and shirt _ Dolce & Gabbana Tuxedo and shirt _ Dolce & Gabbana 188_#legend_April 2016 April 2016_#legend_189 renown / fame SIMON LE BON has a cold. But the Duran Duran lead singer will not let it prevent him from giving interviews. It’s Monday morning at Blakes Hotel in London and Simon is preparing for a shoot with his supermodel wife of 30 years, Yasmin Le Bon. — A self-styled “consummate unprofessional”, Simon is in playful spirits. He jokes with the crew as they show him the wardrobe options, and his eyes seek out Yasmin’s whenever she enters the room. At 51, Yasmin Le Bon emanates the type of relaxed beauty that cannot be found in a jar or syringe. Her hair is shampoo-commercial bouncy. Her laugh is warm and throaty. There is an easy intimacy between the couple, whether it’s in the casual conversations about domestic matters (“Did you feed the woofs?”), or the cheeky bum- After nearly 40 years together as Duran Duran, how does pinches in between takes. it feel to go on the road? SThey met in 1984, when Yasmin was modelling in London.
    [Show full text]
  • THE STYLE ISSUE the World's Wealthiest Clients Gather by The
    For Immediate Release: September 14, 2015 Press Contacts: Natalie Raabe, (212) 286-6591 Molly Erman, (212) 286-7936 Adrea Piazza, (212) 286-5996 THE STYLE ISSUE The World’s Wealthiest Clients Gather by the Mediterranean to Shop In the September 21, 2015, issue of The New Yorker, in “The Couture Club” (p. 76), Rebecca Mead reports from Portofino, Italy, where Dolce & Gabbana recently presented this year’s collection of Alta Moda—made-to-measure haute couture—by throwing an over-the- top, four-day event for an élite international clientele. Launched four years ago by Stefano Gabbana, fifty-two, and his business partner of thirty years, Domenico Dolce, fifty-seven, “Alta Moda consists of one-of-a-kind, made-to-measure pieces: virtuoso demonstrations of what can be achieved sartorially when the imagination of a designer and the spending power of his patron are given unconstrained ex- pression,” Mead writes. Since Alta Moda’s inception, the fall/winter collection has been shown outside of Milan. This year, Dolce and Gabbana threw the most ambitious Alta Moda getaway yet: a four-day weekend of fashion shows, dinners, and other festivities, culmi- nating in a dance party with a dress code of gold. “These people live in another world,” Gabbana—whose personal wealth, like Dolce’s, is estimated by Forbes to be more than a billion dollars—tells Mead, regarding the Alta Moda clients. “I don’t live in that world.” He adds that he was sometimes surprised by the extravagances that the clients took for granted. “I live in an apartment, I have three dogs, two cats— you know what I mean.” The Alta Moda presentation consisted of a fashion show in which ninety-four models each wore just one cou- ture outfit, which could then be purchased—at a starting price of around forty thousand dollars—by the first customer to lay claim to it after the show ended.
    [Show full text]
  • Siren Song Think Greta Garbo
    WWDMILESTONESSECTION II Valentino at 50 WWD MONDAY, OCTOBER 15, 2012 Q WOMEN’S WEAR DAILY Q $3.00 Siren Song Think Greta Garbo. Not the reclusive one but the vamp version, camera-ready in spring’s high-glam lingerie looks. Here, Josie Natori’s embroidered silk satin slipgown under Dennis Basso’s nylon organza and chinchilla bed jacket. Badgley Mischka earrings; Barbara Flood’s Closet belt. For more, see pages 6 and 7. PHOTO BY KYLE ERICKSEN; STYLED BY BOBBI QUEEN Karstadt Keeps LIQUIDITY ISSUES Pushing Ahead HMX Under Pressure, By MELISSA DRIER Decision Expected Soon BERLIN — It’s action time at Karstadt. A triple-header of major store events has seen fielding unsolicited offers from po- the German department store chain taking rapid By JEAN E. PALMIERI tential bidders. Interested buyers in- strides towards modernizing and differentiating and VICKI M. YOUNG clude two brand management firms, its business as outlined in the “Karstadt 2015” Authentic Brands Group and Iconix strategic plan. Reflecting the group’s multitiered THE OTHER SHOE is about to drop for Brand Group, and private equity firm structure, the moves have been made on both HMX Group. Bluestar Alliance. upper and midmarket levels. The consistent mes- The company is running out of time In a bankruptcy scenario, sources sage, however, has been one of trading up and, to as liquidity constraints are forcing it to said one of those bidders would be some extent, cleaning out. decide as soon as this week whether to chosen as the “stalking horse” for Prior to the grand opening of KaDeWe’s new sell the firm or file for bankruptcy court the firm’s intellectual property as- Luxury Boulevard, the store’s revamped beauty protection.
    [Show full text]
  • VALENTINO and GIAMMETTI, FIVE YEARS LATER Valentino at 50 a HALF-CENTURY of GRACE and GLAMOUR
    II II SECTION WWDMILESTONESSECTION ■ STEFANO SASSI BUILDS FOR THE FUTURE ■ CHIURI & PICCIOLI: CARRYING THE DESIGN MANTLE ■ VALENTINO AND GIAMMETTI, FIVE YEARS LATER Valentino at 50 A HALF-CENTURY OF GRACE AND GLAMOUR. Spring 2013 ready-to-wear. PHOTO BY STEPHANE FEUGERE 2 WWD MONDAY, OCTOBER 15, 2012 SECTION II WWD.COM WWD MILESTONES 1994 The designer creates costumes for “The Dream of Valentino,” an opera about silent-movie star Rudolph Valentino. Fabulous 50 1995 More than 30 years after his first show The fashion house’s storied history. Compiled by Fabiana Repaci at the Pitti Palace, Valentino returns to Florence and shows at the Stazione Leopolda. The city’s mayor awards him a 1932 fall couture collection at New York’s special prize for Art in Fashion. Valentino Clemente Ludovico Garavani is Metropolitan Museum of Art. Q The house licenses Warnaco for lingerie. born on May 11 in Voghera, in Northern Q Valentino shows in Tokyo for the first Italy, to Mauro Garavani, director of an time. 1996 electrical supply business, and Teresa de The designer receives the distinction of Biaggi. 1983 Cavaliere del Lavoro. Maria Grazia The Italian Olympic Committee selects Chiuri and 1959 Valentino to design uniforms for the 1984 1997 Pierpaolo Valentino’s first couture studio opens at 11 Summer Games in Los Angeles. Launch of Very Valentino fragrance; a Piccioli, 2012. Via Condotti in Rome. A second follows on men’s version follows in 1999. Via Sant’Andrea in 1965. 1985 Q Debut of the new sportswear line V Zone. Q In January, Valentino holds his last The fragrance Valentino di Valentino couture show at the Musée Rodin in Paris, 1960 launches.
    [Show full text]
  • Sorelle Fontana and Hollywood on the Tiber: the Birth of the Modern Italian Fashion Industry 1949-1959
    Sorelle Fontana and Hollywood on the Tiber: The Birth of the Modern Italian Fashion Industry 1949-1959 Courtney Lyons Undergraduate Senior Thesis Department of History Barnard College, Columbia University Professor Joel Kaye April 7, 2021 Lyons 1 Table of Contents Acknowledgments……………………………………………………………………………..…..2 Introduction……………………………………………………………………………..…………3 Chapter One: The Beginnings of Italian Fashion……………………………………………...….9 Chapter Two: The Growth of Cinecittà Studios and Hollywood on the Tiber……………….….20 Chapter Three: Sorelle Fontana and Hollywood……………….………..…………………..…..31 Chapter Four: The Rise of the Modern Italian Fashion Industry………………………………..46 Conclusion ……………………………………………………………………………………....63 Images……………………………………………………………………………………………65 Bibliography……………………………………………………………………………………..68 Lyons 2 Acknowledgments First, I would like to thank Professor Joel Kaye, who I have been lucky enough to call my thesis advisor this past year. Through your detailed feedback and many informative sessions, you have pushed me to become a better writer and historian, and I will be forever grateful for that. Thank you for always embracing my love of scandalous pop culture history and making our research seminar the best part of my week. Thank you to Professor Lisa Tiersten, my academic advisor, for taking me on as a last-minute advisee and admitting me into your seminar, even though it was full. It was under your guidance that I have been able to foster my love of fashion history. I would also like to thank Professor Barbara Faedda, whose “Culture of Italian Fashion” course inspired me to write my thesis on the topic. Finally, to both the Barnard and Columbia History Departments, thank you. Every history course that I have taken during my time here has been a pleasure.
    [Show full text]
  • (2028F8d) Pdf Peter Lindbergh. on Fashion Photography Peter
    pdf Peter Lindbergh. On Fashion Photography Peter Lindbergh - free pdf download Download Peter Lindbergh. On Fashion Photography PDF, Peter Lindbergh. On Fashion Photography Download PDF, Peter Lindbergh. On Fashion Photography by Peter Lindbergh Download, Free Download Peter Lindbergh. On Fashion Photography Ebooks Peter Lindbergh, Peter Lindbergh. On Fashion Photography Full Collection, Peter Lindbergh. On Fashion Photography Free Read Online, online free Peter Lindbergh. On Fashion Photography, pdf download Peter Lindbergh. On Fashion Photography, Download Free Peter Lindbergh. On Fashion Photography Book, Download Online Peter Lindbergh. On Fashion Photography Book, Download PDF Peter Lindbergh. On Fashion Photography Free Online, Peter Lindbergh epub Peter Lindbergh. On Fashion Photography, pdf Peter Lindbergh Peter Lindbergh. On Fashion Photography, the book Peter Lindbergh. On Fashion Photography, Download Peter Lindbergh. On Fashion Photography E-Books, Read Best Book Online Peter Lindbergh. On Fashion Photography, Read Online Peter Lindbergh. On Fashion Photography E-Books, Read Peter Lindbergh. On Fashion Photography Books Online Free, Peter Lindbergh. On Fashion Photography Ebooks, Peter Lindbergh. On Fashion Photography pdf read online, DOWNLOAD CLICK HERE They're they all disregard the sinister audience is one of those thoughtprovoking books published. And i found that it was not the case a bit more useful. Or man has had to send him to the island. This is a great book to use a biography of physics and using the other cd that follow the list and price. I highly recommend protection of reveal mother guides mother arthur unk level painting and doctrines in a book that entertains a purpose for browsing. Reading this book was a very intriguing read.
    [Show full text]
  • Large Print Guide
    Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir.
    [Show full text]