THE STYLE ISSUE the World's Wealthiest Clients Gather by The
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Here's How Much Real Housewife Teresa Giudice Could Profit From
⌂ Home Mail Search News Sports Finance Weather Games Answers Screen FlickrUpgradMeo tboi lethe neMw oFriere⋁fox » Search Celebrity Search Web � Sign In ✉ Mail ⚙ Follow Yahoo Celebrity Here's How Much Real Tune in to The Insider Los Angeles, CA Housewife Teresa Watch on KCBS-TV Tue 7:00 pm Celebrity Home Giudice Could Profit Yahoo Originals The Latest From The Insider: The Insider From Prison Sentence Exclusive Videos Us Weekly By Leslie Gornstein January 5, 2015 9:23 PM Photos Yahoo Celebrity Horoscopes OOHAY! The $100,000 Golden The Golden Globes Globes Look After Parties in a ... Recommended Games More games » Do not expect any cameras to document Teresa Giudice's time in the relatively plush confines of the Danbury Federal Correctional Institution. That's illegal, unless a warden gives special permission, and, in the words of celebrity tax attorney Dennis What to read next Brager, "I can't imagine in my wildest dreams the Bureau of Prisons will allow that kind of a circus." However, you can bet that Giudice stands to make a heck of a lot of cash once she gets out. For those of you unfamiliar with Celebrity Social Snaps, Week of January 12, 2015 Giudice's gelato- and-bellini-fueled reality empire: The star of The Real Housewives of New Jersey has reported to a minimum-security jail to serve a 15-month term for fraud. Once she gets out — and many expect she'll get sprung early — she's easily looking at seven figures worth of earnings. Related: Real Housewife Teresa Giudice Heads to Prison The aging skin mistake 87.6% of women make Sponsored Dermology Let's start with paid interviews. -
Their Stardom to Sell Products How Talent Can Capitalize On
How talent can capitalize on celebrity their stardom to sell products licensing PRESENTED BY P.1 PRESENTED BY SPECIAL REPORT | FIRST EDITION Learn From the Stars Perfecting the Art of Merchandise Monetization here may be no greater sign of the power chandising options. It’s a trend that’s been fueled by of stardom than celebrities’ ability to the rise of social media, which enables talent to con- extend the love their fans have for them nect with their fans in a way that just wasn’t possible to products far beyond the content they 10 years ago. T produce. It’s all the more remarkable But there’s another, less appreciated trend powering considering this business remains a potent revenue the licensing boom: software to help manage the com- stream for icons of all kinds long after they die. plexities of licensing, like RoyaltyZone, a product from Celebrity licensing is certainly not a new enterprise, this report’s sponsor, City National Bank (though the but as we delve into the three case studies featured in company had no hand in shaping its editorial content). this report, it’s become something of an art form. Thanks for enjoying this latest VIP report. There’s There’s no one tried-and-true path, either. The a lot more coming ... relevant to your own business. three well-known personalities featured in this report were chosen because they exemplify distinctly dif- ferent stages of the entertainment continuum: Steve McQueen hails from cinema’s storied past; Bethenny Frankel is a present-day TV icon; and Lauren Riihimaki represents a digital future still taking shape. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 Permalink https://escholarship.org/uc/item/2kv6s20v Author Harris, Jessica Lynne Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Jessica Lynne Harris 2016 © Copyright by Jessica Lynne Harris 2016 ABSTRACT OF THE DISSERTATION Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 by Jessica Lynne Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Brenda Stevenson, Co-chair Professor Geoffre W. Symcox, Co-chair “Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975” examines the development and growth of a mass consumer-based society in Italy after the Second World War. Employing a gendered and transnational approach, the dissertation puts women at the center of the analysis by specifically focusing on American female consumer culture’s influence on Italian women’s lives from 1945-1975. This study, in contrast to existing literature on the topic, provides a more comprehensive understanding of the nature of the models and messages of American female consumer culture in Italy during this period, how they influenced Italian women, and the extent of this culture’s influence. Furthermore, the analysis of the intersection of the modern “American woman” (the white middle-class suburban American ii housewife), consumerism, and Italian female culture and identities provides new insight into the unique cultural relationship between the United States and Italy following the Second World War. -
Dolce & Gabbana's Communication and Branding Analysis
FACE Business Case Dolce & Gabbana’s Communication and Branding Analysis Il presente lavoro è stato redatto grazie al contributo degli studenti del corso di Laurea Magistrale in Fashion Communication: Cristiana Avolio, Federica Fancinelli, Valentina Foschi, Veronica Rimondi e Camilla Tosi 1 The work aims to analyze the communication strategies of Dolce&Gabbana, one of the most famous brands on a national and international level, that has been able to create, within a varied audience, a global strong recognition. The fashion company was founded in 1985 by two designers: Domenico Dolce and Stefano Gabbana. 1. Zeitgeist and social context The inspiration of the designers Stefano Dolce and Domenico Gabbana comes from Sicily and the post-war neo-realist filmography, a land of perfumes and mysteries, a precious treasure chest of memories from which derive motifs destined to characterize each new collection. Surely their point of strength and recognition, both in lingerie and tailoring, is the black lace, a symbol of rigor and feminine sensuality; in fact the woman of Dolce & Gabbana, in balance between the modest and uninhibited, embodies the woman of our time with a strong and fragile personality at the same time, a concrete woman but also a dreamer. Protagonists of the fashion shows and the advertising campaigns are often the icon of the typical Italian beauty as: Bianca Balti, Monica Bellucci, Maria Grazia Cucinotta and Bianca Brandolini d'Adda. The Mediterranean woman becomes the point of reference and the muse of the two designers who highlight her shapes and her strong personality. For example, the bustier, as a synonymous for excellence of femininity that women, of all ages, have always used to outline and emphasize their bodies, recurs frequently in the brand pictures. -
Dolce & Gabbana for Release: Dec 4, 2018. Milan, Italy Contact
Dolce & Gabbana For release: Dec 4, 2018. Milan, Italy Contact: Alexandria Hawthorne Phone: (347)756-1655 DOLCE & GABBANA REPLACES MILLENNIALS WITH DRONES FOR FALL 2018 Domenico Dolce and Stefano Gabbana will be launching their Fall collection on Dec 4, 2018 in Milan, Italy. Get ready to experience a different level of runway at Sala delle Cariatidi @ Palazzo Reale. This season, design duo Domenico Dolce and Stefano Gabbana make a declaration of love to the industry with a Fall 2018 collection entitled Fashion Devotion. Catholic motifs are intrinsic to the Italian house, and for Fall 2018, Dolce and Gabbana is keen to give guests a deeper religious experience, with a show that will present fashion as a form of religion filled with angelic looks, sequined dresses with cherubs and mini-skirts with detailing that might as well have been taken from church ceilings, and bejewelled cross necklaces. Dolce & Gabbana’s identity is a mix of devotion, sheer creativity, religion, style and irony…The collection has it all, it’s an interesting play of contrasts. It pays tribute to pop culture icons, but also religion and the world of Catholicism. Dolce & Gabbana wants to celebrate their passion for fashion, which is their religion in a way. On the other hand, celebrate beauty, the ultimate “artifice” of fashion. Drones are the new angels of technology! This runway show is also meant as an homage to Dolce & Gabbana’s love for technology. ### Dolce & Gabbana was founded in 1985 by designers Domenico Dolce & Stefano Gabbana in Milan. Five years before the launch of the legendary Italian label, the two designers met in a workshop in Venice where they joined creative forces. -
Just the Two of Us
Domenico Dolce, left, and Stefano Gabbana describe their chemistry as a meeting of opposites egendary songstress Dusty Springfield emerges from a glass mural, a portrait of a Madonna — the original — is splashed across the back of a chair, and a huge porcelain rooster evokes the spirit of Sicily. Entering the vast private salon of Domenico Dolce and Stefano Gabbana on the top floor of their global Lheadquarters on a grim autumn day in Milan is like stepping on to a catwalk at one of their famously flamboyant shows. There’s an explosion of colour and a chaotic blend of classic Italian tradition with their own cutting edge inspired by the 60s, 70s and plenty of other eras as well. The walls are covered in crimson brocade and there’s more than a hint of art deco but perhaps most surprising are the floor- to-ceiling bookshelves filled with tributes to rivals such as Ralph Lauren, Tom Ford and Christian Dior. Yet this brash remake of the corporate boardroom seems a perfect introduction to the style icons who created Dolce & Gabbana nearly 30 years ago. Domenico Dolce and Stefano Gabbana are among the wealthiest men in Italy, cited in Forbes’ billionaire list of notable newcomers this year with a personal worth estimated at $US2 billion each ($2.1bn). Yet they enter the room without a flourish. Just the two of us Despite fighting a controversial sentence for tax evasion in the Italian courts, they are taking time out from their From humble beginnings, Domenico Dolce and Stefano Gabbana have latest collection to talk about their first store in Australia. -
2019 Annual Report
2019 ANNUAL REPORT 1 OUR MISSION GEM is dedicated to restoring hope and opportunity in the lives of those most affected by natural disasters. The organization works as a first responder for disaster relief, bridges the gap between first response and sustainable development, and implements practices to ensure sustainable development. GEM | 2019 ANNUAL REPORT GLOBAL EMPOWERMENT MISSION CONteNtS 3 Message from our founder 4 Our work 6 Strategic partners 7 GEM impact 16 Statement of financial position 19 Our donors 21 Board members GEM | 2019 ANNUAL REPORT CONTENTS 2 A MeSSAGe FROM OUR PReSIDeNt AND FOUNDeR The frequency and severity of natural disasters reached historic levels and caused Global Empowerment Mission to expand its impact and reach in 2019. It was a year of global crisis that activated Global Empowerment Mission’s response to supporting survivors in the California Wildfires, supplying aid to those in the midst of Venezuela Refugee Crisis, providing water filtration systems to neglected villages impacted by the Mozambique Tropical Cyclones, distributing millions of lbs of aid and building materials to those communities devastated by the Bahamas Hurricane Dorian, and worked alongside fire fighters to control theBolivia Amazon Wildfires. For almost a decade, Global Empowerment Mission has been implementing Haiti Sustainable Development efforts through educational and empowerment programs. As we look to the year ahead, the organization’s focus is to make these sustainable development initiatives available to the global community. The reason why this work is so important to us is that we know where we want our investments to go in order to make a consistent life-changing global impact. -
The Digital Money Shot: Twitter Wars, the Real Housewives, And
CELEBRITY STUDIES https://doi.org/10.1080/19392397.2018.1508951 The digital money shot: Twitter wars, The Real Housewives, and transmedia storytelling Jacquelyn Arcy University of Wisconsin-Parkside, Communication Department, Kenosha, WI, USA ABSTRACT ARTICLE HISTORY This article examines the construction of reality TV fame through Received 15 June 2017 transmedia storytelling. In the convergent TV era, reality producers Accepted 16 January 2018 increasingly require that stars post-personal content on social KEYWORDS media, blogs, and online video sites. Rather than hire transmedia Reality TV; celebrity; content creators, television networks incentivise stars to generate transmedia storytelling; their own digital texts by placing them in competition with their gender co-stars for attention, status, and salary. This new industry strategy seeks to cut costs while extending viewer engagement. In the reality TV emotion economy, where the most effective path to fame involves dramatic self-disclosure, stars are representing the hyperbolic performance of misery, jealousy, and resentment online. Just as reality producers rely on participants’ performance of the ‘money shot’–a televised moment of emotional upheaval – the convergent TV industry requires a ‘digital money shot’–an online performance of dramatic emotions that drives transmedia engagement. To begin mapping the contours of the ‘digital money shot’, this article examines the multi-platform world of Bravo’s reality docu-soap franchise, The Real Housewives, and the prevalence of the Twitter war, a social media feud used to draw viewers to new media sites. This practice illustrates how performa- tive emotions and self-disclosure form the basis of Bravo’s trans- media strategy for The Real Housewives franchise. -
Sorelle Fontana and Hollywood on the Tiber: the Birth of the Modern Italian Fashion Industry 1949-1959
Sorelle Fontana and Hollywood on the Tiber: The Birth of the Modern Italian Fashion Industry 1949-1959 Courtney Lyons Undergraduate Senior Thesis Department of History Barnard College, Columbia University Professor Joel Kaye April 7, 2021 Lyons 1 Table of Contents Acknowledgments……………………………………………………………………………..…..2 Introduction……………………………………………………………………………..…………3 Chapter One: The Beginnings of Italian Fashion……………………………………………...….9 Chapter Two: The Growth of Cinecittà Studios and Hollywood on the Tiber……………….….20 Chapter Three: Sorelle Fontana and Hollywood……………….………..…………………..…..31 Chapter Four: The Rise of the Modern Italian Fashion Industry………………………………..46 Conclusion ……………………………………………………………………………………....63 Images……………………………………………………………………………………………65 Bibliography……………………………………………………………………………………..68 Lyons 2 Acknowledgments First, I would like to thank Professor Joel Kaye, who I have been lucky enough to call my thesis advisor this past year. Through your detailed feedback and many informative sessions, you have pushed me to become a better writer and historian, and I will be forever grateful for that. Thank you for always embracing my love of scandalous pop culture history and making our research seminar the best part of my week. Thank you to Professor Lisa Tiersten, my academic advisor, for taking me on as a last-minute advisee and admitting me into your seminar, even though it was full. It was under your guidance that I have been able to foster my love of fashion history. I would also like to thank Professor Barbara Faedda, whose “Culture of Italian Fashion” course inspired me to write my thesis on the topic. Finally, to both the Barnard and Columbia History Departments, thank you. Every history course that I have taken during my time here has been a pleasure. -
Should You Move out of the Marital Home? Learn from Divorce Attorneys, Not the Tabloids
Jeff Landers , Contributor PERSONAL FINANCE 6/11/2013 @ 9:37AM Should You Move Out Of The Marital Home? Learn From Divorce Attorneys, Not The Tabloids (Image credit: Getty Images for SELF Magazine via @daylife) Ashton and Demi , Arnold and Maria , Tiger and Elin, Katie and Tom, Heidi and Seal . It’s easy to come up with a list of high-profile divorces that have grabbed recent headlines, and not just on celebrity gossip websites, but even in more mainstream news. The break-up alone always warrants at least a few stories. Then, if divorce settlement negotiations drag on, media interest often expands into the less sensational, procedural details of the case. These stories can provide food for thought if you’re going through a divorce yourself, but if you read them, please proceed with caution. Celebrity divorce “news” can be a source of misinformation. Case in point: The latest entertainment headlines proclaim there’s a new wrinkle in the ongoing divorce of Bethenny Frankel and Jason Hoppy, of reality TV fame. Frankel, the force behind Skinnygirl, and Hoppy, a pharmaceutical sales rep, filed for divorce in January, but reportedly, they are still living together in the $5M Tribeca loft apartment they moved into during presumably happier days. The couple has a daughter, Bryn, who’s almost three years old, and according to news reports, both parents have filed for primary custody of her. How (and why) Bethenny would endure the emotional stress and strife of sharing an apartment with her soon-to-be-ex on a day-to-day basis (not to mention the reported frequent extended stays by his parents) when she could afford to move to an equally luxurious setting elsewhere, is perhaps a question for another day. -
La Dolce Vita" Today: Fashion and Media
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 "La Dolce Vita" Today: Fashion and Media Nicola Certo The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1862 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “LA DOLCE VITA” TODAY: FASHION AND MEDIA by NICOLA CERTO A master’s thesis to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 i © 2017 NICOLA CERTO All Rights Reserved ii “La Dolce Vita” today: Fashion and Media by Nicola Certo This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts Date Eugenia Paulicelli Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “La Dolce Vita” today: Fashion and Media by Nicola Certo Advisor: Eugenia Paulicelli Federico Fellini’s La Dolce Vita is a cinematic masterpiece that has inspired nationally and internationally generations of creative people and artists because of the extent of its themes and because of the mastery in the choice of its costumes. The actuality of the director’s criticism towards the decadent society of his years, the originality of his stylistic choices, and his sophisticated taste for beauty and fashion, brought him to influence media and contemporary fashion then and now. -
When Big Guns March In: Here's How Global Luxury Brands Are Helping Fig
When big guns march in: Here's how global luxury brands are helping fig... https://www.newindianexpress.com/magazine/2020/may/03/when-big-gu... When big guns march in: Here's how global luxury brands are helping fight coronavirus surge By Manjul Misra Ever wondered what the world’s biggest brands are doing at a time when the world is under lockdown and nobody’s out buying their luxury goods? Plenty, actually. Forever since COVID-19 began sweeping the globe, and upending life as we know it, several of the world’s biggest luxury fashion, jewellery and beauty companies have come forward to join the relief efforts. While some are recalibrating their factories to produce face masks, hand sanitisers and medical gowns, instead of the usual luxury apparel, handbags and perfumes, others are donating millions to help hospitals buy medical equipment and to nonprofits reaching aid to the needy. Here’s a checklist, updated as of this week. LVMH: The owner of brands such as Louis Vuitton, Dior, Dom Pérignon, Givenchy, Guerlain, Bulgari, Moët & Chandon, Loewe and Fendi, has converted its perfume and cosmetic factories into those producing hand sanitisers for French public hospitals. It has also employed 300 additional artisans to make non-surgical face masks for individuals in need. RALPH LAUREN: In the largest donation yet by an American conglomerate to the COVID-19 fight, the brand has pledged $10 million to the WHO’s Solidarity Response Fund and the company’s Emergency Assistance Foundation (for its own employees and partners). The company is also manufacturing 2,50,000 face masks and 25,000 gowns for healthcare workers.