Interview in Style Magazine (Pdf)
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Italian Fashion & Innovation
Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city. -
LORENZO RENZI ARCHITECTURAL WORKS Lorenzo Renzi
LORENZO RENZI ARCHITECTURAL WORKS Lorenzo Renzi Mobile | +39 3338075996 Email | [email protected] Facebook | Lorenzo Renzi Address | Via Toscana 7 63900 Fermo (FM) Italy lr_EDUCATION 2008 | Secondary school diploma: Scientific Certificate (100/100) 2014 | Master degree in Building Engineering and Architecture: (110/110 cum laude) at Marche Polytechnic University 2015 | Abilitazione alla professione e iscrizione all’Albo degli Ingegneri della Provincia di Fermo 2015 | HO.RE.CA DESIGN Advanced training course at Polytechnic University of Milan 2018 | BIM SPECIALIST Revit advanced master at Università di Camerino _LANGUAGES SPOKEN AND WRITTEN FLUENTLY ITALIAN (mothertongue) ENGLISH _WORK Autodesk Autocad Nov.2014-Dec.2014 | Battistelli-Roccheggiani Architetti (Ancona Italy)_Intern Autodesk Revit Dec. 2014-Aug. 2015 | Mondaini-Roscani Architetti Associati (Ancona Italy)_Junior Architect-Engineer Autodesk 3ds Max Nov. 2015-Sep. 2016 | Akka Architects (Amsterdam The Netherlands)_ Junior Architect-Engineer Mc Neel Rhinoceros Feb. 2017-October 2018 | APTO Architects (Amsterdam|Netherlands)_Junior Architect VRay for Rhino Adobe Oct. 2016-Present | Studio Renzi Ingegneria-Architettura (Fermo Italy)_Architect-Engineer Photoshop Adobe Illustrator _EXHIBITIONS Adobe Indesign Microsoft Office Cityscape 2015 Ancona, Italy Sketchup _VOLUNTEERING _PUBLICATIONS Namirial Termo CSI Sap 2000 Structural Engineer during - Mappe n.7 Luoghi percorsi nelle Marche Mac OS Earthquake emergency in Central Italy - Il resto del Carlino “La città del futuro” Microsoft Windows MOXY HOTELS: INTERIOR DESIGN (Milan, Glasgow, Edinburgh, Bristol, Birmingham, London, Paris, Nice, Utrecht, Copenhagen, Stuttgart, Essen, Berlin, Southampton, The Hague, Plymouth) _APTO Architects (Amsterdam) MOXY is Marriott’s brand focused on the rapidly growing 3-star-tier seg- ment. MOXY’s focus is on the millennial traveler, who understands that style can be deliverd at attractive prices. -
Italy Creates. Gio Ponti, America and the Shaping of the Italian Design Image
Politecnico di Torino Porto Institutional Repository [Article] ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE Original Citation: Elena, Dellapiana (2018). ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE. In: RES MOBILIS, vol. 7 n. 8, pp. 20-48. - ISSN 2255-2057 Availability: This version is available at : http://porto.polito.it/2698442/ since: January 2018 Publisher: REUNIDO Terms of use: This article is made available under terms and conditions applicable to Open Access Policy Article ("["licenses_typename_cc_by_nc_nd_30_it" not defined]") , as described at http://porto.polito. it/terms_and_conditions.html Porto, the institutional repository of the Politecnico di Torino, is provided by the University Library and the IT-Services. The aim is to enable open access to all the world. Please share with us how this access benefits you. Your story matters. (Article begins on next page) Res Mobilis Revista internacional de investigación en mobiliario y objetos decorativos Vol. 7, nº. 8, 2018 ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE ITALIA CREA. GIO PONTI, AMÉRICA Y LA CONFIGURACIÓN DE LA IMAGEN DEL DISEÑO ITALIANO Elena Dellapiana* Politecnico di Torino Abstract The paper explores transatlantic dialogues in design during the post-war period and how America looked to Italy as alternative to a mainstream modernity defined by industrial consumer capitalism. The focus begins in 1950, when the American and the Italian curated and financed exhibition Italy at Work. Her Renaissance in Design Today embarked on its three-year tour of US museums, showing objects and environments designed in Italy’s post-war reconstruction by leading architects including Carlo Mollino and Gio Ponti. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 Permalink https://escholarship.org/uc/item/2kv6s20v Author Harris, Jessica Lynne Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Jessica Lynne Harris 2016 © Copyright by Jessica Lynne Harris 2016 ABSTRACT OF THE DISSERTATION Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 by Jessica Lynne Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Brenda Stevenson, Co-chair Professor Geoffre W. Symcox, Co-chair “Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975” examines the development and growth of a mass consumer-based society in Italy after the Second World War. Employing a gendered and transnational approach, the dissertation puts women at the center of the analysis by specifically focusing on American female consumer culture’s influence on Italian women’s lives from 1945-1975. This study, in contrast to existing literature on the topic, provides a more comprehensive understanding of the nature of the models and messages of American female consumer culture in Italy during this period, how they influenced Italian women, and the extent of this culture’s influence. Furthermore, the analysis of the intersection of the modern “American woman” (the white middle-class suburban American ii housewife), consumerism, and Italian female culture and identities provides new insight into the unique cultural relationship between the United States and Italy following the Second World War. -
Dolce & Gabbana's Communication and Branding Analysis
FACE Business Case Dolce & Gabbana’s Communication and Branding Analysis Il presente lavoro è stato redatto grazie al contributo degli studenti del corso di Laurea Magistrale in Fashion Communication: Cristiana Avolio, Federica Fancinelli, Valentina Foschi, Veronica Rimondi e Camilla Tosi 1 The work aims to analyze the communication strategies of Dolce&Gabbana, one of the most famous brands on a national and international level, that has been able to create, within a varied audience, a global strong recognition. The fashion company was founded in 1985 by two designers: Domenico Dolce and Stefano Gabbana. 1. Zeitgeist and social context The inspiration of the designers Stefano Dolce and Domenico Gabbana comes from Sicily and the post-war neo-realist filmography, a land of perfumes and mysteries, a precious treasure chest of memories from which derive motifs destined to characterize each new collection. Surely their point of strength and recognition, both in lingerie and tailoring, is the black lace, a symbol of rigor and feminine sensuality; in fact the woman of Dolce & Gabbana, in balance between the modest and uninhibited, embodies the woman of our time with a strong and fragile personality at the same time, a concrete woman but also a dreamer. Protagonists of the fashion shows and the advertising campaigns are often the icon of the typical Italian beauty as: Bianca Balti, Monica Bellucci, Maria Grazia Cucinotta and Bianca Brandolini d'Adda. The Mediterranean woman becomes the point of reference and the muse of the two designers who highlight her shapes and her strong personality. For example, the bustier, as a synonymous for excellence of femininity that women, of all ages, have always used to outline and emphasize their bodies, recurs frequently in the brand pictures. -