Officializing the Past
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Multiple Revolutions. Remediating And
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 14 (2017) 95–130 DOI: 10.1515/ausfm-2017-0005 Multiple Revolutions. Remediating and Re-enacting the Romanian Events of 1989 Mónika Dánél Eötvös Loránd University (Budapest, Hungary) E-mail: [email protected] Abstract. This study proposes a twofold analysis: the presumable strategies of the December 1989 events in Romania and their complexity as it appears in later filmic re-enactments. These re-enactments as theatrical “translations” offer a rhetorical reading of past events, and can also be seen as practices of memories inscribed in the body. The events are interpreted in the duality of the archival image and the acoustic/gestural memory, where the latter is understood as an atmospheric (bodily) memory. The disorientation or disinformation caused by the technical conditions, the circulation or lack of images, the alternating silences and chanting on the street make the past events incomprehensible and medially dissonant.1 Keywords: re-enactments of historical events, films about December 1989 in Romania, the experience of space, body and memory. Simulation, Collective Imaginary, Inner Strategies In relation to the Romanian events, there is a consensus regarding three particularities: this was the bloodiest regime change in the Eastern European bloc; the television was a medium that influenced the events – and thus its historicity appears as a media event –, and the events were dispersive. The documents, interviews, hypotheses ever growing in number, the different narrative versions nuance and modify today’s memories. Their contradictory, dissonant nature indirectly also stages the reflexive understanding of the past event. Borrowing Michael Rothberg’s idea, the 1989 Romanian events become comprehensible today as an event that takes shape at the crossing point of the 1 This work was supported by the project entitled Space-ing Otherness. -
Revista Orizont
REVIST~AUNIUNII SCRIITORILORDIN ROMÅNIA SERIENOU~,32PAGINI 29MARTIE2011 NR.3(1542), ANULXXIII 1LEU Editat`\ncolaborarecu333 CentrulpentruDialog Multicultural"Orizont" www.revistaorizont.ro LAUMBRA LAUMBRA DOAMNELOR DOAMNELOR |NFLOARE |NFLOARE LAUMBRA DOAMNELOR |NFLOARE LAUMBRA LAUMBRA DOAMNELOR DOAMNELOR |NFLOARE |NFLOARE SOLDATUNIVERSAL M~CONSIDERO LITERARN-AMS~FIU SCRIITOARE"META-ETNIC~" RUXANDRACESEREANU 5 GISHJEN Soldatliteraruniversalnuamcums`fiu, Amcrescutîngenera]iacareseîndoiade orice,sfidaautoritatea[iseîntrebadac`formele decâtdac`s-arconsiderac`ieslascen`deschis` PROIECTREALIZAT cuobaionet`saucuoarbalet`orim`carcuunsocialemo[teniteerauîntr-adev`rgeneratoare pistoldebuzunarsaucuunbriceag,ceeacenu devia]`.Îngenera]iaanterioar`,maimul]i–nu CUSPRIJINULPRIM~RIEI s-apreaîntâmplat. to]i–semul]umeaucucelised`dea.Dincauza MUNICIPIULUI Vietnamului,ami[c`riipentrudrepturileomului, TIMI{OARA{IAL EUROPA-OFAMILIEDE atitudineanoastr`afostunaderespingereastatus CONSILIULUILOCAL ASEM~N~RI quo-ului.Personal,amprinsdoarultimapartea M~D~LINADIACONU 4 mariiRevolu]iiaanilor'60.Apogeulafostprin TIMI{OARA,|NCADRUL Operspectiv`istoric`mailarg`sau,dac` 1968,iareuamterminatliceulîn1973.Fra]ii[i CONCEPTULUI vrem,oîn]elepciuneheraclitic`nepotvindeca surorilenoastreaufostceicareauie[itînstrad` TIMI{OARA deteroareasfîr[itului:undeclinpoatefiunnou [iauorganizatac]iunideprotestîncl`dirile OPENARTCITY universit`]ilor.Noiamvenitdup`. început.Iaracestaseafl`dejaînmijloculnostru, (TIMI{OARA-ORA{ înc`impur,hibrid,c`utîndu-sepesine. 32 DESCHISALARTELOR) cyanmagentayellowblack -
The Revolutions of 1989 and Their Legacies
1 The Revolutions of 1989 and Their Legacies Vladimir Tismaneanu The revolutions of 1989 were, no matter how one judges their nature, a true world-historical event, in the Hegelian sense: they established a historical cleavage (only to some extent conventional) between the world before and after 89. During that year, what appeared to be an immutable, ostensibly indestructible system collapsed with breath-taking alacrity. And this happened not because of external blows (although external pressure did matter), as in the case of Nazi Germany, but as a consequence of the development of insuperable inner tensions. The Leninist systems were terminally sick, and the disease affected first and foremost their capacity for self-regeneration. After decades of toying with the ideas of intrasystemic reforms (“institutional amphibiousness”, as it were, to use X. L. Ding’s concept, as developed by Archie Brown in his writings on Gorbachev and Gorbachevism), it had become clear that communism did not have the resources for readjustment and that the solution lay not within but outside, and even against, the existing order.1 The importance of these revolutions cannot therefore be overestimated: they represent the triumph of civic dignity and political morality over ideological monism, bureaucratic cynicism and police dictatorship.2 Rooted in an individualistic concept of freedom, programmatically skeptical of all ideological blueprints for social engineering, these revolutions were, at least in their first stage, liberal and non-utopian.3 The fact that 1 See Archie Brown, Seven Years that Changed the World: Perestroika in Perspective (Oxford: Oxford University Press, 2007), pp. 157-189. In this paper I elaborate upon and revisit the main ideas I put them forward in my introduction to Vladimir Tismaneanu, ed., The Revolutions of 1989 (London and New York: Routledge, 1999) as well as in my book Reinventing Politics: Eastern Europe from Stalin to Havel (New York: Free Press, 1992; revised and expanded paperback, with new afterword, Free Press, 1993). -
Institutul De Istorie „A
Academia Română – Filiala Iași Institutul de Istorie „A. D. Xenopol“ E-mail [email protected] Mihalache, Emanuel Andi, - PhD since 2001, senior research fellow ”A.D. Xenopol” History Institute of the Romanian Academy, Iași LIST OF WORKS a) Doctoral thesis: Discurs istoric şi ideologie în România «democraţiei populare», 1948-1965 [Historical Discourse and Ideology in “Popular Democrat” Romania, 1948-1965]. Scientific supervisor Academician Alexandru Zub, Iaşi, “Al.I. Cuza” University, July 2001. b) I. Single author books: 1. Istorie şi practici discursive în România „democrat-populară” [History and Discourse Practices in “Popular Democrat” Romania], Bucureşti, Ed.Albatros, 2003, 306p. ( the Award of the Romanian Academy, 2005); 2. Pe urmele lui Marx. Studii despre comunism şi consecinţele sale [Following in Marx’s Footsteps. Studies on Communism and Its Consequences], Iaşi , Editura Alfa, 2005, 240 p; 3. Mănuşi albe, mănuşi negre. Cultul eroilor în vremea dinastiei Hohenzollern [White Gloves, Black Gloves. The Cult of the Heroes during the Hohenzollern Dynasty], Cluj-Napoca, Editura Limes, 2007, 304p. 4. Contribuții la istoria ideii de patrimoniu. Surse, evoluții, interpretări [Contributions to the History of Heritage Idea. Sources, Evolutions, Interpretations], Iași, Editura Universității ”Al.I.Cuza”, 2014, 406p. II. Edited works: 1. edited collections: 1.1 In medias res. Studii de istorie culturală [In Medias Res. Studies of Cultural History], Iaşi, Editura Universităţii “Al.I.Cuza”, 2007, 600p. (co-editor: Adrian Cioflâncă); 1.2. Romantism şi modernitate. Atitudini, reevaluări, polemici [Romanticism and Modernity. Attitudes, Reconsiderations, Polemics], Iaşi, Editura Universităţii “Al.I.Cuza”, 2009, 664p. (co-editor: Alexandru Istrate) 2 1.3 De la fictiv la real. -
Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic stereotypes.. ........................................................................3 b. Racial stereotypes. -
George Toader
BIBLIOTECA IULIA HASDEU A. LITERATURA ROMANA CLASICA SI CONTEMPORANA 1. Opere alese – Vol. I de Mihail Eminescu – Editura pentru literatura 1964 2. Romanii supt Mihai-Voievod Viteazul - Vol. I, II de Nicolae Balcescu Editura Tineretului 1967 3. Avatarii faraonului Tla – Teza de doctorat – de George Calinescu Editura Junimea, Iasi 1979 4. Domnisoara din strada Neptun de Felix Aderca - Editura Minerva 1982 5. Eficienta in 7 trepte sau Un abecedat al intelepciunii de Stephen R Covey Editura ALLFA, 2000 6. Explicatie si intelegere – Vol.1 de Teodor Dima Editura Stiintifica si Enciclopedica 1980 7. Gutenberg sau Marconi? de Neagu Udroiu – Editura Albatros 1981 8. Arta prozatorilor romani de Tudor Vianu – Editura Albatros 1977 9. Amintiri literare de Mihail Sadoveanu – Editura Minerva 1970 10. Fire de tort de George Cosbuc – Editura pentru literatura 1969 11. Piatra teiului de Alecu Russo – Editura pentru literatura 1967 12. Paradoxala aventura de I. Manzatu – Editura Tineretului 1962 13. Amintiri, povesti, povestiri de Ion Creanga Editura de stat pentru literatura si arta 1960 14. Mastile lui Goethe de Eugen Barbu - Editura pentru literatura 1967 15. Legendele Olimpului de Alexandru Mitru – Editura Tineretului 1962 16. Studii de estetica de C. Dimitrescu – Iasi – Editura Stiintifica 1974 2 17. Un fluture pe lampa de Paul Everac – Editura Eminescu 1974 18. Prietenie creatoare de Petre Panzaru – Editura Albatros 1976 19. Fabule de Aurel Baranga – Editura Eminescu 1977 20. Poezii de Nicolae Labis – Editura Minerva 1976 21. Poezii de Octavian Goga – Editura Minerva 1972 22. Teatru de Ion Luca Caragiale – Editura Minerva 1976 23. Satra de Zaharia Stancu – Editura pentru literatura 1969 24. -
Moshe Idel Ioan P. Coulianu and Ars Combinatoria
MOSHE IDEL IOAN P. COULIANU AND ARS COMBINATORIA Moshe Idel Hebrew University of Jerusalem, Israel. E-mail: [email protected] Abstract: At the heart of the analyzes proposed by Moshe Idel is the change of perspective that we find in the work of Ioan P. Coulianu in the last stage of his creation. Coulianu leaves the field of historical-philological approach of religious phenomena to explain the development of religions from a fractal perspective, as an actualization of potentials found from the very beginning, which, combined in different ways, produce different results. Idel finds that the sharp methodological shift that Coulianu has been carrying out since 1986, a stage that also coincides with the one after the death of Mircea Eliade, has been interpreted by two of the most important Romanian intellectuals. Moshe Idel considers that their explanations do not address the specificity of the new approach as formulated by Couliano himself. They appear, on the one hand, as an overly simplistic explanation of a vision of great complexity reduced to a form of psychological complex, and on the other hand, the reduction to a theological perspective that appeals to the intervention of a transcendental power. Idel gives a nuanced explanation of this methodological turn, while suggesting that in order to better understand what is happening in the last stage work, it would be better to talk about the “American Couliano” instead of the “last Couliano”. Key words: Ioan Petru Coulianu, future, memory, ars combinatoria, Raymondus Lullus, Mircea Eliade, methology, religious studies. Journal for the Study of Religions and Ideologies, vol. -
Catalog Engleza
Contemporary Romanian Writers MINISTRY OF CULTURE A Mature Literature A few years ago, in Romanian literature there was a clear split – in terms of themes, imagery, and devices – between writing that was firmly grounded in the critical canons, on the one hand, and texts by young writers more in tune with new trends and more receptive to outside influences, on the other. Those who had only recently entered the literary arena had the air of being a group, and this came not only from their shared imagery, disinhibition and rebelliousness, but also from their redefinition of literature and the literary. In time this split has become blurred. Whether young or old, whether esteemed by traditional-minded literary critics or beloved by the online media and literary blogs that nowadays set the publishing trends, active writers, i.e. those who publish a book at least every two to three years, have become more professional. Today's osmosis, the crystallisation of a unitary literature, is undoubtedly a sign of maturity, of the fact that the post-1989 literary transition has been left behind, and (why not?) of intellectual generosity on the part of those literary generations that have already become established. The memoir-dialogue between Paul Cornea and Daniel Cristea-Enache excerpted in this catalogue is a clear illustration of this idea. Therefore, it is pointless to discuss the literature being written in Romania today in terms of different generations. However, the genres currently being tackled might paint a livelier, more dynamic portrait of Romanian letters. The novel, still regarded as the dominant genre and the one with the greatest public impact, wagers on authenticity, parody and irony, and the results could not be more diverse. -
Scrisoare Deschisă Preşedintelui României, Traian BĂSESCU*
*Scrisoare deschisă Preşedintelui României, Traian BĂSESCU* 10 decembrie 2008 Domnule Preşedinte, În urmă cu exact patru ani România beneficia de cel mai important moment pentru memoria şi conştiinţa sa colectivă de la evenimentele din 1989 încoace. Atunci, o alianţă în care puţini crezuseră că poate câştiga alegerile parlamentare, reuşea să redea românilor sentimentul libertăţii şi al demnităţii. Timp de patru ani, 2000 - 2004, în care cuvintele cele mai rostite fuseseră „corupţie" „frică", „şantaj", „izolare", românii s-au simţit înşelaţi şi persecutaţi. Intelectualii incomozi erau ridicaţi de pe stradă, justiţia era înfăptuită în sufrageriile baronilor roşii, membrii cabinetului făceau deliciul presei internaţionale prin delapidările de fonduri europene iar programul de la televizor era făcut îndeaproape după agenda lui Adrian Năstase. Domnule Preşedinte, Onoarea unei naţiuni stă şi în liderii pe care îi are. Atât în dezbatreile publice cât şi în discuţii particulare, mulţi dintre noi, cei care semnează acest apel, v-au arătat sprijinul. Condamnarea comunismului din decembrie 2006 a fost o confirmare reală a faptului că aşteptările noastre n-au fost înşelate. Milioanele de victime ale totalitarismului şi ale unei ideologii barbare au fost răzbunate într-unul din cele mai solide documente din istoria Europei cu privire la trecutul recent. Prima ţară de pe glob care a condamnat comunismul nu are voie să se mai abată de la principiile libertăţii, stabilităţii şi prosperităţii! Domnule Preşedinte, *Vă solicităm în mod expres să nu giraţi -
Memoria 54.QXD
Editatã de FUNDAÞIA CULTURALÃ MEMORIA sub egida Uniunii Scriitorilor din România Fondator BANU RÃDULESCU Calea Victoriei 133 – 010071 – Bucureºti – România Tel./ Fax: (40) 21/212.97.72 http://www.revista.memoria.ro; E-mail: [email protected] Constantin Zgâmbãu Sergiu Grossu nãscut la 9 mai 1956 n Vântul cel potrivnic, p. 4-5 Hunedoara In memoriam Absolvent al Casei de Copii Alexandru Paleologu, p. 6-7 Baia de Criº; 19 Procesul comunismului Vasile Boroneanþ, p. 8-13 Florin Alex. Stãnescu Sã nu uitãm!... ºi dacã cineva spune cã nu ºtie... sã afle!, p. 15-22 Zicu Ionescu Lagãrele de exterminare, p. 23-31 Dorin Dobrincu Rezistenþa armatã anticomunistã din Bucovina, p. 33-48 Nicolae Vlad Garda Tineretului Român, p. 50-72 Cosmin Budeancã Procesul Organizaþiei „T“ din 1945, p. 74-90 Graþian Cormos Imaginea opresorului în memorialistica femininã de detenþie, p. 92-98 Cazurile Plãcinþeanu, p. 99-118 Adrian Hamzea Moartea pe îndelete, p. 119-122 Victoria Rãileanu Amintiri captive, uitãri fondatoare, p. 123-134 Lucien Romier Basarabia, mon amour, p. 136-144 Gheorghe Lãcãtuºu Generalul Victor Siminel, p. 145-148 Maria Marian Satul moare, p. 149-154 Mãsuri absurde, p. 155-157 GEOGRAFIA DETENÞIEI, p. 158-159 Mircea Enãchescu Amintiri din viaþa mea, p. 160-169 Eugenia Greceanu In memoriam Tatiana Pogonat, p. 171-175 Mihai Gãdãlean „Sã nu laºi pe nimeni sã gândeascã în locul tãu“, p. 176-179 Ariel Remos Memorial în amintirea sutelor de mii de victime ale tiranului Fidel Castro, p. 180-181 Claudia Dobre Memorie ºi istorie, p. 182-185 Mircea Popescu „Portretul robot“ al securistului, p. -
„Nu M-Am G`Ndit S\ R\M`N `N America, Pentru C\ Am Cap Românesc“
ACTUALITATE: Familia Minovici, descoperit\ prin „metoda Majuru“, pag. 2 LECTURI ~NTRERUPTE: „«P\catele tinere]ilor» lui Nicolae Manolescu“ de Doris Mironescu, pag. 7 CRONIC| DE FILM: „Familia Zorro, arivistul [i alte animale“ de Iulia Blaga, pag. 14 Citi]i-ne online la 1.50 lei www.polirom.ro/supliment.html Nr. 70 • 1-77 aprilie 2006 • S|PT|M~NAL REALIZAT DE EDITURA POLIROM {I „ZIARUL DE IA{I“ • APARE S~MB|TA • E-MMAIL: [email protected] Primele filme ale lui Alexandru Solomon, la ICR De ce are South Park „C`inele cu ochi de om un locuitor `n minus `nfrunt\ zilnic omul cu Ultima „isprav\“ a produc\torilor Trey Parker [i Matt Stone a f\cut `nconjurul lumii, aduc`nd z`mbete ochi de c`ine“ chiar [i pe fe]ele celor care nu erau fani South Park. PAGINA 2 „Coolturisme“ de M\d\lina Cocea `n PAGINA 4 Artistul vizual Matei Bejenaru: „Nu m-am g`ndit s\ r\m`n `n America, pentru c\ am cap românesc“ {coala ne inoculeaz\ ideea c\ artistul trebuie s\ fie un ne`n]eles, un retras, even- tual u[or suferind de paranoia, c\ se r\zboie[te cu prezentul [i doar viitorul `i va recunoa[te urmele pe care le las\ prin cetate. Matei Bejenaru contrazice, prin tot ceea ce `ntreprinde, canonul de mai sus. A f\cut, `n ultima decad\, un festival de art\ contemporan\ [i unul de film, a `nceput reabilitarea unui cartier istoric al ora[ului. Matei Bejenaru este un tip ocupat. At`t de ocupat, `nc`t a uitat s\ fug\ `n str\in\tate, al\turi de colegii lui de genera]ie. -
14 Wissenschaftskolleg Zu Berlin Jahrbuch 2004/2005
CONTEMPLATING BOXES SORIN ANTOHI Born in Romania in 1957, Sorin Antohi was educated in his native country and in France, earning degrees in English, French, and History. He has taught in several countries, spend- ing most of the last decade at Central European University, Budapest, where he was also Academic Pro-Rector, has established Pasts, Inc. Center for Historical Studies, and became Head of the History Department on August 1, 2005. He has published widely on Utopian- ism, Romanian intellectual and cultural history, the history of ideas, historical theory, and the history of historiography. He is the Secretary General of the International Commission for the Theory and History of Historiography, as well as a Member of the Board of the International Committee of Historical Sciences. – Address: Director, Pasts, Inc. Center for Historical Studies, Central European University, Nádor utca 11, 1051 Budapest, Hungary. At 5:50 a.m. on my last day at Wiko, July 26, 2005, when most other Fellows and spouses sleep soundly, contemplating my own boxes of papers and books – ready to be picked up at 11:15 a.m. – is a sobering experience. My solitude is fragile, since I know quite a few early birds among the Fellows. How do I know? I live in Villa Walther, and thus I enjoy both the romantic vista of the Hubertussee (mellow in autumn and crisp in winter, when the lake is frozen over, an occasional fox dashing to the minuscule island), and the panoptic delights of a closely-knit community. Never since my days in the Romanian army have I ever measured the true meaning of this ambiguous word, “community”, as I did during this past academic year.