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The Belgian Federal Parliament
The Belgian Federal Parliament Welcome to the Palace of the Nation PUBLISHED BY The Belgian House of Representatives and Senate EDITED BY The House Department of Public Relations The Senate Department of Protocol, Reception & Communications PICTURES Guy Goossens, Kevin Oeyen, Kurt Van den Bossche and Inge Verhelst, KIK-IRPA LAYOUT AND PRINTING The central printing offi ce of the House of Representatives July 2019 The Federal Parliament The Belgian House of Representatives and Senate PUBLISHED BY The Belgian House of Representatives and Senate EDITED BY The House Department of Public Relations The Senate Department of Protocol, Reception & Communications PICTURES This guide contains a concise description of the workings Guy Goossens, Kevin Oeyen, Kurt Van den Bossche and Inge Verhelst, KIK-IRPA of the House of Representatives and the Senate, LAYOUT AND PRINTING and the rooms that you will be visiting. The central printing offi ce of the House of Representatives The numbers shown in the margins refer to points of interest July 2019 that you will see on the tour. INTRODUCTION The Palace of the Nation is the seat of the federal parliament. It is composed of two chambers: the House of Representatives and the Senate. The House and the Senate differ in terms of their composition and competences. 150 representatives elected by direct universal suffrage sit in the House of Representatives. The Senate has 60 members. 50 senators are appointed by the regional and community parliaments, and 10 senators are co-opted. The House of Representatives and the Senate are above all legislators. They make laws. The House is competent for laws of every kind. -
Heritage Days 14 & 15 Sept
HERITAGE DAYS 14 & 15 SEPT. 2019 A PLACE FOR ART 2 ⁄ HERITAGE DAYS Info Featured pictograms Organisation of Heritage Days in Brussels-Capital Region: Urban.brussels (Regional Public Service Brussels Urbanism and Heritage) Clock Opening hours and Department of Cultural Heritage dates Arcadia – Mont des Arts/Kunstberg 10-13 – 1000 Brussels Telephone helpline open on 14 and 15 September from 10h00 to 17h00: Map-marker-alt Place of activity 02/432.85.13 – www.heritagedays.brussels – [email protected] or starting point #jdpomd – Bruxelles Patrimoines – Erfgoed Brussel The times given for buildings are opening and closing times. The organisers M Metro lines and stops reserve the right to close doors earlier in case of large crowds in order to finish at the planned time. Specific measures may be taken by those in charge of the sites. T Trams Smoking is prohibited during tours and the managers of certain sites may also prohibit the taking of photographs. To facilitate entry, you are asked to not B Busses bring rucksacks or large bags. “Listed” at the end of notices indicates the date on which the property described info-circle Important was listed or registered on the list of protected buildings or sites. information The coordinates indicated in bold beside addresses refer to a map of the Region. A free copy of this map can be requested by writing to the Department sign-language Guided tours in sign of Cultural Heritage. language Please note that advance bookings are essential for certain tours (mention indicated below the notice). This measure has been implemented for the sole Projects “Heritage purpose of accommodating the public under the best possible conditions and that’s us!” ensuring that there are sufficient guides available. -
LES AUTORITÉS DU PASSÉ Mémoires (In)Disciplinées Du Camp De Breendonk, 1944-2010 - Bruno Benvindo
LES AUTORITÉS DU PASSÉ Mémoires (in)disciplinées du camp de Breendonk, 1944-2010 - Bruno Benvindo - Modeste bourgade de la province d’Anvers, Breendonk devient, à partir de 1944, le cœur de la mémoire belge de la Seconde Guerre mondiale. Mais loin de se transformer en paisible lieu d’hommage, l’ancien camp nazi qui y avait été installé sous l’Occupation est l’enjeu d’un âpre combat pour le souvenir. Qui a le droit d’y parler de la guerre ? La question, qui éclate à la Libération, reste controversée jusqu’aujourd’hui. À travers une approche centrée sur les acteurs de la commémoration, cette contribution explore la manière dont les victimes, les pouvoirs publics et les citoyens ordinaires tentent chacun de faire valoir leurs droits sur le passé. En analysant le basculement d’une mémoire patriotique vers une mémoire placée sous le signe des droits de l’homme, on s’interrogera notamment : les nouveaux idéaux démocratiques vantés au mémorial national de Breendonk à partir des années 1990 sont-ils pour autant porteurs d’une nouvelle “démocratie du souvenir” ? À l’instar des anciennes doctrines patriotiques, la rhétorique des droits de l’homme n’exige-t-elle pas, elle aussi, pour se faire entendre que d’autres voix soient réduites au silence ? 49 Mémoires (in)disciplinées du camp de Breendonk I. Introduction quable exception. Enceinte militaire trans- formée en Auffanglager (littéralement “camp La mémoire de la Seconde Guerre mondiale d’accueil”) sous l’Occupation, le lieu fait s’est, en Belgique comme pour bien d’autres après la Seconde Guerre mondiale son pays d’Europe occidentale, avant tout inscrite apparition dans le paysage commémoratif dans les cadres et lieux du conflit 1914-1918. -
MB98 Medals Print Catalogue May 2021
SIMMONS GALLERY PO BOX 104, LEYTONSTONE, LONDON E11 1ND, UK TEL: 020 8989 8097 (International + 44 20 8989 8097) Email [email protected] Illustrated online catalogue at simmonsgallery.co.uk MAILBID MB98 Closing for bids online from 12 noon 26 MAY 2021 BST offline bids must be received by first post 24 May 2021 Timed Online Auction British, European and World Commemorative and Art Medals from 18th century to the present British Art Medal Society Medals (BAMS) early issues from beginnings in 1982 to 2000 with other modern art medals Online viewing simmonsgallery.co.uk Buyer’s premium 5% plus VAT at standard rate on all lots MB98 Historical and Modern commemorative, art medals Wednesday 26 May 2021 12 noon Our May auction contains a listing of early British Art Medal Society issues and other medals from the collection of Peter Bagwell Purefoy (PBP). Peter was membership secretary for BAMS for many years. You may remember that we sold some of his collection in previous sales. Of particular interest are Lynn Chadwick’s Diamond, with the rare golden finish, and Ian Hamilton Finlay’s Terror/Virtue medals as they come with such a stellar provenance. Peter Bagwell-Purefoy was great friends with John Lobban, Avril Vaughan and Ron Dutton so no surprise that there are several medals by these artists here, including a complete series of Marks of Time. We’ve had quite a few consignments for the sale (sadly not from EU because of Brexit) but we’re still grouping medals by country. Do look through as there are some great art medals throughout, historical and modern. -
4. the IDEALS of EASEL GRAPHIC BEAUTY in BESSARABIA One Of
4. THE IDEALS OF EASEL GRAPHIC BEAUTY IN BESSARABIA Tatiana Rășchitor239 Abstract: The present article offers a summarized vision on the situation of the Bessarabian nude in easel graphic, trying to unveil the local specifics of the evolution of the genre. The study reveals the artistic and stylistic particularities present in the nudes signed by notorious artists like Auguste Baillayre, Alexandru Plamadeala, Moissey Kogan, Eugenia Malashevski and others. The mixture of the works mentioned in this study tries to outline the image of the Bessarabian figurative art, marked by oriental and Western cultural interferences. Key words: easel graphic, Bessarabia, nude, human figure, drawing One of the less known genres in the Bessarabian art, the nude, offers us a better understanding of the establishment of the modern figurative art and the specific artistic means of the graphic and its role in fine arts. Researching the approached genre reveals a world of workshops marked by daily exercising of the drawing of male and female models, this being a part of a practice and a secular tradition of the European art. The history of nude art is an integral part of the art study methodology, preliminary study of sculpture modelling, painting and engraving, designed to challenge the aesthetic perception of contemplating the beauty and the harmonious proportions of the human body. The introduction of the nude in the local graphic arts reveals the freedom of artistic creation and the laicization of the art, both representing aspects of one and the same phenomenon, i.e. constitution and modernizing the artistic process in Bessarabia. The emancipated and modern aspect of the Bessarabian art from the first half of the 20th century was the cause of the exigencies of that time, where the amorphous character of the local cultural space couldn’t exist much longer, being animated by the European artistic tendencies and processes. -
Fonds Registre Des Juifs En Belgique Référence: BE / MJB / Fonds Registre Des Juifs En Belgique Intitulé: Fonds Registre Des Juifs En Belgique
INVENTAIRE des FONDS D’ARCHIVES du Musée Juif de Belgique Cet inventaire se base essentiellement sur l’ouvrage de référence Sources pour lʹhistoire des populations juives et du judaïsme en Belgique réalisé par la directrice du musée, Pascale Falek‐Alhadeff et Gertjan Desmet sous la direction de Pierre‐Alain Tallier des Archives générales du Royaume et paru en 2015. L’inventaire reprend les notices descriptives des fonds conservés au Musée et examinés par les chercheurs auxquels nous avons ajoutés les nouveaux dons et les nouvelles acquisitions enregistrés depuis la date de parution du livre jusqu’à aujourd’hui. Cet outil de recherche s’enrichira et évoluera au fur et à mesure des travaux de classement et de numérisation des fonds. Les notices sont rédigées en français ou en néerlandais selon la langue maternelle de l’auteur et répondent aux normes utilisées en archivistique (isaar (cpf), isad (g)). Nous avons suivi également la structure de classement proposée, basée sur les producteurs d’archives, de droit public (I.) et de droit privé (II.). Ces derniers subdivisés par type d’organisations définies en fonction de leur finalité, soit les organisations à but idéologique et politique (1.), à but social (2.), à but éducatif, culture et récréatif (3.), à but religieux (4.) et pour finir les producteurs regroupant familles et personnes (5.) classés par ordre alphabétique. I. Producteur d’archives de droit public Pouvoirs publics locaux ‐ Villes et communes Fonds Registre des Juifs en Belgique Référence: BE / MJB / Fonds Registre des Juifs en Belgique Intitulé: Fonds Registre des Juifs en Belgique. Dates: décembre 1940‐1944 Volume: 217 classeurs (22 m.l.). -
PERSONALITIES in ROMANIAN HISTORY (15Th - 20Th Centuries) Dr
SECTION HISTORY PERSONALITIES IN ROMANIAN HISTORY (15th - 20th centuries) dr. Ioan DAMASCHIN, Liga Navală Română Great Romanian Princes, benefactors of the Holy Mount Athos. Saint Stefan the Great - benefactor of the Zographou Monastery dr. Mariana LAZĂR, Muzeul Național Cotroceni Prince Neagoe Basarab, „about the mother of my ancestor” - a political model for prince Şerban Cantacuzino dr. Cristina GUDIN, Facultatea de Istorie, Universitatea București Tudor Vladimirescu or the man who defied the impossible dr. Ligia LIVADĂ-CADESCHI, Facultatea de Științe Politice, Universitatea București Less well-known aspects of Mihail Kogălniceanu's social thinking. Social assistance and the eradication of begging dr. Viorella MANOLACHE, Institutul de Științe Politice și Relații Internaționale „Ion I. C. Brătianu”, Academia Română From/In the gallery of the founding fathers of Romania: Simion Bărnuțiu dr. Cristian-Ion POPA, Institutul de Științe Politice și Relații Internaționale „Ion I. C. Brătianu” Ion C. Brătianu – a „founding father” of modern Romania dr. Liviu BRĂTESCU, Institutul de Istorie „A.D. Xenopol”, Iași King Carol I and the end of a political regime (1887-1889) dr. Sorin Sebastian DUICU, Academia Oamenilor de Ştiinţă din România Gratitude and Dedication to the „The One who Made the Country Whole”, for „Missy” and those on the Front Line Ana Maria BONCIU, cercetător independent Queen Mary's role in the Great War from a literary and publishing perspective dr. Cristina VOHN, Institutul de Științe Politice și Relații Internaționale „Ion. I. C. Brătianu”, Academia Română Ion I. C. Brătianu - the last great Romanian reformer dr. Delia BĂLĂICAN, Biblioteca Academiei Române Vintilă Brătianu's vision of the „public vote” dr. -
La Mulți Ani, Israel!
FCER, reacție rapidă la situația creată de pandemia COVID-19 În vederea gestionării rapide a situației grele generate de răspândi- PUBLICAŢIE A FEDERAŢIEI COMUNITĂŢILOR EVREIEŞTI DIN ROMÂNIA rea în România a epidemiei de CO- VID-19, FCER a luat o serie de mă- ANUL LXIII = NR. 558-559 (1358-1359) = 1 – 30 APRILIE 2020 = 7 NISAN – 6 IYAR 5780 = 24 PAGINI – 3 LEI suri pentru ajutorarea membrilor săi, inclusiv prin convocarea (așa cum am informat în numărul trecut al re- vistei noastre) unei Celule de Criză, pentru a centraliza informația, a gân- di și propune planuri de măsuri și a LA MULȚI ANI, ISRAEL! implementa aceste măsuri cu ajutorul structurilor FCER-CM și al conduce- A 72-a aniversare a Statului Israel rii Comunităților Evreiești teritoriale. e întâmpinată cu aceeași bucurie, Deciziile sunt, în continuare, luate de Conducerea Executivă a FCER-CM deși manifestațiile stradale rămân (Președinte, Vicepreședinte, Secretar deocamdată amintiri din anii trecuți General). De asemenea, Celula de Criză, coordonată de Eduard Kupfer- berg, secretarul general al Federației, și alcătuită din Mona Bejan, Robert Schorr, Silvian Horn, Ivan Truțer, Adri- an Gueron, Raluca Lazăr și Mihai Rugăciune la Kotel, respectând distanțarea socială. Pope, a reușit ca, în interval de o lună, să emită 30 de materiale de infor- mare asupra conținutului celor nouă Ordonanțe de Urgență. De la modul în care trebuie completate Declarațiile pe proprie răspundere, fără de care cetățenii români nu se pot deplasa, până la răspunsuri concrete asupra situațiilor permise sau interzise de Ordonanțe, materialele realizate de Celula de Criză au reușit să informe- ze într-un mod simplu, accesibil și sugestiv ilustrat probleme uneori mai dificil de abordat, răspunzând nevoi- lor cotidiene și întrebărilor adesate de membrii comunității evreiești. -
Arta Modernă
Arta modernă Tudor STAVILĂ Pictori basarabeni în Belgia şi acasă Rezumat Pictori basarabeni în Belgia și acasă Numeroşi studenţi ai Şcolii de Belle Arte din Chişinău şi-au continuat studiile în ţările europene. Unii au preferat Franţa, alţii Germania sau Belgia. O parte dintre ei s-au reîntors în Basarabia postbelică, alţii au prefe- rat să rămână şi să creeze în ţările de studii, devenite o a doua patrie. Soarta celor reântorşi nu a fost prea benefică nici pentru existenţă, dar nici pentru creaţie, fiind impuşi să se conformeze normelor „realismului socialist” şi să aplice la „comanda de stat”, cu realizări suficient de mo- deste. Cei rămaşi în Europa au beneficiat din plin de libertatea creaţiei, fiindu-le consacrate muzee, cu opere în colecţiile muzeale şi expoziţii postume în prestigioasele galerii de artă. Subiectul pentru articolul respectiv propune o analiză comparativă a creaţiei pictorilor basarabeni, cu studii europene, care s-au realizat ca artişti în diverse medii artistice - în Europa (cazul Belgiei) şi în propria lor ţară (după 1945), consecinţele fiind în defavoarea ultimei. Cuvinte-cheie: pictori basarabeni, Belgia, Bruxelles, Liege, opere, monument. Summary Bessarabian artists in Belgium and at home The visualization of God duality is paid special significance in synagogue wall paintings in Eastern Europe. Taking a glance at synagogue decoration, as at a system of binary oppositions, reveals an entire series of com- positions depicting the Divine principle, which dictates cosmological cyclicity, acts as judge over God’s Chosen People, and rules this People’s history and religious piety. Among these works, compositions thematizing Jewish historical time (mourning the exile from the Pro- mised Land and expressing the hope for a Messianic return to the Holy Land of the Forefathers); the labor of delving into the secrets of Torah study and the joy of achieving this; the balance of Divine and demonic forces in creation; and Divine bounty and blessing for the righteous and retribution for evildoers. -
National History Colloquium, with International Participation 22Nd Edition, 2020 COTROCENI NATIONAL MUSEUM
National History Colloquium, with international participation 22nd edition, 2020 COTROCENI NATIONAL MUSEUM NATIONAL HISTORY COLLOQUIUM WITH INTERNATIONAL PARTICIPATION 22nd edition, May 2020 HISTORY SECTION I. MODERN ROMANIA - ADMINISTRATIVE, SOCIAL AND ECONOMIC POLICIES FOR THE MODERNISATION OF THE STATE drd. Ancuța BRAȘOVEANU, Universitatea Ovidius, Constanța The modernization of Romania in the vision of Ion C. Brătianu in 1857 dr. Ștefania DINU, Muzeul Național Cotroceni The ceremonial at the Court of Prince Alexandru Ioan Cuza Cătălin MANEA, Muzeul Național Cotroceni The statute of the public employee in the reign of Alexandru Ioan Cuza dr. Nicoleta ROMAN, Institutul de Istorie „Nicolae Iorga”, Academia Română In Mid-Nineteenth Century Wallachia: the orphans and the patronage of the Reigning Princess dr. Ligia LIVADĂ-CADESCHI, Facultatea de Științe Politice, Universitatea București The dilemmas of the health system in modern Romania. The official public doctor dr. Cristina GUDIN, Facultatea de Istorie, Universitatea București Measures to modernize the rural area in the second half of the 19th century dr. Lelia ZAMANI, cercetător independent The economic and social evolution of the city of Bucharest in the second half of the nineteenth century, important stage of the development and modernization of the future capital of Great Romania dr. Virgil Aurelian BĂLUȚĂ, Universitatea Spiru Haret The philosophy of Romania’s social and economic policies during the reign of King Carol I dr. Maria-Camelia ENE, Muzeul Municipiului București Balls in 19th century Bucharest II. PARIS PACE CONFERENCE (1919-1920) AND ITS CONSEQUENCESON THE EVOLUTIONOF CENTRAL AND SOUTH-EAST EUROPE dr. Mihai MILCA, Școala Națională de Științe Politice și Administrative Romania’s politico-diplomatic steps regarding the international recognition of the Great Union in the period preceding the signing of the Peace Treaty of Trianon (1920) dr. -
RAE 7-82014.Pdf
REVIEW OF ARTISTIC EDUCATION No. 7 - 8 Center of Intercultural Studies and Researches The Institute of Psychopedagogical training and Counseling “George Enescu” University of Arts Iaşi, Romania ARTES PUBLISHING HOUSE IAŞI – 2014 ROMANIA EDITORIAL BOARD Prof. PhD. Børge Pugholm (Via University College, Viborg, Danemarca) Prof. PhD. Regine Himmelbauer (Joseph Haydn Konservatorium, Eisenstadt, Austria) Prof. Alessandra Padula (Conservatorio “Giuseppe Verdi” Milan, Italy) Prof. PhD. Constantin Cucoş ("Alexandru Ioan Cuza" University, Iași, Romania) Prof. PhD. Teodor Cozma ("Alexandru Ioan Cuza" University, Iași, Romania) Prof. PhD. Laurențiu Șoitu ("Alexandru Ioan Cuza" University, Iași, Romania) Prof. PhD. Hab. Ion Gagim ("Alecu Russo" State University, Bălți, Republic of Moldavia) EDITORIAL STAFF Prof. PhD. Eugenia Maria Pașca (“George Enescu” University of Arts, Iaşi, Romania ) – Founder Director / Editor-in-chief Lect. PhD. Mihaela Mitescu Manea (“George Enescu” University of Arts, Iaşi, Romania) –Assistant Editor Lect. PhD. Dorina Geta Iușcă (“George Enescu” University of Arts, Iaşi, Romania) –Assistant Editor MEMBERS Assist. Candidate Doctoral Ana Maria Aprotosoaie Iftimi (“George Enescu” University of Arts, Iaşi, Romania) Lect. PhD. Elena Seghedin ("Alexandru Ioan Cuza" University, Iași, Romania) Prof. PhD. Liliana Stan ("Alexandru Ioan Cuza" University, Iași, Romania) REVIEW OF ARTISTIC EDUCATION Review published by “George Enescu” University of Arts Iaşi, Romania under Center of Intercultural Studies and Researches Department for -
CONCEPT and CREATIVITY The
9. PERFORMANCE WORKSHOP – CONCEPT AND CREATIVITY Anca Doina Ciobotaru195 Abstract: The analysis of the double dimension of characters of the animation theatre – the imitative and the interpretative – and the role between animation and public, allows us to show the need to use methods focused on interdisciplinary and comparative studies; belonging of these characters to performing arts is obvious. These elements determine us to structure the show workshops so as to have as a starting point the practical argumentation of theory supported by our research. Every scenic action started from a core idea, concept or hypothesis, the stage performance confirming or invalidating the anticipated formula. This led to better understanding of resources of scenic expressivity offered by simultaneous presences (puppet actors – actors), which can be identified throughout the history of performing arts; this aspect forces us to perceive more attentively and objectively the relation between various forms of performance; tendencies to structure the role theatrical language in outlining the show being harmful, in our view. Key words: scenic action, animation theatre, theatrical language The analysis of the double dimension of characters of the animation theatre – the imitative and the interpretative – and the role between animation and public, allows us to show the need to use methods focused on inter-disciplinary and comparative studies; belonging of these characters to performing arts is obvious. These elements determine us to structure the show workshops so as to have as a starting point the practical argumentation of theory supported by our research. Every stage action started from a core idea, concept or hypothesis, the stage performance confirming or invalidating the anticipated formula.