DOCSLIB.ORG

CV U'd-LFE Oct 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CV U'd-LFE Oct 2012 UNLIMITED [email protected] Honorary President JACQUELINE PIERREUX [email protected] CEO, Producer PHILIPPE AVRIL, [email protected] +33(0)6 08 49 01 52 LES FILMS DE L’ÉTRANGER [email protected] General Manager, Producer PHILIPPE AVRIL Registered office in Alsace (mail to be sent at) 5, rue de Champagne, F - 67300 Schiltigheim Tel: +333 88 19 42 02 / Fax: +333 88 19 42 04 Office in Paris 155, rue du Faubourg Saint-Denis, 75010 Paris Tel : +331 40 36 61 92 November 2012 ‘UNLIMITED SA’ is a French production company lead by Philippe Avril and created in June 2002 with European shareholders: producers and production companies based in France, Belgium, Luxemburg, The Netherlands, Austria and Germany. UNLIMITED’s strategy is to develop at a European level arthouse international co-productions and to focus on discovering new talents. Since three years, UNLIMITED is mostly focusing on French-speaking projects. ‘LES FILMS DE L’ÉTRANGER sàrl‘, a small production house created in Oct. 2003, is attached to UNLIMITED since 2012. l o n g – l e n g t h f e a t u r e f i l m s THE FIFTH SEASON (LA CINQUIÈME SAISON) www.thefifthseason.be Third feature film by Peter Brosens and Jessica Woodworth (Belgium) [2012] – DCP, 93 min. Colour. with Aurelia Poirier, Django Schrevens, Sam Louwyck, Gill Vancompernolle. Delegate producer: Bo Films Co-production: Unlimited (F), Entre Chien et Loup (B), Molenwiek Film (NL). French distribution: Equation – International Sales: Films Boutique Supported by: FLEMISH AUDIOVISUAL FUND, EURIMAGES, NETHERLANDS FILM FUND, CENTRE DU CINÉMA ET DE L’AUDIOVISUEL DE LA FÉDÉRATION WALLONIE-BRUXELLES, STRASBOURG URBAN COMMUNITY. CASA KAFKA PICTURES Movie Tax Shelter empowered by BELFIUS, with the participation of FLANDERS IMAGE. World Premiere: Venice, Sept. 6, 2012, 69th Mostra (in official competition). Arca CinemaGiovani Award for the best film Venice 69 (all sections). Green Drop Award, given by Green Cross International, Venice 2012. Special Jury Prize, FIPRESCI Award, Young Jury Award, Valladolid International Film Festival 2012 Release in France, Belgium, Netherlands, Italy: beginning of 2013. THE END OF SILENCE (LA FIN DU SILENCE) www.lafindusilence-lefilm.com First feature film by Roland Edzard (France) [2011] – DCP, 80 min. Colour. with Carlo Brandt, Marianne Basler, Franck Falise, Thierry Frémont, Maia Morgenstern. Delegate production: Unlimited Co-production: Poly-Son Post-Production, Galerie Heine, Les Films de l’Étranger, Dor Film (Austria), Swift Productions – French distribution: Equation – International Sales: Doc & Film international. Supported by: CNC (advance on receipts), ALSACE, LORRAINE & ILE-DE-FRANCE REGIONS, STRASBOURG URBAN COMMUNITY. World Premiere: May 14, 2011 Cannes International Film Festival, Directors’ Fortnight. Special mention of the jury, Festival international du film de Haïfa international Film festival 2011. Audience Award as best French-speaking film, Screenplay Award, Mons International Love Film Festival (Belgium), 2012, Jury Award, Istanbul Film Festival, Sept. 2012. Release in France: December, 2011. DVD edition: June 2012. CHATRAK Third feature film by Vimukthi Jayasundara [2011] – DCP, 90 min. Colour. Original language: Bengali. with Paoli Dam, Sudip Mukherjee, Sumeet Thakur, Tómas Lemarquis. Delegate production: Vandana Trading Cie (IN). Co-production: Les Films de l’Étranger (F), Wallpaper Productions (F), Bear Called Dog (F). French distribution: Equation – International Sales: EastWest Filmdistribution. World Premiere: May 18, 2011 Cannes International Film Festival, Directors’ Fortnight. Release in France: November 28, 2012, 2011. THE CHERRY ORCHARD (LA CERISAIE) by Anton Chekhov, directed by Julie Brochen A film by Alexandre Gavras shot at the Strasbourg National Theater [2011] – DCP, 124 min. Colour. Co-production: TNS – Audiovisual National Institute – Vosges Télévision (Images Plus). Supported by: CNC, STRASBOURG URBAN COMMUNITY. THE DITCH (JIABIANGOU / LE FOSSÉ) www.thefifthseason.be First feature film by Wang Bing (China) [2010] – DCP & 35 mm, 109 min. Colour. Delegate producers: WIL Productions (Hong Kong), Les Films de l’Etranger (France) Co-production: Entre Chien et Loup (Belgium). With the participation of ARTE France, in association with Wild Bunch. French distribution: Capricci Films – International Sales: Wild Bunch. Supported by: CINEFONDATION, FESTIVAL DE CANNES (Residence, Atelier), CINEMART / ARTE France CINEMA AWARD, HUBERT BALS FUND, PPP (Pusan International Film Festival), SOUTH CINEMA FUND, ALSACE REGION, GROUPAMA GAN CINEMA FOUNDATION, CENTRE DU CINÉMA ET DE L’AUDIOVISUEL DE LA COMMUNAUTÉ FRANÇAISE ET DES TÉLÉDISTRIBUTEURS WALLONS, STRASBOURG URBAN COMMUNITY. World Premiere: Venice, September 6, 2010, 67th Mostra (in official competition / surprise film) Release in France: March 8, 2012. Broadcast on ARTE: April 16, 2011. VIRGIN GOAT (LAADLI LAILA / MA CHÈVRE CHÉRIE) www.flyingelephant.co.uk/virgingoat/index.html Feature film by Murali Nair (India) [2010] – HDCamSR, 87 min., Colour, Dolby SRD. Co-production: Maya Film (IN), Unlimited (F), in association with Les Films de l’Etranger (F) with the participation of ZDF for ARTE. International Sales: Memento Films International. Supported by: ALSACE REGION, SOUTH CINEMA FUND, HUBERT BALS FUND, ASIAN FILM FUND, GLOBAL FILM INITIATIVE, GÔTEBORG INTERNATIONAL FILM FESTIVAL. World Premiere: Busan International Film Festival, South Korea (on Digital Beta), October 2010. Broadcast on CHANNEL FOUR (UK): May 2012. Broadcast on ARTE: end of 2012. BETWEEN TWO WORDS (AHASIN WETEI / ENTRE DEUX MONDES) www.between2worlds.net Second feature film by Vimukthi Jayasundara (Sri Lanka) [2009] – 85 min., 35 mm Colour, Scope. Co-production: Les Films Hatari, Unlimited, ARTE France Cinema (France), Film Council Productions, Anura Silva (Sri Lanka) French distribution: Equation – International Sales: Memento Films International (Artscope). Supported by SOUTH CINEMA FUND, HUBERT BALS FUND, SOUTH EAST VISIONS, ALSACE & ILE-DE-FRANCE REGIONS, STRASBOURG URBAN COMMUNITY, STUDIO ORLANDO, LE FRESNOY, Studio national des arts contemporains, CECI, MEDIA Programme (European Union), Kodak. World Premiere: Venice, September 6, 2009, 66e Mostra (in official competition). Best Asian Film, Asian Film Festival, Barcelona, May 2010. Release in France: November 28, 2012. FIRST OF ALL FELICIA (FELICIA, INAINTE DE TOATE / FÉLICIA PLUS QUE TOUT) First feature film by Razvan Radulescu (Romania) and Melissa de Raff (Netherlands) [2009] – 120 min., 35 mm Colour. Co-production: Hifilm (Romania), Unlimited (F), Fakras Production (Belgium), Kinorama (Croatia), ARTE France Cinema (France) International Sales: The Match Factory. World Premiere: 15e Sarajevo International Film Festival, August 2009 (in official competition). Best Screenplay Award, Best First Lead and Best Female Actress for Ozana Oancea, Transilvania International Film Festival, Cluj (June 2010). Broadcast on ARTE: Fall 2012. THE DAY WILL COME (ES KOMMT DER TAG / LE JOUR VIENDRA) Second feature film by Susanne Schneider (Germany) [2009] – 104 min., 35 mm Colour. Co-production: Wüste Film Ost, Wüste Film West, Filmtank Stuttgart, SWR (Germany), Unlimited (F) with the participation of ARTE and WDR. International Sales: Les Films du Losange. Supported by NRW, DFFF, MFG, ALSACE REGION, STRASBOURG URBAN COMMUNITY. International Premiere: Toronto International Film Festival, September 2009. Broadcast on Arte in prime-time, January 7, 2011. TEZA www.teza-lefilm.com | www.tezathemovie.com/teza.html Feature film by Haile Gerima (Ethiopia) [2008] – 134 min. 35 mm. Colour. Co-production: Mypheduh Film/Negod-Gwad (Ethiopia), Pandora Film, WDR-ARTE (Germany), Unlimited (F). French distribution: Atlantis – International Sales: The Match Factory. Supported by NORTH RHENANIA-WESPHALIA FUND, HAMBURG/SCHLESWIG-HOLSTEIN FILM FUND (Germany), SOUTH CINEMA FUND (France), ACP (European Community), AFRICA IMAGES FUND, ADC SUD, STRASBOURG URBAN COMMUNITY, ALSACE REGION (France). World Premiere: Venice, September 6, 2008, 65th Mostra (in official competition). Special Jury Prize, Osella Award for the best screenplay. Golden Tanit, best screenplay, best music, best cinematography, best male supporting role, 22th Cinematographic Days, Carthage. Golden Unicorn, 28th International Film Festival Amiens. Best African Film of the year, Golden Stallion, 21st FESPACO (Ouagadougou), March 2009. Release in France: April 28, 2010. 2 4 MONTHS, 3 WEEKS & 2 DAYS (4 LUNI, 3 SAPTAMINI SI 2 ZILE / 4 MOIS, 3 SEMAINES & 2 JOURS) www.4months3weeksand2days.com Second feature film by Cristian Mungiu (Romania) [2007] – 105 min., 35 mm Colour. Co-production: Mobra Films, Saga Film (Romania). Associate Production: Unlimited (F) with the participation of ZDF - Das kleine Fernsehspiel / ARTE. French Distribution: Bac Films / Why Not – International Sales: Wild Bunch. Supported by ROMANIAN NATIONAL CINEMA CENTER, HUBERT BALS FUND (NL), in collaboration with MINSHARE MEDIA, BV McCANN ERICKSON ROMANIA, ROMANIAN TELEVISION and THE ANONIMUL FOUNDATION. World Premiere: Cannes 2007 (in official competition). Golden Palm, FIPRESCI jury award, “Prix de l’Éducation nationale”, Cannes 2007. Fipresci Award 2007, European Films Awards: best film, best director. Release in France: August 29, 2007. OFFSET Second feature film by Didi Danquart (Germany) [2006] – 108 min., 35 mm Colour. Co-production: Noirfilm (Germany), Integral Film (Germany), Unlimited (F), C-Films (Switzerland), ARTE France Cinema,
Load more

Recommended publications
  • Charlotte Du Rietz Rare Books
    CHARLOTTEMobile: +46 704 411 183 Email: [email protected] DU RIETZ RARE BOOKS HAMMARSKJÖLD 60th Anniversary New York International Antiquarian Book Fair Park Avenue Armory Park Avenue & 67th Street, NYC March 5-8, 2020 Booth C30 [ART DECO FUR FASHION CATALOGUE] FOURRERES M., LEROY & SCHMID / LE PAPE, G. / MARTIN, C. / LHUER, V. [Head titles] Ce qu’on peut faire. Quelques projets de manteau et mantelets … / Ce que dit le journal Le Temps en ses colonnes … Paris, Draeger, ca 1920. € 750 Small 4to. Three leaflets of four pages each with pochoir-coloured illustrations, four coloured fashion plates and eight half-tone photographic plates. As issued loose in original ivory colour paper folder printed in black, purple and gold. A very stylish Art Deco catalogue published in a limited number. Ref. Pages d’or de l’édition publicitaire, 16, p. 70. AVRIL, P. Voyage en divers etats d’Europe et d’Asie, entrepris pour découvrir un nouveau chemin à la Chine. Contenant plusiers remarques curieses de physique, de geo- graphie, d’hydrographie & d’histoire. Avec une description de la grande Tartarie, & les differens peuples qui l’habitent. Paris 1692. € 4 000 4to. Pp. (xx), 406, (ii), (24) table. With engraved portrait, one folding engraved map, three engraved plates and five large engraved vignettes. Contemporary calf, gilt. First edition of Avril’s narrative of his two journeys through Central Asia aim- ing to discover new overland routes to China. Philippe Avril, Jesuit professor of philosophy and mathematics at Paris, was summoned by Father Ferdinand Verbi- est in Peking to join the mission there.
    [Show full text]
  • Press Kit Can Be Downloaded from Synopsis
    WIL PRODUCTIONS LES FILMS DE L’ÉTRANGER and ENTRE CHIEN ET LOUP PRESENT 2010 · HONG KONG - FRANCE - BELGIUM · RUNNING TIME 1H49 min · 35 MM · 1.85 · DOLBY SRD · COLOUR please note: Photos and press kit can be downloaded from www.wildbunch.biz Synopsis At the end of the 1950s, the Chinese government condemned many thousands of citizens - considered ‘right wing dissidents’ due their past activities, criticisms of the Communist Party or simply their backgrounds and families - to forced labour camps. Deported for reeducation to the Jiabiangou Camp in Western China, in the heart of the Gobi Desert, thousands of miles from their families and loved ones, some 3,000 poor or middle-class ‘intellectuals’ from Gansu Province were forced to submit to conditions of absolute destitution. As a result of backbreaking physical labour, an unrelentingly extreme climate and terrible food shortages, many perished nightly in the ditches where they slept. THE Ditch recounts their fate - an unflinching account of the very extremes of the human condition. Director’s statement Director’s filmography In 1957 the Chinese government launched a nationwide 2008 COAL MONEy (TONG DAO) ‘Anti-Rightist’ movement, labelling perhaps a million or Documentary, 52 minutes. more of its citizens as ‘rightists’, until they were finally International competition, Cinema Du Reel, Paris, France, rehabilitated between 1978 to 1981. 2009. Between 2005 and 2007 I interviewed many of the 2008 CRUDE OIL (YUAN YOU) survivors of Jiabiangou Camp [some of them, several Documentary film installation, 14 hours. times] and learned from them about the realities of Supported by Hubert Bals Fund Rotterdam.
    [Show full text]
  • Download PDF Version
    Russia Russia e-catalogue Jointly offered for sale by: ANTIL UARIAAT FOR?GE> 50 Y EARSUM @>@> Extensive descriptions and images available on request All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are EURO (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. Orders can be sent to either firm. Antiquariaat FORUM BV ASHER Rare Books Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E–mail: [email protected] E–mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com www.forumislamicworld.com cover image: no. 23 v 1.0 · 21 July 2020 Travelling in Russia in 1835: Russia through the eyes of an Utrecht professor 1. ACKERSDIJCK, Jan.
    [Show full text]
  • Gathering and Geopolitics in Eighteenth-Century Eurasia
    The Eye of the Tsar: Intelligence- Gathering and Geopolitics in Eighteenth-Century Eurasia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Afinogenov, Gregory. 2016. The Eye of the Tsar: Intelligence- Gathering and Geopolitics in Eighteenth-Century Eurasia. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493450 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Eye of the Tsar: Intelligence-Gathering and Geopolitics in Eighteenth-Century Eurasia A dissertation presented by Gregory Dmitrievich Afinogenov to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts November, 2015 © 2016 - Gregory Dmitrievich Afinogenov All rights reserved. Dissertation Advisor: Professor David Armitage Gregory Dmitrievich Afinogenov The Eye of the Tsar: Intelligence-Gathering and Geopolitics in Eighteenth-Century Eurasia Abstract This dissertation argues for the importance of knowledge production for understanding the relationship between the Russian Empire, the Qing Dynasty, and European actors, from the mid-seventeenth to the early nineteenth century. It focuses specifically on intelligence-gathering, including espionage, as a genre of intellectual work situated in state institutions, oriented toward pragmatic goals, and produced by and for an audience of largely anonymous bureaucrats. It relies on archival sources from Moscow, St.
    [Show full text]
  • UBC Dissertation 2012 Vermot
    THE ROLE OF URBAN REAL ESTATE IN JESUIT FINANCES AND NETWORKS BETWEEN EUROPE AND CHINA, 1612-1778 by Frederik Vermote A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) January 2013 © Frederik Vermote, 2013 Abstract This dissertation examines the role of urban real estate in the finances and networks of the Jesuit missions in China. Starting in 1612, when Jesuit missionaries working in China envisioned for the first time a strategy for making the missions financially independent from Europe, I will investigate how and why it took until the second half of the eighteenth century for the Christian communities in China to become financially self-sustaining. The procurators and their subordinate treasurers, the Jesuits primarily in charge of the financial management of the missions, are the subject of this dissertation. How did they combine the resources and personnel extracted from Europe, India, and China to establish an autonomous financial foundation for the missions in China? This dissertation argues that their most reliable source of income was revenue from investments in urban real estate. The arc of this dissertation spans both the seventeenth and eighteenth centuries examining the Portuguese and the French Jesuit missions in China. Through a close analysis of Jesuit procurators’ activities and personal networks this dissertation will assert that while they realized the necessity of economic integration in the global missions early on, procurators encountered great problems in realizing this goal. As such, this dissertation recognizes the limitations of global networks by exploring the role of global contact and the circulation of missionaries, money, and mail and by looking at the Jesuit search for financial opportunities in the local and regional economy to become self-sustaining communities.
    [Show full text]
  • Michael Brooks Dissertation Graduate School Submission Revised 12-10
    A Dissertation Entitled Prester John: A Reexamination and Compendium of the Mythical Figure Who Helped Spark European Expansion By Michael E. Brooks Submitted as partial fulfillment of the requirements for The Doctor of Philosophy degree in History _______________________________ Advisor: Dr. Glenn J. Ames _______________________________ Dr. Larry Wilcox _______________________________ Dr. Michael Jakobson _______________________________ Dr. Andrew Schocket _______________________________ College of Graduate Studies The University of Toledo December 2009 Copyright 2009, Michael E. Brooks This document is copyrighted material. Under copyright law, no part of this document may be reproduced without the expressed permission of the author. An Abstract of Prester John: A Reexamination and Compendium of the Mythical Figure Who Helped Spark European Expansion by Michael E. Brooks Submitted as partial fulfillment of the requirements for The Doctor of Philosophy degree in History The University of Toledo December 2009 This work reinterprets the evolution and pervasiveness of the Prester John myth, following the legend from its geographical and historical roots in central and eastern Asia to its final setting in Abyssinia. However, unlike most works on the subject, which typically begin with the twelfth-century writings of Otto of Freising, the author of this dissertation argues that a more complete understanding of the legendary priest-king requires an analysis of the literary traditions that created the ideal environment for the naissance of the Prester John saga. In addition, the influence that the Prester John legend exerted on the mindset of late medieval and early modern Europeans has been understated by many historians; this is in part due to the effects of periodization, whereby modern writers expect historical figures such as the Infante Dom Henrique, Christopher Columbus, and Duarte Lopes to behave in a modern - rather than late medieval - fashion.
    [Show full text]
  • Enterprising Empires Matthew P. Romaniello Index More Information
    Cambridge University Press 978-1-108-49757-2 — Enterprising Empires Matthew P. Romaniello Index More Information Index Abbas II, Shah of Iran, 30–1 Appelbaum, Richard, 8 Academy of Sciences, 101, 220, 222–3, Apraksin, Stepan Fedorovich, 161, 164 226–7 Arapov, Semen, 131, 150, 156 Act of Union, 96. See also Great Britain Arkhangel’sk, 3, 7, 22, 25–7, 31, 33–4, Acts of Navigation, 13, 40–3, 45, 47, 49, 38–9, 41–2, 49, 58, 65, 72, 78, 80, 58, 60, 71, 82, 88, 93, 108, 120, 86–7, 90–1, 93, 95, 145, 178, 184–6, 132–3, 135, 137, 175, 179, 197, 260. 191, 205, 219, 221, 232, 240–1, 249 See also Navigation Act of 1651, 1660, Armed Neutrality, 12, 201–2, 204–5, and 1663; regulations 207–9, 230. See also American Adams, John Quincy, 241 Revolution Admiralty (Britain), 237–8. See also navy Armenian Company, 62, 87, 131, 133. Admiralty (Russia), 129, 225. See also navy See also Armenians Afinogenov, Gregory, 229 Armenians, 62, 95, 98, 106, 119, 130, 133, Agryzhans, 151 135–40, 144, 147, 149, 151, 173, 177, alcohol, 87, 97–8, 215, 218, 244, 252. 183, 189, 232. See also Armenian See also taverns, wine Company, Persian Company Aleksei Mikhailovich, Tsar of Russia, 29, asbestos, 100 31, 38, 42–3, 46 Aster, John Jacob, 252 Aleutian Islands, 188, 224–7, 255. See also Astrabad, 121 Kodiak, Sitka, Unalaska islands Astrakhan, 23, 30, 33–5, 63, 76, 82, 99, Algarotti, Francesco, 158–9 119, 132, 136–7, 145, 152, 154, 158, Alta California, 9, 212–13, 236–7, 243–4, 177, 183–4, 198, 200, 232, 257.
    [Show full text]
  • Downloaded from 4.0 Brill.Com09/25/2021 License
    journal of jesuit studies 7 (2020) 473-479 brill.com/jjs Book Review Essay ∵ The Enlightenment and Asia: Recent Historiographical Perspectives Michael C. Carhart Leibniz Discovers Asia: Social Networking in the Republic of Letters. Baltimore: Johns Hopkins University Press, 2019. Pp. xviii + 324. Hb, $64.95. Jürgen Osterhammel Unfabling the East: The Enlightenment’s Encounter with Asia. Translated by Robert Savage. Princeton and Oxford: Princeton University Press, 2018. Pp. xvi + 676. Hb, $35.00. Since the publication of Edward Said’s Orientalism in 1978, the origins and de- velopment of Western views of Asia have attracted the attention of numerous scholars in different fields—from anthropology to sociology, from literature to art history, and from history to philosophy. Said’s paradigmatic description of the West’s representations of the East as patronizing, condescending, and in- extricably entangled with Western imperialist societies is inevitably involved in subsequent discussions of this subject. Said’s influence is still visible in some relatively recent studies on Western views of Asia in the Age of Enlightenment and beyond, such as the celebrated Enlightenment Orientalism: Resisting the Rise of the Novel (Chicago: University of Chicago Press, 2011) by the late Srinivas Aravamudan. While highlighting the significance of the Enlightenment’s use of Oriental tales in the critique of irrational European values and practices, Aravamudan’s book indeed points out the impact of European imagination on the making and employment of Oriental stories, pseudo-ethnographies, sexual fantasies, and political satires. On the other hand, Said’s emphasis on the imperialist, ethnocentric attitude that he considered to be at the basis of Western views of the East has attracted harsh criticism from several scholars, most prominently from Robert Irwin.
    [Show full text]
  • Touch Me Not a Film by Adina Pintilie
    presents TOUCH ME NOT A FILM BY ADINA PINTILIE **WINNER | GOLDEN BEAR | 2018 BERLINALE** **WINNER | BEST FIRST FEATURE | 2018 BERLINALE** ROMANIA - GERMANY - CZECH REPUBLIC - BULGARIA - FRANCE / 125’ / 2018 Run Time: 125 minutes Color, Aspect Ratio: 1.85 : 1 Publicity Contact: David Ninh, [email protected] ​ Distributor Contact: Graham Swindoll, [email protected] Kino Lorber, Inc. 333 West 39 St. Suite 503 New York, NY 10018 (212) 629-6880 SYNOPSIS Touch Me Not centers on a filmmaker (Adina Pintilie) and characters she documents who ​ together venture into a deep, personal soul-searching into how to achieve real human intimacy. On the fluid border between reality and fiction, the film follows the emotional and sexual journeys of various, diverse subjects offering deeply empathic insights into their personal lives. Craving intimacy - yet also deeply afraid of it - they each work to overcome old patterns, defense mechanisms and taboos...to cut the cords of inhibition and finally be set free. The film is an astonishingly honest look at how we can find intimacy in the most unexpected ways and how to love another without losing ourselves. DIRECTOR ADINA PINTILIE ADINA PINTILIE is a Romanian filmmaker and visual artist, whose works have screened at many prestigious international film festivals. Her new feature TOUCH ME NOT was awarded the Golden Bear at 68th Berlin International Film Festival in 2018 and is having its North American premiere at Toronto International Film Festival. She graduated in 2008 from the National University of Drama and Film Bucharest. She’s considered an important filmmaker to watch as part of the new Romanian cinematic wave and her work borders between fiction, documentary and visual arts and stands out through a highly personal visual style, with the courage to experiment in cinematic language and an uncompromising exploration of human psyche.
    [Show full text]
  • The Letters of Shen Fuzong to Thomas Hyde, 1687-88
    The Letters of Shen Fuzong to Thomas Hyde, 1687-88 William Poole I. Introduction The earliest surviving direct correspondence of a learned nature between a Chinese person and an Englishman comprises several letters sent between May 1687 and February of 1688 by a young Christian convert from Nanjing, Michael Shen Fuzong (c. 1658-1691), to the Oxonian oriental scholar and librarian Thomas Hyde (1636-1704). This correspondence had been sparked off by the visit of Shen to London in 1687 in the entourage of visiting Jesuits, and Hyde, always keen to attract native speakers of oriental languages, soon persuaded Shen to visit Oxford.1 There in the summer of 1687 Shen catalogued the Bodleian Library’s previously mysterious Sinica, and the two men conversed in Latin about Chinese matters. Shen was handsomely paid for his labour by the library: ‘Item paid the Chinese for making catalogues to the China Bookes for his expences and Lodging’, £6; Shen’s vocalizations and the Latin glosses of Shen and Hyde remain visible on the books today.2 These were the sources for Hyde’s rough manuscript catalogue of the Bodleian Sinica, in turn the source for the entries printed under the relevant manuscript collection headings in the first union catalogue of English and Irish manuscripts, the Catalogus Manuscriptorum Angliæ et Hiberniæ (Oxford, ‘1697’ [1698]), nominally edited by the Savilian Professor of Geometry, Edward Bernard.3 Although this did not render the books I am especially grateful to Justin Winslett for his patient help with literary Chinese, to Timothy Brook, Noël Golvers, and Kristine Haugen for learned comments on a draft of this article, and to David Helliwell and Anna Winterbottom for our continuing conversations on Thomas Hyde.
    [Show full text]
  • Nicolaus Bergius a Historico-Theological Exercise on the Status Eds
    BIRGEGÅRD ulla birgegård and monica hedlund (Eds) – HEDLUND ( HEDLUND Nicolaus Bergius A Historico-Theological Exercise on the Status Eds ) of the Muscovite Church and Religion Nicolaus Bergius Nicolaus slavica suecana series a – publications vol. 3 kungl. vitterhets historie och antikvitets akademien | slavica suecana KVHAA series a – publications vol. 3 KUNGL. VITTERHETS HISTORIE OCH ANTIKVITETS AKADEMIEN Slavica Suecana SERIES A – PUBLICATIONS, VOL. 3 Nicolaus Bergius A Historico-Theological Exercise on the Status of the Muscovite Church and Religion Edited by Ulla Birgegård and Monica Hedlund KUNGL. VITTERHETS HISTORIE OCH ANTIKVITETS AKADEMIEN Slavica Suecana SERIES A – PUBLICATIONS, VOL. 3 Nicolaus Bergius. A Historico-Theological Exercise on the Status of the Muscovite Church and Religion. Eds. Ulla Birgegård (including introduction and commentary) and Moni- ca Hedlund (including translation from Latin and commentary). Kungl. Vitterhets His- torie och Antikvitets Akademien (KVHAA), Slavica Suecana, Series A – Publications, vol. 3. Stockholm 2019. 327 pp. This work is an edition of the first part of Nicolaus Bergius’s dissertationExercitatio Historico-Theologica de statu ecclesiae et religionis Moscoviticae, printed at Stockholm in 1704. The book secured Bergius a licenciate’s degree at Uppsala University. The first part of his work consists of two sections: the first historical, comprising 20 chapters, the sec- ond dogmatic, comprising 33 chapters, in essence a comparison between the Lutheran catechism and the first part of Peter Mogila’sOrthodox Confession. The historical section of Bergius’s dissertation contains most of what was known about Russia in the West in terms of the people, language, alphabets, faith, Bible translations, printed books, print- ing houses, churches and monasteries, clergy, liturgy, feast days, schools, sects etc.
    [Show full text]
  • Bad Bread and the "Outrageous Drunkenness of the Turks": Food and Identity in the Accounts of Early Modern European Travelers to the Ottoman Empire Author(S): ERIC R
    Bad Bread and the "Outrageous Drunkenness of the Turks": Food and Identity in the Accounts of Early Modern European Travelers to the Ottoman Empire Author(s): ERIC R. DURSTELER Source: Journal of World History, Vol. 25, No. 2/3 (June/September 2014), pp. 203-228 Published by: University of Hawai'i Press on behalf of World History Association Stable URL: https://www.jstor.org/stable/43818480 Accessed: 17-02-2020 11:28 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms World History Association, University of Hawai'i Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of World History This content downloaded from 35.176.47.6 on Mon, 17 Feb 2020 11:28:17 UTC All use subject to https://about.jstor.org/terms Bad Bread and the "Outrageous Drunkenness of the "lurks": Food and Identity in the Accounts of Early Modern European Travelers to the Ottoman Empire ERIC R- DURSTELER Brigham Young University One the of the important important the role overarching of travel and role travelers of travel in expanding themes andEuropean that travelers unite in this expanding special volume European is encounters with and comprehension of global Islam.
    [Show full text]