Timeline / Before 1800 to After 1930 / GREECE
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Issues of Gender Representation in Modern Greek Art the Case of Thaleia Flora-Caravia’S Photographic Images and Self-Portraits
p Issues of Gender Representation in Modern Greek Art The Case of Thaleia Flora-Caravia’s Photographic Images and Self-Portraits Despoina Tsourgianni ABSTRACT There is a recent trend, mainly in the fi eld of historiography but also in art history, toward the exploration of female autobiographical discourse, whether it concerns writ- ten (autobiographies, correspondence), painted (self-portraits), or photographic data. On the basis of the highly fruitful gender perspective, this article seeks to present and interpret the numerous photographs of the well-known Greek painter Thaleia Flora- Caravia. These photographic recordings, taken almost exclusively from the painter’s unpublished personal archive, are inextricably linked to the artist’s self-portraits. This kind of cross-examination allows the reader to become familiar with the mosaic of roles and identities that constitutes the subjectivity of female artists in Greece in the late nineteenth and early twentieth centuries. KEYWORDS: autobiography, female artist, modern Greek art, photography, self-portrait p Introduction No opening words could be more appropriate to introduce a study on twentieth- century artist representation than the verses of Rainer Maria Rilke on the painter Paula Modersohn-Becker: So free of curiosity your gaze had become, so unpossessive, of such true poverty, it no longer desired even you yourself; it wanted nothing: holy.1 aspasia Volume 13, 2019: 31–64 doi:10.3167/asp.2019.130105 32 DESPOINA TSOURGIANNI It is of key importance to note the way in which this emblematic poet of modernity perceives the ideal depiction of oneself: as one being stripped of any vanity that leads to the beautifi cation of physical characteristics. -
Fonds Gabriel Deville (Xviie-Xxe Siècles)
Fonds Gabriel Deville (XVIIe-XXe siècles) Répertoire numérique détaillé de la sous-série 51 AP (51AP/1-51AP/9) (auteur inconnu), révisé par Ariane Ducrot et par Stéphane Le Flohic en 1997 - 2008 Archives nationales (France) Pierrefitte-sur-Seine 1955 - 2008 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_001830 Cet instrument de recherche a été encodé en 2012 par l'entreprise Numen dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) INTRODUCTION Référence 51AP/1-51AP/9 Niveau de description fonds Intitulé Fonds Gabriel Deville Date(s) extrême(s) XVIIe-XXe siècles Nom du producteur • Deville, Gabriel (1854-1940) • Doumergue, Gaston (1863-1937) Importance matérielle et support 9 cartons (51 AP 1-9) ; 1,20 mètre linéaire. Localisation physique Pierrefitte Conditions d'accès Consultation libre, sous réserve du règlement de la salle de lecture des Archives nationales. DESCRIPTION Type de classement 51AP/1-6. Collection d'autographes classée suivant la qualité du signataire : chefs d'État, gouvernants français depuis la Restauration, hommes politiques français et étrangers, écrivains, diplomates, officiers, savants, médecins, artistes, femmes. XVIIIe-XXe siècles. 51AP/7-8. Documents divers sur Puydarieux et le département des Haute-Pyrénées. XVIIe-XXe siècles. 51AP/8 (suite). Documentation sur la Première Guerre mondiale. 1914-1919. 51AP/9. Papiers privés ; notes de travail ; rapports sur les archives de la Marine et les bibliothèques publiques ; écrits et documentation sur les départements français de la Révolution (Mont-Tonnerre, Rhin-et-Moselle, Roer et Sarre) ; manuscrit d'une « Chronologie générale avant notre ère ». -
Severiano Fogacci's Music-Related Activities During His Exile in Corfu
Kostas Kardamis Ionian University Un Italiano in Corcira: Severiano Fogacci’s music-related activities during his exile in Corfu (1831-1846)* Some historical background Severiano Fogacci, the main subject of this essay, lived in an era of liberal movements and social upheaval in the Italian peninsula and Europe in general. He can be considered a typical member of the post-napoleonic Italian generation, since he was born in 1803.1 His birthplace, Ancona, then belonged to the Papal States and he therefore was brought up in an environment, which was rather conservative. Moreover, his family did not belong among the privileged of that city. Severiano lost his father, Giovanni, when he was very young and this led to his entry to the local seminario, where he began his studies. After five years there he continued his education in the public high school of Ancona, during a period full of political changes. Fogacci early demonstrated a passion for Latin and Italian literature, as well as a desire to become familiar with the aesthetic trends then developing. His political orientation in an era of social and political upheaval was becoming clearer at this time as well: by 1824 he had established connections with the carbonari, as he did not consider the papal administration successful in managing the new post-restoration conditions in the Italian peninsula. Thus Fogacci became a fervent patriot and supporter of Italian independence. In 1826 Fogacci moved to Bologna, where he worked as a secretary for his uncle and soon Fogacci became the commander of the city’s division. -
Long Waves in Politics and Institutions: the Case of Greece Jason Koutoufaris-Malandrinos
Long Waves in Politics and Institutions: The case of Greece Jason Koutoufaris-Malandrinos To cite this version: Jason Koutoufaris-Malandrinos. Long Waves in Politics and Institutions: The case of Greece. 2015, http://bestimmung.blogspot.gr/2015/10/long-waves-in-politics-and-institutions.html. hal-01352167 HAL Id: hal-01352167 https://hal.archives-ouvertes.fr/hal-01352167 Submitted on 5 Aug 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License LONG WAVES IN POLITICS AND INSTITUTIONS : THE CASE OF GREECE * by Jason Koutoufaris-Malandrinos Le grand homme dʼaction est celui qui pèse exactement lʼétroitesse de ses possibilités, qui choisit de sʼy tenir et de profiter même du poids de lʼinévitable pour lʼajouter à sa propre poussée. Fernand Braudel 1. I ntroduction It is known that Kondratieff waves reflect long-run movements in price indices and interest rates, and, by extension, fluctuations in general economic activity. Can we discern similar patterns in politics and institutional change? I will attempt a comparative sketch of the political institutions and ideologies in Greece during the periods 1821/1831 to 1910 and 1940/1949 to 2015. -
Greek Cultures, Traditions and People
GREEK CULTURES, TRADITIONS AND PEOPLE Paschalis Nikolaou – Fulbright Fellow Greece ◦ What is ‘culture’? “Culture is the characteristics and knowledge of a particular group of people, encompassing language, religion, cuisine, social habits, music and arts […] The word "culture" derives from a French term, which in turn derives from the Latin "colere," which means to tend to the earth and Some grow, or cultivation and nurture. […] The term "Western culture" has come to define the culture of European countries as well as those that definitions have been heavily influenced by European immigration, such as the United States […] Western culture has its roots in the Classical Period of …when, to define, is to the Greco-Roman era and the rise of Christianity in the 14th century.” realise connections and significant overlap ◦ What do we mean by ‘tradition’? ◦ 1a: an inherited, established, or customary pattern of thought, action, or behavior (such as a religious practice or a social custom) ◦ b: a belief or story or a body of beliefs or stories relating to the past that are commonly accepted as historical though not verifiable … ◦ 2: the handing down of information, beliefs, and customs by word of mouth or by example from one generation to another without written instruction ◦ 3: cultural continuity in social attitudes, customs, and institutions ◦ 4: characteristic manner, method, or style in the best liberal tradition GREECE: ANCIENT AND MODERN What we consider ancient Greece was one of the main classical The Modern Greek State was founded in 1830, following the civilizations, making important contributions to philosophy, mathematics, revolutionary war against the Ottoman Turks, which started in astronomy, and medicine. -
Deree College Syllabus For: at 3017 Modern Greek Art
DEREE COLLEGE SYLLABUS FOR: AT 3017 MODERN GREEK ART US CREDITS: 3/0/3 (Updated Spring 2018) PREREQUISITES: NONE CATALOG Modern Greek art from the formation of the Greek state in the nineteenth century DESCRIPTION: to the present. Focus on the historical/political/social events that determined the developments of art in conjunction with the creation of modern Greek identity RATIONALE: Art in Greece in the nineteenth and twentieth centuries is characterized by a unique paradox. While a necessary means for the creation of a Greek identity, it was nourished by foreign traditions. Because of the lack of a school of Fine Arts, the first Greek artists studied in Europe. Munich was the first popular destination because of the Bavarian origin of the first king of Greece These are the two parameters that define Modern Greek art: the country’s socio-political situation and the artistic interaction with Europe. The course is of fundamental importance for art history students who are planning to be professionally engaged in Greece, but also for all students who wish to acquire a deeper understanding of modern Greek reality. It provides a unique opportunity to appreciate original works of art in museums, galleries and the city itself. LEARNING OUTCOMES: As a result of taking this course, the student should be able to: 1. Obtain systematic knowledge of the art works in terms of identification, production, and function. 2. Develop the skills of formal and iconographic analysis through the comparison/contrast of art works. 3. Situate and assess artistic production within its social, political and economic context. -
The Greek Sale
athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti. -
Essai Sur La Pratique Hellénique Du Droit Constitutionnel Intermédiaire Christoforos Matiatos
Essai sur la pratique hellénique du droit constitutionnel intermédiaire Christoforos Matiatos To cite this version: Christoforos Matiatos. Essai sur la pratique hellénique du droit constitutionnel intermédiaire. Droit. Université Panthéon-Sorbonne - Paris I, 2015. Français. NNT : 2015PA010284. tel-01911241 HAL Id: tel-01911241 https://tel.archives-ouvertes.fr/tel-01911241 Submitted on 2 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ESSAI SUR LA PRATIQUE HELLÉNIQUE DU DROIT CONSTITUTIONNEL INTERMÉDIAIRE UNIVERSITÉ de PARIS I (Panthéon-Sorbonne) THÈSE Pour l’obtention du grade de docteur en droit public (doctorat d’État) Présentée et soutenue publiquement par Christophoros C. Matiatos Le 13 mars 2015 ESSAI SUR LA PRATIQUE HELLÉNIQUE DU DROIT CONSTITUTIONNEL INTERMÉDIAIRE JURY : M. Pierre AVRIL, professeur émérite de l’Université de Paris II (Panthéon-Assas), président ; Mme Julie BENETTI, professeur à l’Université de Reims-Champagne-Ardenne, (rapporteur) ; M. Jean GICQUEL, professeur émérite de l’Université de Paris I (Panthéon-Sorbonne) (directeur de recherches) ; M. Philippe LAUVAUX, professeur à l’Université de Paris I (Panthéon-Assas) (rapporteur) ; M. Slobodan MILACIC, professeur émérite de l’Université de Bordeaux. 2 L’Université n’entend donner aucune approbation ni improbation aux opinions émises dans les thèses ; ces opinions doivent être considérées comme propres à leurs auteurs. -
Lora Gerd Russian Policy in the Orthodox East: the Patriarchate of Constantinople (1878-1914)
Lora Gerd Russian Policy in the Orthodox East: The Patriarchate of Constantinople (1878-1914) Lora Gerd Russian Policy in the Orthodox East: The Patriarchate of Constantinople (1878-1914) Managing Editor: Katarzyna Tempczyk Language Editor: Kerry Fast Published by De Gruyter Open Ltd, Warsaw/Berlin This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 license, which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Copyright © 2014 Lora Gerd ISBN (paperback): 978-83-7656-030-4 ISBN (hardcover): 978-83-7656-031-1 e-ISBN: 978-83-7656-032-8 Managing Editor: Katarzyna Tempczyk Language Editor: Kerry Fast www.degruyteropen.com Cover illustration: © ivan-96 Contents Preface VII 1 Russian Policy in the Balkans, 1878-1914 1 1.1 Between the Two Wars: 1856-1877 1 1.2 After the Congress of Berlin: Fin de Siècle 3 1.3 The Macedonian Question 8 1.4 Russian Cooperation with Austro-Hungary 11 1.5 Russo-Austrian Attempts at Reforms in Macedonia: The Mürzsteg Agreement 12 1.6 The Bosnian Crisis (1908-1909) 14 1.7 Preparation of the Balkan League 15 2 The Byzantine Legacy in Russian Foreign Policy in the Second Part of the 19th and the Beginning of the 20th Century 20 2.1 Historical Background 20 2.2 The Greek Megali idea 23 2.3 From Pan-Slavism to Imperial Nationalism 24 2.4 Russian Philhellenists 30 2.5 Plans for a Russian Constantinople during the First World War 36 3 Russia and the Patriarchate -
The Greek Sale Nicosia Tuesday 24 May 2016
The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition. -
93323765-Mack-Ridge-Language-And
Language and National Identity in Greece 1766–1976 This page intentionally left blank Language and National Identity in Greece 1766–1976 PETER MACKRIDGE 1 3 Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Peter Mackridge 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Mackridge, Peter. -
Historical Cycles of the Economy of Modern Greece from 1821 to the Present
GreeSE Papers Hellenic Observatory Discussion Papers on Greece and Southeast Europe Paper No. 158 Historical Cycles of the Economy of Modern Greece from 1821 to the Present George Alogoskoufis April 2021 Historical Cycles of the Economy of Modern Greece from 1821 to the Present George Alogoskoufis GreeSE Paper No. 158 Hellenic Observatory Papers on Greece and Southeast Europe All views expressed in this paper are those of the authors and do not necessarily represent the views of the Hellenic Observatory or the LSE © George Alogoskoufis Contents I. The Major Historical Cycles of Modern Greece II. Nation Building, the ‘Great Idea’ and Economic Instability and Stagnation, 1821- 1898 II.1 The Re-awakening of the Greek National Conscience and the War of Independence II.2 Kapodistrias and the Creation of the Greek State II.3 State Building under the Regency and the Monarchy II.4 The Economy under the Monarchy and the 1843 ‘Default’ II.5 The Constitution of 1844, the ‘Great Idea’ and the End of Absolute Monarchy II.6 Changing of the Guard, Political Reforms and Territorial Gains II.7 Fiscal and Monetary Instability, External Borrowing and the 1893 ‘Default’ II.8 Transformations and Fluctuations in a Stagnant Economy III. Wars, Internal Conflicts and National Expansion and Consolidation, 1899-1949 III.1 From Economic Stabilisation to the Balkan Triumphs III.2 The ‘National Schism’, the Asia Minor Disaster and the End of the ‘Great Idea’ III.3 Political Instability, Economic Stabilisation, ‘Default’ of 1932 and Rapid Recovery III.4 From the Disaster of the Occupation to the Catastrophic Civil War III.5 Growth and Recessions from the 19th Century to World War II IV.