Timeline / Before 1800 to 1890 / FINE and APPLIED ARTS
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Issues of Gender Representation in Modern Greek Art the Case of Thaleia Flora-Caravia’S Photographic Images and Self-Portraits
p Issues of Gender Representation in Modern Greek Art The Case of Thaleia Flora-Caravia’s Photographic Images and Self-Portraits Despoina Tsourgianni ABSTRACT There is a recent trend, mainly in the fi eld of historiography but also in art history, toward the exploration of female autobiographical discourse, whether it concerns writ- ten (autobiographies, correspondence), painted (self-portraits), or photographic data. On the basis of the highly fruitful gender perspective, this article seeks to present and interpret the numerous photographs of the well-known Greek painter Thaleia Flora- Caravia. These photographic recordings, taken almost exclusively from the painter’s unpublished personal archive, are inextricably linked to the artist’s self-portraits. This kind of cross-examination allows the reader to become familiar with the mosaic of roles and identities that constitutes the subjectivity of female artists in Greece in the late nineteenth and early twentieth centuries. KEYWORDS: autobiography, female artist, modern Greek art, photography, self-portrait p Introduction No opening words could be more appropriate to introduce a study on twentieth- century artist representation than the verses of Rainer Maria Rilke on the painter Paula Modersohn-Becker: So free of curiosity your gaze had become, so unpossessive, of such true poverty, it no longer desired even you yourself; it wanted nothing: holy.1 aspasia Volume 13, 2019: 31–64 doi:10.3167/asp.2019.130105 32 DESPOINA TSOURGIANNI It is of key importance to note the way in which this emblematic poet of modernity perceives the ideal depiction of oneself: as one being stripped of any vanity that leads to the beautifi cation of physical characteristics. -
The Genesis of the Engineer in the Romanian Culture. the Asachi Model
THE GENESIS OF THE ENGINEER IN THE ROMANIAN CULTURE. THE ASACHI MODEL MIHAI DORIN Abstract. The modern industrial revolution promoted a new intellectual profession: the engineer as a project creator. Thus industrialization which determined in its turn the modernization of our society institutionalized the engineer as well. At the beginning of the 19th century, an age in which the need for social economical need for engineers appeared the European world was changing and the Romanian society was launching its first projects, trying to synchronize with the Western World. Gheorghe Asachi, the most educated Romanian at the time had both the knowledge and the idealism to launch an important cultural challenge: the organization of engineering education in the Romanian language. The cultural project was therefore doubled by the national one, the latter one competing for the emancipation of the Romanian language from under the Greek influence. Guided by this symbol of national rebirth, the first modern project of university education was launched in Iasi, in 1813, being dedicated to teaching engineers. Thus the Romanian culture showed its ability to formulate projects and generate modernity. The modern Romanian culture defined its programme during the transition at the end of the 18th century and the beginning of the 19th. In the Romanian society of the time we meet social spaces and ‘multilevelled’ personalities1, beings with two, three and even five strata, according to C. Noica2. The cultural effort focused on synchronizing with Europe, the result being the appearance of a heroic and messianic culture. M. Eliade stated that very few people “had to do everything very fast. -
Timeline / 1820 to 1840 / ROMANIA
Timeline / 1820 to 1840 / ROMANIA Date Country Theme 1821 - 1822 Romania Political Context January 1821–July 1822: revolution in Moldavia and Wallachia against the Phanariotes (Greek rulers imposed by the Ottoman Empire since the beginning of the 18th century) and for social and economic measures to improve the lives of the people. After the suppression of the revolution the Empire appoints Romanian rulers in Moldavia (Ioni## Sandu Sturdza) and Walachia (Grigore Dimitrie Ghica). 1824 Romania Cities And Urban Spaces During the reign of Prince Grigore IV Ghica, the major streets in Bucharest, which used to be covered with wooden planks, are covered with cobblestones. 1829 Romania Political Context The peace Treaty of Edirne institutes the Russian protectorate over Moldavia and Wallachia, which lasts until 1856. The Romanian countries remain under Russian occupation until 1834. Under the supervision of the Russian authorities in 1830– 31 the Organic Regulations, considered to be the first Romanian constitutions, are drawn up and adopted. 1829 Romania Economy And Trade 14 September: the Treaty of Edirne annuls the Ottoman monopoly on Wallachia and Moldavia’s commerce. 1830 Romania Migrations The beginning of Greek immigration into Br#ila. Many Greeks emigrate to Wallachia and settle in the Romanian ports on the Danube after the liberalisation of commerce on the Danube and Black Sea (1828). 1832 Romania Fine And Applied Arts Gheorghe Asachi founds in Ia#i a lithographic printing press called Institutul Albinei (The Bee Institute). 1833 Romania Cities And Urban Spaces Copou, one of the first public gardens in Romania, is laid out in Ia#i, Moldavia, at the initiative of Prince Mihail Sturdza. -
Remember Gheorghe Asachi.Pdf
Gh. Nistor Bicentenarul învăţământului superior tehnic-ingineresc în limba română 1813-2013 Remember: Gheorghe Asachi BICENTENARUL ÎNVĂȚĂMÂNTULUI SUPERIOR TEHNIC-INGINERESC ÎN LIMBA ROMÂNĂ 1813-2013 REMEMBER: GHEORGHE ASACHI Cinstirea strămoșilor este o datorie sacră și, în același timp, un autentic act de cultură. În istoria poporului nostru, sunt precursori a căror dăruire stă jertfă în zidirea trainică a învățământului și culturii. Fără munca lor neobosită, fără talentul și spiritul lor de inițiativă, edificiul spiritualității românești ar fi întârziat să se ridice. Acești făuritori de știință și cultură națională s-au străduit să sincronizeze spiritualitatea românească cu marile culturi europene, transformând actul de cultură într-un mijloc de luptă pentru idealurile sfinte ale poporului român. Un astfel de precursor, a fost cărturarul și omul de școală Gheorghe Asachi, considerat pe bună dreptate părintele și întemeietorul învățământului superior tehnic-ingineresc în limba română, de la crearea căruia se împlinesc 200 de ani. Gheorghe Asachi s-a născut la 1 martie 1788 în târgușorul Herța, din părinți moldoveni de obârșie transilvăneană. Tatăl său Lazăr (Leon) Asachi, preot, a fost unul din spiritele cele mai cunoscute ale timpului, om de aleasă cultură, cunoscător a multor limbi străine, traducător iscusit, care în publicații își mărturisea cele mai curate sentimente patriotice, gândind și simțind ca și cronicarii moldoveni, ca și învățații ardeleni, susținători ai originii latine a poporului român. Ca preot a ocupat diferite funcții, ajungând în final prim- protopop al Moldovei. După moartea soției, se călugări sub numele de Leon, primind rangul de arhimandrit. Mama sa, Elena Asachi, fiica preotului Nicolai Ardeleanu, era o fire cultivată, un spirit generos, care și-a dedicat toate energiile pentru educarea celor patru copii ai săi, trei băieți și o fată, Gheorghe Asachi fiind primul dintre ei. -
ZILELE SEXTIL PUŞCARIU” Ediţia a III-A, Cluj-Napoca, 14–15 Septembrie 2017
CAIETELE SEXTIL PUŞCARIU III Actele Conferinţei Internaţionale „ZILELE SEXTIL PUŞCARIU” Ediţia a III-a, Cluj-Napoca, 14–15 septembrie 2017 CAIETELE SEXTIL PUȘCARIU CONSILIUL ȘTIINȚIFIC IOAN BOLOVAN (Cluj-Napoca), MIRCEA BORCILĂ (Cluj-Napoca), ALEXANDRINA CERNOV (Cernăuţi), GHEORGHE CHIVU (București), ION MĂRII (Cluj-Napoca), ROBERTO MERLO (Torino), MARIUS SALA (București), EUGEN SIMION (Bucureşti), ION SIMUŢ (Oradea), ION TALOŞ (Köln), DORIN URIŢESCU (Toronto), GISÈLE VANHESE (Cosenza) COMITETUL DE REDACŢIE EUGEN PAVEL – director NICOLAE MOCANU – redactor-şef DUMITRU LOȘONȚI, ADRIAN TUDURACHI – redactori-şef adjuncți COSMINA BERINDEI, COSMIN BORZA, ELENA FAUR, ANDREEA-NORA POP, VERONICA VLASIN, BOGDAN HARHĂTĂ (secretar ştiinţific de redacţie) © Institutul de Lingvistică şi Istorie Literară „Sextil Puşcariu” ISSN 2393 ‒ 526X ISSN‒L 2393 ‒ 526X COMITETUL DE REDACŢIE ACADEMIA ROMÂNĂ 400165 Cluj-Napoca, Str. Emil Racoviţă, nr. 21 Filiala Cluj-Napoca Tel./ fax: +40 264 432440 400015 Cluj-Napoca, Str. Republicii, nr. 9 e-mail: [email protected] Tel./ fax: +40 264 592363 web: http://inst-puscariu.ro/CaieteleSPI.html e-mail: [email protected] ACADEMIA ROMÂNĂ Filiala Cluj-Napoca INSTITUTUL DE LINGVISTICĂ ŞI ISTORIE LITERARĂ „SEXTIL PUŞCARIU” CAIETELE SEXTIL PUŞCARIU III Actele Conferinţei Internaţionale „ZILELE SEXTIL PUŞCARIU” Ediţia a III-a, Cluj-Napoca, 14–15 septembrie 2017 Cluj-Napoca SCRIPTOR • ARGONAUT 2017 Coperta: CĂLIN STEGEREAN Layout: Editura Scriptor Tiparul a fost finanţat de Societatea Română de Dialectologie Proiect realizat cu sprijinul Primăriei şi al Consiliului Local Cluj-Napoca Editura Argonaut este acreditată CNCSIS/CNC, pe domeniul Philologie, nivel B, din anul 2002. —————————————————————————————— Editura Scriptor Editura Argonaut 400457 Cluj-Napoca, str. Septimiu Albini, nr. 11 400545 Cluj-Napoca, str. Ciucaş, nr.5/15 Tel. -
Universitatea Din Bucureşti
Romanoslavica vol. XLVI, nr. 3 GHEORGHE ASACHI ŞI CĂLĂTORIA SA ÎN RUSIA (1830) Radu MÂRZA Gheorghe Asachi (1788-1869) is one of the best-known Romanian men of culture from the first half of the nineteenth century. He is known for his literary and journalistic activity as well as his contribution to the organization of the Romanian higher education system. However, his political activity is less known. Asachi was one of the artisans and leading figures of the Organic Regulations regime, introduced in Moldavia by the Russian occupation regime beginning with 1830. In 1830 he traveled to Sankt Petersburg in his capacity as secretary of the committee that drafted the Organic Regulation for Moldavia. Following this trip, he published a travel diary entitled Estract din jurnalul unui călători moldovean [Excerpt from the Diary of a Moldavian Traveler] in the „Albina românească” newspaper (1830). The present article discusses this diary and argues that Asachi presents Russia as a model of development and civilization and as an alternative to the traditional cultural models that were prevalent in the Romanian society at the time (the French and German models). One should connect Asachi’s image of Russia to the propagandistic effort of the Russian authorities to improve the image of the country in the Romanian Principalities. Key words: Gheorghe Asachi, modernisation, Russia, travelers, cultural models, neologisms in Romanian Scăparea noastră vine de la Nord. Totul ne leagă de Rusia; ea e mama noastră1. Comparativ cu primele decenii postbelice, cercetările româneşti cu privire la legăturile culturale şi istorice ale spaţiului nostru cu Rusia s-au redus în ultima perioadă, dar pot fi menţionate preocupări pentru legăturile lui Dimitrie Cantemir cu Rusia, intervenţia rusă în revoluţia de la 1848 din Principate etc. -
The Greek Sale
athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti. -
Bicentennial of the Superior School of Land Surveying Engineering in the National Language from Wallachia
Journal of Geodesy, Cartography and Cadastre - ISSN: 1454-1408 Bicentennial of the Superior School of Land Surveying Engineering in the National Language from Wallachia. Remember: Gheorghe Lazăr Gheorghe Nistor, Cristian Onu, Gabriel Săndulache Received: September 2018 / Accepted: Octomber 2018 / Published: March 2019 © Revista de Geodezie, Cartografie și Cadastru/ UGR Abstract In the times of numbness of nations there appear The Superior School of Land Surveying Engineering, the moments that, like rays from heaven, illuminate the minds first superior education program in Wallachia, was of people in the waking of self-consciousness and lead inaugurated two hundred years ago (1818-2018). This them on the path of progress, in the development of the memorable event occurred owe to the arduous efforts of a national sense. An event of this nature, one of the most great patriot, Gheorghe Lazăr, who carved a path for memorable, appeared in the history of Wallachia: the Romanians to pursue science and engineering in their establishment of the school of the great mentor and the maternal language. enthusiastic patriot Gheorghe Lazăr, who opened to the country the book of science and the appreciation of their language and nationality. Keywords Gheorghe Lazăr was born on 5 June 1779 in Superior education, Wallachia, science. Transylvania, in the village of Avrig, at the foot of the Făgăraș Mountains, on the Olt Valley. His parents, Gheorghe and Maria, Romanian Orthodox, had the modest condition of the peasants, who had their little free property, as well as the saxons in the commune. Of the inhabitants it is said that a small part was made up of saxons, and a large part of the Wallachians, whose main occupation was carrying the goods of merchants from Hungary, Slovenia, Banat and Wallachia. -
Proquest Dissertations
LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes. -
The Greek Sale Nicosia Tuesday 24 May 2016
The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition. -
Considerazioni Di Tipo Metodologico E Deontologico, Di Utilità Nello Studio Della Storia Della Traduzione
Translationes, Volume 7, 2015 DOI: 10.1515/tran-2016-0005 Una rassegna bibliografica sui traduttori romeni dell’Inferno (1883-2015): considerazioni di tipo metodologico e deontologico Iulia COSMA Università dell’Ovest di Timisoara Romania Riassunto: il presente contributo si iscrive in una ricerca più ampia, finalizzata alla realizzazione di una monografia traduttiva delle versioni romene dell’Inferno dantesco, dall’Ottocento fino al Duemila. Si tratta di un’impresa di carattere storico e critico- interpretativo, collocabile all’incrocio di varie discipline: storia della traduzione, critica della traduzione, teoria della ricezione, storia della letteratura, storia della lingua letteraria, storia culturale. Per quanto riguarda la raccolta bibliografica, intendiamo fornire non soltanto i dati, ma anche alcune considerazioni di tipo metodologico e deontologico, di utilità nello studio della storia della traduzione. Parole chiave: storia della traduzione, traduttori dell’Inferno in romeno, metodologia della storia della traduzione, deontologia della storia della traduzione, monografia traduttiva. Abstract: This paper is intended as part of a larger research that aims to the realization of a monographic study dedicated to the Romanian translations of Dante's Inferno, from 19th to 21th century. It is a historical and critical approach, intended as an interdisciplinary study, to be placed at the crossing of disciplines like translation history, translation criticism, reception theory, history of literature, history of literary language, cultural history. The bibliographical selection we propose is complete with some methodological and deontological considerations of utility in the study of the history of translation. Kywords: translation history, Romanian translators of Dante's Inferno, methodology in translation history, deontology in translation history, translational monography. -
Some Thoughts on the Historical Writing in the Former Half of the Nineteenth Century Romania
HISTORIOGRAPHIE ROUMAINE AUX XIX ET XX SIÈCLES SOME THOUGHTS ON THE HISTORICAL WRITING IN THE FORMER HALF OF THE NINETEENTH CENTURY ROMANIA ALEXANDRU ISTRATE The beginning of the 19th century Romania witnessed the first rather timid increasingly frequent expressions of assumed positions regarding the manner in which the writers of the age understood to make their opinions clear on two points: firstly, the drafting of texts and secondly, and most importantly for the next stage, the way those texts could have the most visible and strong effect on the readers. This was a new practice meant to increase the responsibility of the creative act and invest it with a new valence, somewhat dependant on the commissoners’ tastes and culture. The writing of books out of books, a perfectly normal reality in the old culture', no longer found its use in its relationship with the possible readers, increasingly prepared to cover numberless pages of a subject more than familiar, result of a sterile repetition of events of no fundamental representative significance to them, which did not meet the dilemmas of their past. Two major problems were taking shape at the horizon and required an immediate solution: firstly, the type of editorial policy to be adopted, with all its implications and, secondly, the validation of another type of writing, periodically enriched in topics, which was conditioned among other things by the readers’ requests, the latter increasingly taken into more serious consideration after 1800. Beside its purely formal side, the dialogue with the readers aimed at detecting the preferences of the regular subscribers, whose minimal expectations needed to be met in order to ensure the distribution of the subsequent issues.