The Greek Sale Nicosia Tuesday 24 May 2016

Total Page:16

File Type:pdf, Size:1020Kb

The Greek Sale Nicosia Tuesday 24 May 2016 The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition. In 1950 he submitted two works for the design of a poster for the Marshal Plan, organised by the American Government. He won the first and second prize. Maternity I is a celebration of the maternal bond, this special relationship between mother and child. His striving for Ideal form shows a preoccupation with the meaning of Beauty. The posture of the body being so elegantly rendered is characteristic of his work. His work can be found in many public and private collections in Greece and Cyprus. Notably at The National Gallery Greece, The Municipality of Athens, The State Gallery of Contemporary Cypriot Art, The Leventis Gallery, The Bank of Cyprus Cultural Centre Foundation, The Hellenic War Museum. 8 02 Spyridon VICATOS Greek, 1884 or 1888-1960 Vase of flowers signed lower left oil on hardboard 36 x 23 cm PROVENANCE private collection, Athens 1 500 / 2 000 € Spyridon Vicatos studied at The School of Fine Arts, Athens from 1896 till 1898 under Nikiforos Lytras and Spyridon Prosalentis. Later in 1890 on a scholarship, he went to Munich to study at The Royal Academy of Fine Arts at the studio of Nicholaos Gysis and then with L. Von Lofftz. From 1909 to 1939 he taught at The School of Fine Arts, Athens. His teaching was in keeping with the academic tradition. His studies in Munich were instrumental to the development of his work. He was greatly influenced by German impressionism. His work atmospherically explores the antithesis of light and shade through the use of chiaroscuro. Vicatos held a number of solo exhibitions in Athens and participated in a number of prestigious group exhibitions such as the 1904 Glaspalast in Munich, the 1911 International Exhibition in Rome, the 1934 and 1936 Venice Biennale, 1937 Exposition Internationale in Paris and the 1947 Grekisk Konst Konstakademien in Stockholm. His work is found in many public and private collections, notably that of: The National Gallery, Athens; The Athens Municipal Gallery; The Leventis Gallery, Nicosia; Koutlides and The National Bank of Greece. 10 03 Nikiforos LYTRAS Greek, 1832 -1904 Young girl signed and dated 2 June 84 lower right pencil on paper 13.5 x 7.5 cm PROVENANCE private collection, Athens Acquired by the present owner in 1976 from the son of Constantinos Maleas, Fotinos Maleas, as a set of three drawings in one frame. The original frame bears an inscription on the reverse. These drawings were verified by Dr Nelli Missirli. Other works from the same collection by Nikiforos Lytras are illustrated in the book of Lytras by Dr Nelli Missirli. 1 850 / 2 500 € Nikiforos Lytras was born on the island of Tinos in 1832. life correspond with the ideology against the ruling class at the time. His trips to Asia Minor At the age of eighteen he moved to Athens to study at and Egypt informed his paintings in depicting The School of Fine Arts, where he completed his studies children of colour and other elements of in 1856. Later in 1860 on a scholarship from the Greek Anatolia. During the final period of his life he government he went to Munich to study at The Royal painted many scenes that explored aging, Academy of Fine Arts. There, he was taught by Karl von loneliness and fear of death. Piloty. During that period Lytras focused on historically themed paintings. His subjects were inspired by Greek In 1879 he married Irene Kyriakidi, the Mythology and history. daughter of a tradesman from Smyrna, together they had six children. In the summer of 1865 before returning to Greece he met Nicholaos Gysis in Munich and together they studied the Lytras was one of the greatest Greek masterpieces of German Museum collections. painters. His contribution in almost forty years of teaching was also of great importance, as On his return to Athens, Lytras became a professor at The he not only influenced younger generations, Athens School of Fine Arts in the department of painting, a but was involved in the school’s restructuring. position he held for the remainder of his life. Lytras died at the age of 72 (in 1904), after Together with Nicholaos Gysis, he travelled to Asia Minor in a brief illness that is believed to have been 1873 and Paris in 1876. caused by chemicals found in paint. After returning to Greece, Lytras worked on portraiture, still life and everyday scenes. Lytra’s paintings on everyday 12 04 Jason MOLFESSIS Greek, 1925-2009 Untitled signed and dated ’60 on the reverse oil on canvas 19 x 33 cm PROVENANCE private collection, London 600 / 800 € Molfessis was born in Athens in 1925. In 1942 he enrolled at The School of Fine Arts, Athens, where he studied under Constantinos Parthenis, Dimitris Biskinis and Epaminondas Thomopoulos. He graduated in 1946. Simultaneously (from 1942 to 1944), he studied Law at the Aristotle University, Athens. He then studied the Byzantine Art of Northern Greece whilst serving in the army. In 1950 he moved to Paris where he studied fresco at École Nationale Supérieure des Beaux-Arts. From 1950 to 1970 Molfessis’ worked mainly in the medium of painting. He begun with figurative and landscape themes and then proceeded into abstraction, using a restricted palette of mainly whites and blacks, grays and ochre. The work of this period is quite dramatic and characterised by lyricism and expressionism. From 1960 onwards he was influenced by technological advances in the field of computing and incorporated this into his work, making him a creative pioneer worldwide. From 1968 onwards Molfessis started to focus more on sculpture. He created large scale public commissions in Paris and other French cities. He used cement and various mineral metals to create 3D works that investigate the relationship between the solid and the void, light and shade, rough and smooth surfaces and varying depth levels. 14 05 Jason MOLFESSIS Greek, 1925-2009 Untitled signed and dated ’60 on the reverse oil on canvas 22 x 33 cm PROVENANCE private collection, London 600 / 800 € He has exhibited in many solo and group exhibitions internationally. Just to name a few: The 1952 Exposition Internationale, Paris, the 1954 Salon d’Automne, Paris, at Musée de la Ville de Paris in 1955, at Cincinatti Art Museum in 1956, in ‘Peintres et Sculpteurs Grecs de Paris’, Musée d’Art Moderne, Paris in 1962 and the 1963 Sao Paolo Biennale and so on. Molfessis lived in Paris until 1988. He then returned to Athens as he was appointed as a professor at The School of Fine art, Athens. In 1990 he retired and moved to Paris, frequently visiting Greece until his death in 2009. Works of Jason Molfessis form part of renowned public and private collections such as The National Gallery, Athens; Musée d’Art Moderne, Paris; Musée d’art Moderne, Le Havre and The Macedonian Museum of Modern art. 16 06 George LAPPAS Greek, 1950 -2016 Red Figure signed and dated 05 on the base mixed media 75 x 65 x 20 cm PROVENANCE private collection, Athens 5 000 / 8 000 € Lappas was born in Cairo. In 1958 his family was forced to leave Egypt and move to Athens, since the Nasser regime was persecuting the Greek population. He initially studied psychology at Reed College, Portland, USA and worked in several psychiatric institutions as a volunteer. In 1974 he went to India on a T.J. Watson Foundation grant, where he studied the architecture of Indian temples and a year later he moved to London to study architecture at the Architectural Association. Between 1977 and 1982 he studied sculpture at The School of Fine Arts, Athens under Y. Pappas and G. Nikolaidis. Two years after graduating he continued his art studies at École des Beaux Arts in Paris on a French state scholarship. His work includes sculpture, construction and installation, usually large scale, exploring the relationship between form and space, as well as the interaction between viewer and artwork. The remodeling of architectural contexts dominates his early installations, where three-dimensional constructs of various materials can be rearranged in different ways, rendering a sense of motion and volatility.
Recommended publications
  • Issues of Gender Representation in Modern Greek Art the Case of Thaleia Flora-Caravia’S Photographic Images and Self-Portraits
    p Issues of Gender Representation in Modern Greek Art The Case of Thaleia Flora-Caravia’s Photographic Images and Self-Portraits Despoina Tsourgianni ABSTRACT There is a recent trend, mainly in the fi eld of historiography but also in art history, toward the exploration of female autobiographical discourse, whether it concerns writ- ten (autobiographies, correspondence), painted (self-portraits), or photographic data. On the basis of the highly fruitful gender perspective, this article seeks to present and interpret the numerous photographs of the well-known Greek painter Thaleia Flora- Caravia. These photographic recordings, taken almost exclusively from the painter’s unpublished personal archive, are inextricably linked to the artist’s self-portraits. This kind of cross-examination allows the reader to become familiar with the mosaic of roles and identities that constitutes the subjectivity of female artists in Greece in the late nineteenth and early twentieth centuries. KEYWORDS: autobiography, female artist, modern Greek art, photography, self-portrait p Introduction No opening words could be more appropriate to introduce a study on twentieth- century artist representation than the verses of Rainer Maria Rilke on the painter Paula Modersohn-Becker: So free of curiosity your gaze had become, so unpossessive, of such true poverty, it no longer desired even you yourself; it wanted nothing: holy.1 aspasia Volume 13, 2019: 31–64 doi:10.3167/asp.2019.130105 32 DESPOINA TSOURGIANNI It is of key importance to note the way in which this emblematic poet of modernity perceives the ideal depiction of oneself: as one being stripped of any vanity that leads to the beautifi cation of physical characteristics.
    [Show full text]
  • See Attachment
    T able of Contents Welcome Address ................................................................................4 Committees ............................................................................................5 10 reasons why you should meet in Athens....................................6 General Information ............................................................................7 Registration............................................................................................11 Abstract Submission ............................................................................12 Social Functions....................................................................................13 Preliminary Scientific Program - Session Topics ..........................14 Preliminary List of Faculty..................................................................15 Hotel Accommodation..........................................................................17 Hotels Description ................................................................................18 Optional Tours........................................................................................21 Pre & Post Congress Tours ................................................................24 Important Dates & Deadlines ............................................................26 3 W elcome Address Dear Colleagues, You are cordially invited to attend the 28th Politzer Society Meeting in Athens. This meeting promises to be one of the world’s largest gatherings of Otologists.
    [Show full text]
  • Limited Editions Club
    g g OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow, making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. Today, Oak Knoll Books is a thriving company that maintains an inventory of about 25,000 titles. Our main specialties continue to be books about bibliography, book collecting, book design, book illustration, book selling, bookbinding, bookplates, children’s books, Delaware books, fine press books, forgery, graphic arts, libraries, literary criticism, marbling, papermaking, printing history, publishing, typography & type specimens, and writing & calligraphy — plus books about the history of all of these fields. Oak Knoll Books is a member of the International League of Antiquarian Booksellers (ILAB — about 2,000 dealers in 22 countries) and the Antiquarian Booksellers Association of America (ABAA — over 450 dealers in the US). Their logos appear on all of our antiquarian catalogues and web pages. These logos mean that we guarantee accurate descriptions and customer satisfaction. Our founder, Bob Fleck, has long been a proponent of the ethical principles embodied by ILAB & the ABAA. He has taken a leadership role in both organizations and is a past president of both the ABAA and ILAB. We are located in the historic colonial town of New Castle (founded 1651), next to the Delaware River and have an open shop for visitors.
    [Show full text]
  • Y 2 0 ANDRE MALRAUX: the ANTICOLONIAL and ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University Of
    Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Cruz, Richard A., Andre Malraux: The Anticolonial and Antifascist Years. Doctor of Philosophy (History), May, 1996, 281 pp., 175 titles. This dissertation provides an explanation of how Andr6 Malraux, a man of great influence on twentieth century European culture, developed his political ideology, first as an anticolonial social reformer in the 1920s, then as an antifascist militant in the 1930s. Almost all of the previous studies of Malraux have focused on his literary life, and most of them are rife with errors. This dissertation focuses on the facts of his life, rather than on a fanciful recreation from his fiction. The major sources consulted are government documents, such as police reports and dispatches, the newspapers that Malraux founded with Paul Monin, other Indochinese and Parisian newspapers, and Malraux's speeches and interviews. Other sources include the memoirs of Clara Malraux, as well as other memoirs and reminiscences from people who knew Andre Malraux during the 1920s and the 1930s. The dissertation begins with a survey of Malraux's early years, followed by a detailed account of his experiences in Indochina.
    [Show full text]
  • Holy Family Catholic Church South Pasadena, California
    Presents: An 11-Day Pilgrimage through the Aegean Walking in the Footsteps of St. Paul including a 3-Night Cruise with Fr. Marlon Mateo and Cambria Tortorelli October 20 - 30, 2017 Holy Family Catholic Church South Pasadena, California Fr. Marlon Mateo Cambria Tortorelli For more Information please contact: Nancy Bevins at 626-403-6107 ([email protected]) or Faith Journeys at 1-877-732-4845 REGISTER by January 5, 2017 and SAVE $100! Following in the Footsteps of St. Paul with a 3-night Cruise 11 days / 9 nights Therefore, comfort and upbuild one another…esteem them with the greatest love…remain at peace with one another. (I Thess 5: 11, 13). On our pilgrimage through Greece, we will follow the footsteps of Paul to discover firsthand the sights, sounds, and feelings that he may have had as he established the Church in this enchanting, ancient land. As we behold the timeless holy places and contemplate the exemplary life of Paul who came not in word only, and not in affliction only, but also in power and with much assurance and great joy to admonish those he served, to join them in giving thanks to God and to remember without ceasing… great works of faith, labours of love and patience of hope in Jesus Christ (I Thess 1), we will renew our commitment to the roots of our Catholic faith. The masses and meditations we celebrate along the way will draw us together as a community, and will remind us of our blessings and the call to stewardship as followers of Jesus Christ.
    [Show full text]
  • NEW EOT-English:Layout 1
    TOUR OF ATHENS, stage 10 FROM OMONIA SQUARE TO KYPSELI Tour of Athens, Stage 10: Papadiamantis Square), former- umental staircases lead to the 107. Bell-shaped FROM MONIA QUARE ly a garden city (with villas, Ionian style four-column propy- idol with O S two-storey blocks of flats, laea of the ground floor, a copy movable legs TO K YPSELI densely vegetated) devel- of the northern hall of the from Thebes, oped in the 1920’s - the Erechteion ( page 13). Boeotia (early 7th century suburban style has been B.C.), a model preserved notwithstanding 1.2 ¢ “Acropol Palace” of the mascot of subsequent development. Hotel (1925-1926) the Athens 2004 Olympic Games A five-story building (In the photo designed by the archi- THE SIGHTS: an exact copy tect I. Mayiasis, the of the idol. You may purchase 1.1 ¢Polytechnic Acropol Palace is a dis- tinctive example of one at the shops School (National Athens Art Nouveau ar- of the Metsovio Polytechnic) Archaeological chitecture. Designed by the ar- Resources Fund – T.A.P.). chitect L. Kaftan - 1.3 tzoglou, the ¢Tositsa Str Polytechnic was built A wide pedestrian zone, from 1861-1876. It is an flanked by the National archetype of the urban tra- Metsovio Polytechnic dition of Athens. It compris- and the garden of the 72 es of a central building and T- National Archaeological 73 shaped wings facing Patision Museum, with a row of trees in Str. It has two floors and the the middle, Tositsa Str is a development, entrance is elevated. Two mon- place to relax and stroll.
    [Show full text]
  • Auction - Sale 516: Fine & Rare Books, with Fine Press Books from the Collection of Phillip Keuhlen 09/26/2013 11:00 AM PDT
    Auction - Sale 516: Fine & Rare Books, with Fine Press Books from the Collection of Phillip Keuhlen 09/26/2013 11:00 AM PDT Lot Title/Description Lot Title/Description 1 Discourses on Davila. A Series of Papers on Political History. Written in 12 Lord Bacon's Essays, Or Counsels Moral and Civil the Year 1790, and Published in The Gazette of the United States. By Translated from the Latin by William Willymott. 2 volumes. [xvi], 503; [vi], an American Citizen 432 pp. (8vo) later brown half calf and tan cloth, leather spine labels. (3)-248 pp. (8vo) 23.5x14 cm (9¼x5½") original paper-backed boards, remnants of spine label, pages untrimmed. First Book Edition. Est. 300 - 500 13 Theophile Gautier: Notice Litteraire Precedee d'une Lettre de Victor Est. 10,000 - 15,000 Hugo 2 "Electronics - A New Science for A New World" [viii], 68 pp. Etched portrait by Emile Therond. (8vo) 18.5x12 cm 31, [1] pp. including wrappers. Illustrated in color throughout. 21x28 cm. (7¼x4¾"), later cloth-backed mottled boards, spine lettered in gilt. First (8¼x11") , color pictorial wrappers. Edition. Est. 300 - 500 Est. 1,200 - 1,800 3 Fabulae, elegantissimis iconibus veras animalium species ad vivum 14 Fifty Years Adrift adumbrantibus x, 541, [3] pp. Edited by George Harrison. Foreword by George 410, [6] pp. Woodcut illustrations. (12mo) 11.5x7 cm (4½x2¾") period Harrison. Illustrated throughout with facsimiles of concert posters, full limp vellum, paper spine label lettered by hand. tickets, photographs, contracts, letters, handbills etc., printed in color and black and white.
    [Show full text]
  • Lucas Samaras Örnekleminde Çağdaş Yunan Sanatında Multimedya Uygulamaların Yeri1
    İNSAN VE TOPLUM BİLİMLERİ ARAŞTIRMALARI DERGİSİ Cilt: 5, Sayı: 6, 2016 Sayfa: 1533-1562 Lucas Samaras Örnekleminde Çağdaş Yunan Sanatında Multimedya Uygulamaların Yeri1 Burak BOYRAZ Arş. Gör., Yıldız Teknik Üniversitesi, Sanat ve Tasarım Fakültesi, Sanat Bölümü [email protected] Öz Antik Yunanlıların plastik sanatlarda yaptığı çalışmalar ve üretimler, tarihsel süreçte çoğu zaman Batı merkezli klasik plastik sanatlar estetiği için referans olarak kullanılmıştır. Ancak özellikle 20.yy’da (toplumsal olayların etkisiyle güncellenen entelektüel algı ile birlikte) radikal üretimler klasik üslup karşısında daha fazla öne çıkmış, pek çok Batılı sanatçı da gerek kavramsal gerekse nesnel açıdan üretimlerinde bu yönde bir eğilim göstermeye başlamıştır. Çağdaş Yunan sanatçılar da 20.yy'ın son çeyreğiyle iyiden iyiye küreselleşen bu yeni sanat anlayışında Avrupa ve Birleşik Devletler ile uyumlu bir estetik çizgide ilerlemekten geri kalmamış ve disiplinlerarası etkileşimden sıklıkla faydalanan multimedya tabanlı eserler üretmiştir. Metin dahilinde de bahsi geçen bu durum başta Lucas Samaras (1936) olmak üzere çeşitli örneklemlerle incelenmiş ve artan bir ivmeyle kendini güncelleyen Batı sanatının günümüz Yunan sanatçıları üzerindeki etkisi tartışılmıştır. Anahtar Kelimler: Sanat, Plastik Sanatlar, Yunanistan, Çağdaş Yunan Sanatı, Disiplinlerarası Etkileşim, Multimedya, Lucas Samaras. Place of Multimedia Technics in Contemporary Greek Art In Lucas Samaras Sample Abstract Studies and outputs that are executed by Ancient Greeks in plastic arts have been quite often used as a reference for the West-centered plastic arts aesthetics in the historical process. However, especially in the 20th century (together with intellectual perception that is updated by the effect of social events) radical outputs became more prominent against classical style and many Western artists in their outputs started to show tendency in this direction either cognitively or objectively.
    [Show full text]
  • Athens Strikes & Protests Survival Guide Budget Athens Winter 2011 - 2012 Beat the Crisis Day Trip Delphi, the Navel of the World Ski Around Athens Yes You Can!
    Hotels Restaurants Cafés Nightlife Sightseeing Events Maps ATHENS Strikes & Protests Survival guide Budget Athens Winter 2011 - 2012 Beat the crisis Day trip Delphi, the Navel of the world Ski around Athens Yes you can! N°21 - €2 inyourpocket.com CONTENTS CONTENTS 3 ESSENTIAL CITY GUIDES Contents The Basics Facts, habits, attitudes 6 History A few thousand years in two pages 10 Districts of Athens Be seen in the right places 12 Budget Athens What crisis? 14 Strikes & Protests A survival guide 15 Day trip Antique shop Spend a day at the Navel of the world 16 Dining & Nightlife Ski time Restaurants Best resorts around Athens 17 How to avoid eating like a ‘tourist’ 23 Cafés Where to stay Join the ‘frappé’ nation 28 5* or hostels, the best is here for you 18 Nightlife One of the main reasons you’re here! 30 Gay Athens 34 Sightseeing Monuments and Archaeological Sites 36 Acropolis Museum 40 Museums 42 Historic Buildings 46 Getting Around Airplanes, boats and trains 49 Shopping 53 Directory 56 Maps & Index Metro map 59 City map 60 Index 66 A pleasant but rare Athenian view athens.inyourpocket.com Winter 2011 - 2012 4 FOREWORD ARRIVING IN ATHENS he financial avalanche that started two years ago Tfrom Greece and has now spread all over Europe, Europe In Your Pocket has left the country and its citizens on their knees. The population has already gone through the stages of denial and anger and is slowly coming to terms with the idea that their life is never going to be the same again.
    [Show full text]
  • New Evidence on the Origin of the Influence of Nietzsche and of the Idea of Immanent
    fig. 1 G. de Chirico, Scatola di cerini e sigarette, ca 1904-1906 13 New Evidence on the Origin of the Influence of Nietzsche and of the Idea of Immanent Myth in Giorgio de Chirico: Mavìlis, Palamàs and the Early XX Century Athens Literary Scene Fabio Benzi There have been many attempts at identifying an influence of the Greek milieu on the young Gior- gio de Chirico. From his birth (1888) to his late adolescence, the artist lived in Greece, in Volos and especially Athens, until he moved to Munich in October 1906. So, he spent the first eighteen years of life – undoubtedly a formative moment for any young intellectual – mostly in Athens, where he also completed his first artistic studies in the Academy of Fine Arts of the Polytechnic School. As might be expected, research aimed at contextualizing and furthering the knowledge of pos- sible Hellenic influences on de Chirico’s artistic activity has focused so far on the specific analysis of the local painting scene, although with little or less than significant results. To be sure, we are not aware of any extant early painting from his Greek period, except for a negligible, small still life painted on cardboard, depicting a box of matches with a lit cigarette leaning against it (fig. 1); the verso shows an earlier copy of a detail of a chromolithography by Bel- gian painter Jan van Beers (Lier, 27 March 1852-Fay- aux-Loges, 17 November 1927), which we have iden- tified here (figs. 2, 3).1 If this copy is an example of the nearly photographic unyielding adherence by a young artist who might have not yet attended the academy, the small oil is actually a genre exercise, probably painted while de Chirico was still a student.
    [Show full text]
  • The Greek Sale
    athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti.
    [Show full text]
  • Middle-Byzantine Bath-Houses in Eastern Crete and Their Changing Functions
    land Article From Town to Countryside: Middle-Byzantine Bath-Houses in Eastern Crete and Their Changing Functions Natalia Poulou * and Anastasios Tantsis Department of Archaeology, School of History and Archaeology, Aristotle University of Thessaloniki, Thessaloniki 54124, Greece; [email protected] * Correspondence: [email protected]; Tel.: +30-693-884-6579 Received: 26 August 2018; Accepted: 10 September 2018; Published: 12 September 2018 Abstract: The article examines the context of a recently discovered double bath-house complex in Loutres, a site near Mochlos on the north shore of eastern Crete. The excavators explore the broader questions posed by the finding, in connection to both its immediate surroundings and its wider periphery. Its relation to the site’s geography, a ravine on the shore, forms the starting point to address issues regarding its original use as well as its later transformations. The enquiry leads into considering similar structures with different fates in the area and the connotations regarding their relationship to both the landscape and the settlements to which they belonged. The article goes on to discuss the general issues of the historic context of medieval Crete concerning both the archaeology and the information from the sources. It seems that long-held concepts about the abandonment of seaside settlements due to the so-called “Arab threat” are no longer valid. On the contrary, archaeology proves the continuity of the settlements of eastern Crete, both in Loutres and elsewhere. Moreover, the later use of the bath-houses in the area provides evidence for social changes after the 13th century impacting on both the landscape and its settlements.
    [Show full text]