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R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985). -
Transplanting Surrealism in Greece- a Scandal Or Not?
International Journal of Social and Educational Innovation (IJSEIro) Volume 2 / Issue 3/ 2015 Transplanting Surrealism in Greece- a Scandal or Not? NIKA Maklena University of Tirana, Albania E-mail: [email protected] Received 26.01.2015; Accepted 10.02. 2015 Abstract Transplanting the surrealist movement and literature in Greece and feedback from the critics and philological and journalistic circles of the time is of special importance in the history of Modern Greek Literature. The Greek critics and readers who were used to a traditional, patriotic and strictly rule-conforming literature would find it hard to accept such a kind of literature. The modern Greek surrealist writers, in close cooperation mainly with French surrealist writers, would be subject to harsh criticism for their surrealist, absurd, weird and abstract productivity. All this reaction against the transplanting of surrealism in Greece caused the so called “surrealist scandal”, one of the biggest scandals in Greek letters. Keywords: Surrealism, Modern Greek Literature, criticism, surrealist scandal, transplanting, Greek letters 1. Introduction When Andre Breton published the First Surrealist Manifest in 1924, Greece had started to produce the first modern works of its literature. Everything modern arrives late in Greece due to a number of internal factors (poetic collection of Giorgios Seferis “Mythistorima” (1935) is considered as the first modern work in Greek literature according to Αlexandros Argyriou, History of Greek Literature and its perception over years between two World Wars (1918-1940), volume Α, Kastanioti Publications, Athens 2002, pp. 534-535). Yet, on the other hand Greek writers continued to strongly embrace the new modern spirit prevailing all over Europe. -
The Greek Sale
athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti. -
Chapter One – Introduction
CHAPTER ONE – INTRODUCTION. 1.1 – Time and Colour as Visual Drivers It is generally understood that time and colour constitute an integral part of the great trinity of primary terrestrial and cosmic phenomena i.e., the aggregation of time, light (of which “… colour is a manifestation of a particular wavelengths …” (Collier, 1972: 148)) and space. It is also understood that the perception of one is dependent upon the presence of the other two. The manifestation of time, for instance becomes apparent through the measurement of the distance between objects or points in space. The objects, or points themselves are made visible by the passage of light striking their individual surfaces. How long it takes to get from one object or point to the other provides us with a tangible measure of time. The art historian and sculptor Grahame Collier (1972) reminds us that … space is the arena in which light manifests and this manifestation permits us to discern the layout of objects. Only by perceiving the layout of objects do we become aware of the multidimensional shape of space between them and ultimately the distances involved. Thus we are able to conceive of time… (Collier, 1972: 121). The activities of both the visual artist and architect (whatever their theoretical proclivities may be) are, to one extent or another, concerned with the management and manipulation of space, which of course includes the location of two and three- 1 dimensional forms in space. The artist’s concerns with spatial organization may be engaged at any scale though it is generally, as Collier (1972) remarks, at …a more intimate scale than that of nature; a painting, for example, can become a very personal environment in which even the macro, unarticulated space of sea or sky is transformed into a scale we can apprehend. -
The Greek Sale Nicosia Tuesday 24 May 2016
The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition. -
One Day, Something Happens: Paintings of People
One Day, Something Happens: Paintings of People Education information pack Contents Page How to use this pack 2 The Arts Council Collection 2 Introduction to the exhibition 3 Artists and works in the exhibition 5 Glossary of art terms and movements 31 In the gallery – looking at the exhibition 37 Project and activity ideas: 38 Art as storytelling 39 Moments in time – movement and stillness 42 Real people, invented characters 45 A true likeness 48 Expression and abstraction 50 Being human – the inside view 53 Seeing and being seen 55 Art as social documentary 59 Useful websites and further reading 62 Jennifer Higgie – exhibition catalogue essay 63 1 How to use this pack This pack is designed for use by teachers and other educators including gallery education staff. It provides background information about the exhibition and the exhibiting artists, as well as a glossary of key terms and art movements. The pack also contains a selection of project ideas around some key themes. As well as offering inspiration for art, One Day, Something Happens: Paintings of People also links well to literacy, drama, history and geography. The project suggestions are informed by current National Curriculum requirements and Ofsted guidance. They are targeted primarily at Key Stage 2 and 3 pupils, though could also be adapted for older or younger pupils. They may form part of a project before, during, or after a visit to see the exhibition. Information in the pack will also prove useful for pupils undertaking GCSE and ‘A’ level projects. This education information pack is intended as a private resource, to be used for educational purposes only. -
The Greek Sale
athens nicosia The Greek Sale tuesday 26 november 2019 The Greek Sale nicosia tuesday 26 november, 2019 2 athens nicosia AUCTION Tuesday 26 November 2019, at 7.30 pm THE LANDMARK NICOSIA, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 thursday 14 to saturday 16 november 2019, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari THE LANDMARK NICOSIA, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens sunday 24 to monday 25 november 2019, 10 am to 9 pm tuesday 26 november 2019, 10 am to 6 pm exhibition instalation / art transportation MoveArt insurance Lloyds, Karavias Art Insurance printing Printco Cassoulides Ltd ISBN 978-9963-2497-4-9 01 Nikos KESSANLIS Greek, 1930-2004 Untitled signed lower right mixed media on hardboard 25 x 20 cm PROVENANCE private collection, Athens 1 500 / 2 000 € Nikos Kessanlis was born in Thessaloniki. Between 1944 and 1948 he studied with Yannis Spyropoulos and later enrolled at the School of Fine Arts, Athens in the studio of Yannis Moralis where he graduated in 1955. He continued his studies in Rome, on a scholarship from the Italian government at the Istituto Centrale del Restauro while also taking lessons in mural painting and engraving at the Scuola delle Arti Ornamentali di San Giacomo. In the early 1960s, he moved to Paris and in 1981 returned permanently to Greece. -
The Greek Sale Rencontre Grecque
The Greek Sale Rencontre grecque Paris | 19 May 2021 The Greek Sale Paris | Mercredi, 19 Mai 2021 à 2pm COMMISSAIRE-PRISEUR INFORMATIONS PENDANT ENCHÈRES HABILITE LA VENTE - Enchérir en ligne/APP Catherine Yaiche Londres et Paris Inscrivez-vous pour enchérir Anastasia Orfanidou en ligne en visitant BONHAMS FRANCE SAS +44 (0) 20 7468 8356 www.bonhams.com/27187 N° AGRÉMENT 2007-638 anastasia.orfanidou @bonhams.com Enchérissez via l'application. 4 Rue de La Paix Téléchargez maintenant 75002 PARIS pour Android et IOS +33 (0)1 42 61 10 10 Athens +33 (0)1 42 61 10 15 fax Terpsichore Maria Angelopoulou - Enchérissez via telephone/ Lola-Theodora Stefanidou en abscance Philippe Glyptis NUMERO DE LA VENTE d'inscription et d'enchère et le Timos Economopoulos soumettre par email a bids@ 27187 +30 210 36 36 404 bonhams.com Lots 1 - 130 [email protected] [email protected] Le formulaire se trouve au dos de ILLUSTRATIONS 7, Neofytou Vamva Street chaque catalogue et sur notre site Couverture Avant: lot 58 106 74 Athens Web à l'adresse www.bonhams.com Couverture Arrièrer: lot 33 Veuillez noter que nous ne pouvons Couverture avant intérieure: lot 25 FRAIS D’ADJUDICATION pas garantir les offres dans les 24 Couverture arrière intérieure: lot 59 En sus du prix d’adjudication, heures suivant la vente. l’acheteur devra payer EXPOSITIONS PIBLIQUES Les enchères par téléphone ne sur le prix d’adjudication de chaque seront acceptées que sur un lot Athens lot des frais de vente. avec une estimation basse 36 Amalias Avenue Veuillez consulter les « informations supérieure à 1000 euro. -
Art and Ideology in Modern Greece
ART AND IDEOLOGY IN MODERN GREECE I awoke with this marble head in my hands which makes my elbows ache and I don’t know where to set it down. It was falling into the dream as I was coming out of the dream and thus our lives were joined and it will be very hard to separate them. George Seferis From Mυθιστόρημα Γ’ Hellenism awoke from the long lethargy of Turkish enslavement with a marble head in its hands. A marble head that did not belong to a genuine ancient statue. Was it meant to be ancient or neoclassical? It was simply a fake. We did not choose it in full awareness, we did not love it. Foreigners merely placed it in our hands. And it still makes our elbows ache. The lines of George Seferis acquire a sudden dramatic urgency when they are linked to the historical fortunes of Greece. The quest for a past that could be used as a historical and ideological support in the new state, appeared to be one of the most pressing concerns for this fledgling kingdom. This choice did not express, could not express the free volition of the Greeks. It was imposed by historical circumstances. The quest for models in the past presupposes a people with some political maturity. A people that looks to the past for its models of rejuvenation. Its choices must be dictated by the needs of the present and the future. Only then is a dialogue with instructive models productive and fruitful. Greeks belonged to a typical traditional society and emerged bloodied by a long period of servitude and an unfair struggle. -
The Greek Sale
athens nicosia The Greek Sale tuesday 15 may 2018 www.fineartblue.com The Greek Sale nicosia tuesday 15 may 2018 athens nicosia managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas athens representative Michalis Constantinou for bids and enquiries mob. +357 99582770 mob. +30 6944382236 email: [email protected] to register and leave an on-line bid www.fineartblue.com catalogue design Miranda Violari photography Vahanidis Studio, Athens Christos Panayides, Nicosia insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-1-8 AUCTION Tuesday 15 May 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue viewing - ATHENS Hotel GRANDE BRETAGNE, Syntagma Square thursday 3 to saturday 5 may 2018, 10 am to 9 pm viewing - NICOSIA HILTON CYPRUS, 98 Arch. Makarios III Avenue sunday 13 to monday 14 may 2018, 10 am to 9 pm tuesday 15 may 2018, 10 am to 6 pm 01 Nikolaos LYTRAS Greek, 1883 -1927 Three female heads signed lower right pencil on paper 11.5 x 8 cm PROVENANCE private collection, Athens LITERATURE A. Kouria, D. Portolos, Nikos Lytras, Building Form with Colour and Light, National Gallery, Athens, 2008, page 240, illustrated 1 200 / 1 800 € The son of Nikiforos Lytras, he was first taught art by his father and later studied at The School of Fine Arts, Athens graduating with merit. In 1907, on a scholarship, he studied at the studio of Ludwig von Hofftz at The Royal Academy of Fine Arts, Munich. In 1911 he returned to Greece and fought in the Balkan war of 1912-1913. -
David Hockney
875 N Michigan Ave, Ste 3800 Chicago, IL 60611 +1 312 642 8877 1018 Madison Ave, 2nd Fl New York, NY 10075 +1 212 472 8787 DAVID HOCKNEY Born in Bradford, England, 1937. Currently lives and works in Normandy, France. EDUCATION 1962 Royal College of Art, London, England 1957 Bradford College of Art, Bradford, England SOLO EXHIBITIONS 2021 David Hockney: The Arrival of Spring, Normandy, 2020, Royal Academy of Arts, London, England Hockney in Normandy, Richard Gray Gallery, New York, New York 2020 David Hockney: Ma Normandie, Galerie Lelong & Co., Paris, France David Hockney: Drawing from Life, The Morgan Library and Museum, New York, New York [cat.] (2021) David Hockney: Video Brings Its Time to You, You Bring Your Time to Paintings and Drawings, Annely Juda Fine Art, London, England David Hockney: Drawing from Life, National Portrait Gallery, London, England David Hockney: Works from the Tate Collection, Bucerius Kunst Forum, Hamburg, Germany 2019 David Hockney's Yosemite, Heard Museum, Phoenix, Arizona (2020) Alan Davie & David Hockney: Early Works, The Hepworth Wakefield, West Yorkshire, England (2020) David Hockney: La Grande Cour Normandy, Pace Gallery, New York, New York [cat.] Hockney and Hollywood, The Bowes Museum, Barnard Castle, England David Hockney's Yosemite, Monterey Museum of Art, Monterey, California David Hockney, Seoul Museum of Art, Seoul, South Korea David Hockney: Etchings, Pace Prints, New York, New York David Hockney: Something New in Painting (and Photography) [and even Printings]... Continued, L.A. Louver, Venice, -
British Figurative Art Since 1950
BRITISH FIGURATIVE ART SINCE 1950 Next week we will look at one of the most famous figurative artists, David Hockney, and this week we will cover eight figurative artists more briefly. Figurative art has long been a feature of British art and the artists most often associated with figurative art since WWII are those of the ‘School of London’. This is a term invented by artist R.B. Kitaj to describe a group of London-based artists who were pursuing forms of figurative painting in the face of avant-garde abstraction in the 1970s. Last term we looked at a few figurative artists who painted between 1900 and 1950 including: • John Singer Sargent (1856-1925), an American artist who worked in Britain and became the leading portrait painter of his generation. • Walter Sickert (1860-1942), a painter’s painter and one of the most influential British artists of the twentieth century. • Gwen John (1876-1939). Gwen John, was an intense and solitary artist who was described by her brother Augustus John as the better artist. • Augustus John (1878-1961) Augustus John was one of the most popular society portrait artists at the beginning of the twentieth century. • Laura Knight (1877-1970) Knight was a painter in the figurative, realist tradition who was among the most successful and popular painters in 1 Britain. In 1929 she was created a Dame, and in 1936 became the first woman elected to the Royal Academy since its foundation in 1768. • William Orpen (1878-1931) an Irish artist who worked mainly in London. William Orpen was a fine draughtsman and a popular, commercially successful, painter of portraits for the well-to-do in Edwardian society.