Chapter One – Introduction
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Old Chiswick Protection Society
Old Chiswick Protection Society Autumn 2020 Newsletter Old Chiswick Protection Society exists to preserve and enhance the amenities of this riverside conservation area. Even the geese are social distancing! [Photograph: David Humphreys] Chairman’s Message As we look back at the last months, the Old Chiswick Conservation Area has become even more precious to many of us who live here, work here or visit. We have seen and spoken with visitors, previously unfamiliar with our environment and its atmosphere and history, who are enjoying it for the first time. Nature carries on here regardless, and our history continues to be relevant and vital to our future. We can't take anything for granted though. It is only with the support of our members' subscriptions and diligent work that we are here today and can be so proud of what has been achieved by the charity over the last 60 years. Old Chiswick could so easily have looked and felt very different: no Chiswick Eyot, with its unique withy beds and nature reserve; houses where Homefields Recreation Ground South is; an entirely different main road into and out of London, sacrificing more historical buildings; post-war housing instead of Georgian houses along Chiswick Mall. Our community has done much to help others this year, and we continue to build relationships with those like Asahi who are new to the area since taking over Fuller’s Brewery, and who have expressed a wish to become part of the community. We look forward to inviting you to join our AGM this year, which will of course be conducted on line, with the very latest advice on meetings. -
British Art Studies November 2020 British Art Studies Issue 18, Published 30 November 2020
British Art Studies November 2020 British Art Studies Issue 18, published 30 November 2020 Cover image: Sonia E. Barrett, Table No. 6, 2013, wood and metal.. Digital image courtesy of Bruno Weiss. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents The Lost Cause of British Constructionism: A Two-Act Tragedy, Sam Gathercole The Lost Cause of British Constructionism: A Two- Act Tragedy Sam Gathercole Abstract This essay reflects on the demise of British constructionism. Constructionism had emerged in the 1950s, developing a socially engaged art closely aligned with post-war architecture. Its moment was not to last however, and, as discourses changed in the 1960s and 1970s, constructionism was marginalised. -
R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985). -
NATIONAL LIFE STORIES ARTISTS' LIVES Mary Fedden Interviewed by Mel Gooding C466/05
NATIONAL LIFE STORIES ARTISTS’ LIVES Mary Fedden Interviewed by Mel Gooding C466/05 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB 020 7412 7404 [email protected] This transcript is accessible via the British Library’s Archival Sound Recordings website. Visit http://sounds.bl.uk for further information about the interview. © The British Library Board http://sounds.bl.uk IMPORTANT Access to this interview and transcript is for private research only. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ( [email protected] ) © The British Library Board http://sounds.bl.uk The British Library National Life Stories Interview Summary Sheet Title Page Ref no: C466/05/01-07 Digitised from cassette originals Collection title: Artists’ Lives Interviewee’s surname: Feddon Title: Interviewee’s forename: Mary Sex: Female Occupation: Date and place of birth: 1915 Dates of recording: 19/1/91 Location of interview: interviewee's home Name of interviewer: Mel Gooding Type of recorder: Marantz CP430 Recording format: D60 Cassette F numbers of playback cassettes: F1882-F1888 Total no. -
Theresa Ostrom
“AND HE HONOURED ÞAT HIT HADE EUERMORE AFTER”: THE INFLUENCE OF RICHARD II’S LIVERY SYSTEM ON SIR GAWAIN AND THE GREEN KNIGHT By THERESA OSTROM A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2003 TABLE OF CONTENTS page ABSTRACT……………………………………………………………………………..iii CHAPTER 1 INTRODUCTION………………………………………………………………….....1 2 SIGNS AND KINGSHIP IN RICHARD’S EARLY YEARS…………………........14 The Loss of a Slipper and the Finding of the Holy Oil........................………....14 Signs, Seals, and Livery………………………………………………………...23 3 THE WHITE HART BADGE AND THE CONTROL OF SIGNS………………...27 Early Attempts at Livery……………………………………………………….32 The Badge of the White Hart and the Wilton Diptych………………………....36 4 THE LIVERY SYSTEM AND THE CONCEPT OF TRAWÞE…………................49 The Concept of Trawþe in Chaucer’s and Gower’s Works………………........50 The Green Knight as Arbitrary Sign…………………………………………...59 5 THE PENTANGLE AND THE GREEN GIRDLE………………………...............65 6 CONCLUSION…………………………………………………………………......88 REFERENCES……………………………………………………………....................97 BIOGRAPHICAL SKETCH………………………………………………………….104 ii Abstract of Master’s Thesis Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Master of Arts “AND HE HONOURED ÞAT HIT HADE EUERMORE AFTER”: THE INFLUENCE OF RICHARD II’S LIVERY SYSTEM ON SIR GAWAIN AND THE GREEN KNIGHT By Theresa Ostrom May 2003 Chair: R. Allen Shoaf Major Department: English This study investigated the relationship between King Richard II’s manipulations of semiotics and the appearance of signs in the fourteenth-century text, Sir Gawain and the Green Knight. Many critics have noted that the Gawain-poet presents conflicting responses to signs in the poem; I argue that these contradictory messages may be directly linked to the program of kingship under Richard II. -
Contemporary Art Society Annual Report 1963-64
Contemporary Annual 1963-64 Art Report Society Front cover: Gwyther Irwin Lazalo 1962 Collage Below: CAS exhibition 'British Painting in the Sixties' section one, at the Tate Gallery. CAS exhibition 'British Painting in the Sixties'section two, at the Whitechapel Art Gallery. Contemporary Patron Art Her Majesty Queen Elizabeth the Queen Mother Society Tate Gallery Executive Committee Millbank Whitney Straight CBE MC DFC Chairman London SW1 Antony Lousada Vice-Chairman Peter Meyer Honorary Treasurer G L Conran Honorary Secretary Sir Colin Anderson Raymond Mortimer CBE Eardley Knollys Eric Newton CBE Sir John Rothenstein CBE Mrs Oliver Parker DrAlastair Hunter Derek Hill Bryan Robertson OBE The Hon Michael Astor The Lord Croft Alan Bowness James Melvin Mrs Elizabeth Heygate The Hon John Sainsbury Dr Kenneth Marsh Pauline Vogelpoel MBE Organising Secretary My report to you covers the period from our iast Annual General Meeting, held on July 1 6th 1 963, up until today. May! first of all apologise for the fact that our Report for the previous year has only just been dispatched to you. This was because our Organising Secretary, Miss Paulina Vogelpoe!, and her assistant have been greatly overloaded with current problems, the planning and supervision of trips, and the setting up of exhibitions. Consequently other things have had to suffer. Our buyers last year were Mrs Heygate and Mr Melvin, who between them bought 35 pictures. Our two buyers for this year are Sir John Rothenstein and Dr Kenneth Marsh, and we have been able to allot them the sum of £2,000 each. On July 28th last year we had every pleasant day in Northamptonshire and Leicestershire visiting'the private collections of Sir Michael Culme-Seymour at Rockingham Castle, Mrs Kessler at Preston and Mr Guy Dixon at Melton Mowbray, Two bus-loads setoff from London very early in the morning, to be joined later by several members in their own cars. -
Art in the Ancient World
Art in the Ancient World A U G U S T I N E C O L L E G E Byzantine Manuscript illumination Carolingian | David playing the Lyre The Good Samaritan Rossano Gospels perhaps made in Constantinople | 6th C The body of St. Catherine transported to Mt. Sinai Belles Heures of Jean, duc de Berry, 15th C Psalter | Psalm 11 1180–1200 | ENGLISH Book of Kells late 8th or early 9th century Codex Aureus Laurensius Gospels 778 to 820 Opening of the Gospel of Luke 1020 BYZANTINE The Gospel of Mark The Evangelist Mark Seated at His Desk 1025-50 BYZANTINE The Creation detail Moralized Bible, 1220 FRENCH Christ in Majesty 1200 Westminster Psalter The Crucifixion and the Deposition of Christ with Ecclesia and Synagoga 1235 Psalter of Blanche of Castile Missal Italy | 1250 The Belleville Breviary 14th C | Jean PUCELLE The Belleville Breviary 14th C | FRENCH Altar-hanging of the Crucifixion painted in grisaille for the Church of St. Just, Narbonne 1364-78 Louvre Ecclesia Synagoga Altar-hanging made for Church of St. Just, Narbonne 1364-78 | Louvre The Wilton Diptych Richard II Presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund 1395 The Wilton Diptych back 1395 Arms and helmet of Richard II Emblem of Richard II The Wilton Diptych back 1395 The Wilton Diptych Richard II Presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund 1395 The Wilton Diptych The Virgin and Child 1395 The Wilton Diptych detail St. -
Sample 15-16
ANDRE STITT Sample 15-16 Theme From The Regular Shape of Forever acrylic on canvas 190 x 300cm 2016 Studio: Monument I & ll acrylic on canvas 190 x 300cm 2015 Synthetic Model For A Post-Capitalist Economy In A Parallel Universe mixed media painting installation 2015-16 Studio Work in Progress “ An embodied memory has an essential role as the basis of remembering a living IN THE MATERIAL World space or place. We transfer all cities and towns we have visited, all places we have recognised into the incarnate memory of our body.” 2 The architecture of the military bunker The civic centre of the new town I have recently been investigating The ambition is for work that may cre- is transposed, reconfigured and posi- of Craigavon in Northern Ireland is how painting can be experienced as ate a sense of recognition counter tioned as quasi-monumental edifice.1 aligned with Victor Pasmore’s ‘Apollo an ‘extended’ practice through in- balanced by a sense of timelessness, Pavilion’ in the new town of Peterlee in stalled groups and configurations. loss, longing, disconnection and mel- The municipal centres of the lost new England. The current focus of this work is an ancholy. In so doing I wish to make towns of Britain are celebrated through exploration of modernist architectural paintings that seem to arrive as if from utopian memorials for a future that William Mitchell’s postwar concretopia legacies as a visionary utopian em- another time and place; a potential didn’t arrive. becomes the lost dream of the cosmic bodiment of progressive civic, munici- dissident space where all era’s co- soviet and a territorial memory of teen- pal and social engineering. -
The Livery Collar: Politics and Identity in Fifteenth-Century England
The Livery Collar: Politics and Identity in Fifteenth-Century England MATTHEW WARD, SA (Hons), MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy AUGUST 2013 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, lS23 7BQ www.bl.uk ANY MAPS, PAGES, TABLES, FIGURES, GRAPHS OR PHOTOGRAPHS, MISSING FROM THIS DIGITAL COPY, HAVE BEEN EXCLUDED AT THE REQUEST OF THE UNIVERSITY Abstract This study examines the social, cultural and political significance and utility of the livery collar during the fifteenth century, in particular 1450 to 1500, the period associated with the Wars of the Roses in England. References to the item abound in government records, in contemporary chronicles and gentry correspondence, in illuminated manuscripts and, not least, on church monuments. From the fifteenth century the collar was regarded as a potent symbol of royal power and dignity, the artefact associating the recipient with the king. The thesis argues that the collar was a significant aspect of late-medieval visual and material culture, and played a significant function in the construction and articulation of political and other group identities during the period. The thesis seeks to draw out the nuances involved in this process. It explores the not infrequently juxtaposed motives which lay behind the king distributing livery collars, and the motives behind recipients choosing to depict them on their church monuments, and proposes that its interpretation as a symbol of political or dynastic conviction should be re-appraised. After addressing the principal functions and meanings bestowed on the collar, the thesis moves on to examine the item in its various political contexts. -
14 CH14 P468-503.Qxp 9/10/09 11:40 Page 468 14 CH14 P468-503.Qxp 9/10/09 11:40 Page 469 CHAPTER 14 Artistic Innovations in Fifteenth-Century Northern Europe
14_CH14_P468-503.qxp 9/10/09 11:40 Page 468 14_CH14_P468-503.qxp 9/10/09 11:40 Page 469 CHAPTER 14 Artistic Innovations in Fifteenth-Century Northern Europe HE GREAT CATHEDRALS OF EUROPE’S GOTHIC ERA—THE PRODUCTS of collaboration among church officials, rulers, and the laity—were mostly completed by 1400. As monuments of Christian faith, they T exemplify the medieval outlook. But cathedrals are also monuments of cities, where major social and economic changes would set the stage for the modern world. As the fourteenth century came to an end, the were emboldened to seek more autonomy from the traditional medieval agrarian economy was giving way to an economy based aristocracy, who sought to maintain the feudal status quo. on manufacturing and trade, activities that took place in urban Two of the most far-reaching changes concerned increased centers. A social shift accompanied this economic change. Many literacy and changes in religious expression. In the fourteenth city dwellers belonged to the middle classes, whose upper ranks century, the pope left Rome for Avignon, France, where his enjoyed literacy, leisure, and disposable income. With these successors resided until 1378. On the papacy’s return to Rome, advantages, the middle classes gained greater social and cultural however, a faction remained in France and elected their own pope. influence than they had wielded in the Middle Ages, when the This created a schism in the Church that only ended in 1417. But clergy and aristocracy had dominated. This transformation had a the damage to the integrity of the papacy had already been done. -
Download PDF Catalogue
AUCTIONEER Nicosia, Cyprus (Head Office) George Kyriacou 14 Evrou Street 2003 Strovolos CATALOGUE SUPERVISION Nicosia, Cyprus Ritsa Kyriacou Phone: +357 22 341122 CATALOGUE-DESIGN-EDITING Phone: +357 97 673876 En Tipis Publications Fax: +357 22 341124 PRINTING Athens, Greece Negresco 42 Lagoumitzi (Flat 5) Neos Kosmos PHOTOGRAPHY Athens, 11745 Christos Andreou Greece Costas Savvides Phone: +30 69944382236 ISBN 978-1-907983-16-0 London, U.K. FRONT COVER 101-103 Heath Street Lot 33 Hampstead Alecos Fassianos London, NW3 6SS United Kingdom BACK COVER Lot 53 Phone: +44 7768365947 Lefteris Economou INFORMATION-BIDS IMPORTANT NOTICE Nicosia The works included in this auction are Ritsa Kyriacou offered in their existing state’’ with Athens the exception of counterfeits for which Michalis Constantinou please see the terms of this auction in the last pages of the catalogue. [email protected] All interested parties are urged www.cypriaauctions.com to examine the works personally before the auction. A detailed report Written bids / Telephone bids for each work can be obtained You can place a written bid or request on request. a telephone bid on the lots you are interested in through our website Artist’s Resale Rights: On lots sold up www.cypriaauctions.com to €50 000 4% will be added to the hammer price, which is the artist’s re- Live online bidding sale right applicable if the artist is alive or has died in the Is available for this auction through last 70 years. www.invaluable.com (For lots sold above €50 000 the Artist’s Resale Right is -
One Day, Something Happens: Paintings of People
One Day, Something Happens: Paintings of People Education information pack Contents Page How to use this pack 2 The Arts Council Collection 2 Introduction to the exhibition 3 Artists and works in the exhibition 5 Glossary of art terms and movements 31 In the gallery – looking at the exhibition 37 Project and activity ideas: 38 Art as storytelling 39 Moments in time – movement and stillness 42 Real people, invented characters 45 A true likeness 48 Expression and abstraction 50 Being human – the inside view 53 Seeing and being seen 55 Art as social documentary 59 Useful websites and further reading 62 Jennifer Higgie – exhibition catalogue essay 63 1 How to use this pack This pack is designed for use by teachers and other educators including gallery education staff. It provides background information about the exhibition and the exhibiting artists, as well as a glossary of key terms and art movements. The pack also contains a selection of project ideas around some key themes. As well as offering inspiration for art, One Day, Something Happens: Paintings of People also links well to literacy, drama, history and geography. The project suggestions are informed by current National Curriculum requirements and Ofsted guidance. They are targeted primarily at Key Stage 2 and 3 pupils, though could also be adapted for older or younger pupils. They may form part of a project before, during, or after a visit to see the exhibition. Information in the pack will also prove useful for pupils undertaking GCSE and ‘A’ level projects. This education information pack is intended as a private resource, to be used for educational purposes only.