The Greek Sale Rencontre Grecque

Home , Alekos Fassianos, Alexander Iolas, George Zongolopoulos, Georgios Jakobides, Georgios Karaiskakis, Hellenic Maritime Museum

The Greek Sale Rencontre grecque

Paris | 19 May 2021

The Greek Sale Paris | Mercredi, 19 Mai 2021 à 2pm

COMMISSAIRE-PRISEUR INFORMATIONS PENDANT ENCHÈRES HABILITE LA VENTE - Enchérir en ligne/APP Catherine Yaiche Londres et Paris Inscrivez-vous pour enchérir Anastasia Orfanidou en ligne en visitant BONHAMS FRANCE SAS +44 (0) 20 7468 8356 www.bonhams.com/27187 N° AGRÉMENT 2007-638 anastasia.orfanidou @bonhams.com Enchérissez via l'application. 4 Rue de La Paix Téléchargez maintenant 75002 PARIS pour Android et IOS +33 (0)1 42 61 10 10 Athens +33 (0)1 42 61 10 15 fax Terpsichore Maria Angelopoulou - Enchérissez via telephone/ Lola-Theodora Stefanidou en abscance Philippe Glyptis NUMERO DE LA VENTE d'inscription et d'enchère et le Timos Economopoulos soumettre par email a bids@ 27187 +30 210 36 36 404 bonhams.com Lots 1 - 130 [email protected] [email protected] Le formulaire se trouve au dos de ILLUSTRATIONS 7, Neofytou Vamva Street chaque catalogue et sur notre site Couverture Avant: lot 58 106 74 Athens Web à l'adresse www.bonhams.com Couverture Arrièrer: lot 33 Veuillez noter que nous ne pouvons Couverture avant intérieure: lot 25 FRAIS D’ADJUDICATION pas garantir les offres dans les 24 Couverture arrière intérieure: lot 59 En sus du prix d’adjudication, heures suivant la vente. l’acheteur devra payer EXPOSITIONS PIBLIQUES Les enchères par téléphone ne sur le prix d’adjudication de chaque seront acceptées que sur un lot Athens lot des frais de vente. avec une estimation basse 36 Amalias Avenue Veuillez consulter les « informations supérieure à 1000 euro. 10558, Athens importantes aux acheteurs ». mercredi, 5 May, 11am-8pm - Enchérir en personne jeudi, 6 May, 11am-8pm Ces frais de vente s’appliquent à Vous pouvez vous pré-inscrire en ligne sur Bonhams.com ou obtenir vendredi, 7 May, 11am-8pm chaque lot et sont soumis un paddle à notre bureau samedi, 8 May, 11am-6pm à la TVA. Certains lots sont sujets à d'inscription. la TVA sur le prix d’adjudication en Paris plus de la TVA sur les frais de vente. - Nouveaux enchérisseurs 4 Rue de la Paix Ces lots sont marqués d'une étoile Vous devez fournir une preuve Paris, 75002 (*) à coté du numéro de passage d'identité lors de la soumission de vendredi 14 May, 10am-5pm en cas d’importation temporaire ou vos enchères. Une copie d'une lundi 17 May, 10am-5pm d’une dague (†) en cas de mise en pièce d'identité avec photo émise mardi 18 May, 10am-5pm vente du lot par un assujetti. Ces par le gouvernement (permis de conduire ou passeport) indiquant symboles seront imprimés à coté du votre nom complet et votre date de AVIS IMPORTANT SUR COVID numéro du lot correspondant dans naissance et, si elle n'apparaît pas Bonhams continue d'organiser des le catalogue. sur la pièce d'identité, une preuve de expositions et des ventes votre adresse actuelle (facture de conformément aux directives IMPORTANT services publics ou relevé bancaire). gouvernementales dans chaque La vente est soumise aux conditions Pour le compte d'entreprise ou région. Si des restrictions locales générales imprimées à la fin du catalogue. Nous conseillons aux d'autres entités, veuillez nous empêchent l'ouverture de nos salles contacter en ce qui concerne les enchérisseurs potentiels de prendre de vente, les ventes seront soit documents que vous devrez fournir. entièrement en ligne, soit diffusées connaissance des « informations en direct depuis la maison de importantes aux acheteurs » ainsi Le non-respect de cette consigne ventes. Les offres seront acceptées que de la partie douanes, transport peut entraîner l’annulation de vos enchères. en ligne, par téléphone et par ordre. et gardiennage figurant en fin Pour toute information et si vous de catalogue. Pour toutes autres demandes, avez des questions concernant une contactez notre service client au: vente à venir, veuillez contacter le +33 (0)1 42 61 10 10 or service client [email protected] Informations sur la Vente

ENCHÈRES RÉCUPÉRATION ET STOCKAGE COÛTS DE STOCKAGE TVA +33 (0)1 42 61 10 10 DES ŒUVRES APRÈS LA VENTE Les coûts de stockage Les symboles suivants, figurant à Pour enchérir par internet veuillez Il est nécessaire de prévenir par mail supplémentaires seront effectifs côté du numéro de Lot, indiquent visiter www.bonhams.com ou par téléphone avant de récupérer à partir du 14ème jour suivant la que la TVA est due sur le Prix les œuvres afin de s’assurer que les vente. d’adjudication et la Commission d’achat : PAIEMENTS lots sont prêts. Une pièce d’identité nationale sera Acheteurs † TVA au taux en vigueur sur le +33 (0)1 42 61 10 10 demandée. Si un tiers collecte le lot à votre place, sa pièce d’identité Prix d’adjudication et la Commission d’achat Vendeurs ainsi qu’une autorisation écrite +33 (0)1 42 61 10 10 de votre part lui seront également demandées. * TVA sur les articles importés à un taux préférentiel de 5.5 % sur le Prix TRANSPORT d’adjudication et au taux en vigueur Pour toute information ou estimation sur la Commission d’achat concernant les transports nationaux et internationaux ainsi que les licences d’exportation, contactez Bonhams Paris au +33 (0)1 42 61 10 10 ou [email protected]

ASSURANCE APRÈS LA VENTE Dès l’adjudication, tous les risques afférant au lot seront transférés à l’acheteur dans leur intégralité et sans la moindre réserve. A charge pour l’acheteur de faire assurer ses achats. Bonhams décline toute responsabilité quant aux dommages que l’achat pourrait encourir, dés l’adjudication prononceé. The Greek Sale Paris | Wednesday, 19 May 2021 at 2pm

AUCTIONEER ENQUIRIES BIDS Catherine Yaiche London and Paris - Bid online/APP Anastasia Orfanidou Register to bid online by visiting BONHAMS FRANCE SAS +44 (0) 20 7468 8356 www.bonhams.com/27187 N° AGRÉMENT 2007-638 anastasia.orfanidou 4 Rue de La Paix @bonhams.com Bid through the app. Download now 75002 PARIS for android and iOS +33 (0)1 42 61 10 10 Athens +33 (0)1 42 61 10 15 fax Terpsichore Maria Angelopoulou Lola-Theodora Stefanidou - Bid by telephone/absentee Philippe Glyptis We require a completed Bidder SALE NUMBER Timos Economopoulos Registration Form returned by 27187 email to [email protected]. +30 210 36 36 404 Lots 1 - 130 [email protected] The form can be found at the back [email protected] ILLUSTRATIONS of every catalogue and on our 7, Neofytou Vamva Street website at www.bonhams.com Front Cover: lot 58 106 74 Athens Back Cover: lot 33 Please note we cannot guarantee Inside Front Cover: lot 25 BUYER’S PREMIUM (NOTICE bids within 24 hours of the sale. Inside Back Cover: lot 59 TO BUYERS) Bonhams charge a buyer’s Bidding by telephone will only be VIEWING premium. Please see “Important accepted on a lot with a lower Athens Information for Buyers”. estimate in excess of £1,000. 36 Amalias Avenue This applies to each lot purchased - Bid in person 10558, Athens and is subject to TVA. Some You can pre-register online at Wednesday, 5 May, 11am-8pm lots may be subject to TVA on Bonhams.com or obtain a paddle Thursday, 6 May, 11am-8pm the hammer price as well as the at our Registration Desk. Friday, 7 May, 11am-8pm premium. These lots will be marked Saturday, 8 May, 11am-6pm with an star sign (*) in relation - New Bidders to temporary imported items or a You must provide proof of identity Paris dagger sign (†) in relation to TVA when submitting bids. A copy of a 4 Rue de la Paix charged by a business. Such signs government- issued photo Paris, 75002 will be printed beside the relevant lot identification (driving licence or Friday, 14 May, 10am-5pm number in the catalogue. passport) showing your full name Monday, 17 May, 10am-5pm and date of birth, and, if not shown Tuesday, 18 May, 10am-5pm IMPORTANT on the ID document, proof of your current address (utility bill or bank The sale is conducted according statement). IMPORTANT NOTICE to the general conditions printed ABOUT COVID at the back of this catalogue. For company account or other Bonhams continues to hold We advise potential bidders to entities, please contact us in viewings and sales in accordance familiarise themselves with the relation to the documents you will to the government guidelines in “Important Information for Buyers” need to provide. each region. If local restrictions regarding customs, transport and prevent our salerooms from storage. Failure to do this may result in your opening, the sales will either be bids not being processed. wholly online or livestreamed from the auction house. Bids will be For all other enquiries, contact our accepted online, on the Bonhams Client Services department on: app, on the telephone and as +44 (0) 207 447 7447 or absentee bids. For up to date [email protected] information and if you have any questions regarding an upcoming sale please contact Client Services on: +44 (0)20 7447 7447 or [email protected] Sale Information

BIDS BUYERS COLLECTION & STORAGE AND HANDLING VAT +33 (0)1 42 61 10 10 STORAGE AFTER SALE CHARGES The following symbols are used To bid via the internet please visit A booking email or phone call to denote that VAT is due on www.bonhams.com are required in advance to Storage charge will begin accruing the hammer price and buyer’s ensure lots are ready at time of 14 days following the auction. premium. PAYMENTS collection. Photographic ID will Buyers be required at time of collection. † VAT 20% on hammer price and +33 (0)1 42 61 10 10 If a third party is collecting for buyer’s premium you written authorisation is Sellers required in advance from you * VAT on imported items at Payment of sale proceeds and photographic ID of the third a preferential rate of 5% on +33 (0)1 42 61 10 10 party is requested at the time of hammer price and the prevailing collection. rate on buyer’s premium SHIPPING For information and estimates on domestic and international shipping as well as export licenses please contact Alban Shipping on +44 (0) 1582 493 099 [email protected]

INSURANCE AFTER THE SALE Buyers are reminded that their purchases are their responsibility from the fall of the auction hammer. it is your responsibility to have adequate insurance covre in place. Neither Bonhams, nor their agents will be liable for any damage or loss that the Lot may suffr from the fall of the auction hammer. The Greek Sale 1 HUGH WILLIAM (GRECIAN) WILLIAMS (BRITISH, 1773-1829) La vue de Parthénon par le Propylées signé et daté 'H. W. Williams 1820' (en bas à gauche) aquarelle et mine de plomb sur carton 39.9 x 61cm (15 11/16 x 24in). signed and dated (lower left) watercolour and pencil on card

€15,000 - 20,000 £13,000 - 17,000

Provenance Lord Jeffrey collection. William Mcgill, 1833. The Parker Gallery, London. Acquired in 1975 from the above gallery by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 9 2 GIOVANNI MARGHINOTTI (ITALIAN, 1798-1865) a) Le gardien Grec signé 'Marghinotti'' (en bas à droite) huile sur toile 31 x 26cm (12 3/16 x 10 1/4in).

signed (lower right) oil on canvas

b) Femme allongée signé en bas à droite 'Marghinotti' huile sur toile

31 x 26cm (12 3/16 x 10 1/4in).

signed (lower right) oil on canvas

(2)

€15,000 - 25,000 £13,000 - 22,000

Provenance Sotheby's London, The Greek Sale, 14 November 2007, lot 24. Acquired from the above sale by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 3 FRENCH SCHOOL, 19TH CENTURY Jeune guerrier grec huile sur panneau 32.5 x 24cm (12 13/16 x 9 7/16in). oil on panel

€4,000 - 6,000 £3,400 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 11 4 THÉODORE JACQUES RALLI (GREEK, 1852-1909) Odalisque après le bain signé 'Ralli' (en bas à gauche) aquarelle sur papier 35.5 x 26cm (14 x 10 1/4in). Peint vers 1906 signed (lower left) watercolour on paper

€15,000 - 20,000 £13,000 - 17,000

Exposé Athens, Megaron - The Athens Concert Hall, C.P. Cavafy, his World and the Art Forms of his Time, November 2003 – January 2004, no. 26 under the title Odalisque after the Bath (discussed and illustrated in the exhibition catalogue, p. 40). Athens, Benaki Museum, Theodoros Ralli, Looking East, December 11 2014 - February 22, 2015, no. 94 (illustrated in the exhibition catalogue, p. 123).

Littérature Postcard printed by Aspioti Bros, Corfu, no. 237, c. 1910 (illustrated under the title Bain Maure). Filologiki Protochronia annual review, vol. XIV, 1957, p. 206 (mentioned under the title Moorish Bath). M. Katsanaki, Le Peintre Théodore Ralli (1852-1909) et son Œuvre, doctoral dissertation, Université Paris I - Panthéon-Sorbonne, 2007, no. 378, fig. 224 (illustrated). M. Palioura, The Painting Oeuvre of Theodoros Ralli (1852-1909), doctoral dissertation, University of Athens, Athens 2008, vol. I, p. 134 (mentioned), vol. II, fig. 233 (illustrated). M. Katsanaki, Theodore Ralli, A.G. Leventis Foundation - A.G. Leventis Gallery, Athens 2018, no. 186, p. 361 (catalogued), p. 290 (illustrated).

Ralli's extraordinary skill in the watercolour medium provides visual and tactile pleasures. Here, a luscious harem beauty with luminous complexion and satin, snow-white skin, possibly a Circassian from the Black Sea, sits naked on a Moorish hamam's1 low divan, which is covered with a traditional long-haired blanket. Slightly twisting her torso to reinforce the message of languor and sensuousness, she confronts the viewer, inviting them to a dreamworld of oriental fantasy.

The setting, which is deliberately spartan to accentuate the beauty and grace of the female body, is enlivened by the inclusion of only few ethnographic details, namely the turban-like headpiece, the impressive nargile, and the ubiquitous pair of nalin2 decorated with geometric designs. Through such scarce but poignant details, Ralli achieved unity of effect, successfully conveying an atmosphere of romantic mysticism and suggestive eroticism.

1 For harem women, the hamam was a luxurious pastime, offering them a chance not only to purify but also to go out into the world. 2 Ottoman high-heeled wooden footwear worn by bathers to protect them from slipping on wet surfaces.

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 13 Works from the Koutsinas Collection Lots 5 - 11

5 THEOFILOS HADJIMICHAEL (GREEK, 1871-1934) Le héros Odysseas Androutsos titré en grec (en haut) pigments naturels sur carton 63 x 44cm (24 13/16 x 17 5/16in). titled in Greek (upper part) natural pigments on cardboard

€30,000 - 50,000 £26,000 - 43,000

Exposé Athens, Hellenic-American Union, Exhibition of Works by the Captured in a vibrant palette of dazzling, enamel-like yellows, blues Painter Theofilos, February 7-26, 1964, no. 25 (listed in the and reds, this disarmingly captivating portrait showcases Theofilos's exhibition catalogue). lifelong fascination with the 1821 Greek War of Independence, paying Athens, Ethousa Technis Athinon, Theofilos, May 12-31, 1975, homage to a giant of the uprising. A celebrated hero and acute military no. 20 (listed in the exhibition catalogue). mind, Odysseus Androutsos (1788/9-1825) was a brave and fierce klepht (brigand) who achieved legendary status when in May 1821, Littérature along with a band of 100 men, held back for days a force of more than Y. Tsarouchis, ed., Theofilos, Commercial Bank of Greece edition, 3,000 Turks led by Omer Vrionis at the pass of Gravia, preventing their Athens 1966, no. 57 (illustrated). descent to the Peloponnese. Theofilos file, T. Spiteris Archive, Tellogleion Art Institute, c. 1960s, no. 183 (illustrated). The frontal poise, direct gaze, pronounced linearity and total negation O. Elytis, The Artist Theofilos, Asterias editions, Athens 1973, of three-dimensionality stem directly from the long tradition of p. 81 (illustrated). Byzantine icon painting, transforming the young hero into a saint Epikaira magazine, no. 354, May 15, 1975, p. 74 (illustrated). of a Modern Greek pantheon. The simplified design, pronounced G. Petris, The Painter Theofilos, Exandas editions, Athens 1978, linearity, inner dignity and purity of form are also reminiscent of Fayum p. 47 (discussed), no. 19 (illustrated). portraiture, while foreshadowing the signature male portraits of Yannis Aeolika Grammata magazine, no. 80-81, March-June 1984, Tsarouchis. This entrancing work relies not only on its heroic subject p. 192h (illustrated). but also on purely formal and pictorial means to stir deep emotions. A. Hadjiyannaki, Theofilos, K. Adam editions, Athens 2007, p. 97 (illustrated). Enchanted by the epic 1821 uprising, Theofilos left his indelible mark E. Diamantopoulou, Theofilos in Mt. Pelion, Alexandria editions, as one of the forerunners of Modern Greek culture, much the same Athens 2007, p. 228, no. 18 (listed). as General Makriyannis and novelist Alexandros Papadiamantis. The Magnisia magazine, no. 11, November 2008, p. 18, no. 32 (listed). power, immediacy and disarming sincerity of his art smashed the E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, confines of academicism and proved to be a key for defining and Athens 2013, pp. 162, 169 (illustrated). giving expression to the true face of Greece. L. Vassis, ed., Klephtic Songs and National Uprising, Geitonas School - Endelecheia Society edition, Athens 2014, p. 26 (illustrated). Stilida News newspaper (e-edition), June 5, 2017, p. 1 (illustrated).

* Veuillez noter qu'en raison de la réglementation grecque, ce lot ne Please note that due to Greek regulation, this lot cannot be exported peut pas être exporté de Grèce et sera disponible pour consultation from Greece and will be available for viewing and inspection in Athens et inspection à Athènes sur rendez-vous ou lors de l' Athens Preview, either by appointment or during the Athens Preview, 5-9 May 2021. du 5 au 9 mai 2021. Cette œuvre restera à Athènes pendant la vente This work will be located in Athens during the auction. aux enchères .

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 15 6

6 AR 7 AR DIAMANTIS DIAMANTOPOULOS (GREEK, 1914-1995) DIAMANTIS DIAMANTOPOULOS (GREEK, 1914-1995) Les jumeaux Sous les feuilles de vigne signé en grec (en bas à droite) signé en grec (en bas à gauche) huile sur toile contrecollée sur carton huile sur toile contrecollée sur carton 58 x 35cm (22 13/16 x 13 3/4in). 66 x 46cm (26 x 18 1/8in). Peint en 1943 Peint vers 1938 signed in Greek (lower right) signed in Greek (lower left) oil on canvas laid on cardboard oil on canvas laid on cardboard

€8,000 - 12,000 €17,000 - 22,000 £6,900 - 10,000 £15,000 - 19,000

Exposé Exposé Athens, Romvos gallery, D. Diamantopoulos, January 22 - February 4, Athens, National Gallery - Alexandros Soutzos Museum, Diamantis 1949, no. 41 (listed in the exhibition catalogue). Diamantopoulos, retrospective exhibition, March 15 - April 23, 1978, Athens, National Gallery - Alexandros Soutzos Museum, Diamantis no. 65 (illustrated in the exhibition catalogue). Diamantopoulos, retrospective exhibition, March 15 - April 23, 1978, no. 98 (illustrated in the exhibition catalogue).

Littérature L'Hellénisme Contemporain magazine, vol. 2, no. 2, March-April 1949, p. 199 (mentioned). E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, Athens 2013, p. 79 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 7

Littérature Parallax magazine, no. 5-6, 1978, p. 294 (illustrated). to the storehouse of Greek tradition to rediscover overlooked and E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, latent qualities, and drawing from such diverse 20th century avant- Athens 2013, pp. 20, 101 (illustrated). garde sources as fauvism, cubism, surrealism, expressionism and neo-figurative trends, Diamantopoulos fused his sources to create a world of pure forms and immediate sensations that captured the Captured in dazzling colours and sculptural, clearly delineated forms hearts and minds of the succeeding generations of Greek artists. in the vein of Matisse's opulent interiors, a young middle-class couple As noted by Alekos Fassianos, "Diamantopoulos is a source of life relaxing under a canopy of vines is invested with a monumental quality, for contemporary Greek painting."1 seeking to provoke the viewer's emotional response. In the second half of the 1930s, Diamantopoulos embarked on an inspiring and highly 1 Ta Nea newspaper, June 29, 1972. personal style dominated by the presence of the human form, retaining unimpaired his keen interest in dynamic form and bold colour. Turning

THE GREEK SALE | 17 8

8 AR 9 AR PANAGIOTIS TETSIS (GREEK, 1925-2016) ORESTIS KANELLIS (GREEK, 1910-1979) Chez le poissonnier Garçon avec tournesol signé en grec (en bas à droite) signé en grec (en bas à gauche) huile sur toile huile sur toile 65 x 49.5cm (25 9/16 x 19 1/2in). 96 x 78cm (37 13/16 x 30 11/16in). Peint en 1954 Peint vers 1948 signed in Greek (lower right) signed in Greek (lower left) oil on canvas oil on canvas

€5,000 - 7,000 €5,000 - 7,000 £4,300 - 6,000 £4,300 - 6,000

Littérature Exposé P. Tetsis, Painting, Nees Morfes Gallery edition, Athens 1999, no. 78, Athens, National Gallery - Alexandros Soutzos Museum, Orestis p. 95 (illustrated). Kanellis, 1900-1978, retrospective exhibition, September 11 - October E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, 29, 1978, no. 35 (listed in the exhibition catalogue, p. 14). Athens 2013, p. 93 (shown in a photograph with Y. Tsarouchis and Athens, National Gallery - Alexandros Soutzos Museum, The Child in M. Argyrakis), p. 63 (illustrated). Greek Art, 19th - 20th Century, December 15, 1993 – February 13, 1994, no. 85 (discussed and illustrated in the exhibition catalogue, pp. 190-191).

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 9

Littérature Spiteris T., Three Centuries of Modern Greek Art 1660-1967, "In this painting, Kanellis transports us to a pure, paradisiac world vol. 2, Papyros editions, Athens 1979, 240e (illustrated). beyond concrete time and space, a world that evokes the mood and The Child in Greek Art, 19th - 20th Century, 1994 desk diary, atmosphere of Paul Gaugin and the Fauves. The dominant presence of National Gallery - Alexandros Soutzos Museum, Adam editions, nature connects the image of the child to the primitive and elemental, Athens 1993 (illustrated). a recurrent theme in both European and Greek art."1 Lexi magazine, no. 118, November-December 1993, p. 796 (illustrated). E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, Athens 2013, pp. 10, 101 (illustrated). 1 A. Kouria in The Child in Greek Art, 19th - 20th Century, exhibition Kallergis, H., Approaches to Children’s Literature, Kastaniotis editions, catalogue, National Gallery - Alexandros Soutzos Museum, Athens Athens 1995 (cover illustration). 1994, p. 190.

THE GREEK SALE | 19 10 THEOFILOS HADJIMICHAEL (GREEK, 1871-1934) Le héros intrépide Katsantonis titré en grec (en haut à droite) pigments naturels sur panneau 74.5 x 30cm (29 5/16 x 11 13/16in). titled in Greek (upper right) natural pigments on wood

€22,000 - 28,000 £19,000 - 24,000

Exposé Athens, Hellenic-American Union, Exhibition of Works by the Painter Displaying Theofilos's fascination with the history and legend of the Theofilos, February 7-26, 1964, no. 26 (listed in the exhibition catalogue). 1821 uprising, this captivating work, which pays homage to one of the Athens, Ethousa Technis Athinon, Theofilos, May 12-31, 1975, great figures of pre-revolutionary Greece, featured as a cover illustration no. 21 (listed in the exhibition catalogue). in the April 1956 issue of the influential Epitheorisi Technis art review. The artist Sotiris Sorogas recalls: "I first saw a painting by Theofilos on Littérature the cover of an Epitheorisi Technis journal, during the first years of my Elefthera Grammata magazine, no. 63, March 25, 1947, studies, that is before 1960. It was hero Katsantonis with a musket on p. 88 (illustrated). his fustanella kilt, holding a small pandouris, a string instrument almost Epitheorisi Technis magazine, no. 16, April 1956 (illustrated on the identical to a modern day baglamas."1 front cover). Theofilos file, T. Spiteris Archive, Tellogleion Art Institute, c. 1960s, The legendary klepht Katsantonis (1873/5-1807/8), who was a no. 177 (illustrated). constant source of inspiration throughout the artist's career, is Y. Tsarouchis, ed., Theofilos, Commercial Bank of Greece editions, portrayed at a moment of leisure, possibly after a victorious battle, Athens 1966, no. 56 (illustrated). playing his beloved pandouris in an unspoiled natural environment, C. Michiotis, Our Greece, Kastalia editions, Athens 1966, p. 441 possibly the ravine on Mt. Tzoumerka where according to local lore he (illustrated). defeated the troops of Velingekas, Ali Pasha's henchman. E. Petropoulos, Rembetika Songs, Athens 1968, p. 415/20 (illustrated). Istoria magazine, no. 72, June 1974, p. 4, detail (illustrated). The intrepid hero, whose depiction is a synthesis of diverse sources, G. Petris, The Painter Theofilos, Exandas editions, Athens 1978, is identified as such not only by the inscription on the upper right but p. 47 (discussed), no. 21 (illustrated). also by pictorial means: he is handsome, sporting a large moustache, Lexi magazine, no. 172, November-December 2002, p. 922 (discussed). a flintlock musket (kariofili) resting on his lap. For Theofilos, a true D. Stamelos, Katsantonis, Estia editions, Athens 2004 [1980], Katsantonis is unthinkable without his ubiquitous kariofili and his p. 297, f.n. 4 (mentioned), p. 303 (illustrated). signature fustanella kilt, the same highland garb as the painter himself S. Sorogas, Aesthetic Geography, Stigmi editions, Athens 2006, wore when he left Smyrna for Athens to voluntarily enlist to fight in the p. 77 (discussed). 1897 war against Turkey. A. Hadjiyannaki, Theofilos, K. Adam editions, Athens 2007, p. 106 (illustrated). 1 S. Sorogas, "On Theofilos", Lexi magazine, no. 172, November- E. Diamantopoulou, Theofilos in Mt. Pelion, Alexandria editions, December 2002, p. 922. Athens 2007, p. 229, no. 9 (listed). Magnisia magazine, no. 11, November 2008, p. 19, no. 10 (listed). E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, Athens 2013, pp. 101, 163 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 21 11

OTHER PROPERTIES

11 AR 12 AR GERASSIMOS STERIS (GREEK/AMERICAN, 1898-1987) NIKOS ENGONOPOULOS (GREEK, 1907-1985) La chanson du folklore grec Alexandre, fils de Philippe et des Grecs sauf les Lacédémoniens signé en grec (en bas à droite) porte le cachet de studio d'artiste huile sur toile contrecollée sur carton fusain et mine de plomb sur papier 54 x 63cm (21 1/4 x 24 13/16in). 94 x 70cm (37 x 27 9/16in). Peint en 1963 signed in Greek (lower right) oil on canvas laid on card bearing the artist's estate stamp charcoal and pencil on paper €8,000 - 12,000 £6,900 - 10,000 €9,000 - 12,000 £7,700 - 10,000 Littérature The Metaphysical in Modern Greek Painting, exhibition catalogue, Aenaon International Centre of Fine Arts, Athens 1996, p. 16 (discussed and illustrated). E. Plessa, ed., The Work and Wonderful Days of Philippos Koutsinas, Athens 2013, p. 102 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 12

Exposé Littérature Thessaloniki, Municipal Gallery, Nikos Engonopoulos, As Handsome Nikos Engonopoulos Sketches and Colours, Ypsilon Books editions, as a Greek, 1997, no. C5. Athens 1996, dust cover (detail illustrated), p. 150 (illustrated). Athens, Astrolavos Gallery, The Human Figure, group exhibition, Kathimerini daily, December 1, 1981 (illustrated). 1999-2000. N. Chaini, The Painting of Nikos Engonopoulos, doctoral dissertation, Athens, Astrolavos Gallery, Nikos Engonopoulos, Surrealist Whispers, National Technical University of Athens, 2007, no. 177, p. 450 2002, no. 12. (discussed), p. 453 (illustrated). Perpinioti – Agazir, Nikos Engonopoulos Son Univers Pictural catalogue raisonne, Benaki Museum, Athens 2007, no 818, p.485 (illustrated).

THE GREEK SALE | 23 13 NIKOLAOS GYZIS (GREEK, 1842-1901) Un moment tendre signé 'N. Gysis' (en bas à gauche) huile sur panneau 40 x 32cm (15 3/4 x 12 5/8in). Peint en 1883 signed (lower left) oil on panel

€60,000 - 80,000 £52,000 - 69,000

Provenance Gifted to a French collection by a philhellene collector in early 20th century. Private collection, Athens.

This masterwork of Gysis's famous Bavarian genre showcases his incisive observation, narrative thrust, and consummate ability to capture a scene's moment and turn it into a compelling and beguiling work of art.

In a humble and sparse rural kitchen setting with few utensils, an old woman in black headscarf has momentarily paused peeling an apple to affectionately hold the doll of her granddaughter who is kneeling in front of her. It is possible that she is asking her granny to put her doll to sleep as if it were a real baby. The child's palpable impatience to see the outcome of her wish lovingly contradicts the condescending smile of her grandmother who seems to play along and enjoy the scene. Body language is remarkably natural and highly talkative, displaying Gysis's aptitude to exploit the anecdotal with humorous finesse and convey a sense of cheerfulness that immediately engages the viewer. Moreover, the artist endows this graceful painting with an added quality, a sense of 'momentary stillness', also evident in his famous The betrothal of children in the Athens National Gallery. The scene is perceived as a moment in time, a brief, almost instantaneous halt in the unfolding of the narrative.

Fascinated by the child's world, Gysis painted children of all ages, from infants to adolescents, often contrasting their solemn expressions to the playful disposition of their grandparents.1 Notably, he used the same two figures as his main characters in Grandmother dancing with her grandchildren, a painting known only from an archive slide.2

Gysis sketched similar kitchen settings and home interiors mostly while touring the villages of Bavaria and Tirol.3 In the late summer of 1883, he went on vacation to Brixlegg and made excursions to the valleys of Inn and Ötz as far as Innsbruck, sketching a lot along the way.4. The Bonhams picture evolved from such drawings and was painted right after his return to Munich.

1 See K. Didaskalou, Genre- and Allegorische Malerei von Nikolaus Gysis, München 1991, dissertation LMU, pp. 122, 123. 2 See N. Misirli, Gysis, Adam editions, Athens 1995, no. 104, p. 156. The grandmother's face also resembles the countenance of his Old woman's head in the National Gallery in Athens (see ibid, no. 77, p. 131). 3 Compare sketches of kitchen interiors from Inntal and Ötztal (September 1883) in K. Didaskalou, DerMünchner Nachlass von Nikolaus Gysis, München, 1993, vol. II, fig. 411, 417, 418, 422, 423, 429, 450, G21. 4 Letters to G. Nazos, August 26 and 27, letter to N. Nazos, September 19, 1883, Nachlasskatalog, Drawings Nr. Z 384-453.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 25 14

14 AR 15 AR THANOS TSINGOS (GREEK, 1914-1965) YIANNIS TSAROUCHIS (GREEK, 1910-1989) Fleurs Fleurs et tasse signé et daté 'Tsingos/ 62' (en haut à gauche) signé et daté en grec '75' (en bas à gauche) huile sur toile huile sur toile 53 x 80cm (20 7/8 x 31 1/2in). 50.6 x 40.8cm (19 15/16 x 16 1/16in). signed and dated (upper left) signed and dated in Greek (lower left) oil on canvas oil on canvas

€10,000 - 15,000 €15,000 - 20,000 £8,600 - 13,000 £13,000 - 17,000

Provenance Provenance Nelli Machera collection, Athens. Private collection, Palermo. (refer to Y. Kolokotronis) Private collection, Paris. Private collection, Paris.

Exposé Littérature Athens, National Gallery - A. Soutzos Museum, Thanos Tsingos, The Greek Painters, vol. II, 20th Century, Melissa editions, Athens retrospective exhibition, July 1980, no. 122 (listed, p. 44, and 1975, p. 325 (illustrated). illustrated in the exhibition catalogue). E. Florou, Tsarouchis – Painting, doctoral dissertation, vol. I, Athens 1989, no. 931, p. 270 (catalogued). Littérature E. Florou, Yannis Tsarouchis, his Painting and his Era, Nea Synora - S. Lydakis, Dictionary of Greek Painters and Engravers - The Greek A.A. Livanis editions, Athens 1989, no. 1110, p. 288 (catalogued). Painters, vol. IV, Melissa editions, Athens 1976, p. 440 (illustrated). Yannis Tsarouchis (1910-1989) Painting, Yannis Tsarouchis Foundation, Eleftheri Yenia magazine, no. 13, May 1977 (illustrated on the front cover). Athens 1990, no. 472 (illustrated). T. Tsarna, Echoes, Portraits of Writers and Painters, Drymos editions, Y. Kolokotronis, Still Life in Modern Greek Art from the 19th Century to Athens 1982, p. 151 (illustrated). the Present, Pierides Foundation, Thessaloniki 1992, p. 112 (illustrated). C. Christou, Greek Painting of the Twentieth Century, vol. I, 1882-1922, Yannis Tsarouchis (1910-1989), Eleftherotypia editions, Athens 2009, Athens 2000, p. 285 (mentioned). p. 130 (illustrated). Posimon Ydor magazine, no. 15, Spring 2005, p. 17 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15

THE GREEK SALE | 27 16 DIMITRIOS BISKINIS (GREEK, 1891-1947) Minerva signé en grec (en bas à droite) huile sur panneau 38 x 46cm (14 15/16 x 18 1/8in). signed in Greek (lower right) oil on hardboard

€4,000 - 6,000 £3,400 - 5,200

Provenance Sotheby's London, The Greek Sale, 24 May 2006, lot 100. Acquired from the above sale by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 17 NIKOLAOS GYZIS (GREEK, 1842-1901) Étude de tête d'une fille signé 'N. G.' (en bas à droite) fusain et mine de plomb sur papier 40 x 32.5cm (15 3/4 x 12 13/16in). signed with initials (lower right) charcoal and pencil on paper

€3,000 - 5,000 £2,600 - 4,300

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 29 18 * GEORGIOS JAKOBIDES (GREEK, 1852-1932) Le bouquet signé 'G. Jakobides' (en bas à droite) huile sur toile 64.5 x 41.3cm (25 3/8 x 16 1/4in). signed (lower right) oil on canvas

€60,000 - 80,000 £52,000 - 69,000

Provenance S. Mihalarias Art Auction, Athens, 26 November 1990, lot 66. "Mr. Jakobides's young peasant girl sitting at three quarters is a superb Private collection, Greece. picture, excellent in drawing and very well painted in the light." Private collection, London. Th. Véron, 1878.1

Exposé Exhibited in the Greek section of the 1878 World Fair in Paris, The Paris, Palais de Champ de Mars, Exposition Universelle Internationale, bouquet received solid critical acclaim. Olga Mentzafou-Polyzou 1878, under the title Peasant girl of Attica. who wrote the artist's monograph, notes: "The bouquet is one of Munich, Münchener Kunstverein (Permanent Exhibition of the Artists' Jakobides's most characteristic works, showcasing all the qualities Society of Munich), 1879. that established him as a leading figure in Modern Greek art at the end Athens, National Gallery - Alexandros Soutzos Museum, Iakovidis, a of the 19th and the beginning of the 20th century. The painting's solid Retrospective, November 14 - December 30, 2006, no. 9 (discussed, structure, clarity in the treatment of complementary elements, love in pp. 25, 120, catalogued, p. 298, and illustrated, pp. 25, 119, 128-129 the rendering of details, and use of dark warm colours speak of his in the exhibition catalogue). apprenticeship with Nikiforos Lytras and his fertile assimilation of the teachings of the Munich School."2 Littérature The artist's notebook, no. 1, under the title Greek woman. The painting shows a young beautiful girl sitting on the low stone Th. Véron, Dictionnaire Véron ou Mémorial de L'Art et des Artistes de wall of a sparse village backyard, looking with pleasure at the small Mon Temps. Le Salon de 1878 et L'Exposition Universelle, vol. II, Paris, bouquet of flowers she is holding in her right hand. She is wearing a M. Bazin, Poitiers 1878, p. 779 (discussed). traditional costume consisting of a tight-fitting black dress that stresses Estia magazine, vol. 8, 1879, Deltion tis Estias, July 22, 1879, no. 134, her youthful body, a white shirt, petticoat and a lined apron. What p. 2 (discussed). steals the show though is her magnificent red headpiece adorned S. Lydakis, Geschichte der Griechischen Malerei des with small silver coins tightly sewn next to each other, from which 19.Jahrhunderts, Prestel-Verlag editions, Munich 1972, p. 239 hang similar coins and other ornaments, suggesting perhaps a festive (listed under the title Griechin). occasion. A foreshortened slipper on the floor ingeniously leads the S. Lydakis, Dictionary of Greek Painters and Engravers - viewer's eye to the main subject.3 The Greek Painters, vol. IV, Melissa editions, Athens 1976, p. 140 (listed, no. 1, under the title Greek woman). The painter lends the figure a commanding presence through E. Agathonikou, Les Peintres Grecs Ayant Exposé à Paris à Partir meticulous observation, detailed description, and great de L'Exposition Universelle de 1855 Jusqu' en 1914, doctoral draughtsmanship. The fine handling of detail in the girl's garments dissertation, Paris X - Nanterre University, Paris 1986, p. 26. and the concentration of light and shadow effects on her face and O. Mentzafou-Polyzou, Woman in Greek Painting, 1992 desk diary, hands endow the picture with a sense of genuineness and lively spirit. Adam editions, Athens 1991 (discussed and illustrated). Against a neutral, monochromatic background, rooted in ancient Dictionary of Greek Artists, Melissa editions, vol. 2, Athens 1998, Greek relief sculpture and Byzantine icon painting, Jakobides captured, p. 36 (mentioned twice under the titles Peasant girl of Attica and Greek with tender minuteness of touch, a masterful rendition of a simple girl making a bouquet). everyday story which stands on its own right without having to depend O. Mentzafou-Polyzou, Jakobides, Adam editions, Athens 1999, no. on complementary themes. Effectively balancing pictorial concerns 13, p. 37-38 (discussed), p. 362 (mentioned), p. 334 (catalogued), with the picture's mood and conveying a sense of joy and intimate p. 32 (illustrated, detail), 39 (illustrated). informality, the painting is akin in style and spirit to Lytras's famous Epta Imeres, Georgios Jakobides, Kathimerini weekly magazine, Kiss, painted the same year. February 27, 2000, p. 5 (mentioned). Paris-Athens 1863-1940, exhibition catalogue, National Gallery - 1. T. Véron, Dictionnaire Véron ou Mémorial de L'Art et des Artistes Alexandros Soutzos Museum, Athens 2007, p. 199 (listed under de Mon Temps. Le Salon de 1878 et L'Exposition Universelle, vol. II, the title Peasant girl of Attica). Paris, M. Bazin, Poitiers 1878, p. 779. See also O. Mentzafou-Polyzou in Iakovidis, a Retrospective, exhibition catalogue, National Gallery - Alexandros Soutzos Museum, Athens 2005, p. 120. 2 Mentzafou-Polyzou, Woman in Greek Painting, 1992 desk diary, Adam editions, Athens 1991. 3 See N. Misirli, "Georgios Iakovidis and his Master, Nikiforos Lytras" in Iakovidis, a Retrospective, p. 25.

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 31 19

19 SCHOOL OF CONTANTINOS VOLANAKIS Exposé Pêcheurs réparant les filets Athens, Greek Artists Association, Art Exhibition, 1916, no. 121, signé en grec (en bas à gauche) listed in the exhibition catalogue (possibly). huile sur toile Athens, Greek Artists Association, Fourth Art Exhibition, 1917, no. 55, 48 x 74cm (18 7/8 x 29 1/8in). listed in the exhibition catalogue (possibly). bearing signature (lower left) Littérature oil on canvas The artist's notebook, 1916 (possibly). Pinakothiki magazine, no. 194-195, April-May 1917, p. 28, €5,500 - 7,500 discussed (possibly). £4,700 - 6,500 O. Mentzafou-Polyzou, Jakobides, Adam editions, Athens 1999, no. 39, p. 359, catalogued (possibly).

Among Greek flower painters, Jakobides stands with the greatest. 20 As noted by O. Mentzafou-Polyzou who prepared the artist's GEORGIOS JAKOBIDES (GREEK, 1852-1932) monograph, "clearly a master of the rules of composition regarding Cent pétales roses object arrangement, Jakobides employed classic models in his signé en grec et daté '1916' (en bas a gauche) approach to still life, as these were preserved by tradition. Yet, he also huile sur toile assigned a leading role to the light falling on them and sought through 66 x 51cm (26 x 20 1/16in). stark contrast and glowing colour the greater possible fidelity in their description. His main preoccupation was to highlight the material, signed in Greek and dated (lower left) tactile quality of objects, whereas in his floral compositions—a genre oil on canvas which he fondly explored after his return from Munich to Athens—to capture freshness, delicacy, and liveliness, in tune with his search for a €9,000 - 12,000 painting true to reality."1 We are first aware only of beautiful flowers but £7,700 - 10,000 as the eye follows the delicate contours of the myriad rose petals we are captured by the artist's deft brush and sensitive colour. Provenance Private collection, Athens. 1 O. Mentzafou-Polyzou., "Still Life and Flower Paintings, a Constant Occupation", in Iakovidis, a Retrospective, exhibition catalogue, National Gallery - Alexandros Soutzos Museum, Athens 2005, p. 263.

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20

THE GREEK SALE | 33 21 VASILIOS CHATZIS (GREEK, 1870-1915) Le coucher de soleil sur la baie signé en grec (en bas à gauche) huile sur toile 91 x 131cm (35 13/16 x 51 9/16in). signed in Greek (lower left) oil on canvas

€22,000 - 28,000 £19,000 - 24,000

Nous remercions professeur M. Vlachos pour avoir confirmé l'authenticité de cette œuvre. (We are grateful to professor M. Vlachos for confirming the authenticity of this lot.)

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 35 22

22 AR CONSTANTINOS ROMANIDIS (GREEK, 1884-1972) La côte de l'Attique signé en grec (en bas à gauche) huile sur panneau 50.5 x 89cm (19 7/8 x 35 1/16in).

signed in Greek (lower left) oil on panel

€2,200 - 3,200 £1,900 - 2,800

23 NICHOLAOS FEREKIDIS (GREEK, 1862-1929) Vue du parc signé en grec (en bas à droite) huile sur toile 75 x 53cm (29 1/2 x 20 7/8in).

signed in Greek (lower right) oil on canvas

€1,200 - 1,800 £1,000 - 1,500

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 24 IOANNIS POULAKAS (GREEK, 1864-1942) Le jeune pêcheur signé en grec (en bas à droite) huile sur toile 60 x 45.5cm (23 5/8 x 17 15/16in). signed in Greek (lower right) oil on canvas

€5,000 - 7,000 £4,300 - 6,000

Provenance Sotheby's London, The Greek Sale, 2 October 2002, lot 82. Acquired from the above sale by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 37 25 THEOFILOS HADJIMICHAEL (GREEK, 1871-1934) Portrayed on horseback and followed by prominent chieftains (their Le héros Karaiskakis en guerre avec Kioutachis names fully mentioned in a lengthy inscription), Georgios Karaiskakis, signé en grec et daté '1911' (en bas à gauche); commander-in-chief of Greek forces in eastern Greece, hounds the inscription grecque (en haut) Turk Reshid Mehmed Pasha (known to the Greeks as Kiutahi) who had pigments naturels sur carton laid siege to the Acropolis of Athens in 1826. The Sacred Rock was of Le cadre a été dessiné par Yannis Tsarouchis little strategic importance but it had a strong emotional and symbolic 63 x 68cm (24 13/16 x 26 3/4in). value for the Greeks and the philhellenic movement in Europe. signed in Greek and dated (lower left); The scene's main protagonist is depicted at the centre of the inscribed in Greek (on the upper part) composition, as is the case with Byzantine painting, which lacking a natural pigments on cardboard vanishing point, allows the eye to freely wander and naturally focus Frame designed by Yannis Tsarouchis on the middle of the picture.1 Emerging from the smoke and dust of battle, his gaze fixed on the turbaned Turk, the battle-ready leader €80,000 - 120,000 holds his pistol in his right hand, while his black steed is about to rush £69,000 - 100,000 the enemy. The vehemence with which both Karaiskakis and his horse prepare to attack is expressed by purely pictorial means: dynamic Provenance design and vividness of colour.2 Andreas Embeirikos collection, Athens. Private collection, Athens. The Greek hero is portrayed full length and well in view, presented in such a manner as to show his figure to the best advantage. Much like Exposé a Byzantine icon painter, Theofilos is aiming at an interpretation of the Athens, British Council, Theofilos Exhibition, May 2-31, 1947, no. 7. historic event adjusted to a preconceived scale of values.3 Gallantry Bern, Kunsthalle Bern, Der Griechische Bauernmaler Theofilos, is indicated through the repetition of pictorial and iconographic July 23 - September 4, 1960, no. 39 (mentioned and listed in the conventions, an approach to painting rooted in Byzantine and exhibition catalogue). folk tradition and reminiscent of the Karaghiozi shadow-puppets or descriptions found in demotic songs. The linear arrangement Littérature of the warriors, the symmetry and rhythm of the composition and Angloelliniki Epitheorisi magazine, vol. 3, no. 1, May 1947, back the impression of an immutable reality, take one even further back cover, no. 7 (listed). to Archaic Greek vase painting and the narrative arrangement of L'Hellénisme Contemporain magazine, vol. 1, no. 3, May-June 1947, that precursor of folk poetry, the Homeric epics, where all parts— p. 293 (mentioned, possibly). sentences, ideas, episodes or figures—are placed one after the other T. Spiteris, "Works by Theofilos with subjects taken from the Greek like beads on a string.4 War of Independence", handwritten list, c. 1960s (T. Spiteris Archive, Tellogleion Art Institute, no. 1 (listed). The wealth of detail, as in the background group of young pallikares Y. Tsarouchis, ed., Theofilos, Commercial Bank of Greece edition, fighting over the ruins of the ancient theatre of Herodes Atticus and Athens 1966, no. 180 (illustrated). captured in a style reminiscent of the representational conventions Aeolika Grammata magazine, no. 3, May-June 1971, p. 206 (illustrated). used by Dimitrios/Panayotis Zografos and Ioannis Makriyannis, reflects Anti magazine, vol. 2, no. 20, May 31, 1975, p. 48 (mentioned). the painter's desire to provide a full description of his subject by E.G. Mykoniatis, The 1821 [Uprising] in Painting, doctoral dissertation, leaving nothing obscure. On the contrary, everything is explained and Aristotelian University of Thessaloniki, Thessaloniki 1979, p. 59 clearly expressed and, therefore, all phenomena are thrust forward (discussed), p. 158, f.n. 207 (mentioned). to the narrative surface where they receive even illumination in a M.G. Moschou, Theofilos Hadjimichail Self-Biographed, doctoral continuous, timeless present. dissertation, University of Athens, Athens 2005, vol. 1, p. 13 [I.72] (mentioned). The picture frame was designed by Yannis Tsarouchis, the legendary History of Art, conference minutes, Association of Greek Art Historians, exponent of the 1930s generation of artists, writers and intellectuals Gutenberg editions, Athens 2019, p. 310, f.n. 32 (mentioned). who considered Theofilos to be an uncorrupted student of the senses Kathimerini newspaper, March 17, 2021, p. 14 (discussed and a source of life for modern Greece. and illustrated). 1 See P.A. Michelis, Aesthetic Approach to Byzantine Art [in Greek], Panayotis end Efi Michelis Foundation, Athens 1990, p. 203. An homage to a giant of the 1821 Greek War of Independence, 2 See E. Diamantopoulou, Theofilos in Mt. Pelion [in Greek], Alexandria this brilliant canvas of pulsating energy, dynamic colour and keen editions, Athens 207, p. 75. sense of heroic stature, is a vehicle of initiation into the artist's vision; 3 See A. Grabar, Byzantine Painting, Skira, Geneva 1979, pp. 36-37. an invitation to contemplate the world of gallantry and legend that 4 See H. Kambouridis - G. Levounis, Modern Greek Art, The 20th captured his heart and stirred his imagination. Century, Ministry of the Aegean, Athens 1999, p. 43.

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 39 Works from the Collection of Yannis Perdios Lots 26-27

26 AR THALIA FLORA-CARAVIA (GREEK, 1871-1960) L'artiste dans son studio huile sur toile 103 x 79cm (40 9/16 x 31 1/8in). Peint vers 1903 oil on canvas

€15,000 - 20,000 £13,000 - 17,000

Provenance Private collection, Istanbul. Yannis Perdios collection, Athens.

Exposé Athens, National Gallery and Alexandros Soutzos Museum - Mount A precious jewel in the stellar collection of Yannis Perdios, "this self- Sinai Foundation, Treasures of Modern Greek Art, The Yannis portrait which Thalia-Flora-Karavia painted in 1903, while in Paris, Perdios Collection, December 9, 1998 - March 15, 1999, no. 95 is one of the artist's finest efforts in the field of portraiture. A work (discussed, p. 170, catalogued, p. 308, and illustrated in the of restrained yet excellent technique, is also an outstanding and exhibition catalogue, p. 171). penetrating psychological portrayal,"1 notes art historian D. Tsouryianni, Washington, D.C., Mariner S. Eccles Federal Reserve Board Building, author of the artist's monograph. The Emergence of Modern Greek Painting 1830-1930 from the Bank of Greece Collection [and from several private collections in Athens], Discussing the painting further, the scholar describes it as an almost September 30 - December 3, 2002, no. 22 (discussed, p. 10, and listed, full-length portrait of the artist, depicted in three-quarter profile, seated no. 5, p. 14, in the exhibition brochure; and discussed, pp. 17, 72, in front of her easel and holding her palette and brushes. A second catalogued, p. 117, and illustrated in the exhibition catalogue, p. 73). easel suggests that the setting is a painter's studio. In terms of colour Athens, Megaron - The Athens Concert Hall, The Emergence of Modern scheme, one notices the harmonious distribution of tones—darker at Greek Painting 1830-1930, February 18 - March 30, 2003, no. 22 (listed, the bottom and increasingly lighter towards the top—culminating in the no. 38, in the exhibition brochure; and discussed, p. 72, catalogued, white lace trimming of her collar and the remarkable chiaroscuro effect no. 38, p. 119, and illustrated in the exhibition catalogue, p. 73). on her face. Equally disciplined is the compositional structure, with Athens, Megaron - The Athens Concert Hall, C.P. Cavafy, his World the strong diagonals of the easels counterbalanced by the inversely and the Art Forms of his Time, November 2003 - January 2004, no. 70 inclined diagonal of her palette. (discussed and illustrated in the exhibition catalogue, p. 78). D. Tsouryianni continues by noting that the energetic posture, which Littérature calls to mind the self-portraits of Titian and Rembrandt, transforms the Ethnos newspaper, January 20, 1960 (illustrated). figure from a passive object into an active subject. Particular emphasis C. Christou, Greek Painting 1832-1922, National Bank of Greece is placed on the sitter's lucid, penetrating gaze, which best describes edition, Athens 1981, p. 164 (listed). her disposition. Full of confidence and asserting herself as an artist, D. Tsouryanni, The Painter Thalia Flora Karavia (1871-1960), doctoral she is ready to make her entrance into a male-dominated field. Instead dissertation, University of Athens, Athens 2002, pp. 40-41 (discussed), of resorting to sentimentality and idealisation, so evident in the self- fig. 35 (illustrated). portraits of such women artists as Angelika Kauffmann and Elisabeth D.M. Tsouryanni, Thalia Flora Karavia 1871-1960, Athens 2005, no. 16, Vigée-Lebrun, she ventured to depict herself with all her painting p. 51 (discussed), p.133 (catalogued), p. 52 (illustrated). equipment, thus emphasizing her view of herself as a fully aware and Griechische Künstler in der Müncherer Akademie im 19. Und 20. accomplished artist. Jahrhundert, exhibition catalogue, Tellogleion Art Institute, Thessaloniki 2006, p. 200 (illustrated). Born in Siatista, Northern Greece, and raised in Constantinople, Thalia D.M. Tsouryanni, Thalia Flora-Karavia, Peak editions, Athens 2018, Flora-Karavia studied art in Munich from 1895 to 1900. Her teachers no. 57, pp. 98-102 (discussed), p.199 (catalogued), p. 99 (illustrated). included Nikolaos Gysis and Nikolaos Vokos. Restless and energetic, Istoria tis Technis magazine, no. 6, Summer 2017, pp. 98-100 she travelled extensively across Europe, and to Asia Minor and Egypt, (discussed), p. 99 (illustrated). seeking to expand her thematic repertoire and develop her own style. During the Balkan Wars of 1912-13, she followed the operations of the Greek Army in Macedonia and Epirus, capturing the lives of the soldiers in fine drawings and sketches.

1 The Emergence of Modern Greek Painting 1830-1930, exhibition catalogue, Washington and Athens 2002-2003, p. 73. See also D.M. Tsouryanni, Thalia Flora-Karavia, Peak editions, Athens 2018, pp. 98-102.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 41 27 AR THEOFRASTOS TRIANTAFYLLIDIS (GREEK, 1881-1955) Maternité signé en grec (en bas à gauche) huile sur toile contrecollée sur panneau 67 x 48.5cm (26 3/8 x 19 1/8in). Peint vers 1935-1940 signed in Greek (lower left) oil on canvas laid on cardboard

€15,000 - 20,000 £13,000 - 17,000

Provenance Private collection. Yannis Perdios collection, Athens.

Exposé Athens, National Gallery and Alexandros Soutzos Museum - Mount Sinai Foundation, Treasures of Modern Greek Art, The Yannis Perdios Collection, December 9, 1998 - March 15, 1999, no. 147 (discussed, p. 258, catalogued, p. 311, and illustrated in the exhibition catalogue, p. 259).

Littérature A. Kotidis, Theofrastos Triantafyllidis, Another Thirty in Painting, University Studio Press, Thessaloniki 2002, no. 122, p.237 (discussed), p. 342 (catalogued), p. 376 (listed), p. 241, fig. 157 (illustrated). Homage to the Greek Mother, Motherhood in Modern Greek Art, Foundation of the Greek Parliament, Athens 2009, no. 21, p. 18 (discussed), p.168 (catalogued), p. 53 (illustrated).

Akin to Galanis's Motherhood1 and Picasso's Mother and Child from the early 1920s, this gem in the celebrated Perdios collection relies on light much more than that of the other two to create a strong psychological effect. Solid, dense and almost as substantial as the seated figures, the bright light that floods into the room from the window behind them, creates a strong contre-jour effect that accentuates light-and-dark contrasts, emphasizes lines and shapes and makes the mother's face disappear into shadow. As noted by Professor A. Kotidis who prepared the artist's monograph, "what the artist actually does is he designs the figures and then blots out the brush trail by gently wiping a cloth over the paint to create an impression of light-saturated motifs, of forms acquiring shape in a non-specific, transcendental inner space, enabling the viewer to perceive them as personal experiences."2 The evocative silence and the featureless faces—a symbolist trait also found in the work of Degas and the Nabis—charge the picture with additional psychological overtones, moving it beyond the genre and impressionistic traditions towards German expressionism, which Triantafyllidis had been exposed to during his studies in Munich.

1 Sold by Bonhams, Greek Sale, 13.12.07, lot 78. 2 A. Kotidis, Triantafyllidis, another "Thirties" in Painting [in Greek], University Studio Press, Thessaloniki, 2002, p. 240.

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 43 OTHER PROPERTIES 28 CONSTANTINOS VOLANAKIS (GREEK, 1837-1907) Le port de Volos un soir de plein lune signé en grec (en bas à gauche) huile sur toile 63.5 x 116cm (25 x 45 11/16in). signed in Greek (lower left) oil on canvas

€30,000 - 50,000 £26,000 - 43,000

Nous remercions professeur M. Vlachos pour avoir confirmé l'authenticité de cette œuvre. (We are grateful to professor M. Vlachos for confirming the authenticity of this lot.)

A serenely luminous painting and a sensitive work typical of Volanakis' Greek period (1884-1907), this evocative marine nocturne is a poetic conception of a Volos harbour scene bathed in silvery moonlight. Transient gleams lead the viewer's eye from the stately steamer in the middleground towards the distant horizon, far beyond the peaceful port to the vast expanses of the sea. By weaving night effects and reflections into a cohesive whole, the painter lends a lyrical resonance to the work, carrying on the romantic tradition of the sublime and spiritual in nature. His fascination with the effets de soir and deep feeling for the still hours after sunset is part of an honourable 19th tradition, particularly among the painters of the Barbizon School. Discussing the artist's moonlit harbour world, Professor S. Lydakis noted: "The nocturnal seascape betrays the artist's romantic disposition and introspective reverie. Volanakis takes advantage of the moon's magical reflections on a watery expanse that offers a wide range of possibilities for filtering tone gradations and allows the artist to fully exploit the atmospheric effects of paint."1

A signature Volanakis port view2, Moonlit harbour of Volos features an anchored paddle steamer as the picture's main subject, while all port-related activities are diminished so as not to disrupt the tranquillity of the scene. Anecdotal details abound, while the interplay of verticals (masts, buildings) and curves (U-shape pier, curvilinear hull) is prominent.3 Enlivening the scene and delighting the viewer, his vignettes of everyday activity are some of Volanakis' favourite scaffage themes: genteel strollers, a horse-drawn carriage and two crouching figures casually attending to a lamp-lit boat at the pier's edge exude the laid-back attitude of horse and buggy days contrasted with the modern streetcar that speeds away in the distance. The coffee-shop's windows, lit from within, further animate the scene, accentuating the picture's nocturnal charm.

1 S. Lydakis, Constantinos Volanakis [in Greek], Adam editions, Athens 1997, pp. 169-176. 2 Compare The Volos port, Averof Art Gallery, Metsovo. 3 See M. Vlachos, The Painter Constantinos Volanakis (doctorate dissertation) [in Greek], Athens 1974, pp. 127-129.

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 45 29 FOLLOWER OF EUGENE DELACROIX Scène de la Revolution grecque aquarelle, encre et mine de plomb sur papier 14 x 21cm (5 1/2 x 8 1/4in). watercolor, ink and pencil on paper

€2,000 - 3,000 £1,700 - 2,600

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 30 NICHOLAS CONDY (BRITISH, 1799-1857) Bataille navale dans l'Archipel, 31 Janvier 1825 huile sur carton contrecollée sur toile 26.5 x 40cm (10 7/16 x 15 3/4in). oil on cardboard laid canvas

€5,000 - 7,000 £4,300 - 6,000

Provenance Sotheby's London,The Greek Sale, 6 May 2009, lot 14. Acquired from the above sale by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 47 31

48 | BONHAMS 32

31 AR 32 AR GEORGIOS ZONGOLOPOULOS (GREEK, 1903-2004) YIANNIS MORALIS (GREEK, 1916-2009) L'olivier Quatre scènes de mythologie avec Hercule signé avec des initiales en grec (sur la base) chacune signée en grec, deux sont datées '56' bronze à patine dorée, base en plexiglas acrylique sur papier hauteur 53.5 cm (21 1/16 in) 23 x 33cm (9 1/16 x 13in) chacun Cette œuvre est unique 67 x 87cm (26 3/8 x 34 1/4in) avec la carde Peint en 1956 signed with initials in Greek (on the base) gold plated bronze, plexiglass base all signed in Greek, two of them dated This work is unique acrylic on paper

€4,000 - 6,000 €15,000 - 20,000 £3,400 - 5,200 £13,000 - 17,000

Exposé Cette œuvre est accompagnée d'un certificat d'authenticité de la Athens, Eynard Mansion, Yannis Moralis, Drawings 1934-1994, fondation George Zongolopoulos. (The work is accompanied by a December 16, 2008 - February 15, 2009, no. 70 (catalogued, p. 278, certificate of authenticity from The George Zongolopoulos foundation.) and illustrated in the exhibition catalogue, pp. 172-173).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 49 33 AR NIKOS ENGONOPOULOS (GREEK, 1907-1985) Sur la guerre d' Indépendance (Paysage orphique) huile sur toile 120 x 100cm (47 1/4 x 39 3/8in). Peint en 1939 oil on canvas

€140,000 - 180,000 £120,000 - 150,000

Provenance The artist's collection. Private collection, Athens.

Exposé Littérature Athens, Nicolas Calas residence, Exhibition of Paintings by Nikos Chartis magazine, no. 25-26, November 1988, p. 162 (illustrated). Engonopoulos, 1939 (possibly). Ta Nea tis Technis, no. 34, 1995, p. 20 (discussed and illustrated). Venice, XXVII Biennale, June 19 - October 17, 1954, no. 12, under the R. Zamarou, The Poet Nikos Engonopoulos, a Visit of Places and title Paesaggio Orfico con Eroi (listed in the exhibition catalogue, p. 295). Figures, Kardamitsa editions, Athens 1996, p. 139 (mentioned). Athens, Institut Francais d'Athènes, Nikos Engonopoulos, Peintre Nikos Engonopoulos, The Angels in Heaven Speak Greek, et Poète, Huiles, Tempera et Livres, November 13-28, 1987, no. 7 Interviews, Comments and Opinions, Ypsilon editions, Athens 1999, (illustrated in the exhibition catalogue). p. 64a (illustrated). Athens, Astrolavos Gallery, N. Engonopoulos, Mythology, Byzantium, Athens News, March 25, 1999 (illustrated). Revolution, March 16 - April 3, 1999, no. 3 (illustrated in the exhibition The National Herald (New York), March 27-28, 1999 (illustrated). catalogue, fig. 1). Eleftherotypia newspaper, December 19, 1999 (illustrated). Thessaloniki, Macedonian Museum of Contemporary Art, Place: M. Ioannidou, The Theoretical Conditions and the First Phase of Engonopoulos, May 18 - July 29, 2007 (illustrated in the exhibition Surrealism in Greek Painting, Doctoral dissertation, Thessaloniki 2000, catalogue, p. 13). pp. 145-147 (discussed), no. 34 (illustrated). Andros, Museum of Contemporary Art - Basil & Elise Goulandris N. Andrikopoulou, Tracing Nikos Engonopoulos, Potamos editions, Foundation, Nikos Engonopoulos, June 25 - October 1, 2017 Athens 2003, p. 59 (mentioned). (illustrated in the exhibition catalogue, p. 62). K. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural, exhibition catalogue and catalogue raisonée, Benaki Museum, Athens 2007, no. 258, p. 128 (illustrated), p. 249 (illustrated), 418 (illustrated). N. Engonopoulos, Love is the Only Way, National Book Centre of Greece, Athens 2007, p. 38 (illustrated). N. Chaini, The Painting of Nikos Engonopoulos, doctoral dissertation, National Technical University of Athens, 2007, no. 186, pp. 471-472 (discussed), p. 473 (illustrated). Culture magazine, no. 11, March 22-23, 2008 (illustrated on the front cover). O. Tachopoulou, Modernist Primitivism, Surrealist Versions in the Poetic Work of Nikos Engonopoulos, Nefeli editions, Athens 2009, p. 323-324 (discussed), no. 4 (illustrated). Nikos Engonopoulos, Painter and Poet, conference minutes, November 23-24, 2007, Benaki Museum, Athens 2010, pp. 94, 96, 98 (discussed), no. 28 (illustrated). K. Voulgaris, Kolokotronis has the Beauty of a Greek, Vivliorama editions, Athens 2020, pp. 50-54 (discussed), p. 53 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 51 "For Engonopoulos, the 1821 uprising was a celebration, a feast, an outburst, like nature's explosion in early spring."1

A tour de force inspired by the Greek Revolution and War of waving a horse head. The modelling of the minotaur-like face with Independence, this emblematic Engonopoulos is a leading example two geometric volumes—a recurrent convention in Engonopoulos's of the artist's fervently sought after pre-war period. Using an avant- pictorial output—alludes to the artistic symbolism of the Minotaur motif garde surrealist vocabulary and at the same time deeply rooted that has nothing to do with feelings of fear or animosity. Instead, the in Greekness, Sur la Guerre d'Indépendance (Paysage Orphique) artist uses the image of the Minotaur as a symbol of the subconscious, was exhibited in the 1954 Venice Biennale, where, for the first time, much the same way the surrealists used it before transforming it into a Greece was represented by one artist alone. There, Engonopoulos scary figure following the devastating experience of World War II."3 showed alongside such towering figures of modern art as Arp, Ernst, Miro, Klee, Bacon and Magritte, since the exhibition had requested This persistence on indigenous cultural experiences combined with a participating countries to adhere to the central theme of Surrealism. deep sense for the historical past clearly indicates that "while European surrealists used an irrational vocabulary to break free from the shackles Using cross-temporal iconographic leaps that were common during of traditional conventions, Engonopoulos perceived tradition as a the Byzantine and Post-Byzantine eras in both miniature manuscripts 'connecting link' that would restore cultural continuity."4 As noted by and narthex decoration, Engonopoulos transports the viewer from Athens National Gallery Director M. Lambraki-Plaka, "his figures may ancient to modern times, staging a dream-like scene from the treasure draw their origin from Giorgio de Chirico but they are unmistakably trove of Greek history. Greek, reminiscent of the Minoans immortalized on the Knossos frescoes and the early kouroi, while alluding to the tall and slender The coexistence of ancient past (exemplified mainly by the lyre-holding formula of the Byzantine saints also evident in El Greco's work."5 Orpheus2 with the Minotaur head), recent history (illustrated by the hero of the Greek War of Independence in his traditional fustanella kilt) 1 Professor S. Rozanis as quoted in "This is how Engonopoulos Saw and modern reality (captured in such apt details as the round coffee 1821" [in Greek], O Kosmos tou Ependyti newspaper, March 21, 1999. shop table on the left, the still life with fruit in the foreground and the 2 Orpheus, the archetype of the poet as liberator and creator, held striped beach cabin in the distance) sets forth the main aesthetic a particular fascination for Engonopoulos, who depicted him many and ideological preoccupations of the 1930s generation and faithfully times over a period of more than thirty years, often adopting him as reflects the artist's attitude towards painting, both as a long and rich his own persona. tradition to draw from, as well as an ideal vehicle to probe into the 3 O. Tachopoulou, Modernist Primitivism, Surrealist Versions in the inner world of Greekness. Poetic Work of Nikos Engonopoulos, [in Greek], Nefeli editions, Athens 2009, pp. 323-324. Discussing Composition (Sur la Guerre d' Indépendance), art historian 4 N. Loizidi, "The Indigenous Surrealism of Nikos Engonopoulos" [in O. Tachopoulou notes: "The picture shows a Minotaur/warrior, who Greek], To Vima daily - Nees Epoches, October 21, 2007, p. A57. is also a musician, holding with one hand a lyre while with the other 5 M. Lambraki-Plaka "The Timeless Pantheon of Nikos seems to exhort a Greek warrior to make a triumphant gesture by Engonopoulos" [in Greek], Filologiki quarterly, no. 101, October- November-December 2007, p. 9.

52 | BONHAMS Works of a distinguished International Collection Lots 34-52

34 AR YIANNIS MORALIS (GREEK, 1916-2009) Les joueurs de flûte Captured in the artist's signature style from the early 1960s, this signé en grec et daté '62' (en bas à gauche); inscriptions grecques captivating tempera was used as a poster for the music competition et daté '16.12.1962' (en bas) and "Manos Hadjidakis" Award ceremony hosted at the Kentrikon acrylique sur papier marouflée sur toile theatre in Athens on December 16, 1962. Conceived and funded by 59.5 x 40cm (23 7/16 x 15 3/4in). the famous Greek composer Manos Hadjidakis, and organized by the prestigious Athens Technological Institute led by internationally signed in Greek and dated (lower left); inscribed in Greek and dated acclaimed architect and city planner Constantinos Doxiadis, this (lower part) contest launched in Greece the work of avant-garde music composers acrylic on paper laid on canvas residing or studying abroad, including Iannis Xenakis, Anestis Logothetis and Nikos Mamangakis. €30,000 - 40,000 £26,000 - 34,000 "Moralis is the last nobleman of true painting. And a friend of mine. He is one of the few whose approval or rejection of my actions I take into account."

Manos Hadjidakis

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 53 35 AR PANAGIOTIS TETSIS (GREEK, 1925-2016) La tente verte signé en grec (en bas à droite) huile sur toile 136 x 136cm (53 9/16 x 53 9/16in). Peint en 1965-1966 signed in Greek (lower right) oil on canvas

€50,000 - 70,000 £43,000 - 60,000

Exposé Athens, Ora Gallery, P. Tetsis Painting, November 23 - December 12, 1972 (illustrated in the exhibition catalogue).

Littérature P. Tetsis, Ora gallery edition, Athens 1972 (illustrated). P. Tetsis, Nees Morfes Gallery edition, Athens 1990, p. 50 (illustrated).

In his signature subjects drawn from Athens, Tetsis was primarily interested in the way light is consumed by the surfaces of the urban volume. Here, the porous walls of an Athenian house absorb the afternoon light and are soaked in it, allowing the artist a mood of contemplative serenity. The soaring, rhythmic architecture of windows, shutters and balcony rails emphasizes the picture's still atmosphere and imparts a sense of monumentality and timelessness, while the monochromatic tones of ochre and green enhance the effect of unity. Lines, curves, shimmering, tilting planes, and light and dark forms compose a familiar image of Athens' urban landscape but they can also be read as a nearly abstract sum total of brilliant shapes, echoing a post-impressionist formal vocabulary.

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 55 36 AR YIANNIS MORALIS (GREEK, 1916-2009) Silhouette/ La bas au loin et près de la mer Distinguished by the inherent poetry and eroticism of the curved line, signé en grec et daté '2006' (en bas à droite); signé et daté 'Yiannis this magnificent picture recapitulates the artist's long preoccupation MORALIS/ 2006' (au dos) not only with the suggestively rendered human form, but also with the acrylique sur toile inner rhythm and musical resonance generated by the combination of 120 x 106cm (47 1/4 x 41 3/4in). varied types, shapes and colours. The juxtaposition of the fair-skinned female figure in the foreground with the darker male form pointing signed in Greek and dated (lower right); towards the far-away sea—which ingeniously alludes to Attic black- signed and dated (on the reverse) figure vase painting—charges the composition with a vibrant rhythm acrylic on canvas and pronounced erotic undercurrent. "The sea, the island, the summer. A white body. The sea expands the landscape; you can hear its roar," €200,000 - 300,000 said poet Yannis Kondos when he saw Moralis's 2006 show. "Curves £170,000 - 260,000 and darker hues unwrap dreams."1

Exposé As Nobel laureate O. Elytis once said of Moralis, "by using a limited Athens, Zoumboulakis Galleries, Moralis, November 16 - December vocabulary of form, in which recurrent and opposing curves of 2006, no. 1 (illustrated in the exhibition catalogue, p. 23, and on the ochre and black dominate, Moralis has succeeded—in a manner exhibition poster). unprecedented in Greek art—to transform the language of the natural Andros, Y. Moralis, Traces, Museum of Contemporary Art – Basil world into a purely visual phenomenon. Memories and encounters are and Elise Goulandris Foundation, June 29 - September 28, 2008, repeatedly distilled until they blend into forms of great simplicity and no. 44 (catalogued, p. 238 [257], and illustrated in the exhibition precision. The body of a young girl emerges with the dampness of the catalogue, p. 123). sea, like a magnified fragment of an ancient Greek vase or a miniature Athens, Benaki Museum, Yannis Moralis, September 20, 2018 - fresco from a bygone place of worship."2 February 10, 2019. From the 1970s to the first decade of the 21st century, as clearly Littérature demonstrated in his Zoumboulakis gallery one-man show in November Eleftherotypia newspaper, October 27-28, 2006 (illustrated). 2006,3 Moralis had consistently adhered to the principles of geometric Kathimerini newspaper, November 8, 2006 (mentioned). abstraction, exploring its mystical pathways and taking his place O Kosmos tou Ependyti newspaper, November 11, 2006 (illustrated). among its leading exponents.4 As noted by D. Papastamos, former To Vima newspaper, November 12, 2006 (illustrated). Director of the National Gallery in Athens, "in this, more advanced Eleftherotypia newspaper, November 12, 2006 (illustrated). stage of his geometric abstraction distinguished by dynamic rhythm Kathimerini newspaper, November 12, 2006 (illustrated). and expressive movement, he launches out into compositions Apogevmatini newspaper, November 16, 2006 (illustrated). dealing with human relationships, incorporating the male body into To Vima newspaper online edition, November 19, 2006 (mentioned). his interlocking geometric patterns. It seems to me that these are Gynaika magazine, December 2006 (illustrated). the artist's happy moments, depicted in a beautiful environment of Radiotileorasi magazine, December 2, 2006 (illustrated). luminous colour and irresistibly erotic humanity."5 Kathimerini newspaper, December 2, 2006 (illustrated). Nea Estia magazine, no. 1796, January 2007, p. 172 (discussed). 1 Y. Kondos, "Yannis Moralis: Love, Abstraction and the Sea in his Last Ta Nea newspaper, e-edition, August 6, 2008 (illustrated). Exhibition", November 2006, in Secret Landscapes, [in Greek], Topos Rizospastis newspaper, e-edition, August 24, 2008 (mentioned). editions, Athens 2014, pp. 140-141. Gr Design magazine, September 2018, p. 54 (illustrated). 2 O. Elytis, preface to the Moralis exhibition catalogue, Iolas- Zoumboulakis Gallery, Athens 1972. 3 As noted by P. Zoumboulaki, "the ten pieces exhibited in 2006 were created during the last five years on the island of Aegina, the place where Moralis works and spends most of his time. Even though the artist never speaks about his art, this collection reveals a high degree of sensitivity, evoking personal experiences, feelings and memories." Preface to the Moralis exhibition catalogue, Zoumboulakis Galleries, Athens 2006. 4 K. Koutsomallis, "The Painting of Yannis Moralis, a Tentative Approach" in Y. Moralis, Traces, Museum of Contemporary Art - Basil and Elise Goulandris Foundation, Andros 2008, p. 30. 5 D. Papastamos, "Yannis Moralis the Artist", in Yannis Moralis, Commercial Bank of Greece, Athens 1988, p. 26.

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 57 37

37 AR 38 AR ALECOS FASSIANOS (GREEK, BORN 1935) YANNIS GAÏTIS (GREEK, 1923-1984) Quelques fleurs Sans Titre signé et titré en grec (en haut au centre) signé 'Gaitis' (en bas à droite) huile sur papier marouflée sur toile huile sur toile 65 x 100 cm (25 9/16 x 39 3/8in). 116 x 89cm (45 11/16 x 35 1/16in). Peint en 1978-80 Peint en 1966 signed and titled in Greek (upper center) signed (lower right) oil on paper laid on canvas oil on canvas

€20,000 - 25,000 €20,000 - 30,000 £17,000 - 22,000 £17,000 - 26,000

Exposé Provenance Rhodes, Municipality of Rhodes Modern Greek Art Museum, Private collection, France. Alecos Fassianos, 45 Years of Creation, July 30 - November 13, Private collection. 2009 (illustrated in the exhibition catalogue, pp. 22, 86-87). Littérature Littérature Arts magazine, Paris, May 25-31, 1966. Alecos Fassianos, 45 Years of Creation, Municipality of Rhodes Yannis Gaitis, Catalogue Raisonné, Ioannis F. Costopoulos Foundation, Modern Greek Art Museum educational program edition, Rhodes Paris/Athens 2003, no. 829, p. 221 (illustrated). 2009, p. 28 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 38

THE GREEK SALE | 59 39 AR YIANNIS SPYROPOULOS (GREEK, 1912-1990) Pont à Zachlorou, Péloponnèse signé en grec (en bas à droite) huile sur toile 55 x 65cm (21 5/8 x 25 9/16in). Peint en 1950 signed in Greek (lower right) oil on canvas

€15,000 - 20,000 £13,000 - 17,000

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 40 AR NIKOS HADJIKYRIAKOS-GHIKA (GREEK, 1906-1994) Plante Littérature signé et daté 'Ghika 81' (en bas à droite) Contemporary Greek Art institute Digital Platform, dp.iset.gr, Nikos huile sur papier marouflée sur toile Hadjikyriakos-Ghika Works, p. 5 (illustrated). 42.5 x 34.5cm (16 3/4 x 13 9/16in). Peint en 1981 "1981... It's the year of another Ghika exhibition, the thirty-second signed and dated 'Ghika 81' (lower right) one-man show in a career that began in 1923 when the artist was oil on paper laid on canvas seventeen and exhibited in the Salon des Indépendants. Ghika is the most important Greek painter of the twentieth century, and in the €20,000 - 25,000 current show he both continues with subjects and themes he has dealt £17,000 - 22,000 with over the years, and adds something new. The end result is a fresh and tender view of nature, a nature more dreamlike and mellow than in Exposé the past, although still victorious ... It's hard to leave one Ghika painting Athens, Zoumboulakis Galleries, Ghika 1979-1981, March 1981. and move on to the next."1 Athens, Municipal Gallery of Athens, Ghika, Landscapes and Interiors, November 29, 2006 - January 29, 2007 (illustrated in the exhibition 1 H. Livas, Contemporary Greek Artists, Vantage Press, New York catalogue, p. 61). 1993, p. 19.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 61 41 AR YIANNIS SPYROPOULOS (GREEK, 1912-1990) Maison à Hydra et bateau signé en grec (en bas à droite) huile sur carton 30 x 40cm (11 13/16 x 15 3/4in). Peint vers 1953 signed in Greek (lower right) oil on cardboard

€10,000 - 12,000 £8,600 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 42 AR SPYROS VASSILIOU (GREEK, 1902-1985) La table du peintre signé en grec et daté '65' (en bas au centre) acrylique et collage sur toile contrecollée sur panneau 78 x 114cm (30 11/16 x 44 7/8in). Peint vers 1965 signed in Greek and dated (lower center) acrylic and collage on canvas laid on panel

€12,000 - 18,000 £10,000 - 15,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 63 43 AR YIANNIS MORALIS (GREEK, 1916-2009) Femme nue assise signé en grec (en bas à droite) huile sur toile 76.5 x 40cm (30 1/8 x 15 3/4in). signed in Greek (lower right) oil on canvas

€50,000 - 70,000 £43,000 - 60,000

The female nude has always been a key subject in Moralis's art, expressing an enduring world beyond the mundane and the ephemeral, and achieving a modern realization of the classical ideal: the elimination of the temporary and the elevation of forms to symbols.

In Seated nude, the purity of form, the subtle use of colour and spatial relationships, the serene and disciplined rhythm dictated by a deep sense for human scale, the composed immobility, and the shallow compositional depth reminiscent of sculptural relief, echo the timeless values of Greek art. By sacrificing superfluous descriptive detail, rejecting the illusion of space, avoiding tonal gradations and emphasizing only the essential structural elements, Moralis leads the viewer from the sensual aspects of the subject to the universal and eternal, to the metaphysical and transcendental.

Reviewing the artist's work up to the late 1950s, when Moralis co- represented Greece in the 29th Venice Biennale, M. Chatzidakis noted: "Never has Moralis attempted to reproduce nature's play of light on bodies or objects. Instead, his figures are imbued with their own light, stable and unnatural, as found in Byzantine art, where the light source is indefinable. Anatomical distortion and the foreshortened perspective of figures are subordinate to the calm rhythm of the composition."1

1 M. Chatzidakis, "Yiannis Moralis", The Charioteer review, vol. 1, no. 1, Summer 1960, pp. 56-62.

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 65 44

44 AR 45 AR DIMITRIS MYTARAS (GREEK, 1934-2017) ALECOS FASSIANOS (GREEK, BORN 1935) Femme avec une plante Les amis blancs signé en grec (au centre à droite) signé en grec (en haut à gauche) huile sur toile huile sur toile 100.5 x 100cm (39 9/16 x 39 3/8in). 100.5 x 70.5cm (39 9/16 x 27 3/4in). Peint vers 1980 signed in Greek (middle right) oil on canvas signed in Greek (upper left) oil on canvas €10,000 - 15,000 £8,600 - 13,000 €20,000 - 25,000 £17,000 - 22,000

Exposé Delphi, The European Cultural Centre of Delphi, Alecos Fassianos, Anthropocentric Painting, 1960-1998, October 3-31, 1998, no. 36 (illustrated in the exhibition catalogue). Thessaloniki, Municipal Art Gallery, The Ioannis Kynigopoulos collection of Modern Greek Art, May 26- June 27, 2004 (illustrated in the exhibition catalogue, p. 73).

Littérature Fassianos, Adam editions, Athens 1990, p. 225 (listed), p. 102 (illustrated). Fassianos, Adam-Pergamos editions, Athens 2009, p. 225 (listed), p. 102 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 45 THE GREEK SALE | 67 46 AR YANNIS KOTTIS (GREEK, BORN 1949) Tigre signé en grec et daté '95' (en bas à droite) technique mixte et huile sur toile 114 x 145.5cm (44 7/8 x 57 5/16in). Peint en 1995 signed in Greek and dated (lower right) mixed media and oil on canvas

€6,000 - 8,000 £5,200 - 6,900

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 47 AR PANAGIOTIS TETSIS (GREEK, 1925-2016) Corfu signé en grec (en bas à droite) aquarelle sur papier 73 x 102cm (28 3/4 x 40 3/16in). Peint vers 2000 signed in Greek (lower right) watercolour on paper

€10,000 - 14,000 £8,600 - 12,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 69 48 AR NIKOS HADJIKYRIAKOS-GHIKA (GREEK, 1906-1994) Petite place dans le quartier de Keramikos, Athènes signé 'K. GHIKA' (en bas à droite) huile sur toile 81 x 100cm (31 7/8 x 39 3/8in). Peint en 1928 signed (lower right) oil on canvas

€30,000 - 50,000 £26,000 - 43,000

Provenance G. Pikoulis collection, Athens. I. Nikolaidis collection, Athens. N. Petsalis-Diomidis collection, Athens. Private collection, Athens.

Exposé Athens, To Trito Mati gallery, May 1977.

Littérature To Trito Mati magazine, no. 1, May 1977, no. 54 (illustrated). "In the delectable The Square, Keramikos, a twilight view of an N. Petsalis-Diomidis, Ghika 1921-1940, Athens 1979, no. 58, p. 93 expanse of gentle topographical curves set within a group of neatly (mentioned), p. 95 (discussed), pp. 69, 132 (illustrated). scattered dwellings, Ghika presents the simple, good-natured life J.P. de Rycke, N.P. Paissios, Ghika and the Avant-Garde in Interwar of its inhabitants, occupied with their various activities, in a folk vein Europe, Benaki Museum - N.H. Ghika Gallery, Ephesos editions, that harks back to the roots of the Greek artistic tradition. In its tonal Athens 2004, no. 29, pp. 54, 56 (discussed), p. 56 (illustrated). sweetness and naiveté of touch, this work also recalls certain paintings E. Mystakas, Nikos Hadjikyriakos-Ghika and Space in his Painting, by Henri Rousseau."1 doctoral dissertation, Athens, 2005, fig. 30, p. 309 (catalogued), p. 156 (discussed), p. 159 (illustrated). In this panoramic view of the quaint Athenian neighbourhood of K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, doctoral Keramikos, the cluster of buildings dominating the centre of the dissertation, Athens, 2006, pp. 72-73 (discussed), fig. 74 (illustrated). painting, reminiscent of Galanis's or Braque's cube-like structures or K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, even Quattrocento and Byzantine town depictions, is one of the artist's Benaki Museum edition, Athens 2011, fig. 44, p. 54 (discussed), most characteristic iconographical elements from that period. As noted p. 55 (illustrated). by Professor C. Christou, "in the 1927-1929 period one of the issues taken up in Ghika's paintings seems to be the organisation of space as indicated by his predilection for architectural themes always treated with a disciplined design, interwoven planes and almost classicist purity of colour."2

Of particular interest is also the woman leaning out of the window on the left flanked by open shutters, a subject the artist worked on in independent compositions in 1927, and the two figures on the right sitting around the ubiquitous round metal table of the traditional Greek coffee shop, a cornerstone of Athenian urban culture, whose enchanting allure was captured in works by S. Vassiliou, Y. Moralis, N. Ghika and other exponents of the thirties generation.

1 J.P. de Rycke, N.P. Paissios, Ghika and the Avant-Garde in Interwar Europe, Benaki Museum - N.H. Ghika Gallery, Ephesos editions, Athens 2004, p. 54. 2 C. Christou, "Nikolis Hadjikyriakos-Ghika" [in Greek] in In Memory of N. Hadjikyriakos-Ghika, exhibition catalogue, Academy of Athens, Athens 1995, p. 12.

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 71 49 AR YIANNIS SPYROPOULOS (GREEK, 1912-1990) Le Mythe signé en grec (en bas à droite); signé, titré et daté 'Jannis Spyropoulos A myth 1961' (sur le châssis) huile sur toile 50 x 61cm (19 11/16 x 24in). signed in Greek (lower right); signed titled and dated (on the stretcher) oil on canvas

€8,000 - 12,000 £6,900 - 10,000

Provenance Sotheby's London, The Greek Sale, 9 May 2011, lot 103. Acquired from the above sale by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 50 AR ALECOS FASSIANOS (GREEK, BORN 1935) Cycliste du soleil/ L' été signé 'A. Fassianos' (en haut à droite) et titré (en haut au centre) acrylique sur toile 117 x 150cm (46 1/16 x 59 1/16in). Peint vers 2005 signed 'A. Fassianos' (upper right) and titled (upper center) acrylic on canvas

€25,000 - 30,000 £22,000 - 26,000

Exposé Paris, Pierre-Alain Challier gallery, Fassianos ou la Reconquête du Bonheur, June 4 - July 31, 2010 (illustrated in the exhibition catalogue, Beaux-Arts editions).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 73 51 AR DIMITRIS MYTARAS (GREEK, 1934-2017) La muse signé en grec (en bas à gauche) huile sur toile 70.5 x 50cm (27 3/4 x 19 11/16in). signed in Greek (lower left) oil on canvas

€7,000 - 9,000 £6,000 - 7,700

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 52 (b) 52 (a)

52 AR ALECOS FASSIANOS (GREEK, BORN 1935) a) Jeune homme doré b) Nature Morte signé en grec (en bas à gauche) signé en grec en haut à gauche acrylique sur papier marouflée sur toile, acrylique sur carton cadre réalisé par l'artiste 49 x 33cm (19 5/16 x 13in). 48.5 x 30cm (19 1/8 x 11 13/16in) Peint en 1985-87 avec le cadre 64 x 45cm (25 3/16 x 17 11/16in) signed in Greek (upper left) signed in Greek (lower left) acrylic on cardboard acrylic on paper laid on canvas, frame painted by the artist (2)

€10,000 - 15,000 £8,600 - 13,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 75 53

OTHER PROPERTIES

53 ANGELOS GIALLINA (GREEK, 1857-1939) Vue de Venise signé et daté 'Giallina 95' (en bas à gauche) aquarelle sur papier 39 x 73.5cm (15 3/8 x 28 15/16in). Peint en 1895

signed and dated (lower left) watercolour on paper

€2,200 - 3,200 £1,900 - 2,800

54 CONTINENTAL SCHOOL Monument de Lyssicrates huile sur toile contrecollée sur panneau 30 x 24cm (11 13/16 x 9 7/16in).

oil on canvas laid down on hardboard

€2,000 - 3,000 £1,700 - 2,600

Provenance Christie's, The Greek Sale, 15 December 1998, lot 6. Acquired from the above sale by the present owner. 54

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 55

55 EDWARD LEAR (BRITISH, 1812-1888) Corfu inscrit 'Corfu' (en bas à gauche) aquarelle sur papier 12 x 20.5cm (4 3/4 x 8 1/16in). inscribed 'Corfu' (lower left) watercolour on paper

€6,000 - 8,000 £5,200 - 6,900

Provenance The Parker Gallery, London. Acquired from the above gallery by the present owner, c. 1971-75.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 77 56 THÉODORE JACQUES RALLI (GREEK, 1852-1909) Intérieur de maison Born in Constantinople of Greek parents, Ralli studied in Paris in the signé 'Ralli' (en bas à gauche) atelier of the leading pompier painter of the time, Jean-Léon Gérôme. huile sur toile He exhibited regularly at the Salon de Paris and was enthusiastically 38 x 46.5cm (14 15/16 x 18 5/16in). received by the French critics. Although his later work is characterized by scenes of the exotic world of the East and of Greece, his earlier signed (lower left) work is comprised mostly of genre scenes. oil on canvas Ralli was always interested in how people lived, their customs and €8,000 - 12,000 traditions. In this interior scene Ralli provides a rare glimpse of a middle £6,900 - 10,000 class sitting room of the late 19th century. Focusing on the furnishings in the present work, Ralli provides numerous hints as to the economic and Provenance social standing of the occupants, creating a "portrait" of their lives. The Bonhams London, Greek Sale of 23 November 2010, lot 16. shelves lined with books, the ormolu clock, candelabra, paintings and Acquired from the above sale by the present owner. carpets point to a family of means and education. With his characteristic attention to detail, Ralli has not only captured the cordial atmosphere of Littérature a corner of a sitting room, but has also provided a valuable visual record M. Palioura, The Painting Oeuvre of Theodoros Ralli (1852-1909), of a domestic interior of his time. doctoral dissertation, University of Athens, Athens 2008, vol. I, p. 210 (mentioned), vol. II, fig. 291 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 57 * SYMEON SAVVIDES (GREEK, 1859-1927) La baigneuse huile sur toile marouflée sur carton 30 x 20.5cm (11 13/16 x 8 1/16in). oil on canvas laid on card

€5,500 - 7,000 £4,700 - 6,000

Provenance Private collection, New York.

Littérature Marilena Kassimati, Symeon Savvides, His Life and Oeuvre, Adam-Pergamos Editions, Athens, 2006, p. 251, no 210 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 79 58 * THÉODORE JACQUES RALLI (GREEK, 1852-1909) La Captive signé et daté 'Ralli 85' (en bas à droite) huile sur toile 60 x 81.5cm (23 5/8 x 32 1/16in). Peint en 1885 signed and dated (lower right) oil on canvas

€300,000 - 500,000 £260,000 - 430,000

Provenance Palais des Beaux-Arts, Brussels, 18 November 1970, lot 14 (as La jolie prisonnière) Galerie Kourd, Athens. Private Collection, New York (purchased from the above). Sotheby's London, The Greek Sale, 14 November 2007, lot 19. Purchased at the above sale by the present owner.

Exposé Liverpool, Liverpool Autumn Exhibition, Walker Art Gallery, 1885, no. 414, under the title Turkish Plunder. London, Hollender and Cremetti gallery, 1886 (based on the artist's notebook entry). Newcastle, 1886 (based on the artist's notebook entry).

Littérature The artist's notebook. M. Katsanaki, Le Peintre Théodore Ralli (1852-1909) et son Œuvre, doctoral dissertation, Université Paris I - Panthéon-Sorbonne, 2007, no. 70, pp. 130, 168, 171, 172, 176, 177, 286, 287 (mentioned and discussed), fig. 82 (illustrated). M. Palioura, The Painting Oeuvre of Theodoros Ralli (1852-1909), doctoral dissertation, University of Athens, Athens 2008, vol. I, p. 200 (discussed), vol. II, fig. 66 (illustrated). M. Katsanaki, Theodore Ralli, A.G. Leventis Foundation - A.G. Leventis Gallery, Athens 2018, no. 57, pp. 135-139 (discussed), p. 350 (catalogued), p. 137 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

Théodore Jacques Ralli La Captive, 1886

A museum-worthy masterpiece whose auction appearance happily coincides with this year's bicentennial celebrations of the Greek Revolution, this exquisite large-scale painting of superb craftsmanship and solemn restraint captures the hearts and minds of Greeks and philhellenes alike.

Inspired by the Ottoman Occupation era, when Greece was in shackles, the scene unfolds in an old Greek Orthodox church. As noted by Athens National Gallery curator M. Katsanaki, who provides a full description of the work in her monograph on the artist,1 the protagonist is a beautiful young peasant woman in her traditional costume who has been taken captive. With her hands tied, she stands on a slate-paved floor next to a wooden church pew. Flooded by an invading light, her glowing figure strongly contrasts with the dark interior on the left side and the dimly lit sacred images on the weathered wall behind her, which, faintly portrayed, loom as transcendental presences. Next to her, on the floor, we see her overcoat, her betel bag and her distaff with the wool she was apparently spinning at the moment of her abduction. To the right, a multitude of looted items and valuable objects—fabrics, slippers, jewellery and a mother-of-pearl box—are lying in heaps. The young woman is the living plunder of the Ottoman conquerors, who are depicted sitting on overturned stools around the fire they have lit to complete the desecration of this place of worship. As they sit smoking under the arch with the symbol of the cross, the unholiness of their act is emphasised even further.2 Heavily armed and looking relaxed, they have propped up against the wall the banner with the crescent moon, which serves to define space and isolate the young victim, who is obviously doomed to be sent to some slave market in the East.

Here, Ralli tackled a subject which touched a chord and lent itself to stirring the Greek and philhellenic hearts, while allowing him to meticulously concentrate on ethnographic detail and focus on features, appearances and outfits, endowing them with a monumental quality. Contrasts are underscored and invested with meaning: female-male, sacred-sacrilegious, Christian-infidel, Greek-Turk, cross-crescent, purity-barbarity, chastity-ignominy, weakness-power. These dot not, however, affect the artist's handling of pictorial issues. His distinctive elegance, discretion and refined palette are amply displayed. In his astonishing virtuosity, skilful use of subtle chiaroscuro and painstaking attention to detail (note the diligently rendered loot, the glowing firewood, and the flickering highlights caught on the Turk's garments and face) Ralli follows on the footsteps of his teacher Jean-Léon Gérôme, while showing an appreciation for the achievements of 17th c. Dutch realists, mainly in the organization and handling of pictorial space. Relying on balanced composition, harmony of colour values, tonal effect, solidity of form and an entirely personal spirit of discreet elegance that permeates the whole painting, Ralli achieves unity and fuses his narrative material into a refined and seductive work of art.

Equally evident is his aim to avoid causing any extreme reaction on the part of the viewer. Nothing in the young woman's face or posture betrays the horror of disrepute; nothing in her flawless appearance and well-fitting clothes indicates that she is enraged or trying to esistr and free herself. Her nobility and dignity are not shaken by fear or desperation. Instead, she has a sculptural immobility, recalling the timeless, idealised beauty of ancient Greek statues. Even at this moment of grave peril, the young Greek kore retains her humanity, transcending her individual specificity and venturing towards the archetypal and collective to take on a symbolic quality: the eternal struggle between liberty and oppression. For the European philhellene, (detail)

the Greek cause represented not only the struggle for freedom, human Recognized as the dean of Greek orientalist painters, Ralli enjoyed a rights and nationality, but also the struggle of the "mother" of Western solid career in France. Especially after 1882 he participated in many civilization to restore her former glory and carry the torch of exhibitions and in 1901 was awarded the Medal of the Legion of enlightenment and reason. The look in the young woman's eyes, Honour by the French Government. He also showed regularly in which silently seek out the viewer's compassion and support, Athens and his work was admired by critics and collectors alike. Ralli establishes a subtle connection with the outside, free world, conveying travelled extensively in mainland Greece, painting mainly female figures the message that the Greek cause was ultimately a European cause. in secular or religious settings and faithfully recording the countenance Instead of offering a mere spectacle to be passively looked upon, Ralli and traditional costumes of the Greeks. As noted by M. Katsanaki, ingeniously invites the viewer to participate and emotionally engage in "the painter showed a keen predilection for Greek themes drawn from the scene, demonstrating his great skill as a genre painter. The theme the rural-folk and religious life, which in his finest moments he rendered of the female captive, and indeed the Greek woman who falls into the with a pensive and poetic disposition, avoiding quaint sentimentality by hands of the Turks, reappeared much late in Ralli's work, in a remaining closely in touch with the Greek people and culture."4 In a composition painted for the 1906 Salon titled The Booty, now in the comprehensive essay written on the painter, Professor C. Christou collection of the National Gallery in Athens. notes that "Ralli was one of those artists who consistently managed to sell their work even before they were completely dry, a fact that With Turkish plunder (La Captive), Ralli offered a Greek version of the explains why the National Gallery in Athens has such a limited 19th century orientalist themes showing women in states of pain and collection of his work."5 despair, prey to the appetites of men in positions of power, as is the case with Hiram Powers' Greek slave, one of the most famous 1 See M. Katsanaki, Theodore Ralli, A.G. Leventis Foundation - A.G. sculptures of the Victorian age. Very often such works were supposed Leventis Gallery, Athens 2018, pp. 135-139. to be representing scenes which had taken place in the distant past or 2 Positioned prominently, however, as if overlooking the scene, the at an unspecified time. On the contrary, Ralli was inspired by Greece's Christian cross foreshadows the successful outcome of the war and fairly recent history, echoing Delacroix and the philhellenic movement the liberation of the Greeks. See M. Palioura, The Painting Oeuvre of of the 1820s, and alluding to Nikiforos Lytras's famous Abducted maid Theodoros Ralli (1852-1909) [in Greek], doctoral dissertation, (Y. Perdios collection, Athens) painted in 1873. When Ralli showed University of Athens, Athens 2008, vol. I, p. 200. Turkish plunder there already existed in Europe a favourable climate for 3 D. de Pesquidoux, L'Art dans les Deux Mondes. Peinture and the reception of subjects inspired by the Ottoman occupation and the Sculpture (1878), vol. I : L'Art au XIXe Siècle, Paris 1881. 1821 Uprising: "Honour the heroes who through their epic valour 4 M. Ka(tsanaki) in Dictionary of Greek Artists [in Greek], Melissa inflicted, in this century, the first blows to the Muslim savagery and editions, vol. IV, Athens 2000, p. 86. who, while delivering their homeland, helped to free Europe ... Also 5 C. Christou, Greek Painting 1832-1922 [in Greek], National Bank of honour the artists who, with a throbbing heart and a paintbrush, know Greece, Athens 1993, p. 78. how to move us by retracing the noble boldness of their forefathers."3

THE GREEK SALE | 83 59 CONSTANTINOS VOLANAKIS (GREEK, 1837-1907) Après la tempête signé 'C. Bolanachi' (en bas à gauche) huile sur toile 59 x 81cm (23 1/4 x 31 7/8in). signed (lower left) oil on canvas

€30,000 - 40,000 £26,000 - 34,000

Provenance Private collection, Athens.

Nous remercions professeur M. Vlachos pour avoir confirmé l'authenticité de cette œuvre. (We are grateful to professor M. Vlachos for confirming the authenticity of this lot.)

A great example of the artist's German period—as indicated by its signature in Latin characters (Bolanachi)—Après la tempête showcases virtuoso brushwork, immediacy of execution, sense of space, harmony of proportion and unity of effect. His suggestion of the atmosphere, the low horizon that gives full value to the spaciousness of the sweeping sky, and the trenchant design are reminiscent of the great 17th c. Dutch seascape painters. Moreover, the human figures seem fully absorbed by the natural environment, becoming an integral part of the whole in a romantic notion of art echoing Claude Lorrain.

Though the influence of the Munich School is evident, Volanakis, who was raised on the island of Crete and had experienced open horizons and the constantly changing sea, could not limit himself to strict academic tenets. Allowing himself to demonstrate a freer exercise of his technical abilities, he captures the struggle of fishermen1 pushing their boat out to the foamy sea with swift and vigorous brushstrokes that match the fury of the breaking waves. The marine scene is full of action, conveying the artist's concern with movement and the evanescent effects of nature, while the seascape is perceived as a complex entity with unlimited expressive potential (compare Towards the shore, c. 1875, National Gallery, Athens). Scintillating highlights and bold patches of vivid colour that break through the dullness and coolness of the day, come together to create a moving picture of spontaneity and immediacy in the vein of his impressionist Circus (1876) at the National Gallery in Athens.

1 Volanakis focused with great love on everyday life on the seacoast and the hard toil of fishermen, showing genuine interest in the ordinary activities of people who lived and worked by the sea, a social concern that links him to Gustave Courbet and the Barbizon artists.

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 85 60 AR YIANNIS MORALIS (GREEK, 1916-2009) Le couple Littérature signé et daté '75' (au recto); inscriptions 'EA 1-8' (au verso) C. Christou, M. Koumvakali-Anastasiadi, Modern Greek Sculpture bronze 1800-1940, Commercial Bank of Greece edition, Athens 1982, 23 x 19 x 5cm (9 1/16 x 7 1/2 x 1 15/16in). (discussed, p. 139, and illustrated, no. 168). Réalisé en 1975 Yannis Moralis, Commercial Bank of Greece Group of Companies edition, Athens 1988, no. 727, p. 467 (illustrated). signed and dated (on the recto); inscribed (on the reverse) I.Moralis, Angels, Music, Poetry, exhibition catalogue, Benaki Museum, bronze Athens 2001, p. 70 (illustrated). Y. Bolis, Yannis Moralis, K. Adam editions, Athens 2005, p. 156 €3,000 - 5,000 (illustrated). £2,600 - 4,300 Shown in S. Charalambopoulos, J. Moralis, documentary CD, Periplous editions, Athens 2005. Provenance Y. Bolis, Yannis Moralis, Contemporary Greek Painters, Ta Nea Estate of the artist. editions, Athens 2007, p. 128 (illustrated). Private collection, France.

Exposé Athens, Zoumboulakis Gallery, Moralis, March 1978, (illustrated in the exhibition catalogue). Athens, National Gallery - Alexandros Soutzos Museum, Yannis Moralis, April 18 - June 5, 1988, no. 131 (listed in the exhibition catalogue, p. 129).

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 61 AR YIANNIS MORALIS (GREEK, 1916-2009) Figure I, Figure II Littérature signées en grec et inscriptions 'EA 1-10' (les deux au dos) Yannis Moralis, Commercial Bank of Greece Group of Companies bronze edition, Athens 1988, no. 730, p. 469 (illustrated). 26.5 x 16.5 x 2 cm. et 25 x 16.5 x 2 cm. Y. Bolis, Yannis Moralis, K. Adam editions, Athens 2005, p. 156 Réalisées en 1982 (illustrated). Shown in S. Charalambopoulos, J. Moralis, documentary CD, signed in Greek and inscribed (both on the reverse) Periplous editions, Athens 2005. bronze Y. Bolis, Yannis Moralis, Contemporary Greek Painters, Ta Nea editions, Athens 2007, p. 44 (illustrated). (2)

€6,000 - 10,000 £5,200 - 8,600

Exposé Athens, Zoumboulakis Galleries, Moralis, March 1983, no. 23 (illustrated in the exhibition catalogue). Athens, National Gallery - Alexandros Soutzos Museum, Yannis Moralis, April 18 - June 5, 1988, no. 132 (listed in the exhibition catalogue, p. 68).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 87 62

62 AR 63 AR SPYROS VASSILIOU (GREEK, 1902-1985) GEORGIOS BOUZIANIS (GREEK, 1885-1959) Fleurs d'automne Tournesols signé en grec et daté '63' (en bas à gauche) signé 'Bouzianis' (en bas à gauche) acrylique sur toile contrecollée sur panneau huile sur carton 65 x 110cm (25 9/16 x 43 5/16in). 57 x 45cm (22 7/16 x 17 11/16in). Peint en 1963 signed (lower left) signed in Greek and dated (lower left) oil on cardboard acrylic on canvas laid on panel €15,000 - 20,000 €4,500 - 6,500 £13,000 - 17,000 £3,900 - 5,600 Provenance German private collection. Sotheby's London, 20th century art – A different perspective, 2 December 2015, lot 75. (Gerhard Bussianis confirmed the authenticity of the work for this sale) Private collection, Athens.

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 63

THE GREEK SALE | 89 64 * AR NIKOS HADJIKYRIAKOS-GHIKA (GREEK, 1906-1994) Country Café I signé et daté 'GHIKA 39' (en bas à droite) huile sur toile 50.5 x 47cm (19 7/8 x 18 1/2in). Peint en 1939 signed and dated (lower right) oil on canvas

€30,000 - 40,000 £26,000 - 34,000

Provenance Maurice Cardiff, Thame, Oxfordshire. Thence by descent. Private collection, London.

Exposé London, Greek House, British Council, Six Contemporary Greek Recalling The farm (1922), Juan Miro's modernist masterpiece, Country Painters, March 21-31, 1946, no. 31. Café I is energized by both the achievements of the early 20th c. European avant-garde and the detailed documentation of contemporary Littérature Greek folk reality—the initialled chair in the extreme foreground, the O Aionas Mas magazine, no. 3 (15), May 1948, p. 84, under the title crosswise fence, the arched lintels bedecked with garlands of electric The end (illustrated). lights, as perceptively described by writer-painter Nikos-Gabriel Filologiki Protochronia annual edition, vol. XIII, 1951, p. 117 (mentioned). Pentzikis in his groundbreaking Mrs. Ersis's Novel.1 When we look T. Spiteris, Peintres, Sculpteurs, Graveurs de Grèce, Athens 1952, at the painting we immediately sense the harmoniously coexisting p. 32 (illustrated). oppositions of the artist's vision: modernist and classicist, Athenian N. Petsalis-Diomidis, Ghika Catalogue Raisonné 1921-1940, Athens and Parisian, deeply rooted in Greek tradition, yet cosmopolitan. 1979, no. 219, p. 98 (discussed), p. 230 (illustrated). N.G. Pentzikis, Mrs Ersi's Novel [1966], Agra editions, Athens 1992, A charming and accomplished painting from Ghika's 1938-1940 pp. 47-48 (discussed). period, during which the defining characteristics of his work were N. Chadjikyriakos-Ghika, in Memoriam, The Academy of Athens, formulated, Country Café I draws from the fragmented planes and Athens 1995, p. 15 (mentioned). spatial distortions of cubism to reinterpret indigenous cultural forms C. Christou, "Nikolis Hadjikyriakos-Ghika", Minutes of the Athens and explore a fresh approach to the complex issue of Greekness. Academy, 1995, vol. 70, no. 2, Athens 1995, p. 305 (mentioned). As noted by N. Petsalis-Diomidis, who researched the artist's 1921- Nikolis Hadjikyriakos-Ghika, exhibition catalogue, Municipal Art Gallery 1940 output, "at the age of 32, Ghika already had the skill and vision of Rhodes, Rhodes 1996, p. 15 (mentioned). to offer Greek art a new perspective that rejected academic norms and C. Christou, Greek Painting in the Twentieth Century, Association for attuned with contemporary art trends expressed mainly by the Ecole the Dissemination of Beneficial Books editions, vol. 1, Athens 2000, de Paris and the Bauhaus."2 p. 171 (mentioned). The Annual Journal of the Benaki Museum, no. 3, 2003, p. 147, The painting adorned the collection of British Council officer and writer f.n. 1 (discussed). Maurice Cardiff (1915-2006). Educated at Eton and Oxford, Cardiff J.P. de Rycke, N.P. Paissios, Ghika and the Avant-Garde in Interwar was summoned to postwar Athens and given the running of the British Europe, Benaki Museum - N.H. Ghika Gallery, Ephesos editions, Council. The 1946 exhibition in London, which included Country Café Athens 2004, no. 146 (219), p. 240 (catalogued). I and served to launch in Britain the work of Ghika, was organized by K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, the British Council to project Greek culture overseas and strengthen doctoral dissertation, Athens, 2006, pp. 136-137 (discussed), Anglo-Greek cultural collaboration. The Council acted as a magnet fig. 246 (illustrated). to British writers who, attracted by the mythical qualities of Greece, K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, sought a place in the Council's teaching operations. Among those Benaki Museum edition, Athens 2011, fig. 57, p. 120 (discussed involved were Lawrence Durrell, Rex Warner, Patrick Leigh Fermor, and illustrated). Maurice Cardiff and, on the Greek side, George Seferis, George Katsimbalis and Ghika.3

1 See N.G. Pentzikis, Mrs Ersi's Novel [1966], Agra editions, Athens 1992, pp. 47-48. 2 N. Petsalis-Diomidis, N. Hadjikyriakos-Ghika, catalogue raisonné, Athens 1979, p. 98. 3 See Ghika - Craxton- Leigh Fermor, Charmed Lives in Greece, exhibition catalogue, Benaki Museum, Athens 2017, p. 32.

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 91 65 (b)

65 NICHOLAOS CHIMONAS (GREEK, 1866-1929) a) Vue de Fira, Santorini signé en grec et daté '1925' (en bas à gauche) huile sur toile contrecollée sur carton 44 x 34cm (17 5/16 x 13 3/8in).

signed in Greek and dated (lower left) oil on canvas laid on cardboard

b) Vue de Délos signé en grec et daté '1924' (en bas a droite) huile sur toile contrecollée sur carton 24 x 33cm (9 7/16 x 13in).

signed in Greek and dated (lower right) oil on canvas laid on cardboard

(2)

€4,000 - 6,000 £3,400 - 5,200

Exposé b) Athens, Parnassos Hall, Exhibition of Paintings by Nicholaos Chimonas, December 18, 1925 - January 18, 1926, no. 4, under the title Lions, Delos (possibly).

65 (a)

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 66 AR YIANNIS SPYROPOULOS (GREEK, 1912-1990) Port de Tinos signé en grec (en bas à droite) huile sur toile 38.5 x 48cm (15 3/16 x 18 7/8in). Peint en 1952 signed in Greek (lower right) oil on canvas

€7,000 - 9,000 £6,000 - 7,700

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 93 67

67 68 AR VICENZO LANZA (ITALIAN, 1822-1902) DIMITRIOS GALANIS (GREEK, 1880-1966) Paysage grec La route encaissée signé et daté 'V. Lanza 98' (en bas à droite) signé 'D. Galanis' (en bas à gauche) huile sur toile huile sur toile 47 x 60cm (18 1/2 x 23 5/8in). 55.5 x 46cm (21 7/8 x 18 1/8in). Peint en 1898 Peint en 1924 signed and dated (lower right) signed (lower left) oil on canvas oil on canvas €2,000 - 3,000 €7,000 - 9,000 £1,700 - 2,600 £6,000 - 7,700 Provenance Provenance Christie's Athens, The Greek Sale, 4 December 1995, lot 28. Niko Mazaraki collection. Acquired from the above sale by the present owner. Private collection, Athens.

Exposé Athens, Iliou Melathron, D. Galanis Retrospective Exhibition, May 26 - June 9, 1928, no. 1, under the title La route (possibly).

Littérature G. Gabory, Galanis, Les Peintres Francais Nouveaux, no. 25, Paris 1926, p. 61 (illustrated). E. Mavrommatis, The Engraving and Painting of Dimitris Galanis 1879-1966 (doctoral dissertation), Athens 1983, p. 464 (mentioned).

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 68

THE GREEK SALE | 95 69 AR VALERIOS CALOUTSIS (GREEK, BORN 1927) Personnages signé et daté 'Valerios/ Caloutsis/ 1958' (en haut à gauche) huile sur toile 80 x 115cm (31 1/2 x 45 1/4in). signed and dated (upper left) oil on canvas

€3,000 - 5,000 £2,600 - 4,300

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 70 AR CONSTANTIN XENAKIS (FRENCH, BORN 1931) Le chemin de deux Gabarits signé 'Constantin Xenakis' (en haut à droite) signé, daté et situé 'Constantin Xenakis/ Berlin 72' (au dos) acrylique sur toile 100 x 50cm (39 3/8 x 19 11/16in). Peint en 1972 signed (upper right); signed and dated (on the reverse) acrylic on canvas

€4,000 - 6,000 £3,400 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 97 71 72

71 AR 72 AR YANNIS GAÏTIS (GREEK, 1923-1984) YANNIS GAÏTIS (GREEK, 1923-1984) Cinq Personnages Quatre personnages construction en bois peint signé et numéroté 'Gaitis 23/ 25' (au dos) 74 x 32 x 4cm (29 1/8 x 12 5/8in). construction en bois peint Réalisée vers 1981-1983 72 x 13 x 5 cm (28 3/8 x 5 1/8 x 1 15/16in) painted wooden construction signed and numbered (on the reverse) painted wooden construction €6,000 - 8,000 £5,200 - 6,900 €5,000 - 7,000 £4,300 - 6,000

Littérature Yannis Gaitis, Catalogue Raisonné, Ioannis F. Costopoulos Foundation, Paris/Athens 2003, no. 1355, p. 316 (mentioned, edition in yellow/ black illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Property of a private Greek Collection Lots 73 - 77

73 AR YANNIS GAÏTIS (GREEK, 1923-1984) Trois hommes avec des oiseaux signé 'Gaitis' (en bas à droite) huile sur toile 100 x 50cm (39 3/8 x 19 11/16in). Peint en 1967 signed (lower right) oil on canvas

€14,000 - 18,000 £12,000 - 15,000

Littérature Yannis Gaitis, Catalogue Raisonné, Ioannis F. Costopoulos Foundation, Paris/Athens 2003, no. 896, p. 233 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 99 74 AR PAVLOS (PAVLOS DIONYSSOPOULOS) (GREEK, 1930-2019) Manteaux signé et daté 'Pavlos 1973' (en bas à droite) jex et plexiglass 201 x 121cm (79 1/8 x 47 5/8in). signed and dated (lower right) jex on plexiglass

€30,000 - 40,000 £26,000 - 34,000

Exposé Athens, Zoumboulakis-Iolas Gallery, Pavlos, December 1974 - February 15, 1975.

Littérature Tachydromos magazine, no. 1080, December 19, 1974, p. 116 (partially shown in a photograph from the 1974 Athens exhibition).

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 101 75 AR THANOS TSINGOS (GREEK, 1914-1965) Port avec bateaux signé et daté 'TSINGOS/ 65' (en haut à droite) huile sur toile 73 x 100cm (28 3/4 x 39 3/8in). Peint en 1965 signed and dated (lower right) oil on canvas

€9,000 - 12,000 £7,700 - 10,000

Provenance Mina Hunter collection, Athens. Private collection, Athens.

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 76 AR ACHILLEAS DROUNGAS (GREEK, BORN 1940) Nature morte avec faucon signé et daté 'A. Droungas 1975' (en bas à droite) huile sur toile 120 x 180cm (47 1/4 x 70 7/8in). signed and dated (lower right) oil on canvas

€9,000 - 12,000 £7,700 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 103 77

OTHER PROPERTIES 77 AR 78 AR PERICLES BYZANTIOS (GREEK, 1893-1972) LEON KALOGEROPOULOS (GREEK, 1928-2002) Vagues de la mer La Bataille navale de Limnos le 5 Décembre 1912 signé en grec (en bas à droite) signé en grec (en bas à gauche) huile sur toile huile sur toile 80 x 115cm (31 1/2 x 45 1/4in). 80 x 120cm (31 1/2 x 47 1/4in). signed in Greek (lower right) signed in Greek (lower left) oil on canvas oil on canvas

€4,000 - 6,000 €4,000 - 6,000 £3,400 - 5,200 £3,400 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 78

79 AR NICHOLAS (PAVLOPOULOS) (GREEK, 1909-1990) Chargez inscription (sur la base) bronze 43 x 39 x 17 cm(16 15/16 x 15 3/8in x 6 11/16in).

inscribed (on the base) OTHER PROPERTIES €2,000 - 3,000 £1,700 - 2,600

Exposé Athens, Zappeion Hall, Exhibition of the Military History of Greeks, April 28 - October 30, 1968 (discussed, p. illustrated in the exhibition catalogue, vol. II, p. 524). Athens, Athinaiki Leschi, Balkan Wars, 30 October 2002.

Littérature The Sculpture of Nicholas, S.I. Tziropoulos editions, Athens 1962, p. 53 (illustrated). Athenian Club invitation diptych, October 2006 (illustrated on the cover).

Rooted in the epic of the 1821 uprising and engraved in the Greek soul as a mythical figure and national symbol, the evzone1 took part in all national campaigns for independence and freedom. Here, portrayed in his signature kilt-like fustanella highland garb, Nicholas's charging evzone captures Greece's heroic and glorious stand against the fascist invasion in 1940-1941.

1 Select light-infantry and mountain units of the Greek Army. 79

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 105 80 AR SPYROS PAPALOUKAS (GREEK, 1892-1957) Monastère des Iviron, Mont Athos signé en grec (en bas à droite) huile sur carton 56 x 48cm (22 1/16 x 18 7/8in). Peint en 1924 signed in Greek (lower right) oil on cardboard

€22,000 - 30,000 £19,000 - 26,000

Provenance Sotheby's London, European Paintings, 11 June 2012, lot 114. Acquired from the above sale by the present owner.

Littérature Spyros Papaloukas, Sojourn in Mount Athos, Mount Athos Gallery - Agra editions, 2003, no. 73 (illustrated).

Papaloukas's output during his one-year sojourn in Mt. Athos is a key chapter in the development of Greek art in the early decades of the 20th century. As perceptively noted by art critic A. Kouria, these works provided a daring answer to some of the period's foremost issues concerning tradition and cultural identity.1 The painter himself once questioned how an artist can create the Greek future if not thoroughly familiar with the Greek past? Here, he treated his subject2 by fusing the rich Byzantine tradition of town description with the doctrines of modern art. As if he were making a Byzantine mosaic, he emphasized the flatness of the surface and endeavoured to liberate colour from its obligation to describe reality, a perception which was also of pivotal importance to the art of the Nabis, Cezanne and the early 20th c. cubist experiments.

1 See A. Kouria, "Spyros Papaloukas's Athos" in Spyros Papaloukas, Sojourn in Mount Athos [in Greek], Agra editions - Mount Athos 2003, p. 22. 2 Built in the early 980s by Georgian monks, the Iviron Monastery preserves precious icons, manuscripts, books and liturgical scrolls, as well the relics of canonized saints.

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 107 81 AR APOSTOLOS GERALIS (GREEK, 1886-1983) La lettre d' amour signé en grec (en bas a gauche) huile sur panneau 43.5 x 30.5cm (17 1/8 x 12in). signed in Greek (lower left) oil on panel

€3,000 - 4,000 £2,600 - 3,400

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 82 AR VASSILIS GERMENIS (GREEK, 1896-1966) Scène domestique signé en grec (en bas à droite) huile sur toile 65 x 100cm (25 9/16 x 39 3/8in). signed in Greek (lower right) oil on canvas

€5,000 - 7,000 £4,300 - 6,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 109 83 VASSILIOS HATZIS (GREEK, 1870-1915) Le navire de guerre Georges Averof signé en grec (en bas à gauche) huile sur toile 40 x 70cm (15 3/4 x 27 9/16in). signed in Greek (lower left) oil on canvas

€12,000 - 18,000 £10,000 - 15,000

Provenance N. Vernikou collection, Athens. Private collection, Athens.

Exposé Piraeus, Hellenic Maritime Museum, The Battleship "Georgios Averof", 1911-2011, History and Art, October 5, 2011 - January 7, 2012 (illustrated in the exhibition catalogue, pp. 132-133).

Littérature D. Yakoumakis, ed., The Hellenic Navy in Greek Art, Hellenic Navy General Staff edition, Athens 1996, no. 96, p. 151 (discussed), p. 74 (illustrated).

Nous remercions professeur M. Vlachos pour avoir confirmé l'authenticité de cette œuvre. (We are grateful to professor M. Vlachos for confirming the authenticity of this lot.)

The flagship of the Greek fleet and the most important and impressive vessel in the history of the Hellenic Navy, the battleship Averof surges through the choppy seas of the Aegean, engaged in open warfare with the Turkish fleet.

Purchased in 1910, Averof was named after the great national benefactor, whose bequest covered most of the cost. At the outbreak of the First Balkan War, under the command of Rear Admiral Pavlos Kontouriotis, the legendary ship set sail for the Dardanelles Straits, liberating along the way most of the Aegean islands. The inevitable engagement with the Turkish fleet led to major victories in the battle of Elli (December 1912) and the Battle of Limnos (January 1913), whittling away at the Sultan's hopes to control the Aegean.

On government orders, Hadjis observed operations aboard the warships Averoff and Miaoulis or from the Moudros naval base on the island of Limnos, recording the glorious historical events with spontaneity, directness and evocative realism. According to Professor M. Vlachos, an expert on Greek seascape and marine painting, "Handjis's renditions of the battleship Averof are the most successful ship portraits he ever painted."1

1 M. V(lachos) in Dictionary of Greek Artists [in Greek], vol. IV, Melissa editions, Athens 1999, p. 444.

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 111 84 (a)

84 AR APOSTOLOS GERALIS (GREEK, 1886-1983) a) Les canards du jardin National d'Athènes signé en grec (en bas à gauche) huile sur panneau 35 x 49.5cm (13 3/4 x 19 1/2in).

signed in Greek (lower left) oil on panel

b) Danse triumphale des soldats grecs gouache sur papier 49 x 38.5cm (19 5/16 x 15 3/16in).

gouache on paper

€3,000 - 4,000 £2,600 - 3,400

85 AR GEORGIOS DERPAPAS (GREEK, 1937-2014) Scène religieuse signé en grec et daté '70' (en bas à gauche) huile sur panneau 83 x 73 cm (32 11/16 x 28 3/4 in) avec la cadre Peint en 1970

signed in Greek and dated (lower left) oil on panel

€7,000 - 9,000 £6,000 - 7,700 84 (b)

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 85

THE GREEK SALE | 113 86 AR FOTIS KONTOGLOU (GREEK, 1895-1965) Jésus signé en grec et daté '1958' (en bas à droite) tempera à l'œuf sur panneau 32.5 x 26cm (12 13/16 x 10 1/4in). signed in Greek and dated (lower right) egg tempera on panel

€6,000 - 8,000 £5,200 - 6,900

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 87 AR POLYKLEITOS RENGOS (GREEK, 1903-1984) Maternité Exposé signé en grec et daté '1949' (en bas à gauche) Athens, Parnassos Literary Society exhibition hall, Polykleitos N. tempera à l'œuf sur panneau Rengos, May 17 - June 7, 1949, no. 57 (listed in the exhibition 78.5 x 64.5cm (30 7/8 x 25 3/8in). catalogue under the title Mother). Thessaloniki, Hall of the Chamber of Commerce and Industry, signed in Greek and dated (lower left) Polykleitos N. Rengos, November 1949, no. 47 (listed in the exhibition egg tempera on panel catalogue under the title Motherhood). Thessaloniki, Vafopouleio Cultural Centre, The Nude in Polykleitos €5,000 - 7,000 Rengos's Artistic Oeuvre (1903-1984), January 27 - February 28, 1999, £4,300 - 6,000 no. 105 (discussed, p. 9, and illustrated in the exhibition catalogue and on the back cover).

Littérature Thessalonikeon Polis magazine, no. 10, April 2003, p. 98 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 115 88 AR YIANNIS MORALIS (GREEK, 1916-2009) Fille nue signé en grec et daté '79' (en haut à droite) huile sur toile 55 x 46.5cm (21 5/8 x 18 5/16in). Peint en 1979 signed in Greek and dated (upper right) oil on canvas

€50,000 - 80,000 £43,000 - 69,000

Provenance Estate of the artist. Private collection, France.

An inspired synthesis of curves flowing gently in an unbroken stream of movement, this etherealised nude is transposed into a timeless melody of ideal beauty. As Nobel Laureate Odysseus Elytis once noted, "Moralis was always driven by a longing for the monumental, bestowing even on his most sensual conceptions a feeling of mystery and a Biblical sense of the sacred."1

Celestial yet humanly touching, with the flexible form of old-master venuses and graces, Moralis's tall and beautiful kore is a precious ornament of translucent simplicity and grace. Captured in delicate colours, weightless forms, and rhythmic linear patterns, she seems to occupy a world of dream-like visions. Slender, stylishly elongated, with tender, heaving forms set against a perfectly balanced geometric edifice of austere verticals and horizontals, she bears testimony to the painter's inspired leap of imagination and personal reinterpretation of the classical.

Since 1974 Moralis has been giving us images of woman in her new, emancipated status. This recurrent figure, either sitting or reclining, is always treated in a progressively reductive manner"2, without, however, losing its recognizable form. As N. Hadjikyriakos-Ghika once noted, Moralis's youthful females, closely attuned to the idealism of ancient Greek art and endowed with grace and tenderness, are created by the Muses and the Hours.3

1 O. Elytis, preface to the Moralis exhibition catalogue, Iolas- Zoumboulakis Galerie, Athens 1972. 2 D. Papastamos, "Yannis Moralis the Artist", in Yannis Moralis, Commercial Bank of Greece, Athens 1988, p. 26. 3 Nea Estia magazine, no. 1245, May 15, 1979.

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 117 89

89 AR 90 AR PAVLOS SAMIOS (GREEK, BORN 1948) PAVLOS SAMIOS (GREEK, BORN 1948) Femmes nues allongées La journée d'une femme "le soir" signé en grec et daté '72' (en bas à droite) signé en grec et daté '78-79' (en bas à gauche) huile sur toile huile sur toile 65 x 85cm (25 9/16 x 33 7/16in). 120 x 104cm (47 1/4 x 40 15/16in). Peint en 1972 Peint en 1978-79 signed in Greek and dated (lower right) signed in Greek and dated (lower left) oil on canvas oil on canvas

€10,000 - 15,000 €12,000 - 18,000 £8,600 - 13,000 £10,000 - 15,000

Littérature Exposé Samios, Painting Apology, Militos editions, Athens 2014, p. 434 Patras, Municipal Gallery, Pavlos Samios, 30 Ans de Peinture, (illustrated). retrospective exhibition, March 22 - April 22, 1999 (illustrated in the exhibition catalogue, p. 20).

Littérature Samios, Painting Apology, Militos editions, Athens 2014, p. 453 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 118 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 90

THE GREEK SALE | 119 91 AR MARIO PRASSINOS (GREEK, 1916-1985) Théodora et sa Cour Littérature signé 'Prassinos' (au centre) Gynaika magazine, October 1973, p. 136 (illustrated). huile sur toile S. Lydakis, Dictionary of Greek Painters and Engravers - The Greek 59 x 60cm (23 1/4 x 23 5/8in). Painters, vol. IV, Melissa editions, Athens 1976, p. 363 (illustrated). Peint en 1971 N. Loizidi, ed., Greek Artists Abroad, Greek Ministry of Foreign Affairs edition, Athens 1983, p. 109 (illustrated). signed (centre) C. Christou, ed., Greek Artists Abroad, Greek Ministry of Foreign oil on canvas Affairs edition, Athens 1988, p. 142 (illustrated). Lexi magazine, no. 110, July-August 1992, p. 473 (illustrated). €4,000 - 6,000 A. Kotidis, Modernism and "Tradition" in Greek Postwar and £3,400 - 5,200 Contemporary Art, Painting-Sculpture-Architecture 1940-2010, vol. II, University Studio Press, Thessaloniki 2011, no. 166, pp. 184, 189 Exposé (illustrated). Athens, Arhens Art Gallery - Galerie de France, Prassinos, Paintings- Drawings 71-73, 1973 (illustrated in the exhibition catalogue).

For details of the charges payable in addition to the final Hammer Price of each Lot 120 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 92 AR SPYROS VASSILIOU (GREEK, 1902-1985) Athènes doré signé on grec et daté '65' (en bas à droite) acrylique et feuilles d'or sur toile contrecollée sur panneau 120.5 x 178.5cm (47 7/16 x 70 1/4in). Peint en 1965 signed in Greek and dated (lower right) acrylic and gold leaf on canvas laid on board

€15,000 - 20,000 £13,000 - 17,000

Cette œuvre fut utilisée pour la brochure de l'atelier Spyros Vassiliou. (The work was used on a leaflet for the atelier Spyros Vassiliou.)

Cette œuvre est accompagnée d'un certificat d'authenticité de l' Atelier Spyros Vassiliou. (The work is accompanied by certificate of authenticity from the Atelier Spyros Vassiliou.)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 121 93 AR DIMITRIS MYTARAS (GREEK, 1934-2017) Le fauteuil jaune (diptyque) signé en grec et daté '1980' (en bas à droite et à gauche) acrylique sur toile 190 x 220cm (74 13/16 x 86 5/8in). signed in Greek and dated (lower right and lower left) acrylic on canvas

€30,000 - 40,000 £26,000 - 34,000

Exposé Athens, Zoumboulakis Gallery, December 1980 (illustrated in the exhibition catalogue under the title Yellow armchair).

Littérature Tachydromos magazine, no. 48, December 11, 1980, p. 39 (illustrated). Kathimerini newspaper, December 12, 1980 (discussed). E. Vakalo, Dimitris Mytaras, Painting 1948-1983, Kedros editions, Athens 1984, no. 184, p. 181 (illustrated). Dimitris Mytaras, Adam editions, Athens 1989 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 122 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 123 94

94 AR 95 AR NIKOS ENGONOPOULOS (GREEK, 1907-1985) SPYROS PAPALOUKAS (GREEK, 1892-1957) Argos se plaignant auprès d' Hermès Monastère Karakalos, Mont Athos fusain et mine de plomb sur papier signé en grec (en bas à droite) 58 x 44cm (22 13/16 x 17 5/16in). huile sur carton Dessiné en 1962 33 x 26.5cm (13 x 10 7/16in). Peint en 1924 charcoal and pencil on paper signed in Greek (lower right) €5,000 - 7,000 oil on card £4,300 - 6,000 €10,000 - 15,000 Littérature £8,600 - 13,000 K. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural, exhibition catalogue and catalogue raisonée, Benaki Museum, Provenance Athens 2007, no. 794, pp. 334, 482 (illustrated). Acquired from the artist's daughter Mina Papaloucas and thence in the same collection.

For details of the charges payable in addition to the final Hammer Price of each Lot 124 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 95

Exposé Thessaloniki, White Tower exhibition hall, Exhibition of Paintings by S. substance. Dematerialized, it no longer represents a specific place Papaloukas, December 25 1924 - January 1925, no. 23 under the title but reflects the infinite from whence ideal forms originate. As noted Karakallou chapel (possibly). by the director of the National Gallery in Athens M. Lambraki-Plaka, Papaloukas's expertly trained eye reveals the 'eternal becoming' Littérature of the world.2 "Up there, in Mt. Athos, I clearly saw that art in all its Spyros Papaloukas, Painting 1892-1957, Ioniki Bank edition, Athens great manifestations through the ages has always been about form 1995, p. 108 (illustrated). and colour."3. Spyros Papaloukas, Sojourn in Mount Athos, Mount Athos Gallery - Agra editions, 2003, no. 79 (illustrated). 1 Founded in the 11th century and rebuilt in the 1500s by Moldavian voivode Peter IV Rares, the Karakallou Monastery on the south-eastern side of the Athos peninsula holds valuable manuscripts and rare books. This wonderful work is part of the artist's 1923-1924 Mount Athos 2 See M. Lambraki-Plaka, "Papaloukas' Painting" in Spyros Papaloukas, output, an exquisite group of paintings that established him as a Painting 1892-1957 [in Greek], Athens 1995, pp. 33-48. leading exponent of Greek plein-air painting. Bathed in diffused light 3 As quoted by S. Doukas, Zygos magazine no.31, May-June 1958, p. 8. and dominated by soft tonalities without intense gradations, the monastic chapel1 is almost losing its structural integrity and material

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 125 96

96 AR 97 AR COSTAS TSOCLIS (GREEK, BORN 1930) ALEXIS AKRITHAKIS (GREEK, 1939-1994) Deux tâches (diptyque) Sans Titre signé et daté 'TSOCLIS 1962' (deux fois sur le châssis) technique mixte sur bois huile sur toile 134 x 89 x 27cm (52 3/4 x 35 1/16 x 10 5/8in). 55 x 95cm (21 5/8 x 37 3/8in). Réalisée vers 1986 signed and dated (twice on the stretcher) mixed media on panel oil on canvas €7,000 - 9,000 €5,000 - 7,000 £6,000 - 7,700 £4,300 - 6,000 Nous remercions Alexis Akrithakis Estate pour leur assistance de catalogué cette œuvre. (We are grateful to the Alexis Akrithakis Estate for their assistance in cataloguing this lot.)

Provenance D. Pieridis collection. Elia auction, 8 June 1990, Athens. Private collection, Athens.

For details of the charges payable in addition to the final Hammer Price of each Lot 126 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Difficult exhibition... drawings of a spontaneous expression accompanied by very small texts of life. Is there anything else to say when I paid so deadly for a ticket to the circus? I doodle on papers, the time has passed. I am not afraid of loneliness. I am afraid of the hanging saltimbancos.

- Alexis Akrithakis

THE GREEK SALE | 127 98 AR GEORGE NIKOLAIDIS (GREEK, BORN 1924) Le vent froid du Nord dirigea les navires, III 2 edition inox, base de plexiglas 61 x 38 x 17 cm (24 x 14 15/16 x 6 11/16in). Réalisée en 1975

inox on plexiglass base

€3,000 - 5,000 £2,600 - 4,300

The work is accompanied by a certificate of authenticity from DESMOS gallery.

Provenance Desmos gallery, Athens, 1975. Private collection, Athens.

Exposé Hakone, Japan, Art Hall of the Hakone Open-Air Museum, Contemporary Greek Art, Greek Ministry of Culture and Sciences - Greek Ministry of Foreign Affairs, March 13 - May 31, 1976, no. 11 (illustrated in the exhibition catalogue). Edinburgh, Lux Europae, a European Sculpture Exhibition for 1992, Giorgos Nikolaidis, December 1992, no.17-18 (discussed, p. 14, and illustrated in the exhibition catalogue, pp. 40-41).

99 AR SOTIRIS SOROGAS (GREEK, BORN 1936) La sculpture signé indistinctement (au centre) acrylique et fusain sur toile 160 x 130cm (63 x 51 3/16in). Peint en 1973

indistinctly signed (centre) acrylic and charcoal on canvas

€8,000 - 12,000 £6,900 - 10,000

Provenance Private collection, Athens.

Exposé Hakone, Japan, Art Hall of the Hakone Open-Air Museum, Contemporary Greek Art, Greek Ministry of Culture and Sciences - Greek Ministry of Foreign Affairs, March 13 - May 31, 1976, no. 27 98 (illustrated in the exhibition catalogue). Istanbul, Atatürk Kültür Merkezi, Classical Memories in Modern Greek Art, Hellenic Ministry of Culture - National Gallery and Alexandros Soutzos Museum, May 22 - June 27, 2003 (illustrated in the exhibition catalogue, p. 131). Beijing, Capital Museum of China, Classical Memories in Modern Greek Art, Hellenic Ministry of Culture - National Gallery and Alexandros Soutzos Museum, October 18 - November 16, 2007 (illustrated in the exhibition catalogue, p. 137).

Littérature Zygos magazine, no. 12, January-February 1975, p. 41 (discussed), p. 40 (illustrated). A. Schina, Sotiris Sorogas, an Interactive Reading, Tethrippon editions, Athens 1987, pp. 12, 21 (mentioned), p. 91 (listed), p. 69 (illustrated). T. Niarchos, ed., Sotiris Sorogas, Approaches to his Painting, Kastaniotis editions, Athens 2007, pp. 32, 47, 128, 130 (mentioned).

For details of the charges payable in addition to the final Hammer Price of each Lot 128 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 99

THE GREEK SALE | 129 100 AR YIANNIS TSAROUCHIS (GREEK, 1910-1989) Jeune homme avec guirlande florale signé en grec (en bas à droite) pastel sur papier 47 x 31cm (18 1/2 x 12 3/16in).

signed in Greek (lower right) pastel on paper

€5,000 - 7,000 £4,300 - 6,000

100

101 AR JOHN CHRISTOFOROU (GREEK, 1921-2014) Portrait signé 'Christoforou' (en haut a gauche) huile sur toile 81 x 65cm (31 7/8 x 25 9/16in).

signed (upper left) oil on canvas

€2,000 - 3,000 £1,700 - 2,600

101

For details of the charges payable in addition to the final Hammer Price of each Lot 130 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 102 AR THANOS TSINGOS (GREEK, 1914-1965) Marine Abstrait signé et daté 'TSINGOS/ 60' (en bas à droite) huile sur toile 130 x 97cm (51 3/16 x 38 3/16in). signed and dated (lower right) oil on canvas

€8,000 - 12,000 £6,900 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 131 103 AR YIANNIS TSAROUCHIS (GREEK, 1910-1989) Deux hommes à l'intérieur signé en grec et daté '5-3-79' (en bas à gauche) gouache sur papier 24 x 31cm (9 7/16 x 12 3/16in). Peint en 1979 signed in Greek and dated (lower left) gouache on paper

€4,000 - 6,000 £3,400 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot 132 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 104 AR YIANNIS MORALIS (GREEK, 1916-2009) Deux filles / Epithalamique Provenance signé en grec deux fois, daté '1970-71' (en bas) Estate of the artist. huile sur toile Private collection, France. 30 x 30cm (11 13/16 x 11 13/16in). Littérature signed in Greek twice, dated (lower part) Yannis Moralis, Commercial Bank of Greece Group of Companies oil on canvas edition, Athens 1988, no. 188, p. 184 (illustrated). C. Christou, Moralis, Adam editions, Athens 1993, no. 119 (illustrated). €20,000 - 30,000 £17,000 - 26,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 133 105 AR DIMITRIS MYTARAS (GREEK, 1934-2017) Paysage avec sculpture signé en grec (en bas à gauche) huile sur toile 150 x 200cm (59 1/16 x 78 3/4in). signed in Greek (lower left) oil on canvas

€25,000 - 35,000 £22,000 - 30,000

Littérature D. Mytaras, Painting 1956-2008, Ianos editions 2008, pp. 100-101 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 134 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 135 106 AR YANNIS GAÏTIS (GREEK, 1923-1984) Miroir construction en miroir et bois 196 x 38 x 40cm (77 3/16 x 14 15/16in x 15 3/4). Edition of 7

mirror and wood construction

€15,000 - 20,000 £13,000 - 17,000

Provenance Private collection, Athens.

Exposé Athens, Exoni Gallery, Yannis Gaitis, November 1983.

Littérature Yannis Gaitis, Catalogue Raisonné, Ioannis F. Costopoulos Foundation, Paris/Athens 2003, no. 1589, p. 361 (mentioned, red edition illustrated). D. Zacharopoulos, Yannis Gaitis, Ta Nea editions, Athens 2008, p. 137 (red edition illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 136 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 107 AR THANASSIS TOTSIKAS (GREEK, BORN 1951) Sans titre / Installation lumineuse boîte d' aluminium, neon rouge et vert 126 x 133 x 35 cm(49 5/8 x 52 3/8 x 13 3/4in) 126 x 35 x 17 cm (49 5/8 x 13 3/4 x 6 11/16in) la boîte verte 100 x 133 x 17 cm(39 3/8 x 52 3/8 x 6 11/16in)la boîte rouge aluminum boxes, neon lights

€4,000 - 6,000 £3,400 - 5,200

Provenance Bonhams, The Greek Sale, 10 November 2009, lot 149. Acquired from the above by the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 137 108 AR ALEXIS AKRITHAKIS (GREEK, 1939-1994) L'histoire d'une valise dix-sept dessins et une lettre de deux pages adressés à Alexander Iolas signé et daté '19/ IV/ 73' (sur la lettre) crayons de couleur et feutres sur papier 14.5 x 20 cm (5 11/16 x 7 7/8in) (chacun). 85 x 128 cm (33 7/16 x 50 3/8in) (encadrée). Daté en 1973 seventeen drawings and two pages of a letter addressed to Alexander Iolas signed and dated (on the letter) crayons and felt pen on paper

€8,000 - 12,000 £6,900 - 10,000

Nous remercions Alexis Akrithakis Estate pour leur assistance de catalogué cette œuvre. (We are grateful to the Alexis Akrithakis Estate for their assistance in cataloguing this lot.)

For details of the charges payable in addition to the final Hammer Price of each Lot 138 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 109 AR ALEXIS AKRITHAKIS (GREEK, 1939-1994) Théâtre (rouge) A charismatic raconteur and visual poet, Alexis Akrithakis created an signé et daté 'Akrithakis 91' (en bas à gauche) enchanting dreamworld of vivid colours and bold shapes that convey a acrylique sur toile childlike wonder and an insistent search for joy. In the 1990s, inspired by 80 x 100cm (31 1/2 x 39 3/8in). the black and white drawings of his earlier work, he isolated, modified, enlarged and revived some of his signature autobiographical forms, signed and dated (lower left) giving them a new narrative meaning and imbuing them with a new life. acrylic on canvas

€18,000 - 22,000 £15,000 - 19,000

Littérature D. Zacharopoulos, Alexis Akrithakis, K. Adam editions, Athens 2005, p. 175 (illustrated). D. Zacharopoulos, Alexis Akrithakis, Contemporary Greek Artists series, Ta Nea editions, Athens 2007, p. 128 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 139 111

110 AR NONDA (PAPADOPOULOS) (GREEK, 1922-2005) Bateau signé 'NONDA' (en bas à droite) huile et poudres sur toile 60 x 48cm (23 5/8 x 18 7/8in). Peint vers 1956

signed (lower right) oil and powders on canvas

€4,000 - 6,000 £3,400 - 5,200

Exposé Paris, Galerie Allard, 1956. Paris, Pont-Neuf, 1963.

In this emblematic, powdered-texture painting executed during the late 1950's in Paris, Nonda, Greek painter of the Charpentier's Ecole de Paris, depicts a ship most likely inspired by his frequent visits to the Musee de la Marine in Paris. This unique application of pigments dominates a significant part of his ouevre. As cited by art critic Athina Schina in an exhibtion catalog from 2003," Nonda continued to paint as though he were executing frescos." This painting is a testament to this signature style as well as a tribute to his Philhellenic reality. The small "Bateau" sits in the forefront of the canvas on a magnificent and opulent red sea.

110

For details of the charges payable in addition to the final Hammer Price of each Lot 140 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 111 AR AGENOR ASTERIADIS (GREEK, 1898-1977) Carrousel signé en grec et daté '73' (en bas à droite) tempera à l'œuf sur panneau 74 x 197cm (29 1/8 x 77 9/16in). Peint en 1973 signed in Greek and dated (lower right) egg tempera on panel

€15,000 - 20,000 £13,000 - 17,000

Exposé Athens, Ora Gallery, Aginoras Asteriadis, May 6-28, 1974, no. 24 (listed in the exhibition catalogue's price list). Athens, National Gallery - Alexandros Soutzos Museum, A. Asteriadis, retrospective exhibition, September 1976, no. 88 (listed in the exhibition catalogue). Athens, Zygos Gallery, Aginor Asteriadis, November 23 - December 7, 1983, no. 38 (listed in the exhibition catalogue).

Littérature E. Vakalo, The Physiognomy of Postwar Art in Greece, vol. 3: The Myth of Greekness, Kedros editions, Athens 1983, p. 45 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 141 112 AR YANNIS GAÏTIS (GREEK, 1923-1984) Chardon Provenance signé en grec (en bas à droite) Astrolavos Gallery, Athens. huile sur toile 50 x 73cm (19 11/16 x 28 3/4in). Littérature Peint en 1957 G. Serafini, Yannis Gaitis, Medousa editions, 1988, p. 38 (illustrated). Yannis Gaitis, Catalogue Raisonné, Ioannis F. Costopoulos Foundation, signed in Greek (lower right) Paris/Athens 2003, no. 344, p. 140 (illustrated). oil on canvas D. Zacharopoulos, Yiannis Gaitis, Ta Nea editions, Athens 2008, p. 38 (illustrated). €8,000 - 12,000 £6,900 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot 142 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 113 AR SPYROS VASSILIOU (GREEK, 1902-1985) Cité doré signé on grec et daté '72' (en bas à droite) acrylique et feuilles d'or sur toile 70 x 100cm (27 9/16 x 39 3/8in). Peint en 1972 signed in Greek and dated (lower right) acrylic and gold leaf on canvas

€8,000 - 12,000 £6,900 - 10,000

Provenance Acquis directement auprès de l'artiste par le propriétaire actuel. (Acquired directly from the artist by the present owner.)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 143 114 AR NASSOS DAPHNIS (GREEK, 1914-2010) #14-66 Provenance signé et titré '#14-66/ Nassos Daphnis' (au dos) Franklin Siden Gallery inc., Detroit Michigan. émail sur carton contrecollé sur panneau dur, encadré par l'artiste 74 x 53.5cm (29 1/8 x 21 1/16in). Exposé Peint en 1966 Athens, Astrolavos gallery, Contemporary Artists of Abstraction, group exhibition, February 1 - March 13, 2007(illustrated in the signed and titled (on the reverse) exhibition catalogue). enamel on card and laid on hardboard, framed by the artist

€3,000 - 5,000 £2,600 - 4,300

For details of the charges payable in addition to the final Hammer Price of each Lot 144 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115 AR JEAN XCÉRON (GREEK/AMERICAN, 1890-1967) Accord no. 336 Provenance signé et daté 'J. Xceron/ 50' (en bas à droite) Paul Katz collection, New York, 1968 (according to inscription huile sur toile on the reverse by Mary J. Xceron). 65 x 50cm (25 9/16 x 19 11/16in). Private collection, Athens. Peint en 1950 Exposé signed and dated (lower right) New York, Rose Fried Gallery, Xceron 1930-1960, April 19 - May 7, oil on canvas 1960 (listed and illustrated in the exhibition catalogue).

€5,000 - 7,000 £4,300 - 6,000

116 AR NASSOS DAPHNIS (GREEK, 1914-2010) Sans titre; une paire signé 'Nassos Daphnis' (en bas à droite) et daté '5-2-82' et '5-3-82' (en bas à gauche) technique mixte sur papier 82.5 x 75.5 (chacun) cm (32 1/2 x 29 3/4in). signed (lower right) and dated (lower left) mixed media on paper

(2)

€3,000 - 5,000 £2,600 - 4,300

For details of the charges payable in addition to the final Hammer Price of each Lot 146 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 117 AR YANNIS GAÏTIS (GREEK, 1923-1984) Deux personnages construction sur bois peint 170 x 42 x 35cm (66 15/16 x 16 9/16 x 13 3/4in). painted wooden construction

€10,000 - 15,000 £8,600 - 13,000

Provenance Acquired from S. Mihalarias Art, Athens by the present owner in 1994.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 147 118

119

148 | BONHAMS 120

118 AR 119 AR 120 AR GEORGIOS MAVROIDIS IRENE KANA ARGYRIS STYLIANIDIS (GREEK, 1912-2003) (GREEK, BORN 1954) (GREEK, 1909-1998) Femme nue allongée Jeune homme au repos Leda et le cygne signé en grec et daté '88' (en bas à droite) signé en grec (en bas à gauche) signé des initiales et daté '68' (en bas a droite) huile sur toile huile sur toile acrylique sur toile 50 x 71cm (19 11/16 x 27 15/16in). 100 x 160cm (39 3/8 x 63in). 66 x 90cm (26 x 35 7/16in). Peint en 1988 Peint en 1990 Peint en 1968 signed in Greek and dated (lower right) signed in Greek (lower left) signed with initials and dated (lower right) oil on canvas oil on canvas acrylic on canvas

€2,000 - 3,000 €3,000 - 5,000 €4,500 - 6,500 £1,700 - 2,600 £2,600 - 4,300 £3,900 - 5,600

121 AR DIMITRIS MYTARAS (GREEK, 1934-2017) a) Manifestation signé en grec (en bas à gauche) pastel sur papier 45 x 55cm (17 11/16 x 21 5/8in).

signed in Greek (lower left) pastel on paper

b) Bâtiment néoclassique signé en grec (en bas à droite) pastel sur papier 63 x 43.5cm (24 13/16 x 17 1/8in).

signed in Greek (lower right) pastel on paper

(2)

€6,000 - 8,000 £5,200 - 6,900

121 (b)

For details of the charges payable in addition to the final Hammer Price of each Lot 150 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 122 AR NIKOS KESSANLIS (GREEK, 1930-2004) Party signé 'NIKOS' (en bas à droite) image photographique traitée sur toile 79 x 90cm (31 1/8 x 35 7/16in). Peint en 1965 signed (lower right) processed photographic imaging on canvas

€7,000 - 9,000 £6,000 - 7,700

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 151 123 AR CHRISTOS BOKOROS (GREEK, BORN 1956) Flammes signé en grec (en bas à droite) (tous les deux) huile et technique mixte sur toile contrecollée sur bois 42.5 x 42.5cm (16 3/4 x 16 3/4in). chacun

both signed in Greek (lower right) oil and mixed media on canvas laid on wood

(2)

€12,000 - 18,000 £10,000 - 15,000 123 (a)

124 AR MARIO PRASSINOS (GREEK, 1916-1985) Abstrait signé 'Prassinos' (en bas à gauche) huile sur toile 86 x 64cm (33 7/8 x 25 3/16in).

signed (lower left) oil on canvas

€12,000 - 18,000 £10,000 - 15,000

Provenance Sotheby's London, The Greek sale, 17 May 2010, lot 38. Acquired from the above sale by the present owner.

123 (b)

For details of the charges payable in addition to the final Hammer Price of each Lot 152 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 123 AR CHRISTOS BOKOROS (GREEK, BORN 1956) Flammes signé en grec (en bas à droite) (tous les deux) huile et technique mixte sur toile contrecollée sur bois 42.5 x 42.5cm (16 3/4 x 16 3/4in). chacun both signed in Greek (lower right) oil and mixed media on canvas laid on wood

(2)

€12,000 - 18,000 £10,000 - 15,000

124 AR MARIO PRASSINOS (GREEK, 1916-1985) Abstrait signé 'Prassinos' (en bas à gauche) huile sur toile 86 x 64cm (33 7/8 x 25 3/16in). signed (lower left) oil on canvas

€12,000 - 18,000 £10,000 - 15,000

Provenance Sotheby's London, The Greek sale, 17 May 2010, lot 38. Acquired from the above sale by the present owner.

124 THE GREEK SALE | 153 125 AR YIANNIS MICHAILIDIS (GREEK, BORN 1940) Sans Titre Exposé signé en grec et daté '1981' (en bas au centre) Athens, Nees Morfes Gallery, Yannis Michailidis Painting, technique mixte et collage sur panneau dur December 1982 (illustrated in the exhibition catalogue, p. 28). 144.5 x 138.5cm (56 7/8 x 54 1/2in). Littérature signed in Greek and dated (lower center) Katoikia magazine, no. 9, September-October-November 1982, mixed media and collage on hardboard p. 98 (illustrated).

€5,000 - 7,000 £4,300 - 6,000

For details of the charges payable in addition to the final Hammer Price of each Lot 154 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 126 AR COSTAS TSOCLIS (GREEK, BORN 1930) L'arbre Provenance signé et daté 'C. Tsoclis 80' (en bas à droite) J. Kavadas collection, Athens. acrylique et bois sur toile en plexiglas 152.5 x 112 x 4cm (60 1/16 x 44 1/8 x 1 9/16in). Exposé Athens, Miranda Gallery, J. Kavadas residence, Filothei, Tsoclis, signed and dated (lower right) April 28 - May 22, 1980. acrylic and wood on canvas framed in plexiglass Littérature €8,000 - 12,000 Antonakakis, Tombazis, Valsamakis, New Public Buildings, Fifth £6,900 - 10,000 International Exhibition of Architecture, Biennale di Venezia - Greek Ministry of Culture, Athens 1991, p. 86 (shown in a photo of the J. Kavadas residence in Filothei, Athens). S. Panagiotopoulou, "The Inspirational Designs of Greek Architect Nicos Valsamakis", www.yatzer.com/architecture, February 1, 2017 (illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 155 127 AR YANNIS GAÏTIS (GREEK, 1923-1984) Sans titre, 1969 signé 'Gaïtis' (en bas à droite); signé, daté et situé en grec 'Gaïtis, 1969, Athènes' (au dos) bois peint 30.5 x 40 x 11cm (12 x 15.75 x 4.33 in). signed (lower right); signed, dated and located in Greek (on the reverse) painted wooden construction

€2,500 - 3,500 £2,200 - 3,000

For details of the charges payable in addition to the final Hammer Price of each Lot 156 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 128 AR ALEXANDROS PSYCHOULIS (GREEK, BORN 1966) Sans Titre signé en grec et daté '06' (au dos) acrylique sur toile 130 x 260cm (51 3/16 x 102 3/8in). Peint en 2006 signed in Greek and dated (on the reverse) acrylic on canvas

€4,000 - 6,000 £3,400 - 5,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 157 129 AR ANGELOS (PANAGIOTOU) (GREEK, BORN 1943) Nature morte aux fruits signé et daté '93' (en bas a droite) huile sur toile 80 x 100cm (31 1/2 x 39 3/8in). Peint en 1993 signed and dated (lower right) oil on canvas

€2,000 - 3,000 £1,700 - 2,600

For details of the charges payable in addition to the final Hammer Price of each Lot 158 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 130 AR RALLIS KOPSIDIS (GREECE 1929-2010) Lac de rêve Exposé signé en grec et daté '1988' (en bas au centre) Athens, National Gallery - Alexandros Soutzos Museum, Rallis acrylique sur toile Kopsidis, March 1 - April 2, 1989, no. 162 (illustrated in the exhibition 100 x 145.5cm (39 3/8 x 57 5/16in). catalogue, p. 44). Alexandroupolis, Rallis Kopsidis, 1994. signed in Greek and dated (lower center) Patras, Municipal Art Gallery, Rallis Kopsidis Retrospective Exhibition acrylic on canvas of Painting and Engraving, April 6 - May 16, 1994. Athens, Aenaon International Centre of Fine Arts, The Metaphysical €5,000 - 7,000 in Modern Greek Painting, December 1996 (illustrated in the exhibition £4,300 - 6,000 catalogue, p. 37).

Littérature Contemporary Greek Art institute Digital Platform, dp.iset.gr, Rallis Kopsidis Works, p. 5 (illustrated).

END OF SALE

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE GREEK SALE | 159 Index

A L Akrithakis, Alexis 97, 108, 109 Lanza, Vicenzo 67 Angelos (Panagiotou) 129 Lear, Edward 55 Asteriadis, Agenor 110 M B Marghinotti, Giovanni 2 Biskinis, Dimitrios 16 Mavroidis, Georgios 118 Bokoros, Christos 123 Michailidis, Yiannis 125 Bouzianis, Georgios 63 Moralis, Yiannis 32, 34, 36, 43, 60, 61, 88, 104 Byzantios, Pericles 77 Mytaras, Dimitris 44, 51, 93, 105, 121 C N Caloutsis, Valerios 69 Nicholas (Pavlopoulos) 79 Chimonas, Nicholaos 65 Nikolaidis, George 98 Christoforou, John 101 Nonda (Papadopoulos) 111 Condy, Nicholas 30 Continental School 54 P Papaloukas, Spyros 80, 95 D Pavlos (Pavlos Dionyssopoulos) 74 Daphnis, Nassos 114, 116 Poulakas, Ioannis 24 Derpapas, Georgios 85 Prassinos, Mario 91, 124 Diamantopoulos, Diamantis 6, 7 Psychoulis, Alexandros 128 Droungas, Achilleas 76 R E Ralli, Théodore Jacques 4, 56, 58 Engonopoulos, Nikos 12, 33, 94 Rengos, Polykleitos 87 Romanidis, Constantinos 22 F Fassianos, Alecos 37, 45, 50, 52 S Ferekidis, Nicholaos 23 Samios, Pavlos 89, 90 Flora-Caravia, Thalia 26 Savvides, Symeon 57 French School 3 Sorogas, Sotiris 99 Spyropoulos, Yiannis 39, 41, 49, 66 G Steris, Gerassimos 11 Gaïtis, Yannis 38, 71-73, 106, 112, 117, 127 Stylianidis, Argyris 120 Galanis, Dimitrios 68 Geralis, Apostolos 81, 84 T Germenis, Vassilis 82 Tetsis, Panagiotis 8, 35, 47 Giallina, Angelos 53 Totsikas, Thanassis 107 Gyzis, Nikolaos 13, 17 Triantafyllidis, Theofrastos 27 Tsarouchis, Yiannis 15, 100, 103 H Tsingos, Thanos 14, 75, 102 Hadjikyriakos-Ghika, Nikos 40, 48, 64 Tsoclis, Costas 96, 126 Hadjimichael, Theofilos 5, 10, 25 Hatzis, Vassilios 21, 83 V Vassiliou, Spyros 42, 62, 92, 113 J Volanakis, Constantinos 28, 59 Jakobides, Georgios 18, 20 K W Kalogeropoulos, Leon 78 Williams The Grecian, Hugh William 1 Kana, Irene 119 Kanellis, Orestis 9 X Kessanlis, Nikos 122 Xcéron, Jean 115 Kontoglou, Fotis 86 Xenakis, Constantin 70 Kopsidis, Rallis 130 Kottis, Yannis 46 Z Zongolopoulos, Georgios 31

NOTE AUX ENCHÉRISSEURS

La présente Note est adressée par Bonhams à toute personne (sauf pour la couleur, qui peut être reproduite de manière inexacte) approprié, diviser tout Lot, regrouper deux Lots, retirer tout Lot pouvant être intéressée par un Lot, et à toutes les personnes à toute photographie du Lot dans le Catalogue. Le reste de l’Article, d’une Vente et, avant que la Vente ait pris fin, remettre tout Lot participant à une vente aux enchères, y compris les personnes qui n’est pas imprimé en caractères gras, représente uniquement aux enchères. Les Ventes aux enchères peuvent excéder 100 assistant à la vente aux enchères, les Enchérisseurs et les l’opinion de Bonhams (donnée au nom du Vendeur) sur le Lot et Lots par heure et les pas d’enchère sont généralement d’environ Enchérisseurs potentiels (y compris les Acheteurs éventuels du Lot). ne fait pas partie de la Description contractuelle conformément à 10% ; toutefois, ces chiffres varient d’une Vente à l’autre et d’un Pour plus de commodité, nous utilisons les termes « Enchérisseurs » laquelle le Lot est vendu par le Vendeur. Commissaire-priseur à l’autre. ou « vous » pour désigner ces personnes. Notre Liste des Définitions Estimations Contactez le département organisant la Vente pour avoir un et notre Glossaire font partie intégrante de la présente Note. Ils Dans la plupart des cas, une Estimation est imprimée à côté de avis sur ce point. Si un Prix de Réserve a été fixé pour un Lot, figurent en Annexe 3 au Catalogue. Les mots et expressions figurant l’Article. Les Estimations fournies expriment uniquement l’opinion de le Commissaire-priseur peut, en son absolue discrétion, passer en italique dans la présente Note sont expliqués dans la Liste Bonhams faite au nom du Vendeur à propos de la fourchette dans des enchères (à concurrence d’un montant qui ne sera ni égal ni des définitions. IMPORTANT :Des informations supplémentaires laquelle Bonhams pense que le Prix d’adjudication pour le Lot est supérieur à ce Prix de Réserve) pour le compte du Vendeur. Nous applicables à la Vente peuvent également figurer dans le Catalogue susceptible de se situer. Il ne s’agit en aucun cas d’une estimation ne sommes pas responsables envers vous de la présence ou de de la Vente, dans une note insérée dans le Catalogue et/ou dans de valeur. Les Estimations ne tiennent pas compte de la TVA, de l’absence d’un Prix de Réserve au titre de tout Lot. Si un Prix de une note affichée dans le lieu de Vente, et il vous incombe de les lire la Commission d’achat ou d’autres frais payables par l’Acheteur, Réserve a été fixé, il ne devra pas être supérieur à la plus basse également. Des annonces concernant la Vente pourront également qui sont décrits en détail au paragraphe 7 de la présente Note. Estimation faite dans le Catalogue, en supposant que la devise du être faites oralement avant ou pendant la Vente sans préavis écrit. Les prix dépendent des enchères et les Lots peuvent se vendre à Prix de Réserve n’ait pas fluctué de manière défavorable par rapport Vous devez être conscient de la possibilité que des changements des Prix d’adjudication inférieurs ou supérieurs aux Estimations. à la devise de l’Estimation. L’Acheteur sera l’Enchérisseur qui fait la soient apportés aux conditions de la Vente, être vigilant sur ce Les Estimations ne doivent donc pas être considérées comme plus haute enchère acceptable par le Commissaire-priseur pour un point et demander, avant d’enchérir, si de tels changements sont une indication du prix de vente réel ou de la valeur d’un Lot. Les Lot (sous réserve de tout Prix de Réserve applicable), et auquel le intervenus. Estimations sont fournies dans la devise de la Vente. Lot est adjugé par le Commissaire-priseur à la tombée du marteau 1. NOTRE RÔLE Rapports sur l’état du Commissaire-priseur. Tout différend relatif à la plus haute enchère Dans son rôle d’Adjudicateur de lots, Bonhams est autorisé par le Pour la plupart des Lots, vous pouvez demander à Bonhams acceptable sera tranché par le Commissaire-priseur en son absolue Vendeur à agir uniquement pour et dans l’intérêt du Vendeur. Le un Rapport sur l’état physique général du Lot. Si vous lui faites discrétion. Toutes les enchères passées se rapporteront au numéro rôle de Bonhams est de vendre les Lots à un Enchérisseur au prix cette demande, Bonhams vous fournira ce rapport gratuitement, de Lot annoncé par le Commissaire-priseur. Un convertisseur le plus élevé possible. Bonhams n’agit pas pour le compte des pour le compte du Vendeur. Étant donné qu’il s’agit d’un service électronique de devises peut être utilisé lors de la Vente. Cet outil Acheteurs ou des Enchérisseurs et ne leur fournit aucun conseil. supplémentaire et gratuit, Bonhams ne conclut pas un contrat avec est fourni uniquement pour votre commodité et constitue une Si Bonhams ou un membre de son personnel fait des déclarations vous au titre du Rapport sur l’État. En conséquence, Bonhams évaluation approximative de la contre-valeur d’une enchère donnée à propos d’un Lot, ou si Bonhams fournit un Rapport sur l’État à n’assume aucune responsabilité à votre égard à ce titre. Chaque dans certaines devises. Nous n’acceptons aucune responsabilité au propos d’un Lot, ces déclarations seront faites ou ce rapport sera Rapport sur l’État exprime l’opinion raisonnable de Bonhams quant à titre des erreurs qui pourraient se produire en raison de l’utilisation établi pour le compte du Vendeur du Lot. Il est fortement conseillé l’état général du Lot concerné et Bonhams ne déclare ni ne garantit du convertisseur de devises. Nous pouvons utiliser des caméras aux Enchérisseurs et Acheteurs qui n’ont pas eux-mêmes des qu’un Rapport sur l’État inclut tous les aspects de l’état interne ou vidéo pour enregistrer la Vente et pouvons enregistrer des appels connaissances d’expert sur les Lots de solliciter et d’obtenir un externe du Lot. Le Vendeur ne vous doit ni n’accepte de vous devoir, téléphoniques pour des raisons de sécurité, et afin d’aider à avis indépendant sur les Lots et leur valeur, avant d’enchérir sur en tant qu’Enchérisseur ou Acheteur, aucune obligation concernant résoudre des différends pouvant s’élever au titre d’enchères ceux-ci. Le Vendeur a autorisé Bonhams à vendre le Lot en qualité ce rapport gratuit à propos d’un Lot, qui vous est fourni afin que passées lors de la Vente. À titre d’exemple, lors des Ventes de de mandataire agissant pour son compte et, sauf accord contraire vous puissiez l’examiner ou le faire examiner par un expert mandaté bijoux, nous pouvons utiliser des écrans sur lesquels des images exprès, Bonhams agit exclusivement en qualité de mandataire du par vous. des Lots seront projetées. Ce service est fourni pour permettre Vendeur. Toute assertion ou déclaration faite par nous au titre d’un Responsabilité du Vendeur envers vous une meilleure vue des Lots lors de la Vente. L’image projetée sur Lot est faite pour le compte du Vendeur et non pour notre compte, à Le Vendeur ne fait et ne s’oblige à faire aucune déclaration factuelle, l’écran doit être considérée comme une simple indication du Lot moins que Bonhams ne vende un Lot en tant que mandant, et tout et n’assume aucune Garantie, aucune obligation ni aucune concerné. Il convient de noter que toutes les enchères passées Contrat de Vente est conclu entre l’Acheteur et le Vendeur et non responsabilité contractuelle ou quasi-délictuelle (excepté envers se rapporteront au numéro de Lot annoncé par le Commissaire- entre l’Acheteur et nous-mêmes. Si Bonhams vend un Lot en tant l’Acheteur final, ainsi qu’il est dit ci-dessus) au titre de l’exactitude priseur. Nous n’acceptons aucune responsabilité au titre des erreurs que mandant, il en sera fait mention dans le Catalogue ou dans une ou du caractère complet de toute assertion ou déclaration faite par qui pourraient se produire dans l’utilisation de l’écran. annonce du Commissaire-priseur à cet effet ou dans un avis affiché lui ou pour son compte, qui contient un élément quelconque de 5. ENCHÈRES dans le lieu de la Vente ou inséré dans le Catalogue. Bonhams description de tout Lot ni au titre du prix de vente prévu ou probable Vous devez compléter et nous remettre l’un de nos Formulaires n’assume ou n’accepte aucune obligation ni responsabilité envers de tout Lot. Exception faite de ce qui est stipulé ci-dessus, aucune d’Enchères, c’est-à-dire notre Formulaire d’Enregistrement vous, sur le fondement de la responsabilité contractuelle ou quasi- assertion ou déclaration faite par le Vendeur ou pour son compte d’Enchérisseur, notre Formulaire d’Enchères en Absence (Ordre délictuelle (directe, collatérale, expresse, tacite ou autre). Si vous contenant un élément quelconque de description d’un Lot, ni aucune d’Achat) ou notre Formulaire d’Enchères par Téléphone afin de êtes le dernier Enchérisseur pour un Lot et donc l’achetez, Bonhams Estimation ne sont incorporées dans le Contrat de Vente entre le pouvoir enchérir lors de nos Ventes. conclura un contrat avec vous en tant qu’Acheteur dans les termes Vendeur et l’Acheteur. Si vous êtes un nouveau client chez Bonhams ou si vous n’avez du Contrat avec l’Acheteur, joint en Annexe 2 au Catalogue, qui Responsabilité de Bonhams envers vous pas récemment mis à jour vos données d’enregistrement, vous régira les relations entre Bonhams et vous-même en votre qualité Vous avez la possibilité d’examiner le Lot si vous le souhaitez et le devez vous préenregistrer, au moins deux jours ouvrables avant la d’Acheteur. Contrat de Vente d’un Lot est conclu avec le Vendeur et non avec Vente lors de laquelle vous souhaitez enchérir. Vous devrez fournir 2. LOTS Bonhams. Bonhams agit exclusivement en qualité de mandataire un justificatif d’identité et de domicile délivré par le gouvernement. Sous réserve de la Description Contractuelle imprimée en caractères du Vendeur (à moins que Bonhams ne vende le Lot en tant que Si vous êtes une société, il faut fournir votre certificat gras dans l’Article consacré au Lot dans le Catalogue des Ventes mandant). Bonhams n’assume envers vous aucune obligation d’immatriculation (Extrait Kbis) ou un document équivalent, en Ligne (voir paragraphe 3 ci-dessous), les Lots sont vendus à d’examiner, d’enquêter ou de procéder à des tests sur chaque avec votre dénomination et l’adresse de votre siège social, une l’Acheteur « en l’état », avec tous leurs défauts et imperfections. Lot, approfondis ou autres, afin d’établir l’exactitude ou de vérifier preuve de votre adresse actuelle délivrée par le gouvernement, Les illustrations et photographies des Lots servent uniquement à autrement toutes Descriptions ou opinions données par Bonhams, une preuve documentaire de vos propriétaires effectifs et de vos leur identification. Une photographie ou illustration figurant dans ou par toute personne pour le compte de Bonhams, que ce soit administrateurs et une preuve de l’autorisation d’effectuer des le Catalogue (à l’exception des photographies formant partie de dans le Catalogue ou ailleurs. Vous ne devez pas supposer que ces transactions. la Description Contractuelle) ou ailleurs peut ne pas reproduire examens, ces enquêtes ou ces tests ont été réalisés. Bonhams ne Nous pouvons également vous demander une référence financière exactement la ou les couleurs ou le véritable état du Lot. Les Lots fait et ne s’oblige à faire aucune déclaration factuelle, et n’assume et/ou une caution avant de vous autoriser à enchérir. Nous nous sont disponibles pour examen avant la Vente, et il vous incombe aucune obligation ni aucune responsabilité (contractuelle ou quasi- réservons le droit, à notre discrétion, de demander des informations de vous assurer vous-même de chacun des aspects d’un Lot, y délictuelle) au titre de l’exactitude ou du caractère complet de toute supplémentaires afin de compléter notre identification de client, compris son auteur, son attribution, son état, sa provenance, son assertion ou déclaration faite par Bonhams ou pour le compte de de refuser d’enregistrer une personne comme Enchérisseur, et de histoire, son contexte, son authenticité, son style, son époque, son Bonhams qui contient un élément quelconque de description de rejeter ses enchères si elles ont déjà été enregistrées. Nous nous âge, son aptitude à une utilisation particulière, son état de marche s’il tout Lot ni au titre du prix de vente prévu ou probable de tout Lot. réservons également le droit de différer la finalisation de la Vente s’agit d’une voiture (le cas échéant) son origine, sa valeur et son prix Aucune assertion ou déclaration faite par Bonhams ou pour son d’un Lot, à notre discrétion, le temps de terminer nos enquêtes de vente Estimé (y compris le Prix d’Adjudication). Il vous incombe compte contenant un élément quelconque de description d’un Lot, relatives à l’enregistrement et à l’identification, et d’annuler la Vente d’examiner tout Lot qui vous intéresse. Il convient de rappeler que ni aucune Estimation ne sont incorporées dans notre Contrat avec de tout Lot, si vous violez vos garanties en tant qu’Acheteur, ou si l’état réel d’un Lot peut ne pas être aussi bon que celui qu’indique l’Acheteur. nous considérons que cette Vente serait illégale ou ferait autrement son apparence extérieure. En particulier, des pièces peuvent avoir Modifications jouer la responsabilité du Vendeur ou de Bonhams, ou nuirait à la été remplacées ou changées et des Lots peuvent ne pas être Les Descriptions et les Estimations peuvent être modifiées à la réputation de Bonhams. authentiques ou de qualité satisfaisante ; l’intérieur d’un Lot peut ne discrétion de Bonhams de temps en temps par le biais d’une Enchérir en personne pas être visible, peut ne pas être d’origine ou peut être endommagé, annonce verbale ou d’un avis écrit avant ou pendant une Vente. À condition que vous vous soyez préenregistré pour enchérir par exemple s’il est recouvert d’une tapisserie ou d’un revêtement LE LOT EST DISPONIBLE POUR EXAMEN ET VOUS DEVEZ VOUS ou ayez récemment mis à jour vos données d’enregistrement quelconque. Étant donné leur âge, de nombreux Lots peuvent avoir FORMER VOTRE PROPRE OPINION SUR CELUI-CI. IL VOUS EST existantes, vous devrez vous rendre à notre bureau été endommagés et/ou réparés et vous ne devez pas présumer FORTEMENT CONSEILLÉ D’EXAMINER TOUT LOT OU DE LE d’enregistrement des Enchérisseurs dans le lieu de la Vente et qu’un Lot est en bon état. Les objets électroniques ou mécaniques FAIRE EXAMINER POUR VOTRE COMPTE AVANT LA VENTE. remplir un Formulaire d’Enregistrement et d’Enchères le jour de ou les pièces sont vendus pour leur intérêt artistique, historique ou 4. CONDUITE DE LA VENTE la Vente (ou, si possible, avant). Le système de numérotation culturel et peuvent ne pas fonctionner ou ne pas être conformes Nos Ventes sont des ventes aux enchères publiques, auxquelles des enchères est parfois visé sous le terme d’ « enchères par aux exigences légales actuelles. Vous ne devez pas présumer que des personnes peuvent assister et vous devriez saisir paddle » (ou « enchères par panneau numéroté »). Il vous sera des objets électriques destinés à fonctionner sur les réseaux de l’opportunité de ce faire. Nous nous réservons le droit, à notre remis une grande carte (un « paddle » ou panneau numéroté) l’électricité domestique pourront être connectés sur ces réseaux et seule discrétion, de refuser l’accès à nos locaux ou à toute portant un numéro imprimé, pour les besoins de la Vente. Si vous devrez donc préalablement obtenir un rapport sur leur état de la part Vente et de faire sortir toute personne de nos locaux et salles êtes l’Enchérisseur gagnant, vous devrez faire en sorte que votre d’un électricien qualifié. Ces objets impropres à être connectés sont des ventes, sans devoir en indiquer la raison. Nous pouvons à numéro puisse être vu clairement par le Commissaire-priseur et vendus uniquement comme des objets de vitrine. Si vous n’avez pas notre seule et entière discrétion décider de procéder à la Vente, que votre numéro soit identifié comme celui de l’Acheteur. Vous l’expertise nécessaire concernant un Lot, prenez conseil à ce sujet. d’inclure un Lot dans la Vente, ainsi que de la manière dont la ne devez laisser personne d’autre utiliser votre paddle, étant Nous pouvons vous aider à prendre les dispositions nécessaires afin Vente se déroulera, et nous pouvons offrir les Lots à la Vente donné que tous les Lots seront facturés au nom et à l’adresse de vous permettre de procéder ou de faire procéder à des examens dans tout ordre que nous choisissons, nonobstant les numéros indiqués sur votre Formulaire d’Enregistrement d’Enchérisseur. et tests plus détaillés. Toute personne qui endommage un Lot sera attribués aux Lots dans le Catalogue. Vous devrez donc vérifier Une fois émise, une facture ne sera pas modifiée. En cas de responsable de la perte ainsi causée. la date et l’heure de commencement de la Vente, et vérifier si doute à propos du Prix d’Adjudication d’un Lot particulier, ou sur 3. DESCRIPTIONS DES LOTS ET ESTIMATIONS des Lots ont été retirés de la Vente ou ajoutés tardivement à la question de savoir si vous êtes l’Enchérisseur gagnant d’un Description contractuelle d’un Lot celle-ci. En effet, ces retraits ou ajouts tardifs peuvent modifier Lot particulier, informez-en le Commissaire-priseur avant que Le Catalogue contient un Article pour chaque Lot. Chaque Lot l’heure à laquelle un Lot qui vous intéresse est mis en Vente. le prochain Lot ne soit offert à laVente. À la fin de la Vente, ou est vendu par le Vendeur à l’Acheteur comme correspondant Nous pouvons, à notre seule et entière discrétion, refuser toute lorsque vous aurez fini d’enchérir, merci de restituer votre paddle uniquement à la partie de l’Article imprimée en caractères gras, et enchère, augmenter tout pas d’enchère comme nous le jugerons au bureau d’enregistrement des Enchérisseurs. Enchérir par téléphone de Bonhams ou vice versa. des fonds facilement disponibles pour payer le Prix d’achat et la Si vous souhaitez enchérir par téléphone lors de la Vente, et 6. CONTRATS ENTRE L’ACHETEUR ET LE VENDEUR ET Commission d’achat (plus la TVA et tous les autres Frais et dépenses à condition que vous vous soyez préenregistré pour enchérir ENTRE L’ACHETEUR ET BONHAMS qui nous sont dus) dans leur intégralité avant d’enchérir pour un Lot. ou ayez récemment mis à jour vos données d’enregistrement Lorsque le Lot sera adjugé à l’Acheteur, un Contrat de vente du Lot Si vous êtes l’Enchérisseur gagnant, vous devez effectuer le paiement existantes, complétez un Formulaire d’Enregistrement et sera conclu entre le Vendeur et l’Acheteur selon les termes du Contrat au plus tard à 16h30 le deuxième jour ouvrable suivant la Vente, de d’Enchères, disponible dans nos bureaux ou dans le Catalogue. de vente figurant à l’Annexe 1 au Catalogue. Vous devrez alors telle sorte que toutes les sommes soient compensées au plus tard le Retournez-le au service responsable de la Vente 24 heures au payer le Prix d’achat, qui se compose du Prix d’adjudication, de la huitième jour ouvrable suivant la Vente. Les paiements effectués par moins avant la Vente. Il vous incombe de vérifier auprès de notre Commission d’achat plus toute TVA applicable. une personne autre que l’Acheteur enregistré ne seront pas acceptés. Service d’Enchères que votre enchère a bien été reçue. Les Simultanément, un contrat séparé est également conclu entre nous, Bonhams se réserve le droit de modifier les conditions de paiement conversations téléphoniques seront enregistrées. La possibilité en tant que Maison de vente aux enchères, et l’Acheteur. Il s’agit de à tout moment. d’enchérir par téléphone est un service discrétionnaire offert à titre notre Contrat avec l’Acheteur, dont les termes figurent en Annexe 2 gratuit et peut ne pas être disponible pour tous les Lots. Nous ne au Catalogue. Le virement bancaire est le mode de paiement préféré de serons pas tenus d’enchérir pour votre compte si vous n’êtes pas Veuillez lire attentivement le Contrat de Vente et le Contrat avec l’Acheteur Bonhams. Vous pouvez transférer des fonds par voie électronique disponible au moment de la Vente ou si la liaison téléphonique qui figurent dans le Catalogue, que vous devrez conclure si vous êtes sur notre Compte. Dans ce cas, veuillez indiquer sur votre ordre est interrompue pendant les enchères. Contactez-nous pour plus le meilleur Enchérisseur, y compris les garanties relatives à votre statut de virement votre numéro de paddle et le numéro de la facture de détails. et à la source des fonds. Nous pourrons modifier les termes de l’un et/ comme référence. Enchérir par courrier postal ou par fax ou l’autre de ces contrats avant qu’ils ne soient conclus, en insérant Les coordonnées de notre Compte sont les suivantes : Les Formulaires d’Enchères en Absence (Ordre d’Achat) figurent ces modifications dans le Catalogue, et/ou en plaçant un encart dans en annexe au Catalogue et doivent être complétés et envoyés le Catalogue et/ou en affichant des avis dans le lieu de Vente, et/ou en Banque : HSBC au service responsable de la Vente, dès que vous vous serez faisant des annonces verbales avant et pendant la Vente. Il vous incombe Adresse : BBC PARIS HAUSSMANN préenregistré pour enchérir ou aurez récemment mis à jour vos de vous assurer que vous connaissez la version à jour du Contrat avec 26 Boulevard Malesherbes données d’enregistrement existantes. Il est de votre intérêt de l’Acheteur relatif à cette Vente. 75008 Paris nous retourner votre formulaire dès que possible, étant donné que 7. COMMISSION D’ACHAT ET AUTRES FRAIS À PAYER PAR Intitulé du compte : Bonhams France SAS si deux Enchérisseurs ou davantage soumettent des enchères L’ACHETEUR Numéro du compte : 09170002091 identiques pour un Lot, la préférence sera donnée à l’enchère En vertu du Contrat avec l’Acheteur, ce dernier nous paie une Code guichet : 00917 reçue la première. En toute hypothèse, toutes les enchères doivent commission (la Commission d’achat) conformément aux termes dudit Numéro IBAN : FR76 3005 6009 1709 1700 0209 192 être reçues 24 heures au moins avant le début de la Vente. Vérifiez contrat et aux taux indiqués ci-dessous, calculés par référence au Prix soigneusement votre Formulaire d’Enchères en Absence (Ordre d’adjudication et payables en sus de celui-ci. En cas de paiement par virement bancaire, le montant reçu après d’Achat) avant de nous le retourner, intégralement complété et déduction des frais bancaires éventuels et/ou de conversion de la signé par vous. Il vous incombe de vérifier avec notre Service Pour cette Vente, les Acheteurs paieront les taux de Commission monnaie de paiement en livres sterling ne doit pas être inférieur au Enchères que votre enchère a bien été reçue. Ce service est d’achat suivants pour chaque Lot acheté : montant en livres sterling à payer, tel qu’indiqué sur la facture. fourni à titre complémentaire et est confidentiel. Ces enchères sont faites à vos propres risques et nous n’assumons aucune 27,5 % du Prix d’adjudication sur les premiers 12000€ ; plus Le paiement peut également être effectué par l’une des méthodes responsabilité si nous ne recevons pas et/ou ne passons pas l’une 25 % du Prix d’adjudication à partir de 12 001 € et jusqu’à 400 000 suivantes : quelconque de ces enchères. Toutes les enchères passées pour € ; plus votre compte le seront au plus bas niveau possible sous réserve 20 % du Prix d’adjudication à partir de 400 001 € et jusqu’à 4 000 000 Chèque personnel tiré sur une succursale française d’une banque des Prix de Réserve et d’autres enchères passées pour le Lot. € ; plus ou d’une société de crédit immobilier : tous les chèques doivent être S’il y a lieu, vos enchères seront arrondies à la baisse au 14,5 % du Prix d’adjudication pour les montants supérieurs à encaissés avant que vous puissiez retirer vos achats et doivent être montant le plus proche correspondant aux paliers d’enchères 4 000 000 € libellés à l’ordre de Bonhams France SAS. du Commissaire-priseur. Les Nouveaux Enchérisseurs doivent également fournir la preuve de leur identité et de leur adresse pour Des frais d’entreposage et de manutention peuvent également être à Espèces : vous pouvez payer des Lots achetés par vous lors de la pouvoir enchérir. À défaut, votre enchère ne sera pas placée. la charge de l’Acheteur, comme indiqué sur la page « Informations sur vente avec des billets ou des pièces de monnaie libellés dans la devise Enchérir par Internet la Vente » au début du Catalogue. dans laquelle la Vente est conduite (mais non dans une autre devise) Consultez notre Site Internet à l’adresse suivante : http://www. sous réserve que le montant total payable par vous au titre de tous bonhams.com, qui donne tous les détails sur la manière d’enchérir La Commission d’achat et tous les autres frais dus par l’Acheteur les Lots achetés par vous lors de la Vente n’excède pas 1000 € ou la via l’Internet. sont soumis à la TVA au taux en vigueur, qui est actuellement de contre-valeurde cette somme dans la devise dans laquelle la Vente est Bonhams ne sera pas responsable des retards, interruptions ou 20 %. conduite, au où le paiement est effectué. Le paiement en en espèces à autres incapacités à faire une enchère, causés par des pertes de hauteur de 1,000 € sera accepté pour une facture qui n’excèdera pas connexion Internet, une panne ou un dysfonctionnement du site La TVA peut également être due sur le Prix d’Adjudication du Lot, ce montant. (art L112-6) Internet ou du processus d’enchères, ou un dysfonctionnement de lorsqu’elle est indiquée par un symbole à côté du numéro du Lot. logiciels, systèmes, ordinateurs ou appareils mobiles. Voir le paragraphe 8 ci-dessous pour plus de détails. Cartes de débit au nom de l’Acheteur (y compris les cartes China Enchérir par l’intermédiaire d’un mandataire Union Pay (CUP) et les cartes de débit émises par Visa et MasterCard Les enchères seront traitées comme étant placées exclusivement Droit de suite uniquement). Il n’y a pas de plafond limitant la valeur du paiement s’il pour le compte de la personne nommément désignée dans Sur certains Lots, portant la mention « AR » dans le Catalogue est effectué en personne en utilisant la vérification par carte à puce. le Formulaire d’Enchères, sauf accord contraire écrit de notre et qui sont vendus à un Prix d’adjudication d’au moins 1 000 € part avant la Vente. Si vous souhaitez enchérir pour le compte (converti dans la devise de la Vente en utilisant le taux de référence Le paiement par téléphone peut également être accepté pour un d’une autre personne (votre mandant), vous devez fournir les de la Banque centrale européenne en vigueur à la date de la Vente), montant limité à 5 000 €, sous réserve des procédures de vérification informations de préinscription énoncées ci-dessus pour vous et l’Acheteur nous versera une Commission supplémentaire pour appropriées, bien que cette facilité ne soit pas disponible pour les pour votre mandant. Nous aurons besoin d’une confirmation écrite couvrir nos Frais relatifs au paiement des droits d’auteur en vertu des acheteurs qui achètent pour la première fois. Si le montant payable du mandant qui atteste de votre droit d’enchérir. Votre attention Réglementations le droit de suite des artistes. par vous pour des Lots excède cette somme, le solde devra être payé est en particulier attirée sur vos obligations de diligence La Commission supplémentaire correspond à un pourcentage du Prix par un autre moyen. concernant votre mandant et la source de ses fonds, et sur d’adjudication calculé conformément au tableau ci-dessous, et ne les garanties que vous fournissez si vous êtes l’Acheteur, devra pas dépasser 12 500 € (convertis dans la devise de la Vente Cartes de crédit au nom de l’Acheteur (y compris les cartes qui sont stipulées au paragraphe 3 du Contrat avec en utilisant le taux de référence de la Banque centrale européenne en China Union Pay (CUP) et les cartes de crédit émises par Visa et l’acheteur, joint en Annexe 2 au Catalogue. vigueur à la date de la Vente). MasterCard uniquement). La valeur du paiement est limitée à 5 000 € Néanmoins, comme l’explique le Formulaire d’Enchères, si une si le paiement est effectué en personne au moyen d’une vérification personne fait une enchère en tant qu’agent pour le compte d’une Prix d’adjudication Pourcentage par carte à puce. autre (son mandant, et ce qu’elle ait ou non divulgué ce fait), elle sera De 0 à 50 000 € 4 % conjointement et solidairement responsable avec son mandant envers De 50 000,01 à 200 000 € 3 % Il est conseillé d’informer à l’avance votre fournisseur de carte de le Vendeur et Bonhams en vertu de tout contrat résultant d’une De 200 000,01 à 350 000 € 1 % débit ou de crédit de votre achat afin de réduire les retards causés enchère gagnante. De 350 000,01 à 500 000 € 0,5 % par le fait que nous devons demander une autorisation lorsque vous Faites-nous savoir si vous avez l’intention de nommer un tiers afin Au-delà de 500 000 € 0,25 % venez payer. d’enchérir pour votre compte lors de la Vente, à moins que nous ne soyons chargés d’enchérir en vertu d’un Formulaire d’Enchères par 8. TVA Remarque : une seule carte de débit ou de crédit peut être utilisée Téléphone ou en Absence (Ordre d’Achat), complété par vous. Si Le taux de TVA en vigueur au moment de la mise sous presse est pour le paiement du solde. Si vous avez des questions concernant les nous n’approuvons pas par écrit les dispositions que vous avez prises de 20 %, mais il est susceptible d’être modifié par le gouvernement paiements par carte, veuillez contacter notre service clients. pour enchérir par l’intermédiaire d’un mandataire avant la Vente, et le taux à payer sera celui en vigueur à la date de la Vente. Nous nous réservons le droit d’enquêter et d’identifier la nous serons en droit de présumer que la personne enchérissant lors Les symboles suivants, figurant à côté du numéro de Lot, indiquent source des fonds que nous recevons, de reporter la conclusion de la Vente enchérit pour son propre compte. En conséquence, la que la TVA est due sur le Prix d’adjudication et la Commission de la vente de tout Lot à notre discrétion pendant que nous personne enchérissant lors de la Vente sera l’Acheteur et sera tenue d’achat : terminons nos enquêtes, et d’annuler la Vente de tout Lot si de payer le Prix d’Adjudication et la Commission d’Achat ainsi que les † TVA au taux en vigueur sur le Prix d’adjudication et la vous êtes en violation de vos garanties en tant qu’Acheteur, frais associés. Si nous approuvons l’identité de votre client à l’avance, Commission d’achat si nous considérons qu’une telle Vente serait illégale ou nous serons en mesure d’adresser la facture à votre mandant plutôt Ω TVA sur les articles importés au taux en vigueur sur le Prix imposerait autrement des obligations au Vendeur ou à qu’à vous-mêmes. Nous exigerons la preuve de l’identité et de d’adjudication et la Commission d’achat Bonhams, ou serait préjudiciable à la réputation de Bonhams. l’adresse du client du mandataire préalablement à toutes enchères * TVA sur les articles importés à un taux préférentiel de 10. RÉCUPÉRATION, ENTREPOSAGE ET DROITS DE RÉSILIA- passées par le mandataire pour son compte. Reportez-vous à nos 5.5 % sur le Prix d’adjudication et au taux en vigueur sur la TION DES CONSOMMATEURS DE L’UE Conditions Générales et contactez notre Département Service Clients Commission d’achat L’Acheteur d’un Lot ne sera pas autorisé à le retirer avant que le pour plus de détails. G Les lingots d’or sont exonérés de la TVA sur le Prix paiement intégral et en fonds compensés ait été effectué (sauf si nous Bonhams procède à des vérifications sur les informations fournies d’adjudication et soumis à la TVA au taux en vigueur sur la avons conclu un accord spécial avec l’Acheteur). par les clients (“Customer Due Diligence (CDD)” sur ses Vendeurs Commission d’achat Pour la récupération et le retrait des Lots achetés, veuillez-vous et Acheteurs, comme l’exigent la réglementation sur le blanchiment • Zéro TVA, aucune TVA ne sera ajoutée au Prix d’adjudication reporter à la page « Informations sur la Vente » au début du de capitaux, le financement du terrorisme et le transfert de fonds ou à la Commission d’achat Catalogue. Nos bureaux sont offerts de 9h00 à 17h00 du lundi au (informations sur le payeur) (‘les Réglementations”). Selon son Dans tous les autres cas, aucune TVA ne sera appliquée sur le Prix vendredi. Le Catalogue donne des détails sur la récupération des interprétation des Réglementations et des Lignes directrices à d’adjudication, mais la TVA au taux en vigueur sera ajoutée à la Lots, leur entreposage et la Société d’Entreposage après la Vente. l’intention de l’industrie, approuvées par le Trésor, Bonhams considère Commission d’achat qui sera facturée sur une base TVA incluse. 11. EXPÉDITION que la procédure de CDD prescrite par les Réglementations n’a pas à 9. PAIEMENT Pour obtenir des informations et des estimations sur le transport être accomplie par les Acheteurs sur les Vendeurs lors des enchères Il est de la plus haute importance de vous assurer que vous avez maritime national et international ainsi que sur les licences d’exportation, veuillez contacter : Tous les Lots sont vendus « en l’état », et l’absence d’indication suivante, mais sont soumis aux dispositions générales relatives TRANSPORTS INTERNATIONAUX ROGER BENAIM sur l’état d’une horloge ou d’une montre ne signifie pas que le aux Descriptions contenues dans le Contrat de vente : Tel : +33 1 46 27 48 48 Lot soit en bon état et sans défauts, réparations ou restaurations • « Jacopo Bassano »: à notre avis, il s’agit d’une œuvre de E-mail: [email protected] nécessaires. La plupart des horloges et des montres ont été l’artiste. Lorsque le ou les prénoms de l’artiste ne sont pas Website : www.rogerbenaim.com réparées au cours de leur durée de vie normale et peuvent contenir connus, une série d’astérisques, suivie du nom de famille de 12. RESTRICTIONS EN MATIÈRE D’EXPORTATION ET DE des pièces qui ne sont pas d’origine. En outre, Bonhams ne fait l’artiste, précédé ou non d’une initiale, indique qu’à notre avis COMMERCE aucune déclaration et ne garantit pas que les horloges ou montres l’œuvre est de l’artiste nommé ; Il est de votre seule responsabilité de vous conformer à toutes les sont en bon état de fonctionnement. Les horloges et les montres • « Attribué à Jacopo Bassano » : à notre avis, il s’agit réglementations en matière d’exportation et d’importation relatives à contiennent souvent des mécanismes fins et complexes, et les probablement d’une œuvre de l’artiste, mais il y a moins de vos achats et également d’obtenir toute licence d’exportation et/ou Enchérisseurs doivent donc savoir qu’un entretien général, un certitude quant à la paternité que dans la catégorie précédente ; d’importation nécessaire . changement de pile ou des réparations supplémentaires, dont • « Studio/Atelier de Jacopo Bassano » : à notre avis, c’est une Afin de contrôler la circulation des biens culturels, la loi n°92-1477 du l’Acheteur est seul responsable, peuvent être nécessaires. œuvre réalisée par une main inconnue dans un atelier de l’artiste 31 décembre 1992 (modifiée par celle du 10 juillet 2000) soumet les Taxidermie et articles connexes qui peut ou non avoir été exécutée sous sa direction ; exportations hors du territoire français à des modalités particulières, Bonhams s’engage, pour le compte du Vendeur de ces articles, • « Cercle de Jacopo Bassano » : à notre avis, c’est une œuvre applicables aux biens dont l’ancienneté et la valeur dépassent à respecter pleinement les réglementations de la Cites et du réalisée par une main étroitement associée à l’artiste nommé certains seuils. Le certificat d’exportation est un simple document DEFRA. Il est conseillé aux Acheteurs de s’informer de toutes mais qui n’est pas nécessairement son élève ; administratif qui n’apporte aucune garantie d’authenticité du bien ces réglementations et de s’attendre à ce que l’exportation des • « Suiveur de Jacopo Bassano » : à notre avis, c’est qu’il permet d’exporter. La demande de certificat pour un bien articles nécessite un temps d’organisation. une œuvre d’un peintre travaillant dans le style de l’artiste, culturel en vue de sa libre circulation hors du territoire français ou de 17. BIJOUX contemporain ou quasi contemporain, mais qui n’est pas tous autres documents administratifs n’affecte pas l’obligation de Pierres précieuses nécessairement son élève ; paiement incombant à l’acheteur. » Historiquement, de nombreuses pierres précieuses ont été • « À la manière de Jacopo Bassano » : à notre avis, c’est Le besoin de licences d’importation varie d’un pays à l’autre et vous soumises à divers traitements pour améliorer leur apparence. une œuvre dans le style de l’artiste et d’une date ultérieure ; devez vous informer au sujet des exigences et dispositions locales Les saphirs et les rubis sont régulièrement traités thermiquement • « D’après Jacopo Bassano » : à notre avis, il s’agit d’une pertinentes. Le refus de délivrance d’une licence d’importation pour améliorer leur couleur et leur clarté, et les émeraudes sont copie d’une œuvre connue de l’artiste. ou d’exportation ou tout retard dans l’obtention de cette licence fréquemment traitées avec des huiles ou de la résine dans le • « Signé et/ou daté et/ou inscrit » : à notre avis, la signature ne permet pas d’annuler une Vente ni de retarder le paiement même but. D’autres pierres précieuses peuvent également avoir et/ou la date et/ou l’inscription sont de la main de l’artiste ; intégral du Lot. En règle générale, veuillez contacter notre service subi des traitements comme la coloration, l’irradiation ou le • « Porte une signature et/ou une date et/ou une d’expédition avant la Vente si vous avez besoin d’aide à propos de la revêtement. Ces traitements peuvent être permanents, tandis que inscription » : à notre avis, la signature et/ou la date et/ou réglementation en matière d’exportation d’autres peuvent nécessiter des soins spéciaux ou un nouveau l’inscription ont été ajoutés par une autre main. 13. RÈGLEMENTATIONS DE LA CITES traitement au fil des ans pour conserver leur apparence. Les 20. PORCELAINE ET VERRE Veuillez noter que tous les Lots marqués du symbole Y sont soumis Enchérisseurs doivent savoir que les Estimations prennent en Dommages et restauration aux réglementations de la CITES lors de l’exportation de ces compte le fait que les pierres précieuses ont probablement été Pour vous guider, dans nos Catalogues, nous décrivons en articles en dehors de l’UE. Ces règlementations sont disponibles soumises à de tels traitements. Certains laboratoires délivrent des détail, dans la mesure du possible, tous les défauts, fêlures à l’adresse certificats qui donnent une Description plus détaillée des pierres et restaurations importants. Ces Descriptions pratiques des https://cites.org précieuses. Cependant, les différents laboratoires ne sont pas dommages ne peuvent être définitives, et nos Rapports sur l’état https://cites.application.developpement-durabl.gouv.fr toujours d’accord sur les degrés ou les types de traitement pour ne garantissent pas qu’il n’existe pas d’autres défauts présents Le refus de délivrance des licences ou permis CITES et tout retard une pierre précieuse particulière. Dans le cas où Bonhams a reçu non mentionnés. Les Enchérisseurs doivent s’assurer, par le biais dans l’obtention de ces licences ou permis ne donnent pas lieu à ou obtenu des certificats pour un Lot de la Vente, ces certificats d’une inspection, de l’état de chaque Lot. Veuillez consulter le l’annulation ou à la résiliation d’une Vente, et n’autorisent encore seront présentés dans le Catalogue. Bonhams a pour politique de Contrat de vente imprimé dans le Catalogue concerné. En raison moins un retard dans le paiement intégral du Lot. s’efforcer de fournir des certificats de laboratoires reconnus pour de la difficulté à déterminer si un objet en verre a été repoli, il 14. RESPONSABILITÉ DU VENDEUR ET/OU DE BONHAMS certaines pierres précieuses, mais il n'est pas toujours possible n’est fait mention, dans nos Catalogues, que des éclats et fêlures Exception faite de toute responsabilité du Vendeur envers l’Acheteur en d’obtenir des certificats pour chaque Lot. Lorsqu’aucun certificat visibles. Il n’y a aucune indication de repolissage sévère ou autre. vertu du Contrat de Vente, ni nous-mêmes ni le Vendeur ne répondrons n’est publié dans le Catalogue, les Enchérisseurs doivent supposer 21. VÉHICULES (pour négligence ou autrement) de toute erreur, description erronée que les pierres précieuses peuvent avoir été traitées. Ni Bonhams Plaques et certificats du Veteran Car Club de Grande- ou omission dans toute Description d’un Lot ou dans toute Estimation ni le Vendeur n’acceptent de responsabilité pour les contradictions Bretagne de celui-ci, contenue dans le Catalogue ou autrement, que cette ou les certificats différents obtenus par les Acheteurs sur tout Lot Lorsqu’il est fait mention d’une plaque ou d’un certificat de Description ou Estimation soit faite verbalement ou par écrit, et qu’elle après la Vente. datation du Veteran Car Club dans ce Catalogue, il faut garder à soit faite avant ou pendant la Vente. Ni nous-mêmes ni le Vendeur ne Poids estimés l’esprit que le Veteran Car Club de Grande-Bretagne, qui utilise serons responsables de toute perte d’affaires, de profits, de revenus ou Si le poids d’une pierre apparaît dans le corps de la Description les services de Veteran Car Company Ltd, procède de temps de recettes, ni de toute perte de réputation commerciale, perturbation en lettres majuscules, cela signifie que la pierre a été démontée et à autre à l’examen des voitures déjà datées et, dans certains de l’activité ou du temps perdu par la direction ou le personnel, ni de pesée par Bonhams. Si le poids de la pierre est indiqué comme cas, lorsque de nouvelles preuves sont disponibles, cet examen toute perte indirecte ou de tout dommage indirect ou consécutif de étant approximatif et n’apparaît pas en majuscules, la pierre a été peut entraîner une modification de la date. Bien que le Club et toute sorte, indépendamment de la nature, du volume ou de la source évaluée par nos soins dans sa monture, et le poids indiqué est une Veteran Car Company Ltd fassent tout leur possible pour garantir de la perte ou du dommage prétendument subi et indépendamment expression de notre opinion. Ces informations sont données à titre l’exactitude des données, la date indiquée sur la plaque ou le du point de savoir si cette perte ou ce dommage a été causé ou indicatif et les Enchérisseurs doivent s’assurer de leur exactitude. certificat de datation peut être approximative et les acheteurs invoqué au titre d’une négligence, d’un autre quasi-délit, d’une Signatures potentiels doivent mener leurs propres enquêtes sur la date de violation contractuelle (le cas échéant), de la violation d’une obligation • Une broche en diamant, par Kutchinsky la voiture. légale, d’une demande de restitution ou autrement. Dans le cas où Lorsque le nom du créateur apparaît dans le titre, Bonhams est 22. VINS nous-mêmes et/ou le Vendeur serions responsables au titre d’un d’avis que c’est l’œuvre de ce créateur. Les Lots qui se trouvent sous douane et ceux qui sont assujettis Lot ou de toute Description ou Estimation d’un Lot, ou au titre de la • Une broche en diamant, signée Kutchinsky, porte une à la TVA peuvent ne pas être disponibles pour un retrait immédiat. conduite de toute Vente d’un Lot, que cette responsabilité se traduise signature qui, selon Bonhams, est authentique mais peut Examen des vins par le paiement de dommages-intérêts, d’une indemnité ou d’une contenir des pierres précieuses qui ne sont pas originales, ou Nous organisons parfois des dégustations avant la vente pour les contribution, ou par une action en restitution ou de toute autre manière, la pièce peut avoir été modifiée. grandes parcelles (telles que définies ci-dessous). Ces dégustations notre responsabilité et/ou la responsabilité du Vendeur (combinées si • Une broche en diamant, montée par Kutchinsky a été concernent généralement des vins récents et de consommation nous-mêmes et le Vendeur sommes responsables) seront limitées au créée par le bijoutier, selon Bonhams, mais en utilisant des courante. Veuillez contacter le service concerné pour plus de détails. paiement d’un montant qui n’excédera pas le montant du Prix d’Achat pierres ou des dessins fournis par le client. Notre politique n’est pas d’inspecter chaque caisse non ouverte. du Lot, indépendamment de la nature, du volume ou de la source de 18. PHOTOGRAPHIES Dans le cas des vins de plus de 20 ans, les caisses sont toute perte ou de tout dommage prétendument subi ou de la somme Explication des termes du Catalogue généralement ouvertes et les niveaux et l’apparence sont consignés réclamée comme étant due, et indépendamment du point de savoir • « Bill Brandt » : à notre avis, il s’agit d’une œuvre de l’artiste. dans le Catalogue des ventes en ligne si nécessaire. Vous devez si la responsabilité découle d’une négligence, d’un autre quasi-délit, • « Attribuée à Bill Brandt » : à notre avis, il s’agit tenir compte des variations des niveaux de chambre et de l’état des d’une violation contractuelle (le cas échéant), de la violation d’une probablement d’une œuvre de l’artiste, mais il y a moins bouchons, capsules et étiquettes. obligation légale ou autre. de certitude quant à la paternité que dans la catégorie Bouchons et chambres Aucune des stipulations ci-dessus ne sera interprétée comme excluant précédente ; La chambre désigne l’espace entre la base du bouchon et le vin. ou restreignant (directement ou indirectement) notre responsabilité ou • « Signé et/ou titré et/ou daté et/ou inscrit » : à notre avis, Les niveaux de chambre pour les bouteilles de forme bordelaise ne excluant ou restreignant les droits ou recours d’une personne au titre la signature et/ou le titre et/ou la date et/ou l’inscription sont de sont normalement notés que lorsqu’ils sont sous le goulot et pour (i) d’une fraude, ou (ii) du décès ou d’un préjudice corporel causé par la main de l’artiste. les bouteilles de forme bourguignonne, alsacienne, allemande et notre négligence (ou par la négligence de toute personne agissant sous • « Signé et/ou titré et/ou daté et/ou inscrit d’une autre cognac lorsqu’ils sont supérieurs à 4 centimètres (cm). Les niveaux notre contrôle ou dont nous sommes légalement responsables), ou main » : à notre avis, la signature et/ou le titre et/ou la date et/ de chambre acceptables augmentent avec l’âge ; les niveaux (iii) des actes ou omissions dont nous sommes responsables en vertu ou l’inscription ont été ajoutés par une autre main. généralement acceptables sont les suivants : de la Loi britannique de 1957 sur la responsabilité des occupants, ou La date indiquée est celle de l’image (négatif). Si aucune autre date Moins de 15 ans - dans le goulot ou moins de 4 cm (iv) de toute autre responsabilité dans la mesure où elle ne peut pas n’est indiquée, cela signifie que le tirage photographique est ancien 15 à 30 ans - très haute épaule (THE) ou jusqu’à 5 cm être exclue ou restreinte en vertu de la loi, ou (v) de nos engagements (le terme « ancien » peut également figurer dans la Description du Plus de 30 ans - épaule supérieure (ES) ou jusqu’à 6 cm en vertu des paragraphes 9 (uniquement en relation avec les Ventes lot). Une photographie ancienne est une photographie réalisée spécialisées de Timbres et de Livres) et 10 du Contrat avec l’Acheteur. 5 à 10 ans environ après le négatif. Lorsqu’une deuxième date Il convient de noter que les chambres peuvent changer entre Les mêmes stipulations s’appliquent au titre du Vendeur, de la même ultérieure apparaît, il s’agit de la date d’impression. Lorsque la le moment de la publication du Catalogue et la Vente et que manière que si les références qui nous sont faites dans le présent date d’impression exacte n’est pas connue, mais qu’il est entendu les bouchons peuvent s’abîmer lors du transport du vin. Nous paragraphe étaient remplacées par des références au Vendeur. qu’elle est postérieure, la mention « imprimé plus tard » apparaîtra n’acceptons de responsabilité que pour les Descriptions de l’état 15. LIVRES dans la Description du lot. au moment de la publication du Catalogue et ne pouvons accepter Comme indiqué ci-dessus, tous les Lots sont vendus « en l’état », Sauf indication contraire, les dimensions indiquées sont celles de de responsabilité pour toute perte résultant d’une défaillance des sujets à des défauts, imperfections et erreurs de Description, la feuille de papier sur laquelle l’image est imprimée, y compris bouchons avant ou après ce moment. à l’exception de ce qui est mentionné ci-dessous. Toutefois, les marges éventuelles. Certaines photographies peuvent Options d’achat de parcelles vous serez en droit de refuser un Livre dans les circonstances apparaître dans le Catalogue sans marges illustrées. Une parcelle est un nombre de Lots de taille identique d’un même concernant les « Lots non conformes » énoncées au paragraphe Toutes les photographies sont vendues non encadrées, sauf vin, de la même taille de bouteille et de la même Description. 11 du Contrat avec l’Acheteur. Veuillez noter que la Commission indication contraire dans la Description du lot. L’Acheteur de l’un de ces Lots a la possibilité d’accepter une partie d’achat des Lots comprenant des Livres imprimés, des cartes non 19. IMAGES ou la totalité des Lots restants de la même parcelle au même prix, encadrées et des manuscrits reliés est exonérée de TVA. Explication des termes du Catalogue bien que ces options soient à la seule discrétion de la Maison de 16. HORLOGES ET MONTRES Les termes utilisés dans le Catalogue ont la signification vente aux enchères. Il est donc conseillé aux Enchérisseurs absents d’enchérir sur le premier Lot d’une parcelle. Vins sous douane Les vins sous douane portent la marque Δ. Tous les Lots vendus sous douane, et que l’Acheteur souhaite conserver ainsi, seront facturés sans TVA ni autre taxe sur le Prix d’adjudication. Si l’Acheteur souhaite prendre le Lot comme dédouané, les droits d’accise et la TVA seront ajoutés au Prix d’adjudication sur la facture. Les Acheteurs doivent notifier à Bonhams, au moment de la Vente, s’ils souhaitent retirer leurs vins sous douane ou dédouanés. Si un Lot est pris sous douane, l’Acheteur sera responsable du paiement de la TVA, des droits, des frais de dédouanement et autres qui pourront être exigibles. Les Acheteurs hors de la communauté européenne doivent savoir que tout transitaire désigné pour exporter leurs achats doit disposer d’un certificat de circulation pour les Lots à retirer sous douane. Informations sur la mise en bouteille et les caisses Les termes ci-après utilisés dans le Catalogue ont les significations suivantes : CB – Mise en bouteille au château DB – Mise en bouteille au domaine EstB – Mise en bouteille à la propriété BB – Mise en bouteille bordelaise BE – Mise en bouteille en Belgique FB – Mise en bouteille en France GB – Mise en bouteille en Allemagne OB – Mise en bouteille à Porto UK – Mise en bouteille au Royaume-Uni owc – Caisse en bois d’origine iwc – Caisse en bois individuelle oc – Carton d’origine

SYMBOLES LES SYMBOLES SUIVANTS SONT UTILISÉS POUR INDIQUER : Y Soumis aux règlementations de la CITES lors de l’exportation de ces articles en dehors de l’UE, voir le paragraphe 13 ci-dessus. TP Les objets portant la mention TP seront situés à l’entrepôt et ne pourront être retirés qu’à cet endroit. W Les objets portant la mention w seront situés dans l’entrepôt de Bonhams et ne pourront être retirés qu’à cet endroit. Δ Vins sous douane. AR L’Acheteur nous versera une Commission supplémentaire pour couvrir nos dépenses relatives au paiement des droits d’auteur en vertu des Réglementations britanniques de 2006 sur le droit de suite des artistes. Voir le paragraphe 7 ci- dessus pour plus de détails. ¡ð Le Vendeur s’est vu garantir un prix minimum pour le Lot, soit par Bonhams, soit par une tierce partie. Cela peut prendre la forme d’une enchère irrévocable par un tiers, qui peut réaliser un gain financier sur une Vente réussie ou une perte financière en cas d’échec. ¡ø Bonhams est propriétaire du Lot en tout ou en partie ou peut y avoir un autre intérêt économique. Ф Ce Lot contient ou est fait d’ivoire. Le gouvernement américain a interdit l’importation d’ivoire aux États-Unis. Les symboles utilisés pour indiquer le statut TVA d’un Lot sont indiqués au paragraphe 8 ci-dessus.

PROTECTION DES DONNÉES - UTILISATION DE VOS INFORMATIONS Lorsque nous obtenons des informations à caractère personnel vous concernant, nous ne les utilisons que conformément aux termes de notre Politique de confidentialité (sous réserve de tout consentement spécifique supplémentaire que vous auriez donné au moment où vos informations ont été divulguées). Une copie de notre Politique de confidentialité est disponible sur notre site Internet www.bonhams.com.. Vous pouvez aussi la demander par courrier électronique à [email protected] NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may be Estimates are only an expression of Bonhams’ opinion made Auctioneer for any Lot (subject to any applicable Reserve) to interested in a Lot, and to all persons participating in the auction on behalf of the Seller of the range where Bonhams thinks the whom the Lot is knocked down by the Auctioneer at the fall of the process including auction attendees, Bidders and potential Hammer Price for the Lot is likely to fall; it is not an Estimate of Auctioneer’s hammer. Any dispute as to the highest acceptable Bidders (including any eventual Buyer of the Lot). For ease of value. It does not take into account any VAT or Buyer’s Premium bid will be settled by the Auctioneer in his absolute discretion. All reference we refer to such persons as “Bidders” or “you”. Our payable or any other fees payable by the Buyer, which are bids tendered will relate to the actual Lot number announced by List of Definitions and Glossary is incorporated into this Notice to detailed in paragraph 7 of the Notice to Bidders, below. the Auctioneer. An electronic currency converter may be used at Bidders. It is at Appendix 3 at the back of the Catalogue. Where Prices depend upon bidding and lots can sell for Hammer Prices the Sale. This equipment is provided as a general guide as to the words and phrases are used in this notice which are in the List of below and above the Estimates, so Estimates should not be relied equivalent amount in certain currencies of a given bid. We do not Definitions, they are printed in italics. on as an indication of the actual selling price or value of a Lot. accept any responsibility for any errors which may occur in the use IMPORTANT:Additional information applicable to the Sale may be Estimates are in the currency of the Sale. of the currency converter. We may use video cameras to record the set out in the Catalogue for the Sale, in an insert in the Catalogue Condition Reports Sale and may record telephone calls for reasons of security and to and/or in a notice displayed at the Sale venue and you should In respect of most Lots, you may ask Bonhams for a Condition assist in solving any disputes which may arise in relation to bids read them as well. Announcements affecting the Sale may also Report on the Lot’s general physical condition. If you do so, this made at the Sale. At some Sales, for example, jewellery Sales, we be given out orally before and during the Sale without prior will be provided by Bonhams on behalf of the Seller free of charge. may use screens on which images of the Lots will be projected. written notice. You should be alert to the possibility of changes As this is offered additionally and without charge, Bonhams is This service is provided to assist viewing at the Sale. The image and ask in advance of bidding if there have been any. not entering into a contract with you in respect of the Condition on the screen should be treated as an indication only of the 1. OUR ROLE Report and accordingly does not assume responsibility to you current Lot. It should be noted that all bids tendered will relate to In its role as Auctioneer of Lots, Bonhams acts solely for and in respect of it. The Condition Report represents Bonhams’ the actual Lot number announced by the Auctioneer. We do not in the interests of the Seller. Bonhams’ job is to sell the Lot at reasonable opinion as to the Lot’s general condition in the terms accept any responsibility for any errors which may occur in the use the highest price obtainable at the Sale to a Bidder. Bonhams stated in the particular report, and Bonhams does not represent of the screen. does not act for Buyers or Bidders in this role and does not give or guarantee that a Condition Report includes all aspects of the 5. BIDDING advice to Buyers or Bidders. When it or its staff make statements internal or external condition of the Lot. Neither does the Seller You must complete and deliver to us one of our Bidding Forms, about a Lot or, if Bonhams provides a Condition Report on a owe or agree to owe you as a Bidder or Buyer any obligation or either our Bidder Registration Form, Absentee Bidding Form or Lot it is doing that on behalf of the Seller of the Lot. Bidders and duty in respect of this free report about a Lot, which is available Telephone Bidding Form in order to bid at our Sales. Buyers who are themselves not expert in the Lots are strongly for your own inspection or for inspection by an expert instructed If you are a new client at Bonhams or have not recently updated advised to seek and obtain independent advice on the Lots and by you. your registration details with us, you must pre-register to bid their value before bidding for them. The Seller has authorised The Seller’s responsibility to you at least two working days before the Sale at which you wish to Bonhams to sell the Lot as its agent on its behalf and, save The Seller does not make or agree to make any representation of bid. You will be required to provide government-issued proof of where we expressly make it clear to the contrary, Bonhams acts fact or contractual promise, Guarantee or warranty and undertakes identity and residence, and if you are a company, your certificate only as agent for the Seller. Any statement or representation no obligation or duty, whether in contract or in tort (other than to of incorporation or equivalent documentation with your name and we make in respect of a Lot is made on the Seller’s behalf and, the eventual Buyer as set out above), in respect of the accuracy or registered address, government issued proof of your current unless Bonhams sells a Lot as principal, not on our behalf and completeness of any statement or representation made by him or address, documentary proof of your beneficial owners and any Contract for Sale is between the Buyer and the Seller and on his behalf, which is in any way descriptive of any Lot or as to directors, and proof of authority to transact. not with us. If Bonhams sells a Lot as principal this will either be the anticipated or likely selling price of any Lot. Other than as set We may also request a financial reference and /or deposit from stated in the Catalogue or an announcement to that effect will be out above, no statement or representation in any way descriptive you before allowing you to bid. made by the Auctioneer, or it will be stated in a notice at the Sale of a Lot or any Estimate is incorporated into any Contract for Sale We reserve the rights at our discretion to request further or an insert in the Catalogue. between a Seller and a Buyer. information in order to complete our client identification and to Bonhams does not owe or undertake or agree to any duty or Bonhams’ responsibility to you decline to register any person as a Bidder, and to decline to responsibility to you in contract or tort (whether direct, collateral, You have the opportunity of examining the Lot if you want to accept their bids if they have been so registered. We also reserve express, implied or otherwise). If you successfully bid for a Lot and the Contract for Sale for a Lot is with the Seller and not the rights to postpone completion of the Sale of any Lot at our and buy it, at that stage Bonhams does enter into an agreement with Bonhams; Bonhams acts as the Seller’s agent only (unless discretion while we complete our registration and identification with you as the Buyer. The terms of that contract are set out Bonhams sells the Lot as principal). enquiries, and to cancel the Sale of any Lot if you are in breach of in our Buyer’s Agreement, which you will find at Appendix 2 Bonhams undertakes no obligation to you to examine, investigate your warranties as Buyer, or if we consider that such Sale would be at the back of the Catalogue, and this will govern Bonhams’ or carry out any tests, either in sufficient depth or at all, on each unlawful or otherwise cause liabilities for the Seller or Bonhams or relationship with the Buyer. Lot to establish the accuracy or otherwise of any Descriptions be detrimental to Bonhams’ reputation. 2. LOTS or opinions given by Bonhams, or by any person on Bonhams’ Bidding in person Subject to the Contractual Description printed in bold letters behalf, whether in the Catalogue or elsewhere. So long as you have pre-registered to bid or have updated in the Entry about the Lot in the Catalogue (see paragraph 3 You should not suppose that such examinations, investigations or your existing registration recently, you should come to our Bidder below), Lots are sold to the Buyer on an “as is” basis, with all tests have occurred. registration desk at the Sale venue and fill out a Registration faults and imperfections. Illustrations and photographs contained Bonhams does not make or agree to make any representation and Bidding Form on (or, if possible, before) the day of the Sale. in the Catalogue (other than photographs forming part of of fact, and undertakes no obligation or duty (whether in contract The bidding number system is sometimes referred to as “paddle the Contractual Description) or elsewhere of any Lots are for or tort) in respect of the accuracy or completeness of any bidding”. You will be issued with a large card (a “paddle”) with identification purposes only. A photograph or illustration may not statement or representation made by Bonhams or on Bonhams’ a printed number on it. This will be attributed to you for the reflect an accurate reproduction of the colour(s) or true condition behalf which is in any way descriptive of any Lot or as to the purposes of the Sale. Should you be a successful Bidder you of the Lot. Lots are available for inspection prior to the Sale and anticipated or likely selling price of any Lot. No statement or will need to ensure that your number can be clearly seen by it is for you to satisfy yourself as to each and every aspect of a representation by Bonhams or on its behalf in any way descriptive the Auctioneer and that it is your number which is identified as Lot, including its authorship, attribution, condition, provenance, of any Lot or any Estimate is incorporated into our Buyer’s the Buyer’s. You should not let anyone else use your paddle as history, background, authenticity, style, period, age, suitability, Agreement. all Lots will be invoiced to the name and address given on your quality, roadworthiness (if relevant), origin, value and estimated Alterations Bidder Registration Form. Once an invoice is issued it will not selling price (including the Hammer Price). It is your responsibility Descriptions and Estimates may be amended at Bonhams’ be changed. If there is any doubt as to the Hammer Price of, to examine any Lot in which you are interested. It should be discretion from time to time by notice given orally or in or whether you are the successful Bidder of, a particular Lot, remembered that the actual condition of a Lot may not be as writing before or during a Sale. you must draw this to the attention of the Auctioneer before the good as that indicated by its outward appearance. In particular, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM next Lot is offered for Sale. At the end of the Sale, or when you parts may have been replaced or renewed and Lots may not be YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY have finished bidding please return your paddle to theBidder authentic or of satisfactory quality; the inside of a Lot may not ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON registration desk. be visible and may not be original or may be damaged, as for YOUR BEHALF BEFORE THE SALE. Bidding by telephone example where it is covered by upholstery or material. Given 4. CONDUCT OF THE SALE If you wish to bid at the Sale by telephone, and have pre- the age of many Lots they may have been damaged and/ Our Sales are public auctions which persons may attend and registered to bid or have updated your existing registration details or repaired and you should not assume that a Lot is in good you should take the opportunity to do so. We reserve the right recently, please complete a Registration and Bidding Form, which condition. at our sole discretion to refuse admission to our premises or is available from our offices or in the Catalogue. Please then Electronic or mechanical items or parts are sold for their artistic, to any Sale and to remove any person from our premises and return it to the office responsible for the Sale at least 24 hours historic or cultural interest and may not operate or may not Sales, without stating a reason. We have complete discretion in advance of the Sale. It is your responsibility to check with our comply with current statutory requirements. You should not as to whether the Sale proceeds, whether any Lot is included in Bids Office that your bid has been received. Telephone calls will assume that electrical items designed to operate on mains the Sale, the manner in which the Sale is conducted and we may be recorded. The telephone bidding facility is a discretionary electricity will be suitable for connection to the mains electricity offer Lots for Sale in any order we choose notwithstanding the service offered at no additional charge and may not be available supply and you should obtain a report from a qualified electrician numbers given to Lots in the Catalogue. You should therefore in relation to all Lots. We will not be responsible for bidding on on their status before doing so. Such items which are unsuitable check the date and starting time of the Sale, whether there your behalf if you are unavailable at the time of the Sale or if the for connection are sold as items of interest for display purposes have been any withdrawals or late entries. Remember that telephone connection is interrupted during bidding. Please only. If you yourself do not have expertise regarding a Lot, you withdrawals and late entries may affect the time at which a Lot you contact us for further details. should consult someone who does to advise you. We can assist are interested is put up for Sale. We have complete discretion Bidding by post or fax in arranging facilities for you to carry out or have carried out more in which to refuse any bid, to nominate any bidding increment Absentee Bidding Forms can be found in the back of this detailed inspections and tests. Please ask our staff for details. we consider appropriate, to divide any Lot, to combine two Catalogue and should be completed and sent to the office Any person who damages a Lot will be held liable for the loss or more Lots, to withdraw any Lot from a Sale and, before responsible for the Sale, once you have pre-registered to bid caused. the Sale has been closed, to put up any Lot for auction again. or have updated your existing registration details recently. It is 3. DESCRIPTIONS OF LOTS AND ESTIMATES Auction speeds can exceed 100 Lots to the hour and bidding in your interests to return your form as soon as possible, as Contractual Description of a Lot increments are generally about 10%; however, these do vary if two or more Bidders submit identical bids for a Lot, the first The Catalogue contains an Entry about each Lot. Each from Sale to Sale and from Auctioneer to Auctioneer. Please bid received takes preference. In any event, all bids should be Lot is sold by its respective Seller to the Buyer of the Lot as check with the department organising the Sale for advice on received at least 24 hours before the start of the Sale. Please corresponding only with that part of the Entry which is printed in this. Where a Reserve has been applied to a Lot, the Auctioneer check your Absentee Bidding Form carefully before returning it to bold letters and (except for the colour, which may be inaccurately may, in his absolute discretion, place bids (up to an amount not us, fully completed and signed by you. It is your responsibility to reproduced) with any photograph of the Lot in the Catalogue. equalling or exceeding such Reserve) on behalf of the Seller. We check with our Bids Office that your bid has been received. This The remainder of the Entry, which is not printed in bold letters, are not responsible to you in respect of the presence or absence additional service is complimentary and is confidential. Such represents Bonhams’ opinion (given on behalf of the Seller) about of any Reserve in respect of any Lot. If there is a Reserve it will be bids are made at your own risk and we cannot accept liability for the Lot only and is not part of the Contractual Description in no higher than the lower figure for any Estimate in the Catalogue, our failure to receive and/or place any such bids. All bids made accordance with which the Lot is sold by the Seller. assuming that the currency of the Reserve has not fluctuated on your behalf will be made at the lowest level possible subject Estimates adversely against the currency of the Estimate. The Buyer will to Reserves and other bids made for the Lot. Where appropriate In most cases, an Estimate is printed beside the Entry. be the Bidder who makes the highest bid acceptable to the your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must indicated by a symbol beside the Lot number. See paragraph 8 Credit cards issued in the name of the Buyer (including China also provide proof of identity and address when submitting bids. below for details. Union Pay (CUP) cards and credit cards issued by Visa and Failure to do this will result in your bid not being placed. MasterCard only). There is a 5,000 € limit on payment value if Bidding via the internet On certain Lots, which will be marked “AR” in the Catalogue and payment is made in person using Chip & Pin verification. Please visit our Website at http://www.bonhams.com for details which are sold for a Hammer Price of €1,000 or greater (converted of how to bid via the internet. into the currency of the Sale using the European Central Bank It may be advisable to notify your debit or credit card provider of Bonhams will not be liable for service delays, interruptions Reference rate prevailing on the date of the Sale), the Additional your intended purchase in advance to reduce delays caused by or other failures to make a bid caused by losses of internet Premium will be payable to us by the Buyer to cover our us having to seek authority when you come to pay. connection, fault or failure with the website or bidding process, Expenses relating to the payment of royalties under the Artists or malfunction of any software or system, computer or mobile Resale Right Regulations 2006. The Additional Premium will be Note: only one debit or credit card may be used for payment device. a percentage of the amount of the Hammer Price calculated in of an account balance. If you have any questions with regards Bidding through an agent accordance with the table below, and shall not exceed €12,500 to card payments, please contact our Customer Services Bids will be treated as placed exclusively by and on behalf of the (converted into the currency of the Sale using the European Department. We reserve the rights to investigate and identify person named on the Bidding Form unless otherwise agreed by Central Bank Reference rate prevailing on the date of the Sale). the source of any funds received by us, to postpone completion us in writing in advance of the Sale. If you wish to bid on behalf of of the sale of any Lot at our discretion while we complete our another person (your principal) you must complete the pre- Hammer Price Percentage amount investigations, and to cancel the Sale of any Lot if you are in registration requirements set out above both on your own behalf From €0 to €50,000 4% breach of your warranties as Buyer, if we consider that such Sale and with full details of your principal, and we will require written From €50,000.01 to €200,000 3% would be unlawful or otherwise cause liabilities for the Seller or confirmation from the principal confirming your authority to bid. From €200,000.01 to €350,000 1% Bonhams, or would be detrimental to Bonhams’ reputation. You are specifically referred to your due diligence From €350,000.01 to €500,000 0.5% 10. COLLECTION AND STORAGE requirements concerning your principal and their source Exceeding €500,000 0.25% The Buyer of a Lot will not be allowed to collect it until payment in of funds, and the warranties you give in the event you full and in cleared funds has been made (unless we have made a are the Buyer, which are contained in paragraph 3 of the 8. VAT special arrangement with the Buyer). For collection and removal of Buyer’s Agreement, set out at Appendix 2 at the back of The prevailing rate of VAT at the time of going to press is 20%, but purchased Lots, please refer to Sale Information at the front of the the Catalogue. this is subject to government change and the rate payable will be Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Nevertheless, as the Bidding Form explains, any person the rate in force on the date of the Sale. Details relating to the collection of a Lot, the storage of a Lot and placing a bid as agent on behalf of another (whether or not he The following symbols, shown beside the Lot number, are our Storage Contractor after the Sale are set out in the Catalogue. has disclosed that fact) will be jointly and severally liable with used to denote that VAT is due on the Hammer Price and Buyer’s 11. SHIPPING the principal to the Seller and to Bonhams under any contract Premium: For information and estimates on domestic and international resulting from the acceptance of a bid. Equally, please let us † VAT at the prevailing rate on Hammer Price and shipping as well as export licenses please contact know if you intend to nominate another person to bid on your Buyer’s Premium TRANSPORTS INTERNATIONAUX ROGER BENAIM behalf at the Sale unless this is to be carried out by us pursuant Ω VAT on imported items at the prevailing rate on Hammer Phone: +33 1 46 27 48 48 to a Telephone or Absentee Bidding Form that you have Price and Buyer’s Premium E-mail: [email protected] completed. If we do not approve the agency arrangements * VAT on imported items at a preferential rate of 5.5% on Website : www.rogerbenaim.com in writing before the Sale, we are entitled to assume that the Hammer Price and the prevailing rate on Buyer’s Premium 12. EXPORT/TRADE RESTRICTIONS person bidding at the Sale is bidding on his own behalf. G Gold bullion exempt from VAT on the Hammer Price It is your sole responsibility to comply with all export and import Accordingly, the person bidding at the Sale will be the Buyer and and subject to VAT at the prevailing rate on the Buyer’s regulations relating to your purchase(s) and also to obtain any will be liable to pay the Hammer Price and Buyer’s Premium and Premium relevant export and/or import licence(s). Export licences are associated charges. If we approve the identity of your client in ࡟ Zero rated for VAT, no VAT will be added to the Hammer issued according to regulation no. 92-1477 of 31 December 1992 advance, we will be in a position to address the invoice to your Price or the Buyer’s Premium (amended by that of 10 July 2000). In order to control the circulation principal rather than you. We will require proof of the agent’s In all other instances no VAT will be charged on the Hammer Price, of cultural goods, law no. 92-1477 of 31 December 1992 (amended client’s identity and residence in advance of any bids made by the but VAT at the prevailing rate will be added to Buyer’s Premium by that of 10 July 2000) makes exports outside French territory agent on his behalf. Please refer to our Conditions of Business which will be invoiced on a VAT inclusive basis. subject to special conditions, applicable to cultural goods whose and contact our Customer Services Department for further 9. PAYMENT age and value exceed certain thresholds. details. It is of critical importance that you ensure that you have readily Bonhams undertakes Customer Due Diligence (CDD) into its available funds to pay the Purchase Price and the Buyer’s Premium The export certificate itself is an administrative document that does Sellers and Buyers as required by the Money Laundering, Terrorist (plus VAT and any other charges and Expenses to us)in full before not provide any guarantee of the authenticity of the work(s) that Financing and Transfer of Funds (Information on the Payer) making a bid for the Lot. If you are a successful Bidder, payment it allows to be exported. The request for a certificate for cultural Regulations 2017 (“the Regulations”). Bonhams’ interpretation of will be due to us by 4.30 pm on the second working day after the goods or any other administrative document(s) (and any delay the Regulations and Treasury Approved industry Guidance is that Sale so that all sums are cleared by the eighth working day after associated thereto) with a view to their free circulation outside CDD under the Regulations is not required by Buyers into Sellers at the Sale. Payments made by anyone other than the registered French territory shall not permit the rescission of any Sale nor allow Bonhams auctions or vice versa. Buyer will not be accepted. Bonhams reserves the right to vary the any delay in making full payment for the Lot(s). 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND terms of payment at any time. The need for import licences varies from country to country and THE BUYER AND BONHAMS Bonhams’ preferred payment method is by bank transfer. you should acquaint yourself with all relevant local requirements On the Lot being knocked down to the Buyer, a Contract for You may electronically transfer funds to our Account. If you do and provisions. The refusal of any import or export licence(s) or Sale of the Lot will be entered into between the Seller and the so, please quote your paddle number and invoice number as the any delay in obtaining such licence(s) shall not permit the rescission Buyer on the terms of the Contract for Sale set out in Appendix reference. Our Account details are as follows: of any Sale nor allow any delay in making full payment for the Lot. 1 at the back of the Catalogue. You will be liable to pay the Generally, please contact our shipping department before the Sale Purchase Price, which is the Hammer Price plus any applicable Bank: HSBC if you require assistance in relation to export regulations. VAT. At the same time, a separate contract is also entered into Address: BBC PARIS HAUSSMANN 13. CITES REGULATIONS between us as Auctioneers and the Buyer. This is our Buyer’s 26 boulevard Malesherbes Please be aware that all Lots marked with the symbol Y are Agreement, the terms of which are set out in Appendix 2 at the 75008 Paris subject to CITES regulations when exporting these items outside back of the Catalogue. Please read the terms of the Contract for Account Name: Bonhams France SAS the EU. These regulations may be found at Sale and our Buyer’s Agreement contained in the Catalogue in Account Number: 09170002091 https://cites.org case you are the successful Bidder including the warranties as Code guichet : 00917 https://cites.application.developpement-durabl.gouv.fr to your status and source of funds. We may change the terms IBAN Number: FR76 3005 6009 1709 1700 0209 192 The refusal of any CITES licence or permit and any delay in of either or both of these agreements in advance of their being obtaining such licences or permits shall not give rise to the entered into, by setting out different terms in the Catalogue and/ If paying by bank transfer, the amount received after the deduction rescission or cancellation of any Sale, nor allow any delay in or by placing an insert in the Catalogue and/or by notices at the of any bank fees and/or conversion of the currency of payment making full payment for the Lot. Sale venue and/or by oral announcements before and during the to pounds sterling must not be less than the sterling amount 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Sale. It is your responsibility to ensure you are aware of the up to payable, as set out on the invoice. Other than any liability of the Seller to the Buyer of a Lot under the date terms of the Buyer’s Agreement for this Sale. Contract for Sale, neither we nor the Seller are liable (whether in 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY Payment may also be made by one of the following methods: negligence or otherwise) for any error or misdescription or omission THE BUYER in any Description of a Lot or any Estimate in respect of it, Under the Buyer’s Agreement, a premium (the Buyer’s Premium) French personal cheque drawn on a French branch of a bank whether contained in the Catalogue or otherwise, whether given is payable to us by the Buyer in accordance with the terms of or building society: all cheques must be cleared before you can orally or in writing and whether given before or during the Sale. the Buyer’s Agreement and at rates set out below, calculated by collect your purchases and should be made payable to Bonhams Neither we nor the Seller will be liable for any loss of Business, reference to the Hammer Price and payable in addition to it. France SAS. profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management For this Sale the following rates of Buyer’s Premium will be payable Cash: you may pay for Lots purchased by you at this Sale or staff, or for indirect losses or consequential damages of any by Buyers on each Lot purchased: with notes or coins in the currency in which the Sale is conducted kind, irrespective in any case of the nature, volume or source (but not any other currency) provided that the total amount of the loss or damage alleged to be suffered, and irrespective 27.5% of the Hammer Price on the first 12,000 €; plus payable by you in respect of all Lots purchased by you at the Sale of whether the said loss or damage is caused by or claimed 25% of the Hammer Price from 12,001 € and up to 400,000 €; does not exceed 1,000 €, or the equivalent in the currency in which in respect of any negligence, other tort, breach of contract (if plus the Sale is conducted, at the time when payment is made. Cash any) or statutory duty, restitutionary claim or otherwise. In any 20% of the Hammer Price from 400,001 € and up to 4,000,000 €; payments can only be accepted on invoices totaling 1000 circumstances where plus € or less. we and/or the Seller are liable in relation to any Lot or any 14.5% of the Hammer Price above 4,000,000 € Description or Estimate made of any Lot, or the conduct of any Debit cards issued in the name of the Buyer (including China Sale in relation to any Lot, whether in damages, for an indemnity Storage and handling charges may also be payable by the Buyer Union Pay (CUP) cards and debit cards issued by Visa and or contribution, or for a restitutionary remedy or otherwise, our and/ as detailed on the specific Sale Information page at the front of the MasterCard only). There is no limit on payment value if payment is or the Seller’s liability (combined, if both we and the Seller are liable) catalogue. made in person using Chip & Pin verification. will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective The Buyer’s Premium and all other charges payable to us by the Payment by telephone may also be accepted up to 5,000 €, in any case of the nature, volume or source of any loss or damage Buyer are subject to VAT at the prevailing rate, currently 20%. subject to appropriate verification procedures, although this facility alleged to be suffered or sum claimed as due, and irrespective of is not available for first time buyers. If the amount payable by you for whether the liability arises from any negligence, other tort, breach VAT may also be payable on the Hammer Price of the Lot, where Lots exceeds that sum, the balance must be paid by other means. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly to be later, “printed later” will appear in the Lot Description. the option to accept some or all of the remaining Lots in the or indirectly) our liability or excluding or restricting any person’s • Unless otherwise specified, dimensions given are parcel at the same price, although such options will be at the rights or remedies in respect of (i) fraud, or (ii) death or personal those of the piece of paper on which the image is printed, Auctioneer’s sole discretion. Absentee Bidders are, therefore, injury caused by our negligence (or by the negligence of any person including any margins. Some photographs may appear in the advised to bid on the first Lot in a parcel. under our control or for whom we are legally responsible), or (iii) Catalogue without margins illustrated. Wines in Bond acts or omissions for which we are liable under the Occupiers • All photographs are sold unframed unless stated in the Wines lying in Bond are marked Δ. All Lots sold under Bond, Liability Act 1957, or (iv) any other liability to the extent the same Lot Description. and which the Buyer wishes to remain under Bond, will be may not be excluded or restricted as a matter of law or (v) our 19. PICTURES invoiced without VAT or Duty on the Hammer Price. If the Buyer undertakings under paragraphs 9 (in relation to specialist Stamp Explanation of Catalogue Terms wishes to take the Lot as Duty paid, Excise Duty and VAT will be or Book Sales only) and 10 of the Buyer’s Agreement. The same The following terms used in the Catalogue have the following added to the Hammer Price on the invoice. applies in respect of the Seller, as if references to us in this meanings but are subject to the general provisions relating to Buyers must notify Bonhams at the time of the sale whether paragraph were substituted with references to the Seller. Descriptions contained in the Contract for Sale: they wish to take their wines under Bond or Duty paid. If a Lot 15. BOOKS • “Jacopo Bassano”: in our opinion a work by the is taken under Bond, the Buyer will be responsible for all VAT, As stated above, all Lots are sold on an “as is” basis, subject artist. When the artist’s forename(s) is not known, a series Duty, clearance and other charges that may be payable thereon. to all faults, imperfections and errors of Description save as set of asterisks, followed by the surname of the artist, whether Buyers outside the UE must be aware that any forwarding agent out below. However, you will be entitled to reject a Book in the preceded by an initial or not, indicates that in our opinion the appointed to export their purchases must have a movement circumstances set out in paragraph 11 of the Buyers Agreement. work is by the artist named; certificate for Lots to be released under Bond. Please note that Lots comprising printed Books, unframed maps • “Attributed to Jacopo Bassano”: in our opinion Bottling Details and Case Terms and bound manuscripts are not liable to VAT on the Buyer’s probably a work by the artist but less certainty as to The following terms used in the Catalogue have the following Premium. authorship is expressed than in the preceding category; meanings: 16. CLOCKS AND WATCHES • “Studio/Workshop of Jacopo Bassano”: in our CB – Château bottled All Lots are sold “as is”, and the absence of any reference to opinion a work by an unknown hand in a studio of the artist DB – Domaine bottled the condition of a clock or watch does not imply that the Lot is which may or may not have been executed under the artist’s EstB – Estate bottled in good condition and without defects, repairs or restorations. direction; BB – Bordeaux bottled Most clocks and watches have been repaired in the course of • “Circle of Jacopo Bassano”: in our opinion a work by a BE – Belgian bottled their normal lifetime and may now incorporate parts not original hand closely associated with a named artist but not necessarily FB – French bottled to them. Furthermore, Bonhams makes no representation or his pupil; GB – German bottled warranty that any clock or watch is in working order. As clocks • “Follower of Jacopo Bassano”: in our opinion a work OB – Oporto bottled and watches often contain fine and complex mechanisms, by a painter working in the artist’s style, contemporary or nearly UK – United Kingdom bottled Bidders should be aware that a general service, change of battery contemporary, but not necessarily his pupil; owc – original wooden case or further repair work, for which the Buyer is solely responsible, • “Manner of Jacopo Bassano”: in our opinion a work in iwc – individual wooden case may be necessary. the style of the artist and of a later date; oc – original carton 17. JEWELLERY • “After Jacopo Bassano”: in our opinion, a copy of a Gemstones known work of the artist; SYMBOLS Historically many gemstones have been subjected to a variety in our • “Signed and/or dated and/or inscribed”: THE FOLLOWING SYMBOLS ARE USED TO DENOTE of treatments to enhance their appearance. Sapphires and opinion the signature and/or date and/or inscription are from the rubies are routinely heat treated to improve their colour and hand of the artist; Y Subject to CITES regulations when exporting these clarity, similarly emeralds are frequently treated with oils or • “Bears a signature and/or date and/or inscription”: items outside the EU, see clause 13. resin for the same purpose. Other treatments such as staining, in our opinion the signature and/or date and/or inscription have TP Objects displayed with a TP will be located at the irradiation or coating may have been used on other gemstones. been added by another hand. Cadogan Tate warehouse and will only be available for These treatments may be permanent, whilst others may need 20. PORCELAIN AND GLASS collection from this location. special care or re-treatment over the years to retain their Damage and Restoration W Objects displayed with a w will be located in the appearance. Bidders should be aware that Estimates assume For your guidance, in our Catalogues we attempt to detail, as Bonhams Warehouse and will only be available for that gemstones may have been subjected to such treatments. far as practicable, all significant defects, cracks and restoration. collection from this location. A number of laboratories issue certificates that give more Such practicable Descriptions of damage cannot be definitive, Δ Wines lying in Bond. detailed Descriptions of gemstones. However there may not and in providing Condition Reports, we cannot Guarantee AR An Additional Premium will be payable to us by the be consensus between different laboratories on the degrees, or that there are no other defects present which have not been Buyer to cover our Expenses relating to payment of types of treatment for any particular gemstone. In the event that mentioned. Bidders should satisfy themselves by inspection, as royalties under the Artists Resale Right Regulations Bonhams has been given or has obtained certificates for any Lot to the condition of each Lot. Please see the Contract for Sale 2006. See clause 7 for details. in the Sale these certificates will bedisclosed in the Catalogue. printed in this Catalogue. Because of the difficulty in determining ○ The Seller has been guaranteed a minimum price Although, as a matter of policy, Bonhams endeavours to provide whether an item of glass has been repolished, in our Catalogues for the Lot, either by Bonhams or a third party. This certificates from recognised laboratories for certain gemstones, reference is only made to visible chips and cracks. No mention is may take the form of an irrevocable bid by a third it is not feasible to obtain certificates for each Lot. In the event made of repolishing, severe or otherwise. party, who may make a financial gain on a successful that no certificate is published in the Catalogue, Bidders should 21. VEHICLES Sale or a financial loss if unsuccessful. assume that the gemstones may have been treated. Neither The Veteran Car Club of Great Britain ▲ Bonhams owns the Lot either wholly or partially or Bonhams nor the Seller accepts any liability for contradictions or Dating Plates and Certificates may otherwise have an economic interest. differing certificates obtained byBuyer s on any Lots subsequent When mention is made of a Veteran Car Club Dating Plate or Dating Ф This lot contains or is made of ivory. The United to the Sale. Certificate in this Catalogue, it should be borne in mind that the States Government has banned the import of ivory Veteran Car Club of Great Britain using the services of Veteran Car Estimated Weights into the USA. If a stone(s) weight appears within the body of the Description in Company Ltd, does from time to time, review cars already dated a VAT capital letters, the stone(s) has been unmounted and weighed by and, in some instances, where fresh evidence becomes available, •, †, *, G, Ω, a see clause 8, , for details. Bonhams.If the weight of the stone(s) is stated to be approximate the review can result in an alteration of date. Whilst the Club and and does not appear in capital letters, the stone(s) has been Veteran Car Company Ltd make every effort to ensure accuracy, DATA PROTECTION – USE OF YOUR INFORMATION assessed by us within its/their settings, and the stated weight the date shown on the Dating Plate or Dating Certificate cannot be Where we obtain any personal information about you, we shall is a statement of our opinion only. This information is given as a guaranteed as correct and intending purchasers should make their only use it in accordance with the terms of our Privacy Policy guide and Bidders should satisfy themselves with regard to this own enquiries as to the date of the car. (subject to any additional specific consent(s) you may have given information as to its accuracy. 22. WINE at the time your information was disclosed). A copy of our Privacy Signatures Lots which are lying under Bond and those liable to VAT may not Policy can be found on our Website www.bonhams.com or • A diamond brooch, by Kutchinsky be available for immediate collection. requested by email from [email protected] When the maker’s name appears in the title, in Bonhams’ Examining the wines opinion the piece is by that maker. It is occasionally possible to provide a pre-Sale tasting for larger • A diamond brooch, signed Kutchinsky parcels (as defined below). This is generally limited to more recent Has a signature that, in Bonhams’ opinion, is authentic but and everyday drinking wines. Please contact the department for may contain gemstones that are not original, or the piece details. It is not our policy to inspect every unopened case. In the may have been altered. case of wines older than 20 years the boxes will usually have been • A diamond brooch, mounted by Kutchinsky opened and levels and appearance noted in the Catalogue where Has been created by the jeweller, in Bonhams’ opinion, but necessary. You should make proper allowance for variations in using stones or designs supplied by the client. ullage levels and conditions of corks, capsules and labels. 18. PHOTOGRAPHS Corks and Ullages Explanation of Catalogue Terms Ullage refers to the space between the base of the cork and the • “Bill Brandt”: in our opinion a work by the artist. wine. Ullage levels for Bordeaux shaped bottles are only normally • “Attributed to Bill Brandt”: in our opinion probably a work noted when below the neck and for Burgundy, Alsace, German by the artist, but less certainty to authorship is expressed and Cognac shaped bottles when greater than 4 centimetres than in the preceding category. (cm). Acceptable ullage levels increase with age; generally • “Signed and/or titled and/or dated and/or inscribed”: acceptable levels are as follows: in our opinion the signature and/or title and/or date and/or Under 15 years old – into neck or less than 4cm inscription are in the artist’s hand. 15 to 30 years old – top shoulder (ts) or up to 5cm • “Signed and/or titled and/or dated and/or inscribed in another hand”: in our opinion the signature and/or title and/or Over 30 years old – high shoulder (hs) or up to 6cm date and/or inscription have been added by another hand. It should be noted that ullages may change between publication • The date given is that of the image (negative). Where no of the Catalogue and the Sale and that corks may fail as a further date is given, this indicates that the photographic print result of transporting the wine. We will only accept responsibility is vintage (the term “vintage” may also be included in the Lot for Descriptions of condition at the time of publication of the Description). A vintage photograph is one which was made Catalogue and cannot accept responsibility for any loss resulting within approximately 5-10 years of the negative. Where a from failure of corks either before or after this point. second, later date appears, this refers to the date of printing. Options to buy parcels Where the exact printing date is not known, but understood A parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has Formulaire d’inscription et d’enchère (Ordre d’achat en personne / en absence / en ligne / par téléphone) Veuillez entourer le mode d’enchère ci-dessus. Numéro d’identification (réservé à l’administration)

Cette vente aux enchères sera conduite conformément Titre de la vente aux enchères: Date de la vente: aux conditions de vente de Bonhams et les enchères The Greek Sale 19 May 2021 et les achats lors de la vente aux enchères seront réglementés par ces conditions. Vous devez lire les N° de la vente: 27187 Lieu de la vente: Paris conditions conjointement avec les informations relatives aux ventes aux enchères qui énoncent les frais que vous devrez payer sur les achats que vous effectuez et Si vous n’assistez pas à la vente en personne, veuillez fournir les coordonnées des lots pour lesquels vous souhaitez faire les autres modalités se rapportant aux enchères et aux une enchère au moins 24 heures avant la vente. Les enchères seront arrondies à la surenchère inférieure la plus proche. achats lors de la vente aux enchères. Avant de signer le Veuillez consulter l’avis aux enchérisseurs publié dans le catalogue pour tout complément d’information se rapportant aux présent formulaire, veillez à poser toutes les questions offres par téléphone, en ligne ou par écrit que Bonhams peut accepter en votre nom. Bonhams fera tout son possible pour que vous pourriez avoir concernant les conditions. Ces exécuter ces ordres d’achat en votre nom mais ne sera pas tenu pour responsable en cas d’erreurs ou de manquement à conditions contiennent également certains engagements exécuter ces offres d’achat. de la part des enchérisseurs et des acheteurs et limitent la responsabilité de Bonhams envers les enchérisseurs et Paliers d'enchère généraux: les acheteurs. €10 - 200 ...... 10s €10,000 - 20,000 ...... 1,000s €200 - 500 ...... 20 / 50 / 80s €20,000 - 50,000 ...... 2,000 / 5,000 / 8,000s Protection des données – utilisation de vos renseignements personnels €500 - 1,000 ...... 50s €50,000 - 100,000 ...... 5,000s Lorsque nous obtenons des renseignements personnels vous €1,000 - 2,000 ...... 100s €100,000 - 200,000 .....10,000s concernant, nous les utiliserons uniquement conformément aux €2,000 - 5,000 ...... 200 / 500 / 800s au-delà de €200,000 ....à la discrétion du conditions de notre Politique relative à la confidentialité (sous €5,000 - 10,000 ...... 500s commissaire-priseur réserve des consentements particuliers supplémentaires que vous aurez pu nous donner au moment de la communication de tels Le commissaire-priseur peut, à sa discrétion, diviser les offres d’achat à tout moment. renseignements). Vous pouvez consulter notre Politique relative à la confidentialité sur notre site Internet (www.bonhams.com) ou Numéro client Titre demander à en recevoir un exemplaire par la poste en contactant notre service client à l’adresse suivante : Customer Services Department, 101 New Bond Street, Londres W1S 1SR Royaume- Prénom Nom Uni ou par courriel à [email protected]. Nous pouvons divulguer vos informations personnelles à n'importe quel membre de notre Nom de la société (pour l’envoi de la facture dans le cas échéant) compagnie, ce qui comprend nos filiales, notre société de holding mère et ses filiales (enregistrées au Royaume-Uni ou ailleurs). Nous Adresse ne divulguerons pas vos données à quiconque en dehors de notre compagnie, mais parfois nous vous adresserons des informations concernant nos biens et services, et également les produits de nos tiers, pour lesquels nous pensons que vous pourriez être Ville Département/Région intéressés. Souhaitez-vous recevoir les informations de notre Code postal Pays part par email? Par courrier? N° de téléphone portable Téléphone (jour) Avis aux enchérisseurs. Nous demandons à nos clients de fournir, au plus tard 24 heures avant la vente, une pièce d’identité comportant photo et date de Téléphone (soir) Télécopie naissance telle qu’un passeport, un permis de conduire ou une carte d’identité, et au cas où l’adresse ne figure pas sur la pièce Numéro(s) préféré(s) pour les ordres d’achat par téléphone (indicatif du pays compris) d’identité, accompagnée d’un justificatif de domicile tel qu’une quittance d’eau/électricité ou un relevé bancaire ou de carte de crédit, etc. Les clients commerciaux doivent également fournir un exemplaire des statuts/documents d’enregistrement de la Adresse courriel (en lettres majuscules) société, le nom, la raison sociale et l’adresse enregistrée de l'entité, la preuve documentaire de ses ayants droit économiques et En complétant votre adresse email ci-dessus, vous autorisez Bonhams à envoyer à cette adresse des informations relatives aux ventes, directeurs, ainsi qu’une lettre autorisant la personne à enchérir au données marketing et actualités de Bonhams. Bonhams ne participe pas à la vente ou l’échange d’adresses email. nom de la société. Le défaut de transmission de ces documents pourra entraîner le non-traitement ou l’inachèvement de vos Je m’inscris pour faire des offres en tant que particulier Je m’inscris pour faire des offres en enchères. Pour les lots de plus grande valeur, une lettre de tant que client professionnel référence de votre banque pourra également vous être demandée. Si vous êtes inscrit à la TVA au sein de l’UE, veuillez saisir Veuillez cocher la case ci-contre si vous vous êtes En cas de succès ici votre numéro : déjà inscrit chez nous Je viens chercher mes achats en personne

Je vous remercie de bien vouloir donner mes coordonnées aux / - - transporteurs qui me transmettront un devis et j’accepte que vous leur communiquiez mes coordonnées afin qu’ils puissent me contacter. Remarque : tous les appels téléphoniques sont enregistrés.

Offre d’achat maximale Téléphone ou ordre d’achat Ordre d’achat de N° de lot Description succincte en Euros (hors prime en cas d’absence (T/A) sécurité* et TVA)

EN SIGNANT CE FORMULAIRE, VOUS RECONNAISSEZ AVOIR VU LE CATALOGUE DE VENTE, AVOIR LU ET COMPRIS NOS CONDITIONS DE VENTE DONT LES GARANTIES ACHETEURS ET VOUS ACCEPTEZ QU’ELLES VOUS SOIENT OPPOSABLES ET VOUS ACCEPTEZ DE PAYER LES FRAIS DE VENTE, TVA ET TOUTES AUTRES CHARGES MENTIONNÉES DANS LES AVIS AUX ENCHÉRISSEURS. CECI AFFECTE VOS DROITS LÉGAUX.

Votre signature: Date:

*Ordre d’achat de sécurité : une enchère maximale (hors prime et TVA de l’acheteur) devant être exécutée par Bonhams au cas où nous serions dans l’impossibilité de vous joindre par téléphone ou si la connexion venait à être coupée pendant les enchères. N.B. Seuls les paiements provenant d’un compte dont le titulaire porte le même nom que celui indiqué sur la facture et le formulaire d’inscription aux enchères seront acceptés. Veuillez envoyer par courriel ou télécopie le formulaire d’inscription aux enchères et les renseignements demandés à l’adresse suivante : Bonhams, Customer Services, 101 New Bond Street, Londres, W1S 1SR. Tél. : +44 (0) 20 7447 7447 Fax : +44 (0) 20 7447 7401, [email protected] Bonhams France SAS, 4 Rue de la Paix, 75002 Paris. N° d'agrément 2007-638 - RCS Paris 500 772 652 Fra/05/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Sale title: The Greek Sale Sale date: 19 May 2021 Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 27187 Sale venue: Paris Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: €10 - 200 ...... by 10s €10,000 - 20,000 ...... by 1,000s Data protection – use of your information €200 - 500 ...... by 20 / 50 / 80s €20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we €500 - 1,000 ...... by 50s €50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy €1,000 - 2,000 ...... by 100s €100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may €2,000 - 5,000 ...... by 200 / 500 / 800s above €200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A €5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (to be invoiced if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Address interest to you including those provided by third parties. Would you like to receive information from us by email? or post City County / State

Notice to Bidders. Post / Zip code Country At least 24 hours before the Sale, clients must provide government or state issued photographic proof of ID and date Telephone mobile Telephone daytime of birth e.g. - passport, driving licence - and if not included in ID document, proof of address e.g - utility bill, bank or credit Telephone evening Fax card statement etc. Corporate clients should also provide a copy of their articles of association / company registration Preferred number(s) in order for Telephone Bidding (inc. country code) documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your E-mail (in capitals) bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news concerning Bonhams. Bonhams does not sell or trade email addresses. If successful I am registering to bid as a private buyer I am registering to bid as a trade buyer I will collect the purchases myself

Please arrange shippers to contact me with If registered for TVA in the EU please enter your registration here: Please tick if you have registered with us before a quote and I agree that you may pass them - - my contact details. / Please note that all telephone calls are recorded. MAX bid in EUR Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) & TVA)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and TVA) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams France SAS, 4 Rue de la Paix, 75002 Paris. N° d'agrément 2007-638 - RCS Paris 500 772 652

Fra/05/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Sale title: Sale date: Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. Sale venue: Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: €10 - 200 ...... by 10s €10,000 - 20,000 ...... by 1,000s Data protection – use of your information €200 - 500 ...... by 20 / 50 / 80s €20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we €500 - 1,000 ...... by 50s €50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy €1,000 - 2,000 ...... by 100s €100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may €2,000 - 5,000 ...... by 200 / 500 / 800s above €200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A €5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (to be invoiced if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Address interest to you including those provided by third parties. Would you like to receive information from us by email? or post City County / State

Your signature: Date:

Fra/05/19

Bonhams 4 Rue de la Paix Paris, 75002

+33 1 42 61 10 10 bonhams.com

AUCTIONEERS SINCE 1793