The Greek Sale Rencontre Grecque
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Heather Buckner Vitaglione Mlitt Thesis
P. SIGNAC'S “D'EUGÈNE DELACROIX AU NÉO-IMPRESSIONISME” : A TRANSLATION AND COMMENTARY Heather Buckner Vitaglione A Thesis Submitted for the Degree of MLitt at the University of St Andrews 1985 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/13241 This item is protected by original copyright P.Signac's "D'Bugtne Delacroix au n6o-impressionnisme ": a translation and commentary. M.Litt Dissertation University or St Andrews Department or Art History 1985 Heather Buckner Vitaglione I, Heather Buckner Vitaglione, hereby declare that this dissertation has been composed solely by myself and that it has not been accepted in any previous application for a higher degree. I was admitted as a candidate for the degree of M.Litt. as of October 1983. Access to this dissertation in the University Library shall be governed by a~y regulations approved by that body. It t certify that the conditions of the Resolution and Regulations have been fulfilled. TABLE---.---- OF CONTENTS._-- PREFACE. • • i GLOSSARY • • 1 COLOUR CHART. • • 3 INTRODUCTION • • • • 5 Footnotes to Introduction • • 57 TRANSLATION of Paul Signac's D'Eug~ne Delac roix au n~o-impressionnisme • T1 Chapter 1 DOCUMENTS • • • • • T4 Chapter 2 THE INFLUBNCB OF----- DELACROIX • • • • • T26 Chapter 3 CONTRIBUTION OF THE IMPRESSIONISTS • T45 Chapter 4 CONTRIBUTION OF THB NEO-IMPRBSSIONISTS • T55 Chapter 5 THB DIVIDED TOUCH • • T68 Chapter 6 SUMMARY OF THE THRBE CONTRIBUTIONS • T80 Chapter 7 EVIDENCE • . • • • • • T82 Chapter 8 THE EDUCATION OF THB BYE • • • • • 'I94 FOOTNOTES TO TRANSLATION • • • • T108 BIBLIOGRAPHY • • • • • T151 LIST OF ILLUSTRATIONS Plate 1. -
TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog. -
The Agenda of the Athenian Acropolis Museum
Zakakis, N., Bantimaroudis, P., and Zyglidopoulos, S. (2015) Museum promotion and cultural salience: the agenda of the Athenian Acropolis museum. Museum Management and Curatorship, 30(4), pp. 342-358. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/105578/ Deposited on: 1 May 2015 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Museum Promotion and Cultural Salience: The Agenda of the Athenian Acropolis Museum Nikos Zakakis Philemon Bantimaroudis Department of Cultural Technology and Communication, University of the Aegean, Mytilene, T.K. 81100, Greece E-Mail: [email protected] E-Mail: [email protected] And Stelios Zyglidopoulos Adam Smith Business School University of Glasgow, Main Building, Glasgow, G12 8QQ, Scotland, UK E-mail: [email protected] Paper accepted for publication at the Museum Management and Curatorship As of April 2015 Museum Promotion and Cultural Salience: The Agenda of the Athenian Acropolis Museum Abstract This case study examines a process of agenda building in the context of cultural organizations. We chose the Acropolis Museum, as a new, emerging cultural organization in the European periphery which engages in public actions, in the form of symbolic initiatives, in order to set a specific cultural agenda for Greek and international media. We scrutinize seven symbolic initiatives publicized by the museum, as attributes that influence media content. We conclude that development of cultural/educational services, advertising and marketing, visitor/customer relations, partnerships, symbolic actions, special events, and supporting services constitute significant cultural attributes, which strategically become a part of the media agenda, thereby contributing toward the building of a museum agenda. -
Greek Inspiration
ΤΕΎΧΟΣ 23 – ΧΕΙΜΩΝΑΣ 2018/19 ● ISSUE 23 – WINTER 2018/19 GREEK INSPIRATION WELCOME γαπητοί επισκέπτες, ear Guests, Είναι ιδιαίτερη χαρά και τιμή μας να σας καλωσορί- It is a special joy and honor to welcome you to the A ζουμε στα ξενοδοχεία του Ομίλου Εlectra Hotels & D hotels of the Electra Hotels & Resorts Group. With Resorts. Κοντά μας θα απολαύσετε την πολυτέλεια, την άνεση us, you will experience luxury, comfort and genuine Greek και τη γνήσια ελληνική φιλοξενία, προσαρμοσμένη στις απαι- hospitality adapted to the needs of 21st-century travelers. You τήσεις των ταξιδιωτών του 21ου αιώνα. Θα νιώσετε μέλος μιας will feel, I hope, like a member of a large family, one that has μεγάλης οικογένειας, που μεγαλώνει χρόνο με τον χρόνο από been growing, year on year, since 1965, when we opened our το 1965, όταν άνοιξε το πρώτο ξενοδοχείο μας. Από τότε, έχουμε first hotel. Since then, we have welcomed more than seven φιλοξενήσει πάνω από επτά εκατομμύρια επισκέπτες από την million guests from Greece and around the world. Ελλάδα και όλο τον κόσμο. Whether your stay is for business or leisure, our hotels in Είτε ταξιδεύετε για εργασία είτε για αναψυχή, στα ξενο- Athens, Thessaloniki and Rhodes will make you feel at home. δοχεία μας στην Αθήνα, στη Θεσσαλονίκη και στη Ρόδο θα Our philosophy is to provide high-quality services to meet the νιώσετε σαν στο σπίτι σας. Φιλοσοφία μας είναι να παρέχου- desires and wishes of each and every one of you individually. με υπηρεσίες υψηλών προδιαγραφών, ανταποκρινόμενοι στις For our staff, the soul of the Electra Group, it is both a ανάγκες και στις επιθυμίες καθενός από εσάς ξεχωριστά. -
Epidaurus Festival Athen Festival Karneval in Athen Internat
www.VELBINGER.com PREVIEW © Copyright: Verlag Martin Velbinger www.VELBINGER.com INHALT Übersicht Sightseeing in Athen Baden bei Athen Ausflüge ab Athen Zeitplanung Athen Highlights Buchungs Portal Griechische Zentrale für Fremdenverkehr (GZF) Kreuzfahrt SchiffsanlegerPREVIEW Piräus Transport in Athen Taxis Metro Stadtbusse Straßenbahn Flug An- und Rückreise © Copyright: Verlag Martin Velbinger www.VELBINGER.com Athen Internat. Airport Eleftherios Venizelos ATH - Verbindung Airport in die Stadt bzw. zum Piräus Hafen/Cruise Terminal Zug An- Rückreise Auto An- Abreise Bahnhof Athen Gleitkufenboote ab Piräus Cruise Terminal -> Metro Bahnhof Piräus/Hafen Athen Hopp-on-Hopp-off Busse Vergleich Metro oder besser Hopp-on Hopp-off Busse? Mietwagen Miet- Moped/Motorrad Zeit- und Besichtigungsplanung Sehenswertes Stadtplan Strassennamen Stadtorientierung Syntagma Square Hadrian Torbogen Olympeion National Garten Zappeion Panathenisches Stadion Präsidentenpalast Plaka Monastiraki Square Römische Agora Hadriansbibliothek Akropolis Propyläen Nike Tempel Athena Promachos Erechteion Parthenon Baugeschichte und technische Rafinessen Akropolis Archäologie Akropolis Restaurierungen Akropolis BlickPREVIEW Dionysius Theater Herodes Atticus Theater Antike Agora Psirri Stadtviertel Kerameikos Gazi © Copyright: Verlag Martin Velbinger www.VELBINGER.com Athener Markt Kotzia Square Kolonaki Lycabettos Hügel Omonia Square Piräus Geschichte Museen National Museum Archäologie Epiografisches Museum Akropolis Museum Benaki Museum Benaki Museum für Islamische Kunst -
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011 EDUCATION - 1964 : Beaux Arts of California College of Arts and Crafts, Oakland, CA, USA 1967 : Beaux Arts of Stantford University, Palo Alto, CA, US SOLO SHOWS (SELECTION) - 2020 Dennis Oppenheim, Galerie Mitterrand, Paris, France 2019 Dennis Oppenheim, Le dessin hors papier, Musée des Beaux-Arts, Caen, FR 2018 Broken Record Blues, Peder Lund, Oslo NO Violations, Marlborough Contemporary, New York US Straight Red Trees. Alternative Landscape Components, Guild Hall, East Hampton, NY, US 2016 Terrestrial Studio, Storm King Art Center, New Windsor US Three Projections, Art Institute of Chicago, Chicago, US 2015 Collection, MAMCO, Geneva, CH Launching Structure #3. An Armature for Projections, Halle-Nord, Geneva CH Dennis Oppenheim, Wooson Gallery, Daegu, KR 2014 Dennis Oppenheim, MOT International, London, UK 2013 Thought Collision Factories, Henry Moore Institute, Leeds, UK Sculpture 1979/2006, Galleria Fumagalli & Spazio Borgogno, Milano, IT Alternative Landscape Components, Yorkshire Sculpture Park, West Bretton, UK 2012 Electric City, Kunst Merano Arte, Merano, IT 1968: Earthworks and Ground Systems, Haines Gallery, San Francisco US HaBeer, Beersheba, ISR Selected Works, Palacio Almudi, Murcia, ES 2011 Dennis Oppenheim, Musee d'Art Moderne et Contemporain, Saint-Etienne, FR Eaton Fine Arts, West Palm Beach, Florida, US Galerie Samuel Lallouz, Montreal, CA Salutations to the Sky, Museo Fundacion Gabarron, New York, US 79 RUE DU TEMPLE -
The Museum Professionals in the Digital Era. Agents of Change And
MUSEUM PROFESSIONALS IN THE DIGITAL ERA Agents of change and innovation MUSEUM PROFESSIONALS IN THE DIGITAL ERA Agents of change and innovation MUSEUM PROFESSIONALS IN THE DIGITAL ERA Agents of change and innovation This document, part of the Mu.SA - MUseum Sector Alliance project, has been funded with support from the European Commission. The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Funding Programme: Erasmus+ (European Commission) Key Action: Cooperation for innovation and the exchange of good practices Action Type: Sector Skills Alliances for design and delivery of VET Project number: 575907-EEP-1-2016-1-EL-EPPKA2-SSA Starting date: 1 November 2016 Ending date: 31 October 2019 www.project-musa.eu Printed by Centro Stampa Regione Emilia-Romagna Viale Aldo Moro 34 Bologna – Italy ISBN 9788897281641 The cultural value of museums in times of transition Elisabetta Falchetti, FOREWORD ECCOM. Idee per la cultura Museums are vital organisations for building conflict. Many museums are therefore now and safeguarding our cultural values. They have questioning their roles, in the attempt to affect contributed towards nurturing, guiding, and and accommodate the transition towards a inspiring human culture, while continually re- new society and new cultural manifestations. inventing themselves and diversifying to keep Their objective is to be more harmonious and in step with historical change and to harmonize aware of issues such as equality and respect with their local contexts. -
Music, Image, and Identity: Rebetiko and Greek National Identity
Universiteit van Amsterdam Graduate School for Humanities Music, Image, and Identity: Rebetiko and Greek National Identity Alexia Kallergi Panopoulou Student number: 11655631 MA Thesis in European Studies, Identity and Integration track Name of supervisor: Dr. Krisztina Lajosi-Moore Name of second reader: Prof. dr. Joep Leerssen September 2018 2 Table of Contents Introduction ......................................................................................................................... 4 Chapter 1 .............................................................................................................................. 6 1.1 Theory and Methodology ........................................................................................................ 6 Chapter 2. ........................................................................................................................... 11 2.1 The history of Rebetiko ......................................................................................................... 11 2.1.1 Kleftiko songs: Klephts and Armatoloi ............................................................................... 11 2.1.2 The Period of the Klephts Song .......................................................................................... 15 2.2 Rebetiko Songs...................................................................................................................... 18 2.3 Rebetiko periods .................................................................................................................. -
The Thessaloniki Biennale: the Agendas and Alternative Potential(S) of a Newly-Founded Biennial in the Context of Greek Governance
City Research Online City, University of London Institutional Repository Citation: Karavida, Aikaterini (2014). The Thessaloniki Biennale: The agendas and alternative potential(s) of a newly-founded biennial in the context of Greek governance. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/13704/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Thessaloniki Biennale: The agendas and alternative potential(s) of a newly-founded biennial in the context of Greek governance Volume 2 Aikaterini Karavida This thesis is submitted as part of the requirements for the award of the PhD in ARTS POLICY AND MANAGEMENT CITY UNIVERSITY DEPARTMENT OF CULTURE AND CREATIVE INDUSTRIES July 2014 1 Table of Contents -
CIES E-Working Paper N.º 167/2013 Andy Warhol Com Leonardo: De
CIES e-Working Paper N.º 167/2013 Andy Warhol com Leonardo: de Monalisa a Cristo (3.ª parte) Idalina Conde CIES e-Working Papers (ISSN 1647-0893) Av. das Forças Armadas, Edifício ISCTE, 1649-026 LISBOA, PORTUGAL, [email protected] Idalina Conde é docente na Escola de Sociologia e Políticas Públicas do ISCTE-IUL Instituto Universitário de Lisboa e investigadora no CIES. Leciona no Mestrado em Comunicação, Cultura e Tecnologias da Informação do ISCTE-IUL. Anteriormente, também no curso de pós-graduação em Gestão Cultural nas Cidades do INDEG/ISCTE, a par de várias formações noutras instituições. Paralelamente ao CIES, colaborou em projetos do ERICARTS, The European Institute for Comparative Cultural Research no OAC – Observatório das Atividades Culturais. É autora de numerosas publicações no domínio da sociologia da arte e da cultura, bem como sobre abordagens biográficas. Tem realizado diversos cursos e workshops nessas áreas, nomeadamente sobre criatividade, receção cultural e relações da arte contemporânea com a memória e o património europeu. E-mail: [email protected] Resumo No arco de 20-25 anos, Andy Warhol usou em diferentes momentos imagens de três obras de Leonardo da Vinci: Monalisa, Anunciação e A Última Ceia. Baseando-se nelas fez Thirty Are Better Than One, em 1963, uma versão da Anunciação na série Details of Renaissance Paintings, em 1984 (juntamente com obras de Sandro Botticelli, Piero della Francesca, Paolo Uccello), e The Last Supper, em 1986, com muitas variações, incluindo a maior, The Last Supper (Christ 112 Times) (1986). O texto reflete sobre essa trajetória procurando o sentido dos encontros de Warhol com Leonardo, entre outras obras-primas da Renascença que também incluíram (em 1985) a Madonna Sistina de Rafael Sanzio. -
The Rise and Fall of the 5/42 Regiment of Evzones: a Study on National Resistance and Civil War in Greece 1941-1944
The Rise and Fall of the 5/42 Regiment of Evzones: A Study on National Resistance and Civil War in Greece 1941-1944 ARGYRIOS MAMARELIS Thesis submitted in fulfillment of the requirements for the degree of Doctor in Philosophy The European Institute London School of Economics and Political Science 2003 i UMI Number: U613346 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U613346 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 9995 / 0/ -hoZ2 d X Abstract This thesis addresses a neglected dimension of Greece under German and Italian occupation and on the eve of civil war. Its contribution to the historiography of the period stems from the fact that it constitutes the first academic study of the third largest resistance organisation in Greece, the 5/42 regiment of evzones. The study of this national resistance organisation can thus extend our knowledge of the Greek resistance effort, the political relations between the main resistance groups, the conditions that led to the civil war and the domestic relevance of British policies. -
Lucas Samaras Örnekleminde Çağdaş Yunan Sanatında Multimedya Uygulamaların Yeri1
İNSAN VE TOPLUM BİLİMLERİ ARAŞTIRMALARI DERGİSİ Cilt: 5, Sayı: 6, 2016 Sayfa: 1533-1562 Lucas Samaras Örnekleminde Çağdaş Yunan Sanatında Multimedya Uygulamaların Yeri1 Burak BOYRAZ Arş. Gör., Yıldız Teknik Üniversitesi, Sanat ve Tasarım Fakültesi, Sanat Bölümü [email protected] Öz Antik Yunanlıların plastik sanatlarda yaptığı çalışmalar ve üretimler, tarihsel süreçte çoğu zaman Batı merkezli klasik plastik sanatlar estetiği için referans olarak kullanılmıştır. Ancak özellikle 20.yy’da (toplumsal olayların etkisiyle güncellenen entelektüel algı ile birlikte) radikal üretimler klasik üslup karşısında daha fazla öne çıkmış, pek çok Batılı sanatçı da gerek kavramsal gerekse nesnel açıdan üretimlerinde bu yönde bir eğilim göstermeye başlamıştır. Çağdaş Yunan sanatçılar da 20.yy'ın son çeyreğiyle iyiden iyiye küreselleşen bu yeni sanat anlayışında Avrupa ve Birleşik Devletler ile uyumlu bir estetik çizgide ilerlemekten geri kalmamış ve disiplinlerarası etkileşimden sıklıkla faydalanan multimedya tabanlı eserler üretmiştir. Metin dahilinde de bahsi geçen bu durum başta Lucas Samaras (1936) olmak üzere çeşitli örneklemlerle incelenmiş ve artan bir ivmeyle kendini güncelleyen Batı sanatının günümüz Yunan sanatçıları üzerindeki etkisi tartışılmıştır. Anahtar Kelimler: Sanat, Plastik Sanatlar, Yunanistan, Çağdaş Yunan Sanatı, Disiplinlerarası Etkileşim, Multimedya, Lucas Samaras. Place of Multimedia Technics in Contemporary Greek Art In Lucas Samaras Sample Abstract Studies and outputs that are executed by Ancient Greeks in plastic arts have been quite often used as a reference for the West-centered plastic arts aesthetics in the historical process. However, especially in the 20th century (together with intellectual perception that is updated by the effect of social events) radical outputs became more prominent against classical style and many Western artists in their outputs started to show tendency in this direction either cognitively or objectively.