The Greek Sale
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Greek Inspiration
ΤΕΎΧΟΣ 23 – ΧΕΙΜΩΝΑΣ 2018/19 ● ISSUE 23 – WINTER 2018/19 GREEK INSPIRATION WELCOME γαπητοί επισκέπτες, ear Guests, Είναι ιδιαίτερη χαρά και τιμή μας να σας καλωσορί- It is a special joy and honor to welcome you to the A ζουμε στα ξενοδοχεία του Ομίλου Εlectra Hotels & D hotels of the Electra Hotels & Resorts Group. With Resorts. Κοντά μας θα απολαύσετε την πολυτέλεια, την άνεση us, you will experience luxury, comfort and genuine Greek και τη γνήσια ελληνική φιλοξενία, προσαρμοσμένη στις απαι- hospitality adapted to the needs of 21st-century travelers. You τήσεις των ταξιδιωτών του 21ου αιώνα. Θα νιώσετε μέλος μιας will feel, I hope, like a member of a large family, one that has μεγάλης οικογένειας, που μεγαλώνει χρόνο με τον χρόνο από been growing, year on year, since 1965, when we opened our το 1965, όταν άνοιξε το πρώτο ξενοδοχείο μας. Από τότε, έχουμε first hotel. Since then, we have welcomed more than seven φιλοξενήσει πάνω από επτά εκατομμύρια επισκέπτες από την million guests from Greece and around the world. Ελλάδα και όλο τον κόσμο. Whether your stay is for business or leisure, our hotels in Είτε ταξιδεύετε για εργασία είτε για αναψυχή, στα ξενο- Athens, Thessaloniki and Rhodes will make you feel at home. δοχεία μας στην Αθήνα, στη Θεσσαλονίκη και στη Ρόδο θα Our philosophy is to provide high-quality services to meet the νιώσετε σαν στο σπίτι σας. Φιλοσοφία μας είναι να παρέχου- desires and wishes of each and every one of you individually. με υπηρεσίες υψηλών προδιαγραφών, ανταποκρινόμενοι στις For our staff, the soul of the Electra Group, it is both a ανάγκες και στις επιθυμίες καθενός από εσάς ξεχωριστά. -
Issues of Gender Representation in Modern Greek Art the Case of Thaleia Flora-Caravia’S Photographic Images and Self-Portraits
p Issues of Gender Representation in Modern Greek Art The Case of Thaleia Flora-Caravia’s Photographic Images and Self-Portraits Despoina Tsourgianni ABSTRACT There is a recent trend, mainly in the fi eld of historiography but also in art history, toward the exploration of female autobiographical discourse, whether it concerns writ- ten (autobiographies, correspondence), painted (self-portraits), or photographic data. On the basis of the highly fruitful gender perspective, this article seeks to present and interpret the numerous photographs of the well-known Greek painter Thaleia Flora- Caravia. These photographic recordings, taken almost exclusively from the painter’s unpublished personal archive, are inextricably linked to the artist’s self-portraits. This kind of cross-examination allows the reader to become familiar with the mosaic of roles and identities that constitutes the subjectivity of female artists in Greece in the late nineteenth and early twentieth centuries. KEYWORDS: autobiography, female artist, modern Greek art, photography, self-portrait p Introduction No opening words could be more appropriate to introduce a study on twentieth- century artist representation than the verses of Rainer Maria Rilke on the painter Paula Modersohn-Becker: So free of curiosity your gaze had become, so unpossessive, of such true poverty, it no longer desired even you yourself; it wanted nothing: holy.1 aspasia Volume 13, 2019: 31–64 doi:10.3167/asp.2019.130105 32 DESPOINA TSOURGIANNI It is of key importance to note the way in which this emblematic poet of modernity perceives the ideal depiction of oneself: as one being stripped of any vanity that leads to the beautifi cation of physical characteristics. -
The Museum Professionals in the Digital Era. Agents of Change And
MUSEUM PROFESSIONALS IN THE DIGITAL ERA Agents of change and innovation MUSEUM PROFESSIONALS IN THE DIGITAL ERA Agents of change and innovation MUSEUM PROFESSIONALS IN THE DIGITAL ERA Agents of change and innovation This document, part of the Mu.SA - MUseum Sector Alliance project, has been funded with support from the European Commission. The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Funding Programme: Erasmus+ (European Commission) Key Action: Cooperation for innovation and the exchange of good practices Action Type: Sector Skills Alliances for design and delivery of VET Project number: 575907-EEP-1-2016-1-EL-EPPKA2-SSA Starting date: 1 November 2016 Ending date: 31 October 2019 www.project-musa.eu Printed by Centro Stampa Regione Emilia-Romagna Viale Aldo Moro 34 Bologna – Italy ISBN 9788897281641 The cultural value of museums in times of transition Elisabetta Falchetti, FOREWORD ECCOM. Idee per la cultura Museums are vital organisations for building conflict. Many museums are therefore now and safeguarding our cultural values. They have questioning their roles, in the attempt to affect contributed towards nurturing, guiding, and and accommodate the transition towards a inspiring human culture, while continually re- new society and new cultural manifestations. inventing themselves and diversifying to keep Their objective is to be more harmonious and in step with historical change and to harmonize aware of issues such as equality and respect with their local contexts. -
European Journal of Education Studies ISSN: 2501 - 1111 ISSN-L: 2501 - 1111 Available On-Line At
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Journals of Education Studies European Journal of Education Studies ISSN: 2501 - 1111 ISSN-L: 2501 - 1111 Available on-line at: www.oapub.org/edu doi: 10.5281/zenodo.3344664 Volume 6 │ Issue 4 │ 2019 EPISTEMIC, COGNITIVE AND SEMIOTIC SIGNIFICATIONS IN SCIENCE TEACHING: THE CASE OF SOUND Panagiotis Pantidosi Department of Early Childhood Education, National and Κapodistrian University of Athens, Greece Abstract: The main idea expressed in this paper is that scientific concepts, as teaching objects, are invested with meaning through epistemic, cognitive and semiotic significations. It is described how the concept of sound is presented through: a) the various scientific and non-scientific fields in which sound constitutes an object of study and research, b) the students’ personal formation of knowledge and c) the modes that can be represented in the material world. Such an approach allows us to define the structure elements used in the teaching of concepts and phenomena even before these become active teaching objects. This seems to be useful in lesson planning, in the training of pre-service and in- service science teachers, as well as in curricula design. Keywords: epistemic, cognitive, semiotic significations, sound 1. Introduction The theories and the methodologies adopted and constructed in the various fields of knowledge influence the signification of the concepts they deal with. It is acknowledged that the varied study of our world also constitutes the intent to make differential meanings. Physics and chemistry, as well as visual arts and philosophy, conceptualize the same entities ascribing different meanings to them. -
Violence, Resistance and Collaboration in a Greek Borderland: the Case of the Muslim Chams of Epirus
«Qualestoria» n. 2, dicembre 2015 Violence, resistance and collaboration in a Greek borderland: the case of the Muslim Chams of Epirus di Spyros Tsoutsoumpis Abstract ‒ Violence, resistance and collaboration in a Greek borderland: the case of the Muslim Chams of Epirus The ethnic infighting that took place in Thesprotia between the Greek and Albanian communi- ties during the Axis occupation has been described as a forgotten conflict. Indeed, until recently, the only existing studies were those of local «organic» intellectuals who argued that the Alba- nian Muslim minority collaborated collectively first with the Italian and then with the German occupiers in the hope that an Axis victory would lead to the eventual creation of a Greater Alba- nian state. The article will challenge these views and argue that the conflict was shaped by local issues and antagonisms that predated the war and were often unrelated to nationalist agendas. Politics were used by local actors of all nationalities as a means of expressing local differences; however, the root of the conflict must be sought in communal relations. Both the victims and the perpetrators knew each other, shared common cultural codes and often had longstanding grievances. But this was not a parochial conflict waged between pre-modern peasants. Violence became possible solely as a result of the war and the presence of supra-local actors – the Re- sistance organisations, the Axis militaries and the British Military Mission – who gave peasants the opportunity and means by which to settle their differences. The presence of these groups served to nationalise the ongoing local struggles and led ultimately to an escalation of violence, resulting in the bloody stand-off that took place in the summer of 1944. -
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Griechenland Attika...................................................................................................................................................4 Athen-Zentrum.....................................................................................................................................4 Athen-Nord...........................................................................................................................................5 Athen-Süd.............................................................................................................................................6 Athen-West...........................................................................................................................................7 Piräus....................................................................................................................................................8 Inseln....................................................................................................................................................9 Ostattika..............................................................................................................................................10 Westattika............................................................................................................................................11 Epirus.................................................................................................................................................12 Arta.....................................................................................................................................................12 -
53 Greekjeweller Ilias Lalalounis Was Born in Athens in 1920, the Fourth
100 101 A GOLD PIN BROOCH, BY LALAOUNIS A GOLD TORQUE NECKLACE, BY LALAOUNIS In the classical Greek tradition of a stylised torc with lion’s head Of brushed gold finish, hinged to the back, with axe-shaped terminal and closed pin clasp, mounted in 18K gold, signed Lalaounis, terminals, mounted in 18K gold, with maker’s mark, retailed and marked maker’s mark, French import mark, length 8.7cm ‘Mecan’, inner diameter 11.4cm € 1,200 - 1,800 € 1,600 - 2,600 Greek jeweller Ilias Lalalounis was born in Athens in 1920, the fourth generation of a family of goldsmiths and watchmakers from Delphi. After studying economics and law at the University of Athens, he joined his uncle’s jewellery firm, where, apprenticed as a goldsmith, he learned the skills that were to determine his future as a master craftsman. Prompted by a passion for history, he began studying the art of his ancestors. In the 1950’s he was inspired by Greek museum arte- facts and transformed them into jewellery by reviving age-old techniques while also introducing the use of modern technology. His creative aim was to convey the spiritual and symbolic link of an object to its historical past, the art of neglected techniques, such as granulation, filigree, hand-weaving and hand-hammering. Lalaounis founded the Greek Jeweller’s Association and exhibited his first collection in 1957, the archeological collection, inspired by Classical, Hellenistic and Minoan-Mycenaean art, with modern jewels steeped in antiquity. In the 1960’s, after his uncle passed away, Ilias Lalaounis started his own company. -
Download All Beautiful Sites
1,800 Beautiful Places This booklet contains all the Principle Features and Honorable Mentions of 25 Cities at CitiesBeautiful.org. The beautiful places are organized alphabetically by city. Copyright © 2016 Gilbert H. Castle, III – Page 1 of 26 BEAUTIFUL MAP PRINCIPLE FEATURES HONORABLE MENTIONS FACET ICON Oude Kerk (Old Church); St. Nicholas (Sint- Portugese Synagoge, Nieuwe Kerk, Westerkerk, Bible Epiphany Nicolaaskerk); Our Lord in the Attic (Ons' Lieve Heer op Museum (Bijbels Museum) Solder) Rijksmuseum, Stedelijk Museum, Maritime Museum Hermitage Amsterdam; Central Library (Openbare Mentoring (Scheepvaartmuseum) Bibliotheek), Cobra Museum Royal Palace (Koninklijk Paleis), Concertgebouw, Music Self-Fulfillment Building on the IJ (Muziekgebouw aan 't IJ) Including Hôtel de Ville aka Stopera Bimhuis Especially Noteworthy Canals/Streets -- Herengracht, Elegance Brouwersgracht, Keizersgracht, Oude Schans, etc.; Municipal Theatre (Stadsschouwburg) Magna Plaza (Postkantoor); Blue Bridge (Blauwbrug) Red Light District (De Wallen), Skinny Bridge (Magere De Gooyer Windmill (Molen De Gooyer), Chess Originality Brug), Cinema Museum (Filmmuseum) aka Eye Film Square (Max Euweplein) Institute Musée des Tropiques aka Tropenmuseum; Van Gogh Museum, Museum Het Rembrandthuis, NEMO Revelation Photography Museums -- Photography Museum Science Center Amsterdam, Museum Huis voor Fotografie Marseille Principal Squares --Dam, Rembrandtplein, Leidseplein, Grandeur etc.; Central Station (Centraal Station); Maison de la Berlage's Stock Exchange (Beurs van -
The Greek Sale
athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti. -
1St Progress Workshop & 1St Case Study
1st Progress Workshop & 1st Case Study Rapid alarm systems for the ocean of tomorrow Sivota / Sagiada, Greece, 27-29th April 2015 THE RESORT Sivota is located at the coast between Igoumenitsa and Parga, facing the islands of Corfu and Paxi. The beautiful surrounding with its crystal clear waters, the numerous sand or pebble beaches and the green small islands makes Sivota an ideal place for relaxing vacations. During the spring months the temperatures rates between 14-22°C. MEETING PLACES Meeting Venue: Sivota Diamond Hotel Meeting Rooms Sagiada, Filiates, Greece (SKALOMA ocean facilities) The Sessions and Meetings of the Project will be held at the Trips to Sagiada (SKALOMA fish farming) have been scheduled Conference Center in Sivota Diamond Spa Resort in the context of the Scientific Program. Sagiada is a village that stretches between the Ionian Sea to the west and Albania to the http://www.sivotadiamond.gr/index.php/en/synedria/conference# conference-center north. It is the westernmost point of mainland Greece. The river Thyamis flows into sea 4 km south of the village Sagiad. The village Sagiada is 10 km west of Filiates, 15 km northwest of Igoumenitsa and 4 km south of the Albanian town of Konispol. Transfer services will provided daily from Sivota to Sagiada (and vice versa), in terms of the Scientific Schedule SEA-on-a-CHIP project - Real time monitoring of SEA contaminants by an autonomous Lab-on-a-chip biosensor 1st Progress Workshop & 1st Case Study Rapid alarm systems for the ocean of tomorrow Sivota / Sagiada, Greece, 27-29th April 2015 ACCOMODATION IVOTA IAMOND SPA RESORT ( COURSE VENUE) S D Sivota, Thesprotia, Greece http://www.sivotadiamond.gr Luxurious facilities, high standard services and experienced staff, offer you a great hospitality over a heavenly beach of Sivota, Bella Vraka Beach (5 star hotel). -
Important Jewelry
IMPORTANT JEWELRY Wednesday, October 18, 2017 NEW YORK IMPORTANT JEWELRY AUCTION Wednesday, October 18, 2017 at 10am EXHIBITION Saturday, October 14, 10am – 5pm Sunday, October 15, Noon – 5pm Monday, October 16, 10am – 5pm Tuesday, October 17, 10am – 2pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $45 INCLUDING PROPERTY FROM CONTENTS THE ESTATES OF Important Jewelry 1-519 Conditions of Sale I Emmajane DeLong Terms of Guarantee III Geraldine Hickox Information on Sales & Use Tax IV Barbara Hartley Lord Buying at Doyle V Aileen Mehle Selling at Doyle VII A New York City Private Estate Auction Schedule VIII Company Directory IX Absentee Bid Form XI INCLUDING PROPERTY FROM A Beverly Hills Collector A Connecticut Collector A Distinguished Lady A Lady A Pennsylvania Collector A Family of Spanish Descent Lot 519 5 3 1 2 4 5 1 2 3 4 5 Pair of Gold, Cabochon Peridot and High Karat Gold and Emerald Pair of High Karat Gold Earclips, Zolotas Gold ‘Mycenaean’ Necklace, Ilias Lalaounis Gold ‘Mycenaean’ Bracelet, Ilias Lalaounis Aquamarine and Mother-of-Pearl Earclips, Bangle Bracelet 22 kt., composed of hammered gold 18 kt., composed of pairs of scrolled links on 18 kt., composed of pairs of scrolled Elizabeth Locke 22 kt., the tubular bangle of polished twisted overlapping elongated oval bombé panels, a double strand mesh gold chain, links, no. F69, with maker’s mark, model 18 kt., the oval hammered gold stepped gold spaced by slender rope-twist bands, signed Zolotas, with maker’s mark, with maker’s mark, approximately 63 dwts. -
The Greek Sale Nicosia Tuesday 24 May 2016
The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition.