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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
The Kindness of Strangers
THE KINDNESS OF STRANGERS 9780465064748-HCtext1P.indd 1 12/16/19 8:06 AM 9780465064748-HCtext1P.indd 2 12/16/19 8:06 AM THE KINDNESS OF STRANGERS HOW A SELFISH APE INVENTED A NEW MORAL CODE MICHAEL MCCULLOUGH New York 9780465064748-HCtext1P.indd 3 12/16/19 8:06 AM Copyright © 2020 by Michael McCullough Cover design by TK Cover image © TK Cover copyright © 2020 Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Basic Books Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 www.basicbooks.com Printed in the United States of America First Edition: May 2020 Published by Basic Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Basic Books name and logo is a trademark of the Hachette Book Group. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. The publisher is not responsible for websites (or their content) that are not owned by the publisher. Print book interior design by Amy Quinn Library of Congress Cataloging-in-Publication Data has been applied for. -
University Microfilms, a XEROX Company, Ann Arbor, Michigan the RADICAL CRITICISM OP GRANVILLE HICKS in the 1 9 3 0 *S
72 - 15,245 LONG, Terry Lester, 1936- THE RADICAL CRITICISM OF GRANVILLE HICKS IN THE 1930’S. The Ohio State University in Cooperation with Miami (Ohio) University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan THE RADICAL CRITICISM OP GRANVILLE HICKS IN THE 1 9 3 0 *S DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Terry L. Long, B. A. , M. A. Ohe Ohio State University 1971 Approved by A d v iser Department of English PLEASE NOTE: Some pages have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company TABLE OF CONTENTS Chapter Page I. Hicks and the 1930*s ....................................... 1 II. Granville Hicks: Liberal, 1927-1932 .... 31 III. Granville Hicks: Marxist, 1932-1939 .... 66 IV. Hicks on the Marxian Method................... 121 V. Hicks as a Marxian A nalyst ........................ 157 V I. The B reak With Communism and A f t e r ..... 233 VII. Hicks and Marxist Criticism in Perspective . 258 BIBLIOGRAPHY......................................................................................... 279 i i CHAPTER I HICKS AM5 THE 1930* s The world was aflame with troubles In the 1930fs. They were years of economic crisis, war, and political upheaval. America, as Tennessee Williams said, "... was matriculating in a school for the blind." They were years of bewilderment and frustration for the common man. For many American writers and thinkers, the events of the decade called for several changes from the twenties; a move to the political left, a concern for the misery of the masses, sympathy for the labor movement, support of the Communist Party, hope for Russia as a symbol of the future, fear and hatred of fascism. -
The Lovely Serendipitous Experience of the Bookshop’: a Study of UK Bookselling Practices (1997-2014)
‘The Lovely Serendipitous Experience of the Bookshop’: A Study of UK Bookselling Practices (1997-2014). Scene from Black Books, ‘Elephants and Hens’, Series 3, Episode 2 Chantal Harding, S1399926 Book and Digital Media Studies Masters Thesis, University of Leiden Fleur Praal, MA & Prof. Dr. Adriaan van der Weel 28 July 2014 Word Count: 19,300 Table of Contents Introduction .................................................................................................................................................................... 3 Chapter One: There is Value in the Model ......................................................................................................... 10 Chapter Two: Change and the Bookshop .......................................................................................................... 17 Chapter Three: From Standardised to Customised ....................................................................................... 28 Chapter Four: The Community and Convergence .......................................................................................... 44 Conclusion .................................................................................................................................................................... 51 Bibliography: ............................................................................................................................................................... 54 Archival and Primary Sources: ....................................................................................................................... -
The Images Speak for Themselves? Reading Refugee Coffee-Table Books
Visual Studies, Vol. 21, No. 1, April 2006 The images speak for themselves? Reading refugee coffee-table books ANNA SZO¨ RE´NYI The practice of collecting photographs of refugees in ‘coffee- consuming images. This article is concerned with the table books’ is a practice of framing and thus inflecting the implications of such texts and of the statements, such as meanings of those images. The ‘refugee coffee-table books’ Kumin’s, by which they are framed. What, indeed, are discussed here each approach their topic with a particular the effects of portraying refugees through photography? style and emphasis. Nonetheless, while some individual And in what sense can these effects be understood as images offer productive readings which challenge messages from refugees ‘themselves’? If these images stereotypes of refugees, the format of the collections and the speak, on whose behalf do they speak and what do they accompanying written text work to produce spectacle say? rather than empathy in that they implicitly propagate a According to the attitude expressed by Kumin, world view divided along imperialist lines, in which the photographs have an immediacy and intimacy that audience is expected to occupy the position of privileged engages the viewer. In the worldwide project of arousing viewing agent while refugees are positioned as viewed sympathy for refugees, such photographs seem to offer a objects. field for the development and expression of empathy. They draw on the tradition of socially concerned To suffer is one thing; another thing is living photography which has sought to provide a factual with the photographed images of suffering. -
Y 2 0 ANDRE MALRAUX: the ANTICOLONIAL and ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University Of
Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Cruz, Richard A., Andre Malraux: The Anticolonial and Antifascist Years. Doctor of Philosophy (History), May, 1996, 281 pp., 175 titles. This dissertation provides an explanation of how Andr6 Malraux, a man of great influence on twentieth century European culture, developed his political ideology, first as an anticolonial social reformer in the 1920s, then as an antifascist militant in the 1930s. Almost all of the previous studies of Malraux have focused on his literary life, and most of them are rife with errors. This dissertation focuses on the facts of his life, rather than on a fanciful recreation from his fiction. The major sources consulted are government documents, such as police reports and dispatches, the newspapers that Malraux founded with Paul Monin, other Indochinese and Parisian newspapers, and Malraux's speeches and interviews. Other sources include the memoirs of Clara Malraux, as well as other memoirs and reminiscences from people who knew Andre Malraux during the 1920s and the 1930s. The dissertation begins with a survey of Malraux's early years, followed by a detailed account of his experiences in Indochina. -
JAMES CUMMINS Bookseller Catalogue 126
JAMES CUMMINS bookseller catalogue 126 JAMES CUMMINS bookseller catalogue 126 To place your order, call, write, e-mail or fax: james cummins bookseller 699 Madison Avenue, New York City, 10065 Telephone (212) 688-6441 Fax (212) 688-6192 [email protected] jamescumminsbookseller.com hours: Monday – Friday 10:00 – 6:00, Saturday 10:00 – 5:00 Members A.B.A.A., I.L.A.B. front cover (l to r): items 67, 59 & 29 inside front cover: item 50 inside rear cover: item 33 rear cover: item 46 photography by nicole neenan terms of payment: All items, as usual, are guaranteed as described and are returnable within 10 days for any reason. All books are shipped UPS (please provide a street address) unless otherwise requested. Overseas orders should specify a shipping preference. All postage is extra. New clients are requested to send remittance with orders. Libraries may apply for deferred billing. All New York and New Jersey residents must add the appropriate sales tax. We accept American Express, Master Card, and Visa. 1 AUSTEN, Jane. Novels. The Text Based on the Collation of the Early Editions by R.W. Chapman. With Notes, Indices. Illustrations (some in color) from contemporary sources. 5 vols. Large 8vo, Oxford: The Clarendon Press, 1923. Large paper edition. Limited to 1000 sets. Original blue-grey cloth over marbled boards, untrimmed edges. Extra label at end of each volume. Some toning to spines, bookplates; mixed set (vol. 5 with rubbing to spine label, small ecclesiastical library stamp on fyleaf, otherwise unmarked). Overall very good plus. The best edition (and the source for many Oxford re-issues), comprising Sense and Sensibility, Pride and Prejudice, Mansfeld Park, Emma, Northanger Abbey and Persuasion. -
National Prohibition and Jazz Age Literature, 1920-1933
Missouri University of Science and Technology Scholars' Mine English and Technical Communication Faculty Research & Creative Works English and Technical Communication 01 Jan 2005 Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933 Kathleen Morgan Drowne Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/eng_teccom_facwork Part of the Business and Corporate Communications Commons, and the English Language and Literature Commons Recommended Citation Drowne, Kathleen. "Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933." Columbus, Ohio, The Ohio State University Press, 2005. This Book is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in English and Technical Communication Faculty Research & Creative Works by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page i SPIRITS OF DEFIANCE Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iii Spirits of Defiance NATIONAL PROHIBITION AND JAZZ AGE LITERATURE, 1920–1933 Kathleen Drowne The Ohio State University Press Columbus Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iv Copyright © 2005 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Drowne, Kathleen Morgan. Spirits of defiance : national prohibition and jazz age literature, 1920–1933 / Kathleen Drowne. p. cm. Includes bibliographical references and index. ISBN 0–8142–0997–1 (alk. paper)—ISBN 0–8142–5142–0 (pbk. -
Annual Report Fy2013
INTERSECTIONS ANNUAL REPORT FY2013 FROM THE CHAIR OF THE BOARD OF TRUSTEES This year has been a time of robust innovation at The Phillips Collection; we are truly living the “experiment station” that founder Duncan Phillips spoke about so eloquently. The Phillips’s many advances in technology, for example, include a new website that provides users with easy access to our art, videos, and events. This effort has been complemented by a robust presence on multimedia and social media platforms, an insightful blog, and the Education team’s innovative virtual gallery talks on Twitter. The Laib Wax Room, dedicated to our own Caroline Macomber (whose delightful presence on our Board we deeply miss), opened in March as a space for meditation, much like the Rothko Room. The Phil- lips’s commitment to engaging with living artists of our day mirrors the collecting vision of Gifford Phillips, a dear friend of the museum who passed away in April. Partial funds for the beeswax room were raised through the crowdsourcing platform Indiegogo, allowing dozens of supporters to be part of Phillips history. Innovations at the Phillips are not just expressed through new technology. From April 12 to May 2, Phillips educator Rachel Goldberg led workshops in Pakistan for more than 375 Pakistani emerging artists, students, museum professionals, and children about the power of art to create social change. This extremely successful partnership with the US Department of State affirms the universal connective power of art; discus- sions are underway to expand the program. Extending the Phillips’s mission abroad to create an internation- al dialogue through art is a new partnership with Georgetown University’s School of Foreign Service. -
'The Cause of Bibliomania'
‘The Cause of Bibliomania’ Fine Editions from the Library of Stephen Keynes OBE FLS Type & Forme Twenties No. 2 type & forme twenties no. 2 Introduction This second catalogue in the series ‘Type & Forme Twenties’ is dedicated to fine, bibliophile publications from the library of Stephen Keynes OBE, FLS (1927-2017), the youngest son of the distinguished surgeon, bibliographer, and bibliophile Sir Geoffrey Keynes (1887-1982). Stephen Keynes became a member of the Roxburghe Club in 1978, following his father (elected in 1943), and preceding his brother Quentin Keynes (1987) and nephew Simon Keynes (2004), whose obituary of Stephen is reprinted from The Book Collector in an abridged and revised form at the end of this catalogue. The Roxburghe Club takes its name from John Ker, 3rd ‘one of the greatest book-collectors, not only in English Duke of Roxburghe (1740-1804), whose magnificent library history, but even in the history of the world’ 1 (Spencer was sold by R.H. Evans at an auction of 9,353 lots which would eventually acquire the Boccaccio seven years later, at began on 18 May 1812 and continued for ‘the forty-one the sale of Marlborough’s White Knights library). following days, Sundays Since then, the Club’s excepted’ at the late members have met every owner’s house on St year on or about the 17th James’s Square, London. of June, to toast ‘[t]he The sale realised immortal memory of £23,341, and the John Duke of Roxburghe, highlight was one of of Christopher Valdarfer, Roxburghe’s great printer of the Boccaccio treasures – the Valdarfer of 1471, of Gutenberg, Boccaccio of 1471, which Fust and Schoeffer, the sold on 17 June 1812 for inventors of the art of £2,260 after a dramatic printing, of William bidding war won by George Spencer, Marquess Caxton, Father of the British press, of Dame Juliana Barnes of Blandford (later the 5th Duke of Marlborough), thus and the St Albans Press, of Wynkyn de Worde and Richard establishing a record price for any printed book. -
A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality. -
Ferrara Di Ferrara
PROVINCIA COMUNE DI FERRARA DI FERRARA Visit Ferraraand its province United Nations Ferrara, City of Educational, Scientific and the Renaissance Cultural Organization and its Po Delta Parco Urbano G. Bassani Via R. Bacchelli A short history 2 Viale Orlando Furioso Living the city 3 A year of events CIMITERO The bicycle, queen of the roads DELLA CERTOSA Shopping and markets Cuisine Via Arianuova Viale Po Corso Ercole I d’Este ITINERARIES IN TOWN 6 CIMITERO EBRAICO THE MEDIAEVAL Parco Corso Porta Po CENTRE Via Ariosto Massari Piazzale C.so B. Rossetti Via Borso Stazione Via d.Corso Vigne Porta Mare ITINERARIES IN TOWN 20 Viale Cavour THE RENAISSANCE ADDITION Corso Ercole I d’Este Via Garibaldi ITINERARIES IN TOWN 32 RENAISSANCE Corso Giovecca RESIDENCES Piazza AND CHURCHES Trento e Trieste V. Mazzini ITINERARIES IN TOWN 40 Parco Darsena di San Paolo Pareschi WHERE THE RIVER Piazza Travaglio ONCE FLOWED Punta della ITINERARIES IN TOWN 46 Giovecca THE WALLS Via Cammello Po di Volano Via XX Settembre Via Bologna Porta VISIT THE PROVINCE 50 San Pietro Useful information 69 Chiesa di San Giorgio READER’S GUIDE Route indications Along with the Pedestrian Roadsigns sited in the Historic Centre, this booklet will guide the visitor through the most important areas of the The “MUSEO DI QUALITÀ“ city. is recognised by the Regional Emilia-Romagna The five themed routes are identified with different colour schemes. “Istituto per i Beni Artistici Culturali e Naturali” Please, check the opening hours and temporary closings on the The starting point for all these routes is the Tourist Information official Museums and Monuments schedule distributed by Office at the Estense Castle.