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University Interscholastic League Literary Criticism Contest • Invitational a • 2021
University Interscholastic League Literary Criticism Contest • Invitational A • 2021 Part 1: Knowledge of Literary Terms and of Literary History 30 items (1 point each) 1. A line of verse consisting of five feet that char- 6. The repetition of initial consonant sounds or any acterizes serious English language verse since vowel sounds in successive or closely associated Chaucer's time is known as syllables is recognized as A) hexameter. A) alliteration. B) pentameter. B) assonance. C) pentastich. C) consonance. D) tetralogy. D) resonance. E) tetrameter. E) sigmatism. 2. The trope, one of Kenneth Burke's four master 7. In Greek mythology, not among the nine daugh- tropes, in which a part signifies the whole or the ters of Mnemosyne and Zeus, known collectively whole signifies the part is called as the Muses, is A) chiasmus. A) Calliope. B) hyperbole. B) Erato. C) litotes. C) Polyhymnia. D) synecdoche. D) Urania. E) zeugma. E) Zoe. 3. Considered by some to be the most important Irish 8. A chronicle, usually autobiographical, presenting poet since William Butler Yeats, the poet and cele- the life story of a rascal of low degree engaged brated translator of the Old English folk epic Beo- in menial tasks and making his living more wulf who was awarded the 1995 Nobel Prize for through his wit than his industry, and tending to Literature is be episodic and structureless, is known as a (n) A) Samuel Beckett. A) epistolary novel. B) Seamus Heaney. B) novel of character. C) C. S. Lewis. C) novel of manners. D) Spike Milligan. D) novel of the soil. -
Nature As Mystical Reality in the Fiction of Cormac Mccarthy Skyler Latshaw Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Masters Theses Graduate Research and Creative Practice 8-2013 Burning on the Shore of an Unknowable Void: Nature as Mystical Reality in the Fiction of Cormac McCarthy Skyler Latshaw Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/theses Recommended Citation Latshaw, Skyler, "Burning on the Shore of an Unknowable Void: Nature as Mystical Reality in the Fiction of Cormac McCarthy" (2013). Masters Theses. 64. http://scholarworks.gvsu.edu/theses/64 This Thesis is brought to you for free and open access by the Graduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Burning on the Shore of an Unknowable Void: Nature as Mystical Reality in the Fiction of Cormac McCarthy Skyler Latshaw A Thesis Submitted to the Graduate Faculty of GRAND VALLEY STATE UNIVERSITY In Partial Fulfillment of the Requirements For the Degree of Master of Arts English Literature August 2013 Abstract Language, spirituality, and the natural world are all prominent themes in the novels of Cormac McCarthy. This thesis examines the relationship between the three themes, arguing that McCarthy empowers the natural world with a spiritual significance that may be experienced by humanity, but not completely understood or expressed. Man, being what Kenneth Burke describes as the “symbol-using” animal, cannot express reality through language without distorting it. Language also leads to the commodification of the natural world by allowing man to reevaluate the reality around him based on factors of his own devising. -
The Influence of Herman Melville's Moby-Dick on Cormac Mccarthy's Blood Meridian
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian Ryan Joseph Tesar University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Literature in English, North America Commons Repository Citation Tesar, Ryan Joseph, "The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2218. http://dx.doi.org/10.34917/6456449 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE INFLUENCE OF HERMAN MELVILLE’S MOBY-DICK ON CORMAC MCCARTHY’S BLOOD MERIDIAN by Ryan Joseph Tesar Bachelor of Arts in English University of Nevada, Las Vegas 2012 A thesis submitted in partial fulfillment of the requirements for the Master of Arts – English Department of English College of Liberal Arts The Graduate College University of Nevada, Las Vegas August 2014 Copyright by Ryan Joseph Tesar, 2014 All Rights Reserved - THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Ryan Joseph Tesar entitled The Influence of Herman Melville’s Moby-Dick on Cormac McCarthy’s Blood Meridian is approved in partial fulfillment of the requirements for the degree of Master of Arts - English Department of English John C. -
A Pragmatic Study of Litotes in Trump's Political Speeches
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 11, Issue 3, 2020 A Pragmatic Study of Litotes in Trump's Political Speeches Wafaa Mokhlosa, Ali Abdulkareem Mukheefb*, a,bUniversity of Babylon, Iraq, Email: b*[email protected] Litotes is defined as a figure of speech by which the affirmative is expressed by denying its contrary. The current study is concerned with identifying and analysing litotes in Donald Trump's political speeches on pragmatic level. The study aims at identifying the illocutionary force of litotes, the functions of litotes, which maxim of Grice is mainly breached in the production of litotes to produce implicature, and which type of litotes is heavily used by Trump. The analysis is curried out on data consists of four texts from Trump's speeches during being president from 2016 to 2019. The study concludes that the illocutionary force of litotes in most of the times is asserting. Litotes is used mainly to fulfil the function of emphasis, but it can be used to perform the functions of encouraging and inciting. Trump uses contrary litotes in most of his speeches. Key words: Pragmatics, Litotes, Illocutionary force, Implicature, Functions. Introduction Politicians use different strategies and devices to convince their audience or gain their support. Figurative language is one of these strategies that are mainly based on the use of certain figures of speech such as irony, euphemism, metaphor, litotes etc. according to Griffiths (2006:81). Understanding figurative language requires a great interaction between semantics and pragmatics. Therefore, to understand the meaning of certain figure of speech a total knowledge of the context is required. -
An Analysis of the Translation of Figures of Speech Found in Coco Movie
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI AN ANALYSIS OF THE TRANSLATION OF FIGURES OF SPEECH FOUND IN COCO MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Andreas Tri Hartana Student Number: 141214156 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Hartana, Andreas Tri. (2018). An Analysis of the Translation of Figures of Speech Found in Coco Movie. Yogyakarta: English Language Education, Sanata Dharma University. Movie’s subtitle is a product of translation. Translation is a process of transferring the meaning from source language into the target language. Translating English subtitle is not easy, especially if the movie contains many figures of speech expressions. The translator should be aware in translating the figure of speech expressions because they cannot be translated literally. This research analyzed the types of figures of speech found in COCO movie and how acceptable the translation of the figures of speech is. The researcher chooses COCO movie because it is a new, popular and an inspiring movie. It is an animation movie, which contains figures of speech inside of it. There are two research questions. They are: (1) What types of figures of speech are found in the COCO movie? And (2) How acceptable is the translation of the figures of speech in the Indonesian subtitle? It is a qualitative research and uses document analysis technique. -
1. Alliteration, Consonance and Assonance 2. Allusion 3. Analogy 4. Apostrophe
A Few Literary and Poetic Devices: (words underlined in bold represent “figurative” language) 1. Alliteration, consonance and assonance • The repetition of sounds where consonance uses consonants and assonance uses vowels Ex. From “The Raven” by Edgar Allan Poe Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of someone gently rapping, rapping at my chamber door. “’Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.” 2. Allusion • a literary device in which an author uses subject matter refer to an event, place, or other work – usually not directly stated • An indirect reference to a piece of knowledge not explicitly mentioned in the text, e.g. “Chocolate was her Achilles Heel” Ex. When Nature sleeps and stars are mute, To mar the silence ev’n with lute. At rest on ocean’s brilliant dyes An image of Elysium lies:” 3. Analogy • A literary device that creates a relationship based on parallels or connections between two ideas. By establishing this relationship, the new idea is introduced through a familiar comparison, thus making the new concept easier to grasp. Analogy is more extensive and elaborate than either a simile or a metaphor. Ex. From Romeo and Juliet “What’s in a name? That which we call a rose By any other word would smell as sweet. So Romeo would, were he not Romeo called,” 4. Apostrophe • An apostrophe used in literature is an arrangement of words addressing a non-existent person or an abstract idea in such a way as if it were present and capable of understanding feelings. -
Litotes in Analects 2
Litotes in The Analects: Form and Function YingYuanRandyAllenHarris Aug 12-14 University of Waterloo Outline • Why single out litotes? • How to justify its definition & classification? • How litotes function in The Analects? • Is litotes processible by computer? • Why single out litts • A universal figure active in many languages and classics • Greek, Latin, German, English, Chinese, French,, Dutch, Old Norse,… • Homer’s Iliad, Odyssey; Thucydides’s History Cicero’s Brutus, De Oratore; Kafkas’ Das Schloss, More’s Utopia, King Richard III; The Analects, Xunzi… • Why single out litts (con.) • Scanty researches in contemporary time • dozens of closely related articles (from1930 till now) • a couple of monographs • What is litotes? • Definitions from dictionaries Def Definitions from big dictionaries Definitions from big of speech in which an affirmative is expressed by the negation of its opposite. (The American Heritage Dictionary of the English Language) Definition 1: A figure of speech in which an affirmative is expressed by the negation of its opposite. (The American Heritage Dictionary of the English Language) A figure of speech, in which an affirmative is expressed by the negative of the contrary (‘A citizen of no mean city’) (The Oxford English Dictionary) Understatement in which an affirmative is expressed by the negative of the contrary ( “ He is not a bad ball player.” ) (Webster’s Third New International Dictionary of the English Language) A figure of speech in which an affirmative is expressed by the negation of its opposite. (The American Heritage Dictionary of the English Language) • Definitions from monographs & proceedings • The figure of speech by which a (nearly always) evaluative expression is periphrased by the negation of its opposite. -
Analyzing Meaning an Introduction to Semantics and Pragmatics
Analyzing meaning An introduction to semantics and pragmatics Paul R. Kroeger language Textbooks in Language Sciences 5 science press Textbooks in Language Sciences Editors: Stefan Müller, Martin Haspelmath Editorial Board: Claude Hagège, Marianne Mithun, Anatol Stefanowitsch, Foong Ha Yap In this series: 1. Müller, Stefan. Grammatical theory: From transformational grammar to constraint-based approaches. 2. Schäfer, Roland. Einführung in die grammatische Beschreibung des Deutschen. 3. Freitas, Maria João & Ana Lúcia Santos (eds.). Aquisição de língua materna e não materna: Questões gerais e dados do português. 4. Roussarie, Laurent. Sémantique formelle : Introduction à la grammaire de Montague. 5. Kroeger, Paul. Analyzing meaning: An introduction to semantics and pragmatics. ISSN: 2364-6209 Analyzing meaning An introduction to semantics and pragmatics Paul R. Kroeger language science press Paul R. Kroeger. 2018. Analyzing meaning: An introduction to semantics and pragmatics (Textbooks in Language Sciences 5). Berlin: Language Science Press. This title can be downloaded at: http://langsci-press.org/catalog/144 © 2018, Paul R. Kroeger Published under the Creative Commons Attribution 4.0 Licence (CC BY 4.0): http://creativecommons.org/licenses/by/4.0/ ISBN: 978-3-96110-034-7 (Digital) 978-3-96110-035-4 (Hardcover) 978-3-96110-067-5 (Softcover) ISSN: 2364-6209 DOI:10.5281/zenodo.1164112 Source code available from www.github.com/langsci/144 Collaborative reading: paperhive.org/documents/remote?type=langsci&id=144 Cover and concept of design: -
An Analysis of Asyndeton in Jhumpa Lahiri's the Lowland and Its Dutch
Faculteit Letteren & Wijsbegeerte Annelies Leenknecht An analysis of asyndeton in Jhumpa Lahiri’s The Lowland and its Dutch translation Masterproef voorgedragen tot het behalen van de graad van Master in het Vertalen 2015 Promotor Prof. Dr. Lieve Jooken Vakgroep Vertalen Tolken Communicatie 2 3 ABSTRACT Many works have been dedicated to the difficulty of translating literary style. Therefore, it seems useful to investigate the translation of a particular aspect of an author’s style. This paper analyses asyndeton, i.e. the ellipsis of coordinating conjunctions or connectors, as a feature of the literary style in Jhumpa Lahiri’s novel The Lowland and its Dutch translation Twee Broers by Ko Kooman. The first part of this paper discusses the different types of asyndeton that can be distinguished based on the semantic relation that is expressed and the variety of stylistic effects that can be produced through its use. The present study first observes the use of asyndeta in the English novel. Then, in a quantitative analysis, several instances of asyndeton are compared with their Dutch translation to see whether they are retained or not. It is found that the use of asyndeton in the novel can be categorised according to the content of the narration. The stylistic device is often used in descriptions, to introduce a digression, to list a series of actions or to express an enumeration. Overall, the translator tries to adopt the asyndeta to maintain Lahiri’s writing style. In cases where the device is not adopted, the asyndeton is often converted into a relative clause or the conjunction ‘en’ is added. -
Ordering Texas: the Representation of Violence, Nationalism, and Masculine Archetypes in U.S.-Mexico Borderland Novels (1985-2012)
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2017 (B)ordering Texas: The Representation of Violence, Nationalism, and Masculine Archetypes in U.S.-Mexico Borderland Novels (1985-2012) Joshua D. Martin University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.190 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Martin, Joshua D., "(B)ordering Texas: The Representation of Violence, Nationalism, and Masculine Archetypes in U.S.-Mexico Borderland Novels (1985-2012)" (2017). Theses and Dissertations--Hispanic Studies. 31. https://uknowledge.uky.edu/hisp_etds/31 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Sentenced to Destruction: a Stylistic Analysis of the Syntax of Two Post-Apocalyptic Novels1 Martin Boyne Lancaster University
Sentenced to Destruction: a Stylistic Analysis of the Syntax of Two 1 Post-apocalyptic Novels Martin Boyne Lancaster University Two novels from different points in the vast and varied post-apocalyptic canon2 are the subject of this paper. Russell Hoban’s Riddley Walker and Cormac McCarthy’s The Road both depict a world following what can be presumed to be the devastation of a nuclear holocaust, and while the settings and circumstances of each novel are in many ways dissimilar, both project a fictional world characterized by bleakness, desolation, and, arguably, hopelessness. Hoban and McCarthy would appear to have little else in common beyond the fact that they are near contemporaries and both are American, yet these two novels are strikingly similar stylistically: despite the appearance of being radically different (Hoban’s distinctive orthography bears little resemblance to McCarthy’s standard English, for example), the syntax of the two novels is remarkably alike in fundamentally important ways. In particular, the use that each author makes of deviant or foregrounded sentence structures assists, as I will argue, in projecting the fictional world that forms the core of each novel.3 In many ways the syntactic chaos that appears to be (but is not, in fact) at work both mirrors and contributes to projecting the chaos and destruction of the worlds of the novels, acting congruently with other stylistic features to depict an effective, but nonetheless depressing, representation of the post-holocaust landscape. By comparing the conscious syntactic choices of Hoban and McCarthy, I will demonstrate not only how such choices enable the authors to project their desired fictional worlds (and in turn allow readers to construct these worlds4), but also how this form of close stylistic analysis has broader applications and benefits—from both a literary-linguistic and a pedagogical perspective—for the interpretation and explication of literary texts. -
ABSTRACT Figuring Jesus: the Power of Rhetorical Figures Of
ABSTRACT Figuring Jesus: The Power of Rhetorical Figures of Speech in the Gospel of Luke Keith A. Reich, Ph.D. Mentor: Mikeal C. Parsons, Ph.D. This dissertation examines Luke’s use of rhetorical figures of speech on the lips of Jesus as a means of persuading his audience to accept a role-reversing message that challenged the social, religious, economic and political systems in the Roman Empire. A figure of speech is the use of either words or thoughts in a way that is uncommon or out of the ordinary. Because figures of speech are the “uncommon” use of language, they stand out to an audience and grab their attention. They are an artful ordering of words designed to be powerful, memorable, and to seize attention. This dissertation takes seriously the adage that says, “It’s not what you say, it’s how you say it.” The form of the Lukan Jesus’ speech is just as important as the content of that speech. To ignore the form of Jesus’ speech is to ignore the power and persuasiveness of his message. Luke uses figures of speech in various ways to persuade his audience of the gospel message. He uses figures of speech to fulfill the stylistic virtues of clarity and ornamentation. Fulfilling these stylistic virtues makes the Lukan Jesus’ argument easy to follow and impressive, serving as an ethos argument to portray Jesus as one who speaks like the social elites. Further, Luke uses figures as a means of argument and persuasion to draw the audience to side with Jesus and to participate in his message.