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Nature As Mystical Reality in the Fiction of Cormac Mccarthy Skyler Latshaw Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Masters Theses Graduate Research and Creative Practice 8-2013 Burning on the Shore of an Unknowable Void: Nature as Mystical Reality in the Fiction of Cormac McCarthy Skyler Latshaw Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/theses Recommended Citation Latshaw, Skyler, "Burning on the Shore of an Unknowable Void: Nature as Mystical Reality in the Fiction of Cormac McCarthy" (2013). Masters Theses. 64. http://scholarworks.gvsu.edu/theses/64 This Thesis is brought to you for free and open access by the Graduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Burning on the Shore of an Unknowable Void: Nature as Mystical Reality in the Fiction of Cormac McCarthy Skyler Latshaw A Thesis Submitted to the Graduate Faculty of GRAND VALLEY STATE UNIVERSITY In Partial Fulfillment of the Requirements For the Degree of Master of Arts English Literature August 2013 Abstract Language, spirituality, and the natural world are all prominent themes in the novels of Cormac McCarthy. This thesis examines the relationship between the three themes, arguing that McCarthy empowers the natural world with a spiritual significance that may be experienced by humanity, but not completely understood or expressed. Man, being what Kenneth Burke describes as the “symbol-using” animal, cannot express reality through language without distorting it. Language also leads to the commodification of the natural world by allowing man to reevaluate the reality around him based on factors of his own devising. -
The Influence of Herman Melville's Moby-Dick on Cormac Mccarthy's Blood Meridian
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian Ryan Joseph Tesar University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Literature in English, North America Commons Repository Citation Tesar, Ryan Joseph, "The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2218. http://dx.doi.org/10.34917/6456449 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE INFLUENCE OF HERMAN MELVILLE’S MOBY-DICK ON CORMAC MCCARTHY’S BLOOD MERIDIAN by Ryan Joseph Tesar Bachelor of Arts in English University of Nevada, Las Vegas 2012 A thesis submitted in partial fulfillment of the requirements for the Master of Arts – English Department of English College of Liberal Arts The Graduate College University of Nevada, Las Vegas August 2014 Copyright by Ryan Joseph Tesar, 2014 All Rights Reserved - THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Ryan Joseph Tesar entitled The Influence of Herman Melville’s Moby-Dick on Cormac McCarthy’s Blood Meridian is approved in partial fulfillment of the requirements for the degree of Master of Arts - English Department of English John C. -
Dear AP Literature Students
Dear AP Literature Students: Welcome! I’m excited to meet you in the fall and to revel in the amazing reading! Before you return to school in August, please complete the following work to get our conversation started: 1. Carefully read and annotate All the Pretty Horses by Cormac McCarthy and Never Let Me Go by Kazuo Ishiguro. When you read McCarthy, I would recommend bookmarking this page as it provides translations of the Spanish: http://cormacmccarthy.cookingwithmarty.com/wp- content/uploads/ATPHTrans.pdf. 2. Next, watch the animated film Persepolis (based on the graphic novel by Marjane Satrapi) and think about how it connects to our summer reading and why. You can rent it on Netflix or Amazon or possibly check it out at your local library. Yes, it is in French with subtitles J 3. Lastly, actively study the vocabulary lists "Literary Allusions" and "Literary Terms" (both in this packet). I would recommend not passively memorizing flashcards or a Quizlet, but instead using the words in your everyday conversations and in your writing to secure them in your memory and into your own personal lexicon! On the first day of AP week, you will be tested on the summer work. The test on the works of fiction will be primarily objective rather than interpretive, and it will include quotation identification, plot and setting points, and character descriptions. The test on the vocabulary will be matching. The point of the test is to ensure that you have read actively and studied the vocabulary so that you can use the works and words immediately. -
The Sunset Limited Press Release
588 Sutter Street #318 San Francisco, CA 94102 415.677.9596 fax 415.677.9597 www.sfplayhouse.org PRESS RELEASE VENUE: 533 Sutter Street, @ Powell For immediate release Contact: Susi Damilano August, 2010 [email protected] West Coast Premiere of THE SUNSET LIMITED By Cormac McCarthy Directed by Bill English September 28 through November 6th Press Opening: October 2nd San Francisco, CA (August 2010) - The SF Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) are thrilled to announce casting for the West Coast Premiere of The Sunset Limited by Cormac McCarthy which opens their eighth season. “The theme of the 2010-2011 season is ‘Why Theatre?”, remarked English. “Why do we do theatre? How does theatre serve our community?” Each of our selections for our eighth season will give a different answer to these questions. Based on the belief that mankind created theatre to serve a spiritual need in our community, our riskiest and most challenging season yet will ask us to face mankind’s deepest mysteries. We open the season with one of the most powerful writers of our time, Cormac McCarthy (All the Pretty Horses, The Road, No Country for Old Men). The play, billed as “a novel in play form” brings us into a startling encounter on a New York subway platform which leads two strangers to a run-down tenement where they engage in a brilliant verbal duel on a subject no less compelling than the meaning of life. TV and film star Carl Lumbly (Jesus Hopped the ‘A’ Train, Alias, Cagney & Lacey) returns to the SF Playhouse to reunite with local favorite Charles Dean (White Christmas, Awake and Sing!) after having performed together in Berkeley Rep’s 1997 production of Macbeth. -
A Translation Autopsy of Cormac Mccarthy's The
A TRANSLATION AUTOPSY OF CORMAC MCCARTHY’S THE SUNSET LIMITED IN SPANISH: LITERARY AND FILM CODA Michael Scott Doyle [T]he translation is not the work, but a path toward the work. —José Ortega y Gasset, “The Misery and Splendor of Translation,” 109 We now have the personal word of the author’s to be transformed into a personal word of the trans- lator’s. As always with translation, this calls for a choice among synonyms. —Gregory Rabassa, If This Be Treason: Translation and Its Dyscontents, 12–13 Glossary of the Codes Used S1 = the first Spanish TLT version to be analyzed = Y1,theliterary translation-in-progress S2 = the second Spanish TLT version to be analyzed = Y2, the final, published literary translation S3 = the third Spanish TLT version to be analyzed = the movie subtitles S4 = the fourth Spanish TLT version to be analyzed = the movie dubbing SLT-E = Source Language Text English (Translation from English) SLT-X = Source Language Text in X Language (Translation from Language X) TLT = Target Language Text TLT-S = Target Language Text Spanish (translation into Spanish) Y1 = Biopsy Stage of a Translation = the Translation-in-Progress (in the Process of Being Translated) Y2 = Autopsy Stage of a Translation = the Final Published Translation (Post-process of the Act of Translating, an Outcome of Y1) Introduction: From Biopsy to Autopsy The literary translation criticism undertaken in the Sendebar article “A Translation Biopsy of Cormac McCarthy’s The Sunset Limited in Spanish: Shadowing the Re-creative Process” antici- pates a postmortem -
“Constructed on No Known Paradigm”: Novelistic Form and the Southern City in Cormac Mccarthy’S Suttree
“Constructed on no known paradigm”: Novelistic Form and the Southern City in Cormac McCarthy’s Suttree Andrew James Dykstal Bachelor of Arts, Hillsdale College, 2013 A thesis presented to the graduate faculty of the University of Virginia in candidacy for the degree of Master of Arts Department of English University of Virginia April 2017 Dykstal 1 This thesis is dedicated to my peers and teachers at UVA and Hillsdale College, with particular bows to Jerry McGann—my thesis director—and to Michael Levenson, both mentors whose patience, encouragement, and graceful professionalism have shaped my thinking and my aspirations; to Fred and Carol Langley and the members of the American Legion whose generosity made possible my graduate education; and to my grandfather Cornelius Dykstal, who departed the world on the day I completed this project and whose wry humor and dignity throughout the twilight of his years embody the qualities back cover blurbs are always insisting I ought to find in Cormac McCarthy’s books. I would also like to thank friends who read drafts and housemates who tolerated my sometimes excessive monopolization of the kitchen table. Their days of eating breakfast amid unreasonable stacks of books have at long last come to a close. Dykstal 2 “Like their counterparts in northern cities, business leaders in the New South came to acknowledge the social disorder of their cities as regrettable byproducts of the very urban-industrial world they had championed. Drunkenness, prostitution, disease, poverty, crime, and political corruption were all understood as symptoms of the moral and physical chaos the lower classes fell into in the modern city….It was the instinctive reaction of the business class to respond with efforts to bring order to the urban world they inhabited.” —Don H. -
The Southern Literary Influences of Cormac Mccarthy and How They
Brandeis University Waltham Massachusetts Department of English Myth, Legend, Dust: The Southern Literary Influences of Cormac McCarthy and How They Portend the Evening Redness in the West Benjamin Rui-Lin Fong Advisor: John Burt A thesis submitted to the faculty of Brandeis University in partial fulfillment of the requirements for the degree of Bachelor of Arts in English May 2018 2 ACKNOWLEDGEMENTS I would like to thank my advisor and mentor, the bardic John Burt, who was my first English professor at Brandeis and whose intellectual guidance and comments have helped shape every part of this thesis. Professor Burt’s Southern Literature course led to my first encounter with Blood Meridian. His lecture on Milton’s Satan and Judge Holden inspired this three-year obsession with Cormac McCarthy. I would like to thank Jerome Tharaud who has been a particularly inspirational professor and mentor whose guidance, enthusiasm, and instruction sparked my love for American literature. He has been particularly helpful in his advice on balancing thesis work and my applications to graduate school. I would like to thank Kurt Cavender who encouraged a UWS student to take more English classes (and who spent his own time to nominate me for an award). I would like to thank Pu Wang whose lectures on tragedy and modernity inspired me to pursue the Knoxville portions of this thesis. Lastly, I would like to thank Emma Smith. Our talks about Shakespeare have stayed in my mind, and Shakespeare’s language, stories, and characters come to mind every day. Finally, I would like to thank my family, whose love and support have spanned continents. -
Knoxville & Appalachia in the Works of Cormac Mccarthy
1 Knoxville & Appalachia In The Works Of Cormac McCarthy The publication of the newly crowned Pulitzer prize winner The Road in late 2006 marks an imaginative homecoming for Cormac McCarthy. On a literal level McCarthy has returned to the setting of his first four novels, and of course to his childhood home of Knoxville, East Tennessee and Appalachia. However, the acclaimed Border Trilogy and the 2005 novel No Country For Old Men are infused with the myths, culture, humor and indeed violence of his native soil, and Knoxville and Appalachia have consistently informed one of the most unique and challenging voices at work today in Southern and American fiction. The Road has very much bought McCarthy’s career full circle. Indeed, more than just signal an imaginative homecoming, the novel even suggests that the region affords an opportunity for regeneration and rebirth – those sacrosanct American myths – in a world where all other physical, cultural and spatial markers have quite simply been destroyed. In order to illuminate The Road and McCarthy’s southern body of work, I will provide some brief biographical information, as well as addressing the key themes and issues which we can find in his Southern novels. I would also like to incorporate the work of the southern literary scholar Richard Gray who, in his excellent study Southern Aberrations, asks important questions about the issues which inform the construction of Southern literary and cultural identity. Furthermore, I would also like to briefly consider the myth and history of Knoxville and East Tennessee, narrative modes which have done much to inform McCarthy’s work. -
ANALYSIS Outer Dark (1968) Cormac Mccarthy (1933- ) “In 1968
ANALYSIS Outer Dark (1968) Cormac McCarthy (1933- ) “In 1968 Random House published Outer Dark, again to generally strong reviews. Thomas Lask, in the New York Times, wrote, ‘Cormac McCarthy’s second novel, Outer Dark, combines the mythic and the actual in a perfectly executed work of the imagination. He has made the fabulous real, the ordinary mysterious. It is as if Elizabeth Madox Roberts’s The Time of Man, with its earthbound folkways and inarticulate people, had been mated with one of Isak Dineson’s gothic tales.’ Guy Davenport, in his New York Times Book Review article, also drew the connection to Dineson, adding, ‘Nor does Mr. McCarthy waste a single word on his characters’ thoughts. With total objectivity he describes what they do and records their speech. Such discipline comes not only from mastery over words but from an understanding wise enough and compassionate enough to dare to tell so abysmally dark a story.’ Walter Sullivan, another early supporter but also a consistently demanding critic of McCarthy, noted in Sewanee Review, ‘There is no way to overstate the power, the absolute literary virtuosity, with which McCarthy draws his scenes. He writes about the finite world with an accuracy so absolute that his characters give the impression of a universality which they have no right to claim…. It is the way of the good writer to find the universal in the particular, for finally it is the universal that he seeks. McCarthy, on the other hand, seems to love the singular for its own sake: he appears to seek out those devices and people and situations that will engage us by their very strangeness.’ He concluded, ‘There is no way to avoid grappling with the intractable reality that surrounds us. -
Biblicism, Tragedy, and Romance in the Fiction Of
Trying the Stuff of Creation: Biblicism, Tragedy, and Romance in the Fiction of Cormac McCarthy Christopher John Thornhill, B.A., M.A. Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy May 2016 Abstract This essay presents an analysis of the religious and philosophical ideas present in the early fiction of the contemporary American writer, Cormac McCarthy. It is intended as an intervention into the controversial debate within McCarthy scholarship concerning how the perceptibly ‘religious’ nature of the author’s fictions may be described according to recognised and coherent confessions or perspectives. I argue that McCarthy’s fictions cannot be shown to conform to any particular theological or metaphysical system without significant remainder on account of their being essentially heterogeneous in their construction; and that their religious ‘significance’ lies not in their communication of a positive message, but in the presentation of what is at stake in the contrary interpretations that they uphold. I argue that the essential heterogeneity of McCarthy’s fiction is a development of the author’s reception of the complex aesthetic of Herman Melville’s Moby-Dick and the posture of serious and searching scepticism which that touchstone of American literature presents. The peculiar aesthetic of Moby-Dick alloys the Hellenic and Hebraic imagination, creating a synthesis of the concrete images of mythical and biblical literature, and of the narrative patterns that are native to tragedy and to romance. The effect of this complex is a literary mode that performs a suspension or opposition between a shapeless, circular, mythical world, and the created and teleological worldview declared by the biblical religions. -
An Analysis of Asyndeton in Jhumpa Lahiri's the Lowland and Its Dutch
Faculteit Letteren & Wijsbegeerte Annelies Leenknecht An analysis of asyndeton in Jhumpa Lahiri’s The Lowland and its Dutch translation Masterproef voorgedragen tot het behalen van de graad van Master in het Vertalen 2015 Promotor Prof. Dr. Lieve Jooken Vakgroep Vertalen Tolken Communicatie 2 3 ABSTRACT Many works have been dedicated to the difficulty of translating literary style. Therefore, it seems useful to investigate the translation of a particular aspect of an author’s style. This paper analyses asyndeton, i.e. the ellipsis of coordinating conjunctions or connectors, as a feature of the literary style in Jhumpa Lahiri’s novel The Lowland and its Dutch translation Twee Broers by Ko Kooman. The first part of this paper discusses the different types of asyndeton that can be distinguished based on the semantic relation that is expressed and the variety of stylistic effects that can be produced through its use. The present study first observes the use of asyndeta in the English novel. Then, in a quantitative analysis, several instances of asyndeton are compared with their Dutch translation to see whether they are retained or not. It is found that the use of asyndeton in the novel can be categorised according to the content of the narration. The stylistic device is often used in descriptions, to introduce a digression, to list a series of actions or to express an enumeration. Overall, the translator tries to adopt the asyndeta to maintain Lahiri’s writing style. In cases where the device is not adopted, the asyndeton is often converted into a relative clause or the conjunction ‘en’ is added. -
The Political Imagination of Cormac Mccarthy
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 The olitP ical Imagination of Cormac McCarthy Drew Kennedy Thompson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Thompson, Drew Kennedy, "The oP litical Imagination of Cormac McCarthy" (2016). LSU Doctoral Dissertations. 4394. https://digitalcommons.lsu.edu/gradschool_dissertations/4394 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE POLITICAL IMAGINATION OF CORMAC MCCARTHY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Drew Kennedy Thompson B.S., Murray State University, 2004 M.A., Louisiana State University, 2009 May 2017 ©Copyright 2017 Drew Kennedy Thompson All rights reserved ii Acknowledgements This dissertation represents the final step in my journey toward my doctoral degree and the completion of my matriculation at Louisiana State University. Given the length of that journey, I am somewhat daunted by the prospect of acknowledging all those who have contributed in some way or another in bringing me to this moment. I would like to acknowledge the LSU Department of Political Science for academic and financial support over the course of my tenure.