EAF3508 | University of Exeter

09/28/21 EAF3508 | University of Exeter

EAF3508 View Online

Beyond Sex and the City: Becoming a Woman in Contemporary Western Cinema

Attwood, Feona. 2009. Mainstreaming Sex: The Sexualization of Western Culture. London: I.B. Tauris. http://lib.myilibrary.com/browse/open.asp?id=261926&entityid=https://elibrary.exeter.ac. uk/idp/shibboleth.

Banet-Weiser, Sarah. 2007. ‘What’s Your Flava? Race and Postfeminism in Media Culture [in] Interrogating Postfeminism: Gender and the Politics of Popular Culture.’ In Interrogating Postfeminism: Gender and the Politics of Popular Culture, Console-ing passions:201–26. Durham, [N.C.]: Duke University Press.

Belot, Sophie. 2012. ‘Céline Sciamma’s La Naissance Des Pieuvres (2007): Seduction and Be-Coming.’ Studies in French Cinema 12 (2): 169–84. https://doi.org/10.1386/sfc.12.2.169_1.

Bhattacharyya, Gargi, and John Gabriel. n.d. ‘“Gurinder Chadha and The Apna Generation” [in] Third Text: Third World Perspectives on Contemporary Art and Culture’. Third Text: Third World Perspectives on Contemporary Art and Culture, 55–63. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_18.pdf.

Boule, Jean-Pierre, and Ursula Tidd. 2012. Existentialism and Contemporary Cinema: A Beauvoirian Perspective. New York: Berghahn Books. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibr ary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs .net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH% 253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%252 52Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D978085 7457301.

Chakraborty, Mridula Nath. 2011. ‘Crossing Race, Crossing Sex in Gurinder Chadha’s Bend It Like Beckham (2002): Managing Anxiety in Multicultural Britain [in] Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema.’ In Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema, 122–33. London: Routledge. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_17.pdf.

Chris Holmlund. 2005. ‘Postfeminism from A to G [in] Cinema Journal.’ Cinema Journal 44 (2): 116–21. http://www.jstor.org/stable/3661099.

Christopher BrownPam Hirsch. n.d. The Cinema of the Swimming Pool (New Studies in European Cinema). Peter Lang AG, Internationaler Verlag der Wissenschaften; 1 edition (25 Jun 2014). http://www.amazon.co.uk/Cinema-Swimming-Pool-Studies-European/dp/3034317832/ref=s

1/5 09/28/21 EAF3508 | University of Exeter

r_1_1?ie=UTF8&qid=1415720908&sr=8-1&keywords=The+Cinema+of+the+Swimming+P ool.

‘Coalescing: The Development of Girls’ Studies [in] NWSA Journal.’ n.d. NWSA Journal 21 (1): 1–28. http://muse.jhu.edu/journals/nwsa/summary/v021/21.1.kearney.html.

Daniels, Lee, Gabourey Sidibe, Mariah Carey, Paula Patton, Sherri Shepherd, Lenny Kravitz, and Mo’Nique. 2010. ‘Precious.’ Icon Films Home Entertainment.

Dayton, Jonathan, Valerie Faris, Greg Kinnear, Toni Collette, and Steve Carrell. 2008. ‘Little Miss Sunshine.’ 20th Century Fox.

Driscoll, Catherine. 2002. Girls: Feminine Adolescence in Popular Culture and Cultural Theory. New York: Columbia University Press.

———. 2011. Teen Film: A Critical Introduction. Vol. Film genres. Oxford: Berg. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibr ary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs .net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH% 253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%252 52Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D978184 7888440.

Egan, R. Danielle, and Gail L. Hawkes. 2008. ‘Endangered Girls and Incendiary Objects: Unpacking the Discourse on Sexualization.’ Sexuality & Culture 12 (4): 291–311. https://doi.org/10.1007/s12119-008-9036-8.

Emma Wilson. 2008. ‘4 Months, 3 Weeks and 2 Days: An Abortion Movie? [in] Film Quarterly.’ Film Quarterly 61 (4): 18–23. http://www.jstor.org/stable/pdfplus/10.1525/fq.2008.61.4.18.pdf.

Farrimond, Katherine. 2011. ‘Bad Girls in Crisis: The New Teenage Femme Fatale [in] Women on Screen: Feminism and Femininity in Visual Culture.’ In Women on Screen: Feminism and Femininity in Visual Culture, 77–89. Basingstoke: Palgrave Macmillan. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_11.pdf.

Ferris, Suzanne, and Mallory Young. 2008. ‘Introduction: Chick Flicks and Chick Culture [in] Chick Flicks: Contemporary Women at the Movies.’ In Chick Flicks: Contemporary Women at the Movies, 1–25. New York: Routledge. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_04.pdf.

Fifty Contemporary Film Directors. 2010. New York, NY: Routledge. http://www.vlebooks.com/vleweb/Product/Index/63319?page=0.

Gamble, Sarah. 2001. The Routledge Companion to Feminism and Postfeminism. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac. uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/Abstr actView/S9780203011010.

Gateward, Frances K., and Murray Pomerance. 2002. Sugar, Spice, and Everything Nice: Cinemas of Girlhood. Vol. Contemporary film and television series. Detroit: Wayne State

2/5 09/28/21 EAF3508 | University of Exeter

University Press.

Gill, R. 2007. ‘Postfeminist Media Culture: Elements of a Sensibility [in] European Journal of Cultural Studies.’ European Journal of Cultural Studies 10 (2): 147–66. https://doi.org/10.1177/1367549407075898.

Gluck, Will, Emma Stone, Amanda Bynes, Aly Michalka, Thomas Haden Church, and Lisa Kudrow. 2011. ‘Easy A.’ Sony Pictures Home Entertainment CDR 63141.

Gonick, Marnina, Emma Renold, Jessica Ringrose, and Lisa Weems. 2009. ‘Rethinking Agency and Resistance
What Comes After Girl Power?.’ Girlhood Studies 2 (2): 1–9. http://dx.doi.org/10.3167/ghs.2009.020202.

Gwynne, Joel. n.d. Postfeminism and Contemporary Hollywood Cinema [electronic Resource] / Edited by Joel Gwynne, Nadine Muller. Palgrave Connect. https://uoelibrary.idm.oclc.org/login?url=http://www.palgraveconnect.com/pc/doifinder/10. 1057/9781137306845.

Handyside, Fiona. 2014. ‘Postfeminist (d)au(gh)teurs: Sofia Coppola and the Girl’s Voyage to Italy in Somewhere [in] New Visions of the Child in Italian Cinema.’ In New Visions of the Child in Italian Cinema, Italian modernities:129–48. Oxford: Peter Lang. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_09.pdf.

Higbee, Will, and Sarah Leahy. 2011. Studies in French Cinema: UK Perspectives, 1985-2010. Bristol, UK: Intellect. http://lib.myilibrary.com/browse/open.asp?id=316266&entityid=https://elibrary.exeter.ac. uk/idp/shibboleth.

Ioana Uricaru. 2008. ‘4 Months, 3 Weeks and 2 Days: The Corruption of Intimacy.’ Film Quarterly 61 (4): 12–17. http://www.jstor.org/stable/pdfplus/10.1525/fq.2008.61.4.12.pdf. Justine Ashby. 2005. ‘Postfeminism in the British Frame.’ Cinema Journal 44 (2): 127–33. http://www.jstor.org/stable/3661101.

Karlyn, Katherine Rowe. 2011. ‘Girl World: Clueless, Mean Girls and The Devil Wears Prada [in] Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen.’ In Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen, 77–98. Austin: University of Texas Press. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_07.pdf.

Landy, Marcia. 1991. Imitations of Life : A Reader on Film & Television Melodrama / Edited by Marcia Landy. Wayne State University Press.

Lebeau, Vicky. 2008. ‘Child, Sexuality, Image [in] Childhood and Cinema.’ In Childhood and Cinema, Locations:86–134. London: Reaktion. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_15.pdf.

McRobbie, Angela. 2000. ‘Dance Narratives and Fantasies of Achievement [in] Feminism and Youth Culture.’ In Feminism and Youth Culture, 2nd ed, 189–219. Basingstoke: Macmillan. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_21.pdf.

———. 2009a. The Aftermath of Feminism: Gender, Culture and Social Change. Los Angeles [i.e. Thousand Oaks, Calif.]: SAGE Publications.

3/5 09/28/21 EAF3508 | University of Exeter

———. 2009b. ‘Top Girls? Young Women and the New Sexual Contract [in] The Aftermath of Feminism: Gender, Culture and Social Change.’ In The Aftermath of Feminism: Gender, Culture and Social Change, 54–93. Los Angeles [i.e. Thousand Oaks, Calif.]: SAGE Publications. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_12.pdf.

Meyer, Sophie. 2012. ‘“Bomb Culture” [in] Sight and Sound’. Sight and Sound, 34–35. https://uoelibrary.idm.oclc.org/login?url=http://fiaf.chadwyck.com/fulltext/displayProquestP DF.do?PQID=2807007541&jid=006/0000306&id=004/0401526&year=2012&area=index& fromHistory=search.

Mullen, Lisa. n.d. ‘“Ginger and Rosa” [in] Sight and Sound’. Sight and Sound, 88–89. https://uoelibrary.idm.oclc.org/login?url=http://fiaf.chadwyck.com/fulltext/displayProquestP DF.do?PQID=2807007751&jid=006/0000306&id=004/0402395&year=2012&area=index& fromHistory=search.

Munford, Rebecca, and Melanie Waters. 2010. ‘“Postfeminism” or ”Ghost Feminism” [in] Feminism and Popular Culture: Explorations in Post-Feminism’. In Feminism and Popular Culture: Explorations in Post-Feminism, 17–36. London: I. B. Tauris. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_13.pdf.

Negra, Diane. 2009. ‘Time Crisis and the New Postfeminist Life Cycle [in] What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism.’ In What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism, 47–85. London: Routledge. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_23.pdf.

Negra, Diane, and Yvonne Tasker. 2007. ‘Feminist Politics and Postfeminist Culture [in] Interrogating Postfeminism: Gender and the Politics of Popular Culture.’ In Interrogating Postfeminism: Gender and the Politics of Popular Culture, Console-ing passions:1–26. Durham, [N.C.]: Duke University Press. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_05.pdf.

Oliver, Kelly. 2012. ‘Accident and Excess: The "Choice” to Have a Baby [in] Knock Me Up, Knock Me down: Images of Pregnancy in Hollywood Films.’ In Knock Me Up, Knock Me down: Images of Pregnancy in Hollywood Films, 81–110. New York: Columbia University Press. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_24.pdf.

Palmer, Tim. 2011. ‘Synchro Girls: Celine Sciamma’s Water Lillies [in] Brutal Intimacy: Analyzing Contemporary French Cinema.’ In Brutal Intimacy: Analyzing Contemporary French Cinema, Wesleyan film:32–40. Middletown, Conn: Wesleyan University Press. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_06.pdf.

Projansky, Sarah. 2014a. Spectacular Girls: Media Fascination and Celebrity Culture. New York: New York University Press.

———. 2014b. Spectacular Girls: Media Fascination and Celebrity Culture. New York: New York University Press.

Radner, Hilary, and Rebecca Stringer. 2011. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. London: Routledge.

Renold, E., and J. Ringrose. 2008. ‘Regulation and Rupture: Mapping Tween and Teenage

4/5 09/28/21 EAF3508 | University of Exeter

Girls’ Resistance to the Heterosexual Matrix.’ Feminist Theory 9 (3): 313–38. https://doi.org/10.1177/1464700108095854.

Swindle, Monica. n.d. ‘Feeling Girl, Girling Feeling: An Examination of “Girl” as Affect [in] Rhizomes’. Rhizomes 22. http://www.rhizomes.net/issue22/swindle.html.

Tyler, I., and B. Bennett. 2010. ‘“Celebrity Chav”: Fame, Femininity and Social Class’. European Journal of Cultural Studies 13 (3): 375–93. https://doi.org/10.1177/1367549410363203.

‘Undutiful Daughters: Mobilizing Future Concepts, Bodies and Subjectivities in Feminist Thought and Practice.’ n.d. In . http://www.academia.edu/1970757/_Hydrofeminism_Or_On_Becoming_a_Body_of_Water._.

Waters, Mark, Lindsay Lohan, Tina Fey, Rachel McAdams, and Tim Meadows. 2011. ‘Mean Girls.’ Paramount Pictures PHE 8537.

Willis, Jessica L. 2008. ‘Sexual Subjectivity: A Semiotic Analysis of Girlhood, Sex, and Sexuality in the Film Juno.’ Sexuality & Culture 12 (4): 240–56. https://doi.org/10.1007/s12119-008-9035-9.

Winch, Alison. 2013. Girlfriends and Postfeminist Sisterhood. Basingstoke: Palgrave Macmillan. https://uoelibrary.idm.oclc.org/login?url=http://www.palgraveconnect.com/doifinder/10.105 7/9781137312747.

Yeunen-Lewis, Caitlin. 2011. ‘Cool PostFeminism: The Stardom of Sofia Coppola [in] In the Limelight and under the Microscope: Forms and Functions of Female Celebrity.’ In In the Limelight and under the Microscope: Forms and Functions of Female Celebrity, 174–98. London: Continuum. http://readinglists.exeter.ac.uk/humanities/english/EAF3508/EAF3508_10.pdf.

5/5