The Physician at the Movies Peter E
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fictional Movies with Domestic Violence Themes Compiled by Nancy Flanakin, Librarian, National Center on Domestic and Sexual Violence
Fictional Movies with Domestic Violence Themes Compiled by Nancy Flanakin, Librarian, National Center on Domestic and Sexual Violence Affliction (1999) – Stars Nick Nolte. Grown man with emotional and behavior problems recalls abuse he and his mother suffered during his childhood. Available from Amazon.com. Boys on the Side (1995) – Stars Whoopi Goldberg (Jane), Mary-Louise Parker (Robin) and Drew Barrymore (Holly). Holly kills the abusive boyfriend of Jane in the course of defending her, later faces charges. A buddy/road movie that explores the special relationships that can develop among women. Available from Amazon.com. The Burning Bed (1984) – Farrah Fawcett plays a woman reaching the breaking point with her abusive and brutal husband. Based on a true story. Currently available only from dealers in used DVDs and VHS videos, such as those who sell through Amazon.com. The Color Purple (1985) – Alice Walker’s story about the growth to maturity and independence of a mistreated African-American woman in Georgia. Available from Amazon.com. Dangerous Intentions (1995) – Stars Donna Mills and Corbin Bernsen. Plot summary from “editorial review” on Amazon.com: After years of being terrorized, Beth Williamson finally finds the courage to leave her abusive husband. But where can she go that’s safe? Her parents’ home, her sister’s home - wherever Beth tries to hide, her husband finds her and beats her, each attack more savage than the last. Only when she meets Kaye, another battered wife on the run, does the nightmare look like it’s coming to an end. Looking out for each other, the two of them set up home with their children. -
Friday, May 18
Movies starting Friday, May 18 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Deadpool 2” Rated R Run Time 1:20 Starring Ryan Reynolds Start 2:40 5:50 9:00 End 4:40 7:50 11:00 Rated R for strong violence and language throughout, sexual references and brief drug material. “Book Club” Rated PG-13 Run Time 1:45 Starring Diane Keaton, Jane Fonda and Candice Bergen Start 2:40 5:40 8:45 End 4:35 7:35 10:35 Rated PG-13 for sex-related material throughout, and for language. “Avengers: Infinity War” Rated PG-13 Run Time 2:30 Starring Robert Downey Jr, Chris Evans and Chris Hemsworth Start 2:15 5:30 8:45 End 4:45 8:00 11:15 Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references. “Life of the Party” Rated PG-13 Run Time 1:45 Starring Melissa McCarthy Start 2:50 5:50 9:00 End 4:35 7:35 10:45 Rated PG-13 for suggestive material, partial nudity and some language. ***Prices*** Adults $13.00 (3D $16.50) Matinees, Seniors and Children under 12 $10.50 (3D $13.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Deadpool 2 (R) • Ryan Reynolds • Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable. Book Club (PG-13) • Diane Keaton • Jane Fonda • Candice Bergen • Diane (Diane Keaton) is recently widowed after 40 years of marriage. -
Sean Penn 2007)
Journal of American Studies of Turkey 25 (2007) : 99-101 Into the Wild (Sean Penn 2007) Mark Bousquet Hollywood has had a long love affair with the American landscape. Typically focused on the open expanses of the American West (evidenced most prominently in the westerns of John Ford, Clint Eastwood, and Kevin Costner), directors have seemingly operated on the principle that intrinsic to any story set against nature is to highlight the bigness and beauty of the land. Sean Penn’s approach (seen through the cinematography of Eric Gautier) to shooting the landscape in Into the Wild operates largely antithetically to the western. Instead of focusing on the largeness of the American wilderness, Penn’s approach owes a stylistic debt to Terence Malick (whom Penn worked with on The Thin Red Line 1998), crafting an intimate relationship with the natural world. Into the Wild is an excellent and effective adaptation of Jon Krakauer’s book by the same name, relating the true journey of Christopher McCandless (Emile Hirsch), who left American civilization behind to seek a romanticized relationship to the wilderness of his literary heroes Jack London and Henry David Thoreau. After graduating from Emory University, McCandless donates the bulk of his savings ($24,000) to Oxfam America and severs his ties with civilization, both official (destroying his identification and credit cards) and personal (deliberately misleading his family about his plans). Chris heads out on the road in search of his ultimate destination of Alaska. Along the way, McCandless -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Interiors and Interiority in Vermeer: Empiricism, Subjectivity, Modernism
ARTICLE Received 20 Feb 2017 | Accepted 11 May 2017 | Published 12 Jul 2017 DOI: 10.1057/palcomms.2017.68 OPEN Interiors and interiority in Vermeer: empiricism, subjectivity, modernism Benjamin Binstock1 ABSTRACT Johannes Vermeer may well be the foremost painter of interiors and interiority in the history of art, yet we have not necessarily understood his achievement in either domain, or their relation within his complex development. This essay explains how Vermeer based his interiors on rooms in his house and used his family members as models, combining empiricism and subjectivity. Vermeer was exceptionally self-conscious and sophisticated about his artistic task, which we are still laboring to understand and articulate. He eschewed anecdotal narratives and presented his models as models in “studio” settings, in paintings about paintings, or art about art, a form of modernism. In contrast to the prevailing con- ception in scholarship of Dutch Golden Age paintings as providing didactic or moralizing messages for their pre-modern audiences, we glimpse in Vermeer’s paintings an anticipation of our own modern understanding of art. This article is published as part of a collection on interiorities. 1 School of History and Social Sciences, Cooper Union, New York, NY, USA Correspondence: (e-mail: [email protected]) PALGRAVE COMMUNICATIONS | 3:17068 | DOI: 10.1057/palcomms.2017.68 | www.palgrave-journals.com/palcomms 1 ARTICLE PALGRAVE COMMUNICATIONS | DOI: 10.1057/palcomms.2017.68 ‘All the beautifully furnished rooms, carefully designed within his complex development. This essay explains how interiors, everything so controlled; There wasn’t any room Vermeer based his interiors on rooms in his house and his for any real feelings between any of us’. -
Being a Non-Entity with Soon-Yi Previn
Ellipsis Volume 41 Article 27 2014 Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Follow this and additional works at: https://scholarworks.uno.edu/ellipsis Part of the Nonfiction Commons Recommended Citation Hugmeyer, Carl (2014) "Being a Non-Entity with Soon-Yi Previn," Ellipsis: Vol. 41 , Article 27. DOI: https://doi.org/10.46428/ejail.41.27 Available at: https://scholarworks.uno.edu/ellipsis/vol41/iss1/27 This Creative Nonfiction is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in Ellipsis by an authorized editor of ScholarWorks@UNO. For more information, please contact [email protected]. Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Sometimes I realize that I’m not really putting myself out there. Being pleasant and considerate towards those around you is important, but part of me still thinks there should be something else going on. I find it hard to track down my contributions, my expressions, my statements. Partially read New Yorkers pile up and Netflix still recommends more documentaries than sitcoms. There is kale in the refrigerator, yes, and a $23 bottle of wine. Great. But is this supposed to be a model of beautiful living, to show to those who scream at their children, slapping them and then tugging at their arms as they wait for the tank to fill up at the gas station? To those who throw their Burger King wrappers out of the car window? It is dust accumulating, nothing, a mouse in the walls of the world that no one really sees or cares about except when it gets audibly worked up or so thoroughly stuck that a smell begins to emanate. -
MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle
MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MEJOR DIRECTOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MEJOR ÓPERA PRIMA EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MEJOR GUIÓN LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MEJOR GUIÓN DEBUTANTE DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MEJOR ACTRIZ PROTAGÓNICA ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MEJOR ACTOR PROTAGÓNICO RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C. -
Ender's Game Enough Said Epic Ernest & Celestine
ENDER'S GAME Harrison Ford. Asa Butterfield. Hailee Steinfeld. Viola Davis. Abigail Breslin. Ben Kingsley. Moises Arias. Aramis Knight. Suraj Parthasarathy. Khylin Rhambo. Jimmy Jax Pinchak. Conor Carroll. Nonso Anozie. Tony Mirrcandani. Caleb Thaggard. Cameron Gaskins. Stevie Ray Dallimore. Andrea Powell. Brandon Soo Hoo. Kyle Clements. Wendy Miklovic. Jasmine Kaur. Han Soto. Edrick Browne. Chris Coakley. Chase Walker. Gavin Hood. ENOUGH SAID Julia Louis-Dreyfus. James Gandolfini. Catherine Keener. Toni Collette. Tavi Gevinson. Ben Falcone. Tracey Fairaway. Eve Hewson. Lennie Loftin. Jessica St. Clair. Chris Smith. Michaela Watkins. Phillip Brock. Nick Williams. Ivy Strohmaier. Natasha Sky Lipson. Rick Irwin. Amy Landecker. Alina Adams. Luke Grakal. Anjelah Johnson-Reyes. Barry Jenner. Sarah Burns. Rebecca Drysdale. Rob Steiner. Rob Mayes. Toby Huss. Kathleen Rose Perkins. EPIC Colin Farrell. Josh Hutcherson. Amanda Seyfried. Christoph Waltz. Aziz Ansari. Chris O'Dowd. Pitbull. Jason Sudeikis. Steven Tyler. Beyoncé Knowles. Blake Anderson. Allison Bills. Jim Conroy. Todd Cummings. John DiMaggio. Troy Evans. Jason Fricchione. Judah Friedlander. Helen Hong. Kelly Keaton. Emma Kenney. Kyle Kinane. Anthony Lumia. Malikha Mallette. Joe Massingill. Edie Mirman. Rosa Salazar. Allison Weber. Tom Wilson. Matt Adler. Ashley Albert. Steve Apostolina. Eric Bradley. Jeremy Bowker. Dennis T. Carnegie. David Cowgill. Randy Crenshaw. Monique Donnelly. Moosie Drier. Roger Freeland. Jackie Gonneau. Bridget Hoffman. EJ Holowicki. Rif Hutton. Edie Lehmann Boddicker. Hope Levy. Selenis Leyva. Brian Scott McFadden. Jake Moulton. Eric Nelsen. ERNEST & CELESTINE Lambert Wilson. Pauline Brunner. Anne-Marie Loop. Patrice Melennec. Brigitte Virtudes. Léonard Louf. Dominique Collignon. Perrette Pradier. Yann Le Madic. Féodor Atkine. Pierre Baton. Vincent Gras. Patrice Dozier. Jacques Ciron. Garance Pauwels. -
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 Min | MGM | Rated PG-13
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 min | MGM | Rated PG-13 November 1, 2 p.m., 6th floor A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Farrow) regularly meets with her sisters Holly (Wiest) and Lee (Hershey) to discuss the week’s events. It’s what they don’t always tell each other that forms the film’s various subplots. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Dianne Wiest, Barbara Hershey, Michael Caine, Max von Sydow, and Carrie Fisher Broadway Danny Rose DVD | Black & White | 1984 | 86 min | MGM | Rated PG November 8, 2 p.m., 6th floor Danny Rose (Allen) is a fourth rate talent agent whose client list is filled with some of the oddest acts in show business. A good-hearted loser, Danny is willing to go to extremes to keep his acts happy and get them jobs. It’s this dedication that gets him in trouble when he becomes involved with his top client’s mistress and some unfriendly gangsters who mistake Danny as her lover. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Nick Apollo Forte, Paul Greco, and Frank Renzulli Film schedule continues on opposite page Elevators access the 6th floor after 1:30 p.m. All programs are free and subject to last minute change or cancellation SATURDAY MOVIES Grumpy Old Men DVD | Color | 1993 | 104 min | Warner Bros. | Rated PG-13 November 15, 2 p.m., 6th floor John and Max are elderly men living next door to each other. -
Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister. -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
For Incentives, Programming and More Visit: Sho.Com/Bulk
Adventurous, unexpected, hilarious, thrilling and raw, we have become known for programming that pushes boundaries, elicits emotional reactions, and always surprises. HOMELAND BILLIONS SHAMELESS Emmy® and Golden Globe® winners PAUL GIAMATTI WILLIAM H. MACY and EMMY ROSSUM star in this wildly Emmy®, SAG and Golden Globe® winner CLAIRE and DAMIAN LEWIS star in BILLIONS – a bold drama engaging and fearlessly twisted series – an ensemble DANES stars as the brilliant Carrie Mathison, who that gives secret access into the lives of two powerful comedy with a family like you’ve never seen before. will stop at nothing to keep America safe. The New York titans. Tenacious US Attorney Chuck Rhoades When dad, Frank (MACY) is not at the bar, he’s stirring award-winning and critically acclaimed series is (GIAMATTI) is locked in a battle with brilliant hedge up trouble – so it’s a good thing he has Fiona (ROSSUM), an addicting thrill ride of action and espionage fund king Bobby ‘Axe’ Axelrod (LEWIS) and there is no his eldest daughter who keeps the family together. The that keeps you guessing at every turn. line they won’t cross to win. It’s a high stakes war Gallaghers may not have much in the way of money Stars CLAIRE DANES, RUPERT FRIEND, where both men are forced to answer the question: or rules, but they know who they are – and they’re F. MURRAY ABRAHAM.and MANDY PATINKIN. What is power worth? absolutely, wildly and unapologetically SHAMELESS. Stars PAUL GIAMATTI and DAMIAN LEWIS. Stars WILLIAM H. MACY and EMMY ROSSUM. THE AFFAIR RAY DONOVAN EPISODES The 2015 Golden Globe® winner for Best Television In the glamorous, over-indulgent world of Hollywood, Golden Globe® winner MATT LEBLANC stars in Series—Drama, THE AFFAIR is a relationship drama Ray Donovan (LIEV SCHREIBER) discreetly arranges this wickedly smart comedy about making it big that unfolds like a thriller, taking you down unexpected and conveniently erases all the dirty little secrets in Hollywood.