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Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
The Aegean Chapter Viii the Decorative
H. J. Kantor - Plant Ornament in the Ancient Near East, Chapter VIII: The Decorative Flora of Crete and the Late Helladic Mainland SECTION II: THE AEGEAN CHAPTER VIII THE DECORATIVE FLORA OF CRETE AND THE LATE HELLADIC MAINLAND In the midst of the sea, on the long island of Crete, there dwelt a people, possessors of the fabulous Minoan culture, who are known to have had trade relations with Egypt, and with other Near-Eastern lands. Still farther away towards the north lies the Mainland of Greece, a region that proved itself to be a very hospitable host to the graft of Minoan culture. Before the close of the LH period the ceramic results of this union were to be spread over the Near East in great profusion and it becomes necessary to define the extent of Aegean influence on those traditions of Near-Eastern art that lie within the scope of our topic. Before this is possible a concise summary of the plant ornamentation of the Aegean must be presented.1 This background forms a necessary basis without which the reaction of Aegean plant design on the main development of our story, be it large or small, cannot be determined. 1 A great deal of interest and work has been devoted to the study of Minoan decorative art almost since the beginning of its discovery, and full advantage of this has been taken in the preparation of the present survey. The chief treatments of the subject are as follows: Edith H. Hall, The Decorative Art of Crete in the Bronze Age (Philadelphia, 1907); Ernst Reisinger, Kretische Vasenmalerei vom Kamares bis zum Palast-Stil (Leipzig, Berlin, 1912); Diederich Fimmen, Die Kretisch-Mykenische Kulture (Leipzig, Berlin, 1924), Alois Gotsmich, Entwicklungsgang der Kretischen Ornamentik, Wein, 1923); Frederich Matz, Frühkretische Siegel (Berlin, 1928), covering a much wider field than is indicated by the title; Georg Karo, Die Schachtgräber von Mykenai (Munchen, 1939). -
Minoan Art First Term 1958 at the Southern End of the Aegean Sea
Minoan Art First Term 1958 At the southern end of the Aegean Sea, Crete was situated in an excellent geographical position to receive cultural stimulus from Mesopotamia and the Near East, and also from the north, from Europe: and it enjoyed the natural protection afforded by the sea. And during the Bronze Age (an archaeological period which in the Near Eastern countries dares from around 3000BC to 1000BC) a flourishing civilization with strong individual characteristics arose and flourished. The rise of England, in relation to Northern Europe, many centuries later affords a rough parallel to the rise of Crete in the Eastern Mediterranean during the Bronze Age. Let us look at a map of the area.* Nothing was known about the culture of Ancient Crete until Sir Arthur Evans purchased the site of the temple of Knossos in 1900 and began to uncover the ruins of the huge Palace of Knossos. He was following up the work of Heinrich Schliemann who had begun excavations at Troy in northern Asia Minor and later a Tiryns and Mycenae in the south o Greece, in 1890s. Evans revealed the presence of a highly civilized and flourishing Bronze Age civilization in Crete which he called Minoan, from the King Minos of Greek legend. The Minoan culture was found to be, unlike the great kingdoms of the Near East and Egypt, an essentially maritime culture based upon maritime supremacy in the eastern Mediterranean Minoan vessels traded with Egypt, the Levant, Cyprus and Asia Minor. In consequence the culture owes much to Egypt and the Near East, but the Minoans stamped their art with a strong personal quality of its own. -
Volume Information
AMERICANJOURNAL OF ARCHAEOLOGY VOLUME 74 1970 THE JOURNAL OF THE ARCHAEOLOGICAL INSTITUTE OF AMERICA RICHARDSTILLWELL, McCormick Hall, Princeton, New Jersey, Editor-in-Chief NANCY BALDWINSMITH, McCormick Hall, Assistant Editor DOROTHYKENT HILL, The Walters Art Gallery, Editor, Book Reviews RICHARDB. WOODBURY,University of Massachusetts,Editor, New World Book Reviews ADVISORY BOARD OF ASSOCIATE EDITORS WILLIAMF. ALBRIGHT GEORGEM. A. HANFMANN The Johns Hopkins University Harvard University CARLW. BLEGEN ANN PERKINS Athens, Greece University of Illinois FRANKE. BROWN EDITHPORADA American Academy in Rome Columbia University WILLIAM B. DINSMOOR GISELAM. A. RICHTER Athens, Greece Rome, Italy STERLINGDow H. R. W. SMITH Harvard University The University of California GLANVILLEDOWNEY EMILY VERMEULE Indiana University Harvard University ALFREDR. BELLINGER,representing American School of Classical Studies, Athens HONORARY EDITORS RODNEY S. YOUNG, President of the Archaeological Institute of America FRANK E. BROWN,American Academy in Rome, School of ClassicalStudies GEORGEERNEST WRIGHT, President, American Schools of Oriental Research DOUGLASW. SCHWARTZ,Director, School of American Research CONTENTS OF VOLUME 74 (1970) PAGE H. L. Allen, Excavations at Morgantina (Serra Orlando) 1967-I969.Preliminary Report X 359 Ambler, J. R. Rev. of Gunnerson, The Fremont Culture 122 Angel, J. L. Human Skeletal Remains at Karatas 253 Azarpay, G. and 0. W. Muscarella. Exchange 208 Bakalakis, G. The "Classical"Bridge at Amphipolis 289 Barag, D. Rev. of Riefstahl, Ancient Egyptian Glass and Glazes in the Brooklyn Museum 210 Bass, G. F. A Hoard of Trojan and Sumerian Jewelry 335 Benson, J. L. Rev. of Coldstream, Greek Pottery 303 Betancourt, P. P. The Maikop Copper Tools and their Relationship to Cretan Metallurgy 351 Bieber, M. -
Muse1991v25p42-53.Pdf (1.602Mb)
SOME THOUGHTS ON THE MYCENAEAN POTTERY IN THE COLLECTION OF THE UNIVERSITY OF MISSOURI, COLUMBIA ELIZABETH FRENCH PENELOPE MOUNTJOY The fa/lawing notes on the Museum of Art and Archaeology's collection of Mycenaean patten; have been compiled by Ors. Elizabeth French and Penelope Mountjoy.The occasion which brought about this project was a seminar given by Professor William Biers of MU's Department of Art History and Archaeology at the American School of Classical Studies at Athens in 1990. 1 he collection comprises only fifteen vases2: seven stirrup jars, one jug, one T lekythos, one feeding bottle, two pilgrim flasks, two alabastra and one pyxis. Yet they illustrate several of the more important issues of present research and form an excellent nucleus for the teaching and understanding of Mycenaean ceramics. First, all are closed vessel forms and both from their types and their unbroken condition almost certainly come from tombs. Tomb vases are thought to have contained scented unguents, both liquid and solid, and food stuffs for the use of the dead on their way to another world. Secondly, though in date they range from LHIIIAI to the end of the Mycenaean period, even with this small number they reflect the ceramic history of the Aegean. It is not surprising that the earliest vases in the collection date to LHIIIA 1; this is the period when a mainland style first spreads in Greece and the islands and when we see the first real expansion into the Eastern Mediterranean. Five vases can be assigned to LHIIIA2/B1, phases which are often hard to disentangle as they form a continuum and in many ways the acme of mainland ceramics and their export. -
Chapter 1 Multiple Choice 1. an Important Series of Caves With
Chapter 1 Multiple Choice 1. An important series of caves with paintings from the Paleolithic period is located in ________. a. Italy b. England c. Germany d. France Answer: d 2. Which of the following describes the Venus of Willendorf? a. It is a large Neolithic tomb figure of a woman b. It is a small Paleolithic engraving of a woman c. It is a large Paleolithic rockcut relief of a woman d. It is a small Paleolithic figurine of a woman Answer: d 3. Which of the following animals appears less frequently in the Lascaux cave paintings? a. bison b. horse c. bull d. bear Answer: d 4. In style and concept the mural of the Deer Hunt from Çatal Höyük is a world apart from the wall paintings of the Paleolithic period. Which of the following statements best supports this assertion? a. the domesticated animals depicted b. the subject of the hunt itself c. the regular appearance of the human figure and the coherent groupings d. the combination of men and women depicted Answer: c 5. Which of the following works of art was created first? a. Venus of Willendorf b. Animal frieze at Lascaux c. Apollo 11 Cave plaque d. Chauvet Cave Answer: d 6. One of the suggested purposes for the cave paintings at Altamira is thought to have been: a. decoration for the cave b. insurance for the survival of the herd c. the creation myth of the tribal chief d. a record of the previous season’s kills Answer: b 7. The convention of representing animals' horns in twisted perspective in cave paintings or allowing the viewer to see the head in profile and the horns from the front is termed __________. -
MYCENAEAN and CYPRIOT LATE BRONZE AGE CERAMIC IMPORTS to KOMMOS: an Investigation by Neutron Activation Analysis Author(S): Jonathan E
MYCENAEAN AND CYPRIOT LATE BRONZE AGE CERAMIC IMPORTS TO KOMMOS: An Investigation by Neutron Activation Analysis Author(s): Jonathan E. Tomlinson, Jeremy B. Rutter and Sandra M. A. Hoffmann Source: Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 79, No. 2 (April-June 2010), pp. 191-231 Published by: The American School of Classical Studies at Athens Stable URL: http://www.jstor.org/stable/40835485 . Accessed: 18/03/2014 10:14 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve and extend access to Hesperia: The Journal of the American School of Classical Studies at Athens. http://www.jstor.org This content downloaded from 71.168.218.10 on Tue, 18 Mar 2014 10:14:06 AM All use subject to JSTOR Terms and Conditions HESPERIA 79 (2010) MYCENAEAN AND Pages IÇI-2JI CYPRIOT LATE BRONZE AGE CERAMIC IMPORTS TO KOMMOS An Investigation by Neutron Activation Analysis ABSTRACT The resultsof a small-scaleprogram of neutronactivation analysis of 69 ceramicfragments from the Minoan harbortown of Kommos are presented andcritically evaluated. -
Patterns of Exchange and Mobility: the Case of the Grey Ware in Middle and Late Minoan Crete
PATTERNS OF EXCHANGE AND MOBILITY: THE CASE OF THE GREY WARE IN MIDDLE AND LATE MINOAN CRETE by LUCA GlRELLA * New finds and important contributions have recently offered a fresh overview on wheel-made grey ware on Crete and have also provided an occasion for an update on l pottery imported from outside Crete . As a result the list of Grey Ware (henceforth: GW) in LM III contexts has been expanded, but mentions of such a ware in previous periods have been surprisingly neglected. The aim of this article is to re-examine the evidence of the GW on Crete, from the first appearance of Grey Minyan Ware to the later distribution of GW up to the LM IIIC period (Fig. 1, Table 1)2. As will be understandable from the following overview, most of the information comes from old excavations and publications, when both the identification and terminology of this ware were far from being neatly recognizable (i.e. the use of term bucchero). As a second aim of this contribution, drawing upon GW circulation, we shall inquire into patterns of mobility and exchange; in fact, as a 'foreign ware', the phenomenon of GW on Crete can be the ideal theatre for the exploration of pottery and human mobility. For convenience's sake we shall distinguish four moments with distinct patterns of distribution: (1) the small scale world of the late Prepalatial period, when the unique Minyan bowl from Knossos - a MH I import - confirms the picture of the asymmetrical relationship between the Greek Mainland and Crete, which saw a large quantity of Minoan and Minoanizing pottery at coastal sites of southern and northeastern Peloponnese, but not the contrary. -
An Investigation Into the Minoan Trickle Pattern Motif’S Presence and Use from the Early Minoan I – Late Minoan III
Meaning, Exchange, And Wine Economics: An Investigation into the Minoan Trickle Pattern Motif’s Presence and Use from the Early Minoan I – Late Minoan III Item Type text; Electronic Thesis Authors Oberlin, Lauren Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 21:56:02 Link to Item http://hdl.handle.net/10150/628097 1 MEANING, EXCHANGE, AND WINE ECONOMICS: AN INVESTIGATION INTO THE MINOAN TRICKLE PATTERN MOTIF’S PRESENCE AND USE FROM THE EARLY MINOAN I – LATE MINOAN III by Lauren Oberlin ____________________________ Copyright © Lauren Oberlin 2018 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2018 3 Acknowledgements I would like to offer my most profound thanks to my thesis committee: the chair of my committee, Dr. Robert Schon, as well as Dr. Mary Voyatzis, and Dr. Emma Blake. I am especially thankful for their patience in this process and for their confidence in me during the course of this thesis. Without their support, this thesis would not have been completed, nor had such a speedy turn-around for the thesis defense. Their insight and guidance were truly supportive in the creation, flow, and cogency of this thesis. -
This Pdf Is a Digital Offprint of Your Contribution in E. Alram-Stern, F
This pdf is a digital offprint of your contribution in E. Alram-Stern, F. Blakolmer, S. Deger-Jalkotzy, R. Laffineur & J. Weilhartner (eds), Metaphysis. Ritual, Myth and Symbolism in the Aegean Bronze Age (Aegaeum 39), ISBN 978-90-429-3366-8. The copyright on this publication belongs to Peeters Publishers. As author you are licensed to make printed copies of the pdf or to send the unaltered pdf file to up to 50 relations. You may not publish this pdf on the World Wide Web – including websites such as academia.edu and open-access repositories – until three years after publication. Please ensure that anyone receiving an offprint from you observes these rules as well. If you wish to publish your article immediately on open- access sites, please contact the publisher with regard to the payment of the article processing fee. For queries about offprints, copyright and republication of your article, please contact the publisher via [email protected] AEGAEUM 39 Annales liégeoises et PASPiennes d’archéologie égéenne METAPHYSIS RITUAL, MYTH AND SYMBOLISM IN THE AEGEAN BRONZE AGE Proceedings of the 15th International Aegean Conference, Vienna, Institute for Oriental and European Archaeology, Aegean and Anatolia Department, Austrian Academy of Sciences and Institute of Classical Archaeology, University of Vienna, 22-25 April 2014 Edited by Eva ALRAM-STERN, Fritz BLAKOLMER, Sigrid DEGER-JALKOTZY, Robert LAFFINEUR and Jörg WEILHARTNER PEETERS LEUVEN - LIEGE 2016 98738_Aegaeum 39 vwk.indd 1 25/03/16 08:06 CONTENTS Obituaries ix Preface xiii Abbreviations xv KEYNOTE LECTURE Nanno MARINATOS Myth, Ritual, Symbolism and the Solar Goddess in Thera 3 A. -
1 Cultural Interactions Among Aegean Bronze Age Civilizations (Circa 1675-1400 BCE) Zack Orefice, '09; Rachel Starry, '11 W
1 Cultural Interactions among Aegean Bronze Age Civilizations (Circa 1675-1400 BCE) Zack Orefice, ’09; Rachel Starry, ‘11 While Aegean Bronze Age pottery is admired for its craftsmanship and decorative appeal, these ceramic pieces also provide insight into cultural interactions which occurred among various Bronze Age civilizations. Due to the lack of translatable documentation from these early settlements, the extent of cultural interactions has not been fully explored. Therefore, the analysis of Bronze Age ceramic ware is crucial for filling in these gaps in knowledge. One common theory exists that communication arising between different cultures is a result of natural human behavior. This contact has benefits for both societies involved, including: marriage partnerships, useful materials, the exchange of skills and ideas, and an increased diversity of food supply. During the Aegean Bronze Age as settlements developed, the complexity of these networks of communication and exchange increased. Thus this discussion begins during the Second Palace Period (circa 1675 BCE) when Minoan civilization was reaching its height and Mycenaean palace cultures were beginning to establish power on mainland Greece. Two major factors fostered cultural interactions during the Second Palace Period. First, there was a large growth in Minoan influence throughout the Aegean world. Secondly, as mainland Mycenaean settlements became wealthier, their networks of communication and exchange grew dramatically. During the previous First Palace Period (circa 1900-1675 BCE), Minoan pottery was mainly produced at the large cultural centers on Crete – Knossos, Phaistos, and Mallia. However, by 1675 BCE, the Minoans had developed into a powerful seafaring people who controlled the trade-routes of the Aegean Sea. -
A Cross-Disciplinary Study of Ancient Greek Kairos, Circa 3000–146 Bce
FROM NATURE TO THE IDEAL: A CROSS-DISCIPLINARY STUDY OF ANCIENT GREEK KAIROS, CIRCA 3000–146 BCE A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY BY NICOLE RUTH CARDASSILARIS DISSERTATION ADVISOR: DR. PAUL W. RANIERI BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2019 To my intellectual DNA, and to my biological DNA, but especially to my son, Nicholas 2 CONTENTS PAGE Acknowledgements ………………………………………………………………… 4 List of Figures …………………………………………………………………….. 7 Chapter 1. Introduction …………………………………………………………….. 10 Chapter 2. Denotations and Connotations of Ancient Greek Kairos: A Review of Literature in Three Academic Disciplines ……………. 36 Chapter 3. Towards a Prehistory of Ancient Greek Kairos: What Constituted the Greeks’ Understanding of “a Moment in Time” between 3000-600 BCE? …………………………………………… 81 Chapter 4. The Expansion and Organization of Expression: Kairos in Transition, 800-400 BCE ………………………………… 124 Chapter 5. From Nature to Humankind: Framing the Conventional and Ideal Kairos, 400-146 BCE ……………………………………... 181 Chapter 6. Conclusion ……………………………………………………………….. 231 Bibliography …………………………………………………………………………. 245 3 ACKNOWLEDGEMENTS First I would like to thank the professors who sat on my dissertation committee. Thank you Professors Paul Ranieri (Rhetoric and Writing), Robert Habich (American Literature), Christine Shea (Classical Studies), and Richard King (Classical Studies). Robert Habich advised the approach and structure of my research, while providing expert feedback and expert advice for revisions. Christine Shea and Richard King advised on the sociocultural aspects of ancient Greece, Greek mythology, and various philological corrections and recommendations on translations of ancient Greek. I thank each one of you for your encouragement to complete this project. For my cross-disciplinary study of ancient Greek kairos, I feel fortunate for the cross- disciplinary make-up of my committee.