DOCSLIB.ORG

2017 Ashbacher Mariah Thesis.Pdf (2.334Mb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2017 Ashbacher Mariah Thesis.Pdf (2.334Mb) UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE ZOOMORPHIC REPRESENTATIONS IN EARLY CYCLADIC ART: A CATALOGUE REFERENCE LIST A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS IN ART HISTORY By MARIAH LOUANN ASHBACHER Norman, Oklahoma 2017 ZOOMORPHIC REPRESENTATIONS IN EARLY CYCLADIC ART: A CATALOGUE REFERENCE LIST A THESIS APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Rozmeri Basic, Chair ______________________________ Dr. Mary Jo Watson ______________________________ Dr. Allison Palmer © Copyright by MARIAH LOUANN ASHBACHER 2017 All Rights Reserved. I dedicate this thesis to my husband, Todd, and to my children, Christian, Parker and Madison. Acknowledgements I would like to acknowledge the mentoring I received from Dr. Rozmeri Basic over the last four years, who introduced me to the Aegean Bronze Age. It is because of her that I decided to study Art History. Through my studies at the School of Visual Arts, I became acquainted with several professors who shaped my education, including Dr. W. Jackson Rushing, III, Dr. Robert Bailey, Professor Victor Youritzin, and Professor B. Byron Price. I also want to particularly mention Dr. Mary Jo Watson and Dr. Allison Palmer, who along with Dr. Basic, have been sources of immeasurable inspiration as art historians, professors, and women. I thank them for their contribution to this thesis as members of my committee and for shaping me as an emerging art historian. iv Table of Contents Acknowledgements ......................................................................................................... iv List of Figures ................................................................................................................. vii Abstract .......................................................................................................................... viii Chapter 1: Introduction ..................................................................................................... 1 Geographic and Environmental Background ............................................................. 6 Animals in Cycladic Culture .................................................................................... 11 Bronze Age Chronology ........................................................................................... 14 Methodology ............................................................................................................. 22 Chapter 2: Literature Review ......................................................................................... 24 Role of Migration in Cultural Exchange .................................................................. 27 Maritime Trade in Early Bronze Age Aegean .......................................................... 31 Religion and Funeral Rites ....................................................................................... 34 Chapter 3: Animal Presentations in Cycladic Art .......................................................... 43 Domesticates ............................................................................................................. 50 Sheep/Rams ........................................................................................................ 50 Pigs…… ............................................................................................................. 51 Bovines ............................................................................................................... 52 Wild Animals ............................................................................................................ 54 Hedgehogs .......................................................................................................... 54 Birds… ............................................................................................................... 57 Frogs… ............................................................................................................... 64 Snakes.. ............................................................................................................... 65 v Feline… .............................................................................................................. 66 Flies/Bees ........................................................................................................... 68 Marine Objects ................................................................................................... 69 Mythological Animals .............................................................................................. 70 Manticore ............................................................................................................ 70 Chapter 4: Conclusion .................................................................................................... 73 A Brief Note on the Current State of Research ........................................................ 75 Bibliography ................................................................................................................... 83 Appendix A: Catalog Reference List, Chronological ..................................................... 98 Early Cycladic I (3200 BCE-2800/2700 BCE) ...................................................... 100 Early Cycladic II (2800/2700 BCE-2400/2300 BCE) ............................................ 115 Early Cycladic III (2400/2300 BCE-2000 BCE) .................................................... 196 vi List of Figures Figure 1: The Cycladic Islands. Renfrew, The Emergence of Civilization, 137. ........... 76 Figure 2: Axes of migration into the Cyclades. Broodbank, An Island Archaeology, 132. ........................................................................................................................................ 77 Figure 3: Neolithic sites in the Cyclades. Broodbank, An Island Archaeology, 122. .... 78 Figure 4: The early prehistoric culture sequence in the Cycladic Islands. Renfrew, The Emergence of Civilization, 150. ..................................................................................... 79 Figure 5: The Early Prehistoric Culture Sequence in the Cycladic Islands; Renfrew, The Emergence of Civilization, 150. ..................................................................................... 80 Figure 6: Chart of chronological and typological development of Cycladic figurines; Getz-Gentle, Early Cycladic Art in North American Collections, 48. ........................... 81 Figure 7: Part of a large floor composition from Strofilas, Andros; Televantou, "Strofilas: A Neolithic Settlement on Andros," 49......................................................... 82 Figure 8: Rock pecking showing a canoe carrying a person and an animal, from Korphi t'Aroniou on Naxos; Broodbank, An Island Archaeology, 98........................................ 82 Figure 9: Ring-shaped idol pendant from Strofilas and Keros-Syros 'frying pan', Chalandriani; Televantou, "Strofilas: A Neolithic Settlement on Andros," 52; National Archaeological Museum website, accessed 3/19/17. ..................................................... 82 vii Abstract The focus of my thesis is to examine the noteworthy role that three-dimensional zoomorphic figures played in Cycladic Art during the Early Bronze Age Aegean period. The importance of animals for this period, clearly documented by their artistic representations, has largely been surpassed by scholarship on the anthropomorphic figures found in and around burial sites. It is my intention with this study, and an accompanying reference list of sixty-nine works, to provide evidence that supports the importance of the animals, their relationship to the communities of the islands, and to discuss the reasons and iconography behind their artistic production. Previously, the zoomorphic objects discussed here have been studied considering the archaeological context of their discovery, as part of a chronological group or on an individual basis only for their aesthetic qualities. However, by compiling them as an isolated corpus of objects, and then arranging them chronologically, new interpretations become apparent. When these considerations are combined with existing information known about the settlements and cemeteries where they were excavated, established hypotheses about other artifacts, and comparative data concerning cultures of contact, it is possible to come to new perspectives concerning the role of animal objects in the Early Cycladic period. I propose that the three-dimensional zoomorphic figures represented in the catalog reference list are in the categories of votives and occasionally cult images used in domestic cult activity. viii Chapter 1: Introduction Five thousand years ago, on a fractured island group in the Aegean Sea, dozens of small, tightly-knit communities were flourishing during the beginning of the Bronze Age in the Cyclades, (Fig.1). This early Cycladic period (c.3200-2000 BCE) is primarily defined by the myriad anthropomorphic marble figurines found in and around burial sites on these islands. A smaller corpus of figures are the three-dimensional representations of animals and these lesser-known objects are the focus of my thesis. I have compiled sixty-nine animal figures into a catalog reference list that includes the most recent state of research on these objects. Paintings, sculptures and clay modeled animals are part of human history, and the beginning of art history starts with their depictions
Load more

Recommended publications
  • Strange Grooves in the Pennines, United Kingdom
    Rock Art Research 2016 - Volume 33, Number 1, pp. 000-000. D. SHEPHERD and F. JOLLEY KEYWORDS: Groove – Gritstone – Pennine – Anthropogenic marking – Petroglyph STRANGE GROOVES IN THE PENNINES, UNITED KINGDOM David Shepherd and Frank Jolley Abstract. This paper presents an account of grooved markings found on sandstone surfaces in the Pennine upland of Yorkshire, United Kingdom, of other single examples in Scotland and the U.S.A., and of numerous unsuccessful attempts to secure an archaeological or geological explanation for them. Of particular interest are the cases where cupules and grooves appear in juxtaposition. There is a concluding discussion of some aspects which may inform a practical aetiology. Introduction of grooved surfaces have been found in around 600 The South Pennines comprise a dissected plateau square kilometres of South Pennine upland. rising to over 400 m, underlain by Namurian rocks of The Quarmby archive (WYAAS n.d.) contained a the Millstone Grit series of the Carboniferous period, in partial reference to a similar feature found on Orkney a gentle, anticlinal form; the area did not bear moving (Fig. 8). ice during the Late Devensian (final Pleistocene). The The Orkney example was found during peat- outcrops tend to fringe the upland edges. cutting at Drever’s Slap on Eday and was reported to During fieldwork to locate and record examples of the RCHAMS and subsequently placed on the Orkney rock art (Shepherd and Jolley 2011) a number of features Historic Monuments Record (RCHAMS 1981). A were identified that did not fit within the conventional site visit by D. Fraser, Department of Archaeology, canon of rock art (Figs 1 to 4).
    [Show full text]
  • Tracing Human Networks In
    TRACING HUMAN NETWORKS IN PREHISTORIC BALTIC EUROPE : THE INFORMATIVE POTENTIAL OF KRZYZ 7 AND DABKI 9 (POLAND) PRELIMINARY RESULTS ON BONE AND ANTLER WORKED MATERIAL Eva David To cite this version: Eva David. TRACING HUMAN NETWORKS IN PREHISTORIC BALTIC EUROPE : THE IN- FORMATIVE POTENTIAL OF KRZYZ 7 AND DABKI 9 (POLAND) PRELIMINARY RESULTS ON BONE AND ANTLER WORKED MATERIAL. [Research Report] Polish Academy of Sciences. 2007. hal-03285349 HAL Id: hal-03285349 https://hal.archives-ouvertes.fr/hal-03285349 Submitted on 13 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. SCIENTIFIC REPORT – PRELIMINARY RESULTS TRACING HUMAN NETWORKS IN PREHISTORIC BALTIC EUROPE : THE INFORMATIVE POTENTIAL OF KRZYZ 7 AND DABKI 9 (POLAND) PRELIMINARY RESULTS ON BONE AND ANTLER WORKED MATERIAL Eva DAVID* Recent archaeological investigations in Poland, at the Krzyz 7 and the Dabki 9 archaeological sites, open discussion about presence or extend of human networks in the Baltic Europe at the both 9th and 5th millenium BC. By networks, it is meant here transports or transferts of goods, ideas or technology that can possibly be highlighted by archaeological studies, by means of reconstructing human behaviours.
    [Show full text]
  • Seven Churches of Revelation Turkey
    TRAVEL GUIDE SEVEN CHURCHES OF REVELATION TURKEY TURKEY Pergamum Lesbos Thyatira Sardis Izmir Chios Smyrna Philadelphia Samos Ephesus Laodicea Aegean Sea Patmos ASIA Kos 1 Rhodes ARCHEOLOGICAL MAP OF WESTERN TURKEY BULGARIA Sinanköy Manya Mt. NORTH EDİRNE KIRKLARELİ Selimiye Fatih Iron Foundry Mosque UNESCO B L A C K S E A MACEDONIA Yeni Saray Kırklareli Höyük İSTANBUL Herakleia Skotoussa (Byzantium) Krenides Linos (Constantinople) Sirra Philippi Beikos Palatianon Berge Karaevlialtı Menekşe Çatağı Prusias Tauriana Filippoi THRACE Bathonea Küçükyalı Ad hypium Morylos Dikaia Heraion teikhos Achaeology Edessa Neapolis park KOCAELİ Tragilos Antisara Abdera Perinthos Basilica UNESCO Maroneia TEKİRDAĞ (İZMİT) DÜZCE Europos Kavala Doriskos Nicomedia Pella Amphipolis Stryme Işıklar Mt. ALBANIA Allante Lete Bormiskos Thessalonica Argilos THE SEA OF MARMARA SAKARYA MACEDONIANaoussa Apollonia Thassos Ainos (ADAPAZARI) UNESCO Thermes Aegae YALOVA Ceramic Furnaces Selectum Chalastra Strepsa Berea Iznik Lake Nicea Methone Cyzicus Vergina Petralona Samothrace Parion Roman theater Acanthos Zeytinli Ada Apamela Aisa Ouranopolis Hisardere Dasaki Elimia Pydna Barçın Höyük BTHYNIA Galepsos Yenibademli Höyük BURSA UNESCO Antigonia Thyssus Apollonia (Prusa) ÇANAKKALE Manyas Zeytinlik Höyük Arisbe Lake Ulubat Phylace Dion Akrothooi Lake Sane Parthenopolis GÖKCEADA Aktopraklık O.Gazi Külliyesi BİLECİK Asprokampos Kremaste Daskyleion UNESCO Höyük Pythion Neopolis Astyra Sundiken Mts. Herakleum Paşalar Sarhöyük Mount Athos Achmilleion Troy Pessinus Potamia Mt.Olympos
    [Show full text]
  • Îles Grecques – Les Cyclades Et Athènes
    Îles grecques Les Cyclades et Athènes Y VOIR L’ESSENTIEL M VIVRE LE MEILLEUR Marathonas Elefsina (Éleusis) ATHÈNES Megara p.46 Rafina Karistos Pireas (Le Pirée) SALAMINA + ANDROS ATHÈNES AU QUOTIDIEN / Gavrio L’ACROPOLE / Andros MUSÉE ARCHÉOLOGIQUE NATIONAL MAKRONISSI Egina G OLFE SA RONIQ Lavrio ANGISTRI UE KEA Korissia GIAROS Methana CAP Ioulida SOUNION P Poros É LO PO N POROS NÈ Ermo SE Merichas SYROS+ Hydra DOKOS KYTHNOS M SERFOPOULA E R D SERIFOS E Livadi M Y R T ANTIPAR O Kamares Apollonia CYCLADES OCCIDENTALES +SIFNOS DESPOTIK VELOPOULA p.164 KIMOLOS FALKONERA ANTIMILOS Plaka POLIEGOS Adamas MILOS Folegandros FOLEGANDROS+Karavosta TURQUIE E OP LES CYCLADES EUR ET ATHÈNES IRA GRÈCE ASIE AFRIQUE M E R É G É Gavrio ANDROS E Andros CYCLADES SEPTENTRIONALES p.98 GIAROS +TINOS IKARIA Tinos Mykonos Ermoupoli + SYROS+ MYKONOS RINIA + DELOS LA Naxos DONOUSSA Parikia + ANTIPAROS NAXOS s KINAROS Apollonia KOUFONISSIA +SIFNOS PAROS KEROS DESPOTIKO +AMORGOS IRAKLIA Katapola Amorgos SCHINOUSSA LIEGOS SIKINOS IOS Ios Kastro Alopronia Folegandros ANUDROS ANDROS+Karavostassis ASTIPALEA CYCLADES ORIENTALES p.206 Oia FIRASSIA ANAFI Fira + Anafi SANTORIN CHRISTIANI N 25 km Îles grecques Les Cyclades et Athènes BIENVENUE DANS LES… es maisons chaulées de blanc dégringolant d’une colline, vers une mer d’un bleu aussi D intense que l’azur du ciel… Voici l’image éternelle des Cyclades, archipel aux 250 îles de toutes tailles disséminées dans la mer Égée. Chacune pourrait être une perle d’un komboloï, ce chapelet grec dont le nœud de fixation serait Athènes, la capitale, berceau culturel de l’Europe, sur laquelle veille la silhouette mythique de l’Acropole.
    [Show full text]
  • Mathias Mehofer
    REINHARD JUNG · MATHIAS MEHOFER MYCENAEAN GREECE AND BRONZE AGE ITALY: COOPERATION, TRADE OR WAR? »I continue to believe it probable that the occasion for the first introduction of Type II swords to the Aegean was military necessity that drove Mycenaean princes to hire warriors from outside Greece. These warriors brought their own armouries with them. Their swords in particular were greatly admired by their em - ployers, who set their own swordsmiths to copy and adapt them.« 1 Since the publication of Hector Catling’s paper, which contains the above interpretation of Late Bronze Age relations between Mycenaean Greece and its north-western neighbours, various research ers have decisively contributed to a better understanding of the pro - cesses that lead 1) to the adoption of new types of weapons, armour, dress accessories and implements (often referred to as metallurgical koiné or »urnfield bronzes«) at the end of the Aegean Bronze Age and 2) to the local production of impasto pottery of Italian Recent and Final Bronze Age type in the Aegean and beyond. Thanks to the results of recent studies, we are provided with detailed typological arguments 2 that support the theory that the origin of those bronze and pottery types has to be traced back to Italy (figs 1-2). Other schools of research argued that the majority of the types forming the Fig. 1 Sites of the studied objects in Italy. – (Map R. Jung / metallurgical koiné was invented in the regions of M. Mehofer). Fig. 2 Sites of the studied objects in Greece. – (Map R. Jung / M. Mehofer). Archäologisches Korrespondenzblatt 43 · 2013 175 the Balkans and/or Central Europe and reached the Aegean via a Balkan route 3, whereas still others proposed to ascribe at least specific types to a Central European/Balkan origin 4.
    [Show full text]
  • Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014
    Updated Tuesday, December 31, 2013 | 1:38:43 PM Last updated Tuesday, December 31, 2013 Updated Tuesday, December 31, 2013 | 1:38:43 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Heaven and Earth: Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. Cat. No. 1A / File Name: 3514-117.jpg Statuette of Europa, 1st or early 2nd century marble height: 34.5 cm (13 9/16 in.) Archaeological Museum of Ancient Corinth Cat. No. 1B / File Name: 3514-118.jpg Head of Pan, 2nd century (?) marble height: 14.4 cm (5 11/16 in.) Archaeological Museum of Ancient Corinth Cat.
    [Show full text]
  • Bibliography
    Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza­ Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P.
    [Show full text]
  • DESERTMED a Project About the Deserted Islands of the Mediterranean
    DESERTMED A project about the deserted islands of the Mediterranean The islands, and all the more so the deserted island, is an extremely poor or weak notion from the point of view of geography. This is to it’s credit. The range of islands has no objective unity, and deserted islands have even less. The deserted island may indeed have extremely poor soil. Deserted, the is- land may be a desert, but not necessarily. The real desert is uninhabited only insofar as it presents no conditions that by rights would make life possible, weather vegetable, animal, or human. On the contrary, the lack of inhabitants on the deserted island is a pure fact due to the circumstance, in other words, the island’s surroundings. The island is what the sea surrounds. What is de- serted is the ocean around it. It is by virtue of circumstance, for other reasons that the principle on which the island depends, that the ships pass in the distance and never come ashore.“ (from: Gilles Deleuze, Desert Island and Other Texts, Semiotext(e),Los Angeles, 2004) DESERTMED A project about the deserted islands of the Mediterranean Desertmed is an ongoing interdisciplina- land use, according to which the islands ry research project. The “blind spots” on can be divided into various groups or the European map serve as its subject typologies —although the distinctions are matter: approximately 300 uninhabited is- fluid. lands in the Mediterranean Sea. A group of artists, architects, writers and theoreti- cians traveled to forty of these often hard to reach islands in search of clues, impar- tially cataloguing information that can be interpreted in multiple ways.
    [Show full text]
  • Ebook Download Greek Art 1St Edition
    GREEK ART 1ST EDITION PDF, EPUB, EBOOK Nigel Spivey | 9780714833682 | | | | | Greek Art 1st edition PDF Book No Date pp. Fresco of an ancient Macedonian soldier thorakitai wearing chainmail armor and bearing a thureos shield, 3rd century BC. This work is a splendid survey of all the significant artistic monuments of the Greek world that have come down to us. They sometimes had a second story, but very rarely basements. Inscription to ffep, else clean and bright, inside and out. The Erechtheum , next to the Parthenon, however, is Ionic. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world. The Moschophoros or calf-bearer, c. Red-figure vases slowly replaced the black-figure style. Some of the best surviving Hellenistic buildings, such as the Library of Celsus , can be seen in Turkey , at cities such as Ephesus and Pergamum. The Distaff Side: Representing…. Chryselephantine Statuary in the Ancient Mediterranean World. The Greeks were quick to challenge Publishers, New York He and other potters around his time began to introduce very stylised silhouette figures of humans and animals, especially horses. Add to Basket Used Hardcover Condition: g to vg. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural color of the stone or bronze, but it could also cover sculptures in their totality; female skin in marble tended to be uncoloured, while male skin might be a light brown. After about BC, figures, such as these, both male and female, wore the so-called archaic smile.
    [Show full text]
  • Mediterranean Divine Vintage Turkey & Greece
    BULGARIA Sinanköy Manya Mt. NORTH EDİRNE KIRKLARELİ Selimiye Fatih Iron Foundry Mosque UNESCO B L A C K S E A MACEDONIA Yeni Saray Kırklareli Höyük İSTANBUL Herakleia Skotoussa (Byzantium) Krenides Linos (Constantinople) Sirra Philippi Beikos Palatianon Berge Karaevlialtı Menekşe Çatağı Prusias Tauriana Filippoi THRACE Bathonea Küçükyalı Ad hypium Morylos Neapolis Dikaia Heraion teikhos Achaeology Edessa park KOCAELİ Tragilos Antisara Perinthos Basilica UNESCO Abdera Maroneia TEKİRDAĞ (İZMİT) DÜZCE Europos Kavala Doriskos Nicomedia Pella Amphipolis Stryme Işıklar Mt. ALBANIA JOINAllante Lete Bormiskos Thessalonica Argilos THE SEA OF MARMARA SAKARYA MACEDONIANaoussa Apollonia Thassos Ainos (ADAPAZARI) UNESCO Thermes Aegae YALOVA Ceramic Furnaces Selectum Chalastra Strepsa Berea Iznik Lake Nicea Methone Cyzicus Vergina Petralona Samothrace Parion Roman theater Acanthos Zeytinli Ada Apamela Aisa Ouranopolis Hisardere Elimia PydnaMEDITERRANEAN Barçın Höyük BTHYNIA Dasaki Galepsos Yenibademli Höyük BURSA UNESCO Antigonia Thyssus Apollonia (Prusa) ÇANAKKALE Manyas Zeytinlik Höyük Arisbe Lake Ulubat Phylace Dion Akrothooi Lake Sane Parthenopolis GÖKCEADA Aktopraklık O.Gazi Külliyesi BİLECİK Asprokampos Kremaste Daskyleion UNESCO Höyük Pythion Neopolis Astyra Sundiken Mts. Herakleum Paşalar Sarhöyük Mount Athos Achmilleion Troy Pessinus Potamia Mt.Olympos Torone Hephaistia Dorylaeum BOZCAADA Sigeion Kenchreai Omphatium Gonnus Skione Limnos MYSIA Uludag ESKİŞEHİR Eritium DIVINE VINTAGE Derecik Basilica Sidari Oxynia Myrina Kaz Mt. Passaron Soufli Troas Kebrene Skepsis UNESCO Meliboea Cassiope Gure bath BALIKESİR Dikilitaş Kanlıtaş Höyük Aiginion Neandra Karacahisar Castle Meteora Antandros Adramyttium Corfu UNESCO Larissa Lamponeia Dodoni Theopetra Gülpinar Pioniai Kulluoba Hamaxitos Seyitömer Höyük Keçi çayırı Syvota KÜTAHYA Grava Polimedion Assos Gerdekkaya Assos Mt.Pelion A E GTURKEY E A N S E A &Pyrrha GREECEMadra Mt. (Cotiaeum) Kumbet Lefkimi Theudoria Pherae Mithymna Midas City Ellina EPIRUS Passandra Perperene Lolkos/Gorytsa Antissa Bahses Mt.
    [Show full text]
  • Study Guide Academic Year 2015-2016
    SCHOOL OF HUMANITIES AND CULTURAL STUDIES DEPARTMENT OF HISTORY, ARCHAEOLOGY & CULTURAL RESOURCES MANAGEMENT Study Guide Academic Year 2015-2016 DHACRM Study Guide, 2015-16 2 Table of Contents The University of the Peloponnese ........................................................................................... 6 Department of History, Archaeology & Cultural Resources Management ................ 8 Undergraduate Studies at DHACRM ....................................................................................... 12 Overview of Courses by Semester, No. of Teaching Units & ECTS .............................. 13 IMPORTANT NOTES! .................................................................................................................... 21 Course Guide .................................................................................................................................... 22 CORE COURSES ....................................................................................................................... 22 12Κ1 Ancient Greek Philology: The Homeric Epics - Dramatic Poetry ........... 22 12Κ2 Introduction to the Study of History ................................................................. 22 12Κ3 Introduction to Ancient History ......................................................................... 23 12Κ5 What is Archaeology? An Introduction ............................................................ 23 12Κ6 Prehistoric Archaeology: Τhe Stone and the Bronze Age ......................... 24 12K8 Byzantine
    [Show full text]
  • Recent Trends in the Archaeology of Bronze Age Greece
    J Archaeol Res (2008) 16:83–161 DOI 10.1007/s10814-007-9018-7 Aegean Prehistory as World Archaeology: Recent Trends in the Archaeology of Bronze Age Greece Thomas F. Tartaron Published online: 20 November 2007 Ó Springer Science+Business Media, LLC 2007 Abstract This article surveys archaeological work of the last decade on the Greek Bronze Age, part of the broader discipline known as Aegean prehistory. Naturally, the literature is vast, so I focus on a set of topics that may be of general interest to non-Aegeanists: chronology, regional studies, the emergence and organization of archaic states, ritual and religion, and archaeological science. Greek Bronze Age archaeology rarely appears in the comparative archaeological literature; accord- ingly, in this article I place this work in the context of world archaeology, arguing for a reconsideration of the potential of Aegean archaeology to provide enlightening comparative material. Keywords Archaeology Á Greece Á Bronze Age Á Aegean prehistory Introduction The present review updates the article by Bennet and Galaty (1997) in this journal, reporting work published mainly between 1996 and 2006. Whereas they charac- terized trends in all of Greek archaeology, here I focus exclusively on the Bronze Age, roughly 3100–1000 B.C. (Table 1). The geographical scope of this review is more or less the boundaries of the modern state of Greece, rather arbitrarily of course since such boundaries did not exist in the Bronze Age, nor was there a uniform culture across this expanse of space and time. Nevertheless, distinct archaeological cultures flourished on the Greek mainland, on Crete, and on the Aegean Islands (Figs.
    [Show full text]