Patterns of Exchange and Mobility: the Case of the Grey Ware in Middle and Late Minoan Crete
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The Earliest Settlements at Eutresis Supplementary
THE EARLIESTSETTLEMENTS AT EUTRESIS SUPPLEMENTARYEXCAVATIONS, 1958 (PLATES 40-53) E UTRESIS in Boeotia, investigated by Hetty Goldman in the years 1924-1927, continues to be a principal source of our knowledge of the Bronze Age on the Greek mainland. It is a rich, well-stratified site; the excavations were conducted with skill and precision; and the definitive publication1 provides an admirably clear report of what was found. Although much of the hill was left untouched in the campaigns of the 1920's, the areas examined were sufficient to furnish reliable information about the Mycenaean and Middle Helladic settlements and about the remains of the three principal stages of Early Helladic habitations. Only the very earliest strata, lying on and just over virgin soil, proved relatively inaccessible. These were tested in six deep pits; 2 but owing to the presence of later structures, which were scrupulously respected by the excavators, the area at the bottom of the soundings was limited, amounting altogether to no more than 45 square meters. Two of the shafts revealed circular recesses cut in the hardpan, apparently the sites of huts; and the earliest deposits contained broken pottery of Neolithic types, mixed with relatively greater quantities of Early Helladic wares.3 The nature and significance of these earliest remains at Eutresis have been sub- jects of speculation during the past generation of prehistoric research. In the spring of 1958 Miss Goldman visited the site with the authors of this report and discussed the question again. It was agreed that a further test of the most ancient strata was worth undertaking, and a suitable region was noted for another deep sounding, con- siderably larger than any of the pits that had been excavated in 1927. -
Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
A Poor Pick of Pottery?
[Type here] UNIVERSITEIT VAN AMSTERDAM MA Thesis Supervisor Prof. V.V. Stissi KASTRAKI: A POOR PICK OF POTTERY? The Middle Helladic Problem – Reassessing Thessaly’s ‘Dark Age’ Table of Contents List of Figures 2 List of Appendix Material 3 Abstract 5 Introduction 6 (i) Introducing Kastraki- Between the Almiros and Sourpi Plains 9 Chapter One: 9 Excavation and Scholarship on Prehistoric Thessaly: Cultural Context Chapter Two: 15 The Middle Helladic Problem: Ceramics and Chronology Chapter Three: 24 A Thessalian Study: Researching Kastraki Chapter Four: 30 Results of 2016 Study Season: Fabric Groups and Parallels Conclusion 45 Appendix 45 (i) Catalogue 45 (ii) Illustrations 63 (iii) Photographs of Diagnostic Sherds 68 Bibliography 85 1 | P a g e List of Figures Figure 1: Google earth image showing the location of Kastraki, and its surrounding region. 4 Source: Map data 2016 Google Maps 2016 TerraMetrics Figure 2: Hand-drawn map of the Almiros/Sourpi region and surrounding landscape. 9 Source: Wace and Thompson (1912). Figure 1: Computational map of Kastraki (2000/48) and surrounding areas showing elevation. 11 Source: Jitte Waagen (2016). Figure 4: Mycenaean pottery illustrations from Mycenae. 17 Source: Mountjoy (1990), 247. Figure 5: The terrain of Kastraki (2000/48). 29 Source: Jitte Waagen (2016). Figure 6: Finds from the Kastraki excavation. 32 Source: Batziou-Efstathiou (2008), 300. Figure 7: Computational Map of the Kastraki survey area 36 Source: Jitte Waagen (2016). Figure 8: Basic hand-drawn map of survey area. 45 Source: Author (2016). 2 | P a g e List of Appendix Material (i) Catalogue 42 Section A: Photographs of Find-Spot Groupings 43 Section B: Part I 49 Part II 55 (ii) Illustrations 60 Illu. -
The First Appearances of Kamares Ware in the Levant
THE FIRST APPEARANCES OF KAMARES WARE IN THE LEVANT By Robert S. Merrillees Though well known and often cited, the first occur- (BUCHHOLZ and KARAGEORGHIS 1973, 150 No. 1572), rences of pottery exports from Minoan Crete to the by Cadogan to EM III or MM IA (CADOGAN 1983, Bronze Age Levant have never been systematically 513) and by Warren and Hankey to “EM III/early studied, and their contribution to our understand- MM IA” (WARREN and HANKEY 1989, 115). It has a ing of trade relations, history and the relative and smoothed matt buff exterior surface, with matt absolute chronologies of the eastern Mediterranean black, black-brown and brown painted decoration region has largely been taken for granted. An excel- outside and inside the rim. Height to rim: 14.9 cm. lent illustration of this state of affairs, and the most Diameter of rim 15.0 cm. It has been mended and is recent survey of the evidence, is provided by H.-G. almost complete, lacking some sherds which have BUCHHOLZ in his major monograph on Ugarit, Zypern been filled in with plaster. Though customarily und Ägäis. Kulturbeziehungen im zweiten Jahrtausend vor dated to EC IIIB (ÅSTRÖM 1979, 56 ff.; CADOGAN Chr., published in Münster in 1999, 390 ff. The pres- 1983, 513), I have argued, on the evidence of the ent work sets out to bring together all of the relevant pottery types associated with the Cretan import, that material which is scattered in numerous publica- it was deposited in MC I (MERRILLEES 1979, 21 ff.). tions, museums and depots, and to analyse its con- There has been no dispute over the dating in texts with a view to determining synchronisms and Cyprus of the Kamares Ware cup found in Karmi dating horizons and drawing some general histori- Palealona Tomb 11B No. -
The Aegean Chapter Viii the Decorative
H. J. Kantor - Plant Ornament in the Ancient Near East, Chapter VIII: The Decorative Flora of Crete and the Late Helladic Mainland SECTION II: THE AEGEAN CHAPTER VIII THE DECORATIVE FLORA OF CRETE AND THE LATE HELLADIC MAINLAND In the midst of the sea, on the long island of Crete, there dwelt a people, possessors of the fabulous Minoan culture, who are known to have had trade relations with Egypt, and with other Near-Eastern lands. Still farther away towards the north lies the Mainland of Greece, a region that proved itself to be a very hospitable host to the graft of Minoan culture. Before the close of the LH period the ceramic results of this union were to be spread over the Near East in great profusion and it becomes necessary to define the extent of Aegean influence on those traditions of Near-Eastern art that lie within the scope of our topic. Before this is possible a concise summary of the plant ornamentation of the Aegean must be presented.1 This background forms a necessary basis without which the reaction of Aegean plant design on the main development of our story, be it large or small, cannot be determined. 1 A great deal of interest and work has been devoted to the study of Minoan decorative art almost since the beginning of its discovery, and full advantage of this has been taken in the preparation of the present survey. The chief treatments of the subject are as follows: Edith H. Hall, The Decorative Art of Crete in the Bronze Age (Philadelphia, 1907); Ernst Reisinger, Kretische Vasenmalerei vom Kamares bis zum Palast-Stil (Leipzig, Berlin, 1912); Diederich Fimmen, Die Kretisch-Mykenische Kulture (Leipzig, Berlin, 1924), Alois Gotsmich, Entwicklungsgang der Kretischen Ornamentik, Wein, 1923); Frederich Matz, Frühkretische Siegel (Berlin, 1928), covering a much wider field than is indicated by the title; Georg Karo, Die Schachtgräber von Mykenai (Munchen, 1939). -
Minoan Art First Term 1958 at the Southern End of the Aegean Sea
Minoan Art First Term 1958 At the southern end of the Aegean Sea, Crete was situated in an excellent geographical position to receive cultural stimulus from Mesopotamia and the Near East, and also from the north, from Europe: and it enjoyed the natural protection afforded by the sea. And during the Bronze Age (an archaeological period which in the Near Eastern countries dares from around 3000BC to 1000BC) a flourishing civilization with strong individual characteristics arose and flourished. The rise of England, in relation to Northern Europe, many centuries later affords a rough parallel to the rise of Crete in the Eastern Mediterranean during the Bronze Age. Let us look at a map of the area.* Nothing was known about the culture of Ancient Crete until Sir Arthur Evans purchased the site of the temple of Knossos in 1900 and began to uncover the ruins of the huge Palace of Knossos. He was following up the work of Heinrich Schliemann who had begun excavations at Troy in northern Asia Minor and later a Tiryns and Mycenae in the south o Greece, in 1890s. Evans revealed the presence of a highly civilized and flourishing Bronze Age civilization in Crete which he called Minoan, from the King Minos of Greek legend. The Minoan culture was found to be, unlike the great kingdoms of the Near East and Egypt, an essentially maritime culture based upon maritime supremacy in the eastern Mediterranean Minoan vessels traded with Egypt, the Levant, Cyprus and Asia Minor. In consequence the culture owes much to Egypt and the Near East, but the Minoans stamped their art with a strong personal quality of its own. -
Hiero Seal Palaikastro 2019.Pdf (1.832Mb)
OFFPRINT From PALAIKASTRO: BUILDING 1 SUPPLEMENTARY VOLUME 48 THE BRITISH SCHOOL AT ATHENS 2019 The copyright on this publication belongs to the British School at Athens. As author you are licensed to make printed copies of the pdf or to send the unaltered pdf file to up to 50 contacts. You may not upload this pdf to the World Wide Web — including websites such as academia.edu and open-access repositories — until three years after publication. Please ensure that anyone receiving an offprint from you observes these rules as well PALAIKASTRO BUILDING 1 edited by J. A. MACGILLIVRAY AND L. H. SACKETT with contributions by J. N. BOTTEMA-MAC GILLAVRY, T. F. CUNNINGHAM, C. DOHERTY, J. M. DRIESSEN, D. EVELY, P. JEROME, O. H. KRZYSZKOWSKA, D. MYLONA, D. REESE, J. RUSSELL, A. SARPAKI, S. WALL-CROWTHER, P. WESTLAKE and J. G. YOUNGER SUPPLEMENTARY VOLUME 48 Published by THE BRITISH SCHOOL AT ATHENS 2019 Published and distributed by The British School at Athens 10 Carlton House Terrace London SW1Y 5AH Series Editor: John Bennet Managing Editor: Olga Krzyszkowska © The Council, The British School at Athens ISBN 978-0-904887-70-9 Designed and computer type-set by Rayna Andrew Printed by Short Run Press Ltd, Exeter, Devon, United Kingdom Contents List of Figures x List of Tables and Charts xiv List of Plans, Sections and Elevations xv List of Plates xvi General abbreviations, technical terms, symbols, measurements, glossary xix Palaikastro site periods with their approximate Cretan equivalents xx Palaikastro pottery wares and styles outline xxi Acknowledgements xxiii Preface xxv Chapter 1 The excavation by L. -
Ceramic Production and Exchange in the Late Mycenaean Saronic Gulf
Ceramic Production and Exchange in the Late Mycenaean Saronic Gulf William D. Gilstrap A Thesis Submitted for the Degree of Doctor of Philosophy Department of Archaeology University of Sheffield February 2015 Abstract This thesis examines the production, exchange and consumption of pottery around the Saronic Gulf, Greece, during Late Mycenaean period, specifically Late Helladic IIIB1 to Late Helladic IIIC Phase 1, roughly 1300-1130 BC. While the focus of many studies of Mycenaean political economy has fallen on Messinia and the Argolid, the choice of the Saronic Gulf offers the chance to examine ceramic crafting, movement and use in an area which hosts no accepted ‘palatial’ centres. It aims to examine the role of pottery in everyday social and economic transaction, taking a ‘bottom-up’ approach to shedding light on Mycenaean society and economy. Pottery from a wide range of sites has been studied: urban centres such as Athens; harbours at Kanakia on Salamis and Kalamianos in coastal Corinthia; small settlements of Stiri in Corinthia, Myti Kommeni on Dokos and Lazarides on Aegina; sanctuary sites of Eleusis and Ayios Konstantinos, Methana; and finally the settlement and pottery production site of Kontopigado, Alimos near the Attic coast. Based on typological and macroscopic fabric studies, a large number of samples have been chosen for examination by an integrated programme of petrographic, chemical (by neutron activation analysis) and microstructural analysis (by scanning electron microscopy), in order to group and characterise to pottery according to composition, to reconstruct key aspects of ceramic manufacture and, where possible, to suggest the area or location of their production. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Volume Information
AMERICANJOURNAL OF ARCHAEOLOGY VOLUME 74 1970 THE JOURNAL OF THE ARCHAEOLOGICAL INSTITUTE OF AMERICA RICHARDSTILLWELL, McCormick Hall, Princeton, New Jersey, Editor-in-Chief NANCY BALDWINSMITH, McCormick Hall, Assistant Editor DOROTHYKENT HILL, The Walters Art Gallery, Editor, Book Reviews RICHARDB. WOODBURY,University of Massachusetts,Editor, New World Book Reviews ADVISORY BOARD OF ASSOCIATE EDITORS WILLIAMF. ALBRIGHT GEORGEM. A. HANFMANN The Johns Hopkins University Harvard University CARLW. BLEGEN ANN PERKINS Athens, Greece University of Illinois FRANKE. BROWN EDITHPORADA American Academy in Rome Columbia University WILLIAM B. DINSMOOR GISELAM. A. RICHTER Athens, Greece Rome, Italy STERLINGDow H. R. W. SMITH Harvard University The University of California GLANVILLEDOWNEY EMILY VERMEULE Indiana University Harvard University ALFREDR. BELLINGER,representing American School of Classical Studies, Athens HONORARY EDITORS RODNEY S. YOUNG, President of the Archaeological Institute of America FRANK E. BROWN,American Academy in Rome, School of ClassicalStudies GEORGEERNEST WRIGHT, President, American Schools of Oriental Research DOUGLASW. SCHWARTZ,Director, School of American Research CONTENTS OF VOLUME 74 (1970) PAGE H. L. Allen, Excavations at Morgantina (Serra Orlando) 1967-I969.Preliminary Report X 359 Ambler, J. R. Rev. of Gunnerson, The Fremont Culture 122 Angel, J. L. Human Skeletal Remains at Karatas 253 Azarpay, G. and 0. W. Muscarella. Exchange 208 Bakalakis, G. The "Classical"Bridge at Amphipolis 289 Barag, D. Rev. of Riefstahl, Ancient Egyptian Glass and Glazes in the Brooklyn Museum 210 Bass, G. F. A Hoard of Trojan and Sumerian Jewelry 335 Benson, J. L. Rev. of Coldstream, Greek Pottery 303 Betancourt, P. P. The Maikop Copper Tools and their Relationship to Cretan Metallurgy 351 Bieber, M. -
Attic Pottery of the Later Fifth Century from the Athenian Agora
ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art. -
Muse1991v25p42-53.Pdf (1.602Mb)
SOME THOUGHTS ON THE MYCENAEAN POTTERY IN THE COLLECTION OF THE UNIVERSITY OF MISSOURI, COLUMBIA ELIZABETH FRENCH PENELOPE MOUNTJOY The fa/lawing notes on the Museum of Art and Archaeology's collection of Mycenaean patten; have been compiled by Ors. Elizabeth French and Penelope Mountjoy.The occasion which brought about this project was a seminar given by Professor William Biers of MU's Department of Art History and Archaeology at the American School of Classical Studies at Athens in 1990. 1 he collection comprises only fifteen vases2: seven stirrup jars, one jug, one T lekythos, one feeding bottle, two pilgrim flasks, two alabastra and one pyxis. Yet they illustrate several of the more important issues of present research and form an excellent nucleus for the teaching and understanding of Mycenaean ceramics. First, all are closed vessel forms and both from their types and their unbroken condition almost certainly come from tombs. Tomb vases are thought to have contained scented unguents, both liquid and solid, and food stuffs for the use of the dead on their way to another world. Secondly, though in date they range from LHIIIAI to the end of the Mycenaean period, even with this small number they reflect the ceramic history of the Aegean. It is not surprising that the earliest vases in the collection date to LHIIIA 1; this is the period when a mainland style first spreads in Greece and the islands and when we see the first real expansion into the Eastern Mediterranean. Five vases can be assigned to LHIIIA2/B1, phases which are often hard to disentangle as they form a continuum and in many ways the acme of mainland ceramics and their export.