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Cambridge University Press 978-0-521-76904-4 - Art in the Era of Alexander the Great: Paradigms of Manhood and their Cultural Traditions Ada Cohen Index More information INDEX Abdalonymus, 120, 122–123, 320n6. Aeschylus Alexander Romance, 14, 312n185 See also Alexander Agamemnon, 116 Alexander Sarcophagus, figs. 52–56 Sarcophagus Oresteia,4 analogy and program on, abduction, 51–55, 162, 301 Persians, 170, 172 119–129 abductor dressed as warrior, 175 Seven against Thebes, 181 description of, 119–120 death and, 9–10 Aesop, 4 ideology of, 123, 140 of male by female, 323n42 Agamemnon, 44, 52, 113, 116, 150, parallels to, 126–127 as metaphor for marriage, 207, 181 style and composition of, 120–123 216–217, 223, 229–230, 233, Agamemnon (Aeschylus), 116 Alexander the Great 332nn163–164. See also Agatharchus, 247, 336n43 Amazon connection, 60–61, 167 individual abductions; rape Agios Athanasios, tomb, 5, 28, 244, education of, 131 absolutism, link with rape, 301 262 gaze and, 40 absorption and theatrically, 38–39 Agora of Athens, relief bowls with hunt at Bazaira, 76, 263–264, Abu Ghraib prison, 173 abduction of Persephone, 210, 281–282 Abukir medallions, 23 figs. 98, 99 as lion, 114, 116 Acanthus, animal attacks on coins hunting scene, 263–264, fig. 119 as rider in lion vignette in Tomb II, from, 96, 108, 318n135 Agrigento, red-figure calyx krater, Vergina, 262–264 Achaean, 113–114 Coghill Painter, 219–220 Scythians and, 92 Achaemenid cylinder seal, 84, fig. 29 Agrigento Painter, Attic red-figure sexual restraint of, 166–168, 182, Achaemenid motif, in Attic art, 105 dinos, 274, fig.
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